FacebookIf you accept that Damon Albarn is speaking truth and that these are the end times for Blur, you have to admit they’re doing it right. They’ve got their August 12 date at Hyde Park in London earmarked as the swan song, a lovely new (final) single in “Under The Westway” in the can and ready to surely top the charts one last time, and before they go, they’re clearing out the archival cupboards well and proper.

On July 31, to mark the 21st anniversary of their debut album Leisure and presumably the end of their career, they’ll release Blur 21 – a massive, career-spanning box set that will be made available in two formats. The digital box will contain all seven studio albums in remastered and expanded double-CD format, four discs of rarities not redundant to the material on each album’s bonus disc, three DVDs of live performances and videos, a 7″ of a Seymour-era single, and a fancy hardbound book about the band. The vinyl box will contain all seven albums on vinyl. And for the fans who aren’t insane collectors, each gussied-up album will be available individually in both CD and LP formats.

Yes that is a lot of Blur, but if you’re any degree of fan, try watching the trailer for the set and not thinking, “man I want that set”. If you’re curious, the pricing in Canada comes in at around $320 for either the vinyl box or the digital.

Trailer: Blur 21

If you’re interested in what Albarn will do with himself since he’s bringing the curtain down on both Blur and Gorillaz, then this stream at NPR of his Dr. Dee solo album/opera might offer some idea of his direction.

Stream: Damon Albarn / Dr. Dee

And while on the topic of reissues from seminal British bands from the ’90s, Exclaim points out that Ride are marking the 20th anniversary of Going Blank Again with a deluxe reissue consisting of a remaster of the album and a DVD of their 1992 show at the Brixton Academy (though probably in Region 1 and PAL format). It was also just pointed out to me that Going Blank Again got a vinyl reissue in February of this year thanks to Japanese archival label Obscure Alternatives.

Video: Ride – “Twisterella”

The Guardian and The Independent talk to Tim Burgess of The Charlatans about his forthcoming memoirs Tellin’ Stories, due out May 29. Slicing Up Eyeballs reports that their 1997 album of the same name will get its own 15th anniversary reissue on May 28 in double-disc format.

Video: The Charlatans – “North Country Boy”

Exclaim talks to Jason Pierce of Spiritualized. They’re at The Phoenix on May 5.

Austin City Limits is offering a tease of their recent Radiohead performance which was recorded in March but won’t air until the Fall. They’re at Downsview Park on June 16.

Video: Radiohead – “Lotus Flower” (live on Austin City Limits)

Pitchfork gets Jonny Marr to recount his musical influences through the years.

Clash talks literary influences with Gerard Love of Lightships.

Pitchfork talks to Bob Stanley of Saint Etienne about their new album Words And Music By Saint Etienne, due out on May 21; they’ve also got a stream of a new song from the album.

Stream: Saint Etienne – “Answer Song”

Pitchfork reports that Field Music will be collecting all the covers they’ve recorded over the years and releasing them in album form this Fall. I like Field Music covers. This pleases me.

State and Metro talk to Mystery Jets about their new record Radlands, out May 1, while NME has a stream of the whole thing. They’re at The Sound Academy on June 19 opening up for Keane.

Stream: Mystery Jets / Radlands

The Big Pink have released a new video from Future This.

Video: The Big Pink – “Lose Your Mind”

DIY has both a stream of Europe, the lovely new record from Allo Darlin’, and song-by-song commentary by the band. It’s out on May 1 over here but if you were to get it in the UK via Rough Trade, you could get it with a limited edition bonus CD containing six cover songs including this Go-Betweens tune, which they’re also offering as a stream.

Stream: Allo Darlin’ – “Dive For Your Memory”
Stream: Allo Darlin’ / Europe

We don’t have details on her second album yet, but Little Boots has released a second MP3 from it (“Shake” was offered up as a stream last November).

MP3: Little Boots – “Every Night I Say A Prayer”

Emmy The Great has released the second of her “God Of Loneliess” comics at Drowned In Sound along with another remix; that’s the third, another came out late last week. The Virtue deluxe edition and “God Of Loneliness” single are both out May 7.

MP3: Emmy The Great – “God Of Loneliness” (Dems remix)

Glide has a chat with Dry The River, who’ve released a new video from their debut Shallow Bed.

Video: Dry The River – “No Rest”

Daytrotter has posted a session with Johnny Flynn and The Guardian has an interview.

Gabriel BruceI’m no fan of the deluxe reissue trend – at least not with respect to an album that came out less than a year ago – as it tends to punish the biggest fans, those who would have bought the original issue and most want whatever bonus materials are applied to the reissue. So while I don’t greet the news that Emmy The Great is doing this with last year’s Virtue – one of my faves of 2011 – I at least appreciate that some of the bonus material will be made available separately.

The fancy edition of Virtue will be out on May 7 and include three unreleased songs from the sessions for the album and a cover of Mazzy Star’s “Fade Into You”. One of those songs – “God Of Loneliness” – will also be released that day as a single with the Mazzy Star cover as a b-side so if you don’t want to repurchase Virtue, there’s that option. Though you know those other two tracks will indeed taunt you with their very existence. To also go along with the occasion, they’ve also commissioned four comic strips to go with it all – the first is up at The Line Of Best Fit – and four remixes that are being made available to download for free. And oh, there’s a video/black comedy mini-movie for the single.

MP3: Emmy The Great – “Exit Night” (Banjo or Freakout remix)
Video: Emmy The Great – “God Of Loneliness”

Already out in the UK but now getting a proper North American release is Dry The River’s own debut Shallow Bed. Spinner has an interview with the band and a stream of the album.

MP3: Dry The River – “New Ceremony”
Stream: Dry The River / Shallow Bed

Clock Opera’s debut album Ways To Forget is now streaming in whole at Hype Machine; it’s out April 23 in the UK and The Line Of Best Fit talks to the band about it.

MP3: Clock Opera – “Once And For All”
Stream: Clock Opera / Ways To Forget

Radio Free Canuckistan has posted the complete transcript of the interview with Nick Lowe that went into the Macleans piece; The Star-Tribune also has an interview. Lowe plays The Phoenix on April 23.

The Guardian, Spinner, and NPR talk to Jason Pierce of Spiritualized, whose Sweet Heart Sweet Light is finally out. They’re at The Phoenix on May 5.

Interview talks to Anthony Gonzalez of M83, who’re in town not once but twice this Summer – May 6 for a headlining show at the Sound Academy and August 4 at Historic Fort York co-headlining the HARD festival with Justice.

Pitchfork reports that jj have commissioned a video to go with their latest release jj n° 4, out on May 8.

Video: jj – “Beautiful Life”

Prefix is streaming the whole of We Are Serenades’ debut Criminal Heaven, out now. They’re at The Garrison on May 14.

MP3: We Are Serenades – “Birds”
MP3: We Are Serenades – “Oceans”
Stream: We Are Serenades / Criminal Heaven

Anglo-Basque electro-rock outfit Crystal Fighters have made a date at Wrongbar on May 26 in support of their debut album Star Of Love, out April 24. Examiner.com has an interview with the band.

Video: Crystal Fighters – “Plage”

Hot Chip are streaming a second single from their new record In Our Heads, It’s out June 12 and they’re at the Sound Academy on July 15.

Stream: Hot Chip – “Night & Day”

Blurt talks to Laura Marling, in town for a show at The Phoenix on June 17.

Le Blogotheque has posted a Take-Away Show with Michael Kiwanuka and The Express has an interview. He plays The Great Hall on June 19.

Graham Coxon has released a new video from A+E.

Video: Graham Coxon – “Ooh, Yeh Yeh”

Le Sigh chats with Veronica Falls.

Stereogum has dug up an interview conducted with The Twilight Sad just before the release of their latest, No One Can Ever Know. Better late than never, yeah?

Rolling Stone and examiner.com get a moment of Noel Gallagher’s time.

If you’re one of the unlucky many who haven’t gotten to see Pulp on their reunion tour, here’s the next best thing – a couple of complete, professionally-shot videos of their sets at Reading Festival last Summer and Coachella this past weekend.

Video: Pulp @ Reading Festival – August 27, 2011
Video: Pulp @ Coachella – April 13, 2012

And while we’re at it, here’s Coachella sets from Radiohead and Wild Beasts. Just like being there, but without the heat stroke.

Video: Radiohead @ Coachella – April 14, 2012
Video: Wild Beasts @ Coachella – April 15, 2012

FacebookOr perhaps that should read, “Vikings coming, Vikings coming”, seeing as how the last few days have seen a flurry of excellent concert announcements from Scandinavian bands.

Not the biggest but certainly of interest is the return of barely out of their teens if even that Danish post-punks Iceage. Their debut New Brigade was as intense as it was brief – not even 25 minutes to get through a dozen tracks – but with enough melodic sensibility to appeal to those who need a little melodicism to make this much angular aggression palatable. Like myself. In any case, their live shows are infamously raucous affairs so it’ll be interesting to see what they do to The Horseshoe when they roll in on July 18, part of a North American tour to get them to Pitchfork Fest; tickets for the show are $12.50 in advance.

MP3: Iceage – “White Rune”
MP3: Iceage – “Broken Bone”
MP3: Iceage – “New Brigade”

With the announcement of his second album There’s No Leaving Now, out June 12, Kristian Matsson – aka The Tallest Man On Earth – is back for a show at The Queen Elizabeth Theatre on June 15. Tickets for that one are $27.50 in advance, on sale today at 10AM and there’s a two-per-customer limit on those so if you’re travelling in a group, you probably won’t be sitting together. Sorry.

MP3: The Tallest Man On Earth – “King Of Spain”
MP3: The Tallest Man On Earth – “Burden Of Tomorrow”
MP3: The Tallest Man On Earth – “Like The Wheel”

And perhaps most excitingly, Sigur Rós make their first return to Toronto since September 2008, though surprisingly it will be their first show in a decade to not happen at Massey Hall; this time, they’ll take advantage of the fact that their show is being geared towards festival season and take things to the outdoors, playing at Echo Beach down at Ontario Place on August 1 before heading to Osheaga and Lollapalooza. Tickets are general admission and go on sale April 19 for $49.50 plus fees. Their new album Valtari is out on May 28.

MP3: Sigur Rós – “Starálfur”
MP3: Sigur Rós – “Svefn-G-Englar”
MP3: Sigur Rós – “Gobbledigook”
MP3: Sigur Rós – “Hoppípolla”

If only a Norwegian band could have announced some dates this week, I’d have had the full set. They’ll have to settle for representation from Ane Brun, who’s now based in Sweden, and has made a track from her new album It All Starts With One available to download; it’s out May 1 and she’s at The Great Hall on May 10. Contact Music also has an interview.

MP3: Ane Brun – “Do You Remember”

The Los Angeles Times, Orange County Register, and Georgia Straight welcome First Aid Kit to the west coast with questions. So many questions.

Londonist interviews Amanda Mair, whose self-titled debut is out in North America on June 5.

Niki & The Dove’s debut album Instinct now has a North American release date and it’s three months after the European one – it will be out via Sub Pop on August 7 over here. Until then, you can hear five tracks from it via a YouTube stream.

Stream: Niki & The Dove / Instinct sampler

NPR welcomes Fanfarlo for a World Cafe session.

The Amelia Fletcher-fronted Tender Trap returns with Ten Songs About Girls, aka ten songs of indie-pop goodness, this July and the first single is now available to stream. Clash has more details on the release.

Stream: Tender Trap – “Love Is Hard Enough”

Also making a return – Neil Halstead with his third solo record Palindrome Hunches, due out in August.

The Joy Formidable may have wrapped up their North American tour and gone back to the UK, but they’ve left parting gifts in the form of a live mini-concert recorded for YouTube Presents.

Video: The Joy Formidable @ YouTube Presents

New Twilight Sad video.

Video: The Twilight Sad – “Dead City”

Summer Camp are put in front of the camera for video sessions with Gold Flake Paint and All Saints.

Charlotte Hatherley’s Sylver Tongue electro-pop persona has premiered a new video via The Guardian.

Video: Sylver Tongue – “Creatures”

Yuck has a new song; let them stream it for you.

Stream: Yuck – “Chew”

Justin Young of The Vaccines updates BBC on the recording of album number two.

Spin, The Sydney Morning Herald, and The Wall Street Journal talk to Spiritualized’s Jason Pierce about their new record Sweet Heart Sweet Light, out next week. They’re at The Phoenix on May 5.

The Fly and Edinburgh Evening News chat with Graham Coxon.

Both Rolling Stone and Spin talk The Smiths with Johnny Marr.

Cat StevensloresThe general assumption as to whoy Teenage Fanclub release albums so infrequently – 2010’s Shadows was just their third effort in the 21st century, assuming you count 2000 as part of this millenium – is that despite having three superb songwriters in their ranks, they just work very, very slowly; if this is true, then clearly bassist Gerard Love isn’t the limiting factor. Based on Electric Cables, the debut album from his solo project as Lightships, he has no shortage of songs at the ready and most are as good as anything he’s contributed to the Fannies over the past decade.

Backed by a band of Scottish all-stars recruited from Teenage Fanclub, Belle & Sebastian and The Pastels, Love has crafted a record of gorgeously bucolic pop songs marked by Love’s airy vocals and guitar and flute lines gently bouncing off of one another. The notes aren’t content to simply jangle and decay, but rather hang suspended, shimmering in the air. Cables possesses enough energy and buzz to keep from coming across as too ephemeral, but the prevailing vibe is the return of and a return to nature and given the prevalence of pastoral themes in the song titles – “Photosynthesis”, “Sunlight To The Dawn”, “Muddy Rivers” to name a few – one can only assume that this is deliberate and not just a happy coincidence.

Let this be your soundtrack to Spring, and if it just so happens to linger in your ears through the rest of the seasons, then so be it. Norman Blake may have been first with his breezy Jonny side-project and while he’s not fronting it, it’s good to see Raymond McGinley active extra-circularly in Snowgoose, but Lightships is what every Fannies fan hopes for in a Teenage Fanclub side-project in that it sounds like Teenage Fanclub. Which is to say beautiful.

Video: Lightships – “Sweetness In Her Spark”
Video: Lightships – “Two Lines”
Stream: Lightships / Electric Cables

NPR is streaming the whole of Spiritualized’s Sweet Heart Sweet Light ahead of its release next week. Rolling Stone talks to Jason Pierce about the new album and Pitchfork finds out what he was thinking when he selected the album art. They play The Phoenix on May 5.

Stream: Spiritualized / Sweet Heart Sweet Light

JAM, The Hollywood Reporter, and The Georgia Straight talk to Elvis Costello about busting out the “The Spectacular Spinning Songbook” for his recent tours, though it won’t be in play when he’s at Casino Rama on April 19 – guess they prefer people do their gambling on the casino floor than in the theatre. The Return Of The Spectacular Spinning Songbook live CD/DVD culled from the Summer 2011 leg of the tour came out last week.

Pitchfork points out that Field Music are streaming their contribution to this year’s Record Store Day release schedule; a 7″ featuring a cover of Pet Shop Boys’ “Rent”, which kicked off a mini PSB marathon over these parts; never a bad thing.

Stream: Field Music – “Rent”

Daytrotter has posted a session with Clock Opera, whose debut Ways To Forget was supposed to be out now but has been pushed back until April 23 in the UK.

DIY talks to Mystery Jets about their new album Radlands, due out April 30. They’re at The Sound Academy on June 19 in support of Keane.

Interview talks to Hot Chip about their new record In Our Heads, coming out June 12 and justifying a visit to the Sound Academy on July 15.

Stylist talks fashion with Florence Welch of Florence & The Machine. She’s at the Molson Amphitheatre on August 2.

Loud & Quiet talks to Trailer Trash Tracys.

Django Django have released a new video from their self-titled debut.

Video: Django Django – “Storm”

The Quietus tags along with British Sea Power as the band plays a concert at the CERN project in Switzerland.

Slicing Up Eyeballs has complete video of one of The Wedding Present’s shows at SXSW last month.

In the, “karmic balance for Anglophiles” department: Jarvis Cocker and Kevin Shields, in conversation with Shortlist and Pitchfork respectively, reveal that new material from both Pulp and My Bloody Valentine could be in the works – Pulp were also on Late Night With Jimmy Fallon last night – but Damon Albarn tells The Guardian in very few uncertain terms that Blur – and Gorillaz if you care about Gorillaz – are probably over following a final single and the Hyde Park show this Summer. DIY looks at what the definitive end of Blur would mean for the band’s legacy.

New to my ears lately are Swedish duo The Deer Tracks, whose two mini-albums so far – The Archer Trilogy P1 1 and The Archer Trilogy Pt. 2 (part three is out this Fall) – remind me not a little of early Múm, which is a good thing indeed. Also good is their North American tour this Summer is missing a Toronto date at the moment, but there’s a conspicuous two-day gap between Chicago and Montreal that just happens to fall during NXNE. So yeah.

MP3: The Deer Tracks – “Dark Passenger”
Video: The Deer Tracks – “Ram Ram”
Video: The Deer Tracks – “Fra Ro Raa / Ro Ra Fraa”

Pitchfork reports that another co-ed Swedish duo with a penchant for electronics – jj – will release a new single/EP/something entitled jj n° 4 on May 8, and the first track from it is now available to download.

MP3: jj – “Beautiful Life”

Anna Ternheim has announced the June 5 North American release of her new record The Night Visitor and offered a first sample for downloading and listening purposes.

MP3: Anna Ternheim – “The Longer The Waiting (The Sweeter The Kiss)”

Knox Road, The Boston Herald, Metro, and USA Today speak with Of Monsters & Men, in town at The Phoenix on April 12.

The second video from Ladyhawke’s Anxiety, out May 29, is now available to watch.

Video: Ladyhawke – “Sunday Drive”

Frank YangI’ve been concert-going in Toronto for a few years now so there’s not really a lot of venues in this town that I’m not at least a little acquainted with; some I’ve spent probably an unhealthy percentage of the 21st century in, but I digress. One, however, that I hadn’t set foot in before is The Hoxton – née 69 Bathurst – even though its hardly out of the way and has been hosting shows for a few years now. That they’ve been more of the more electronic sort goes part of the way of explaining why, but then I do like some electronic-y stuff – like England’s Metronomy, who were there on Monday night and finally allowed me to see what this place was like. And ability to host live music notwithstanding, The Hoxton feels very dance clubby, all sleek and neon and so not The Horseshoe, but hey – any decently-sized room in the city that puts on shows should be appreciated.

From Sandro Perri’s comments during his opening set that this was one of the strangest places he’d played proved that I wasn’t the only Torontonian who was feeling a little out of place in this room in his own hometown, or maybe he was just referring to supporting Metronomy. On one level, his deceptively complex electro-jazz-folk is a natural fit for Metronomy’s rather cerebral approach to dance music, but that’s probably more the case over headphones than on the stage. Still, he was here fronting a six-piece band with a packed house in front of him and a critically acclaimed album in last year’s Impossible Spaces to push, so none of that really mattered.

To watch them play was like seeing a man standing in the centre of a Rube Goldberg machine, Perri remaining stationary while either leaning into the mic to sing or attending to his guitar as his bandmates built densely intricate layers of keys and percussion around him; there was simultaneously nothing to see and yet so much to behold. I’ve never really listened to much of Perri’s work; I’ve heard a few of his albums and while they’ve been pretty listens, they’ve not really stuck with me and I put some of that blame on the artist – despite quite obviously being a work of great creativity and craftsmanship, he just makes it sound so easy, so effortless that it’s easy to let it become aural wallpaper. And while that same laid-backedness carried over to the live show – most songs were infused with a nimble lightness and sense of whimsy except for the one introduced as ballad but was almost a dirge – it was hard to not be impressed with the talent on display, even if their jamming did stray into indulgent territory on a few occasions.

As I mentioned last month, I regretted missing Metronomy’s last visit in October but scheduling and the fact that I was still warming to their Mercury-nominated The English Riviera kept me at home that night. But if someone had told be beforehand whay a good show they put on, maybe I’d have dragged myself out regardless. I suppose that I should have known they’d put on a tight, polished, and entertaining show given that they’re at the stage where they can headline smaller festivals in UK, but still. You guys are supposed to look out for me. For a band that’s largely anchored to their instruments, they were surprisingly physical in their performance. While only bassist Gbenga Adelekan was really free to roam and roam he did, it was actually keyboardist Oscar Cash who had some of the best dance moves and Anna Prior’s sequined purple jumpsuit easily won the best outfit award; it’s a shame she was hidden at the back behind the drum kit for most of the show. And of course there were their signature light discs fastened to their shirts, which were quite effective at cueing up the audience like applause signs or beacons to start the party.

While they easily got the room moving, Metronomy don’t necessarily make music for acting out; it’s more the soundtrack for being effortlessly cool. The title of their latest album, which made up about two-thirds of the set, is quite appropriate given how they craft dance music infused with quintessential English reserve, with their relatively austere approach to synths and samples, cascading falsetto vocals and irresistibly throbbing rhythm section coming across alternately and simultaneously icy and elegant. And on top of all that, they were all kinds of charming with frontman Joseph Mounts taking the obligatory digs at Montreal and commenting on the venue name, noting that if he was spotted in the real Hoxton carrying his acoustic guitar he’d be shot… though he quickly amended that to, “called a wanker”. If you were unsure about whether or not to bother seeing Metronomy live and we’re somehow fortunate enough to get a third visit before they go off the road to make record number four, let me tell you now: bother.

Sidewalk Hustle also has a review of the show and Cincinnati CityBeat and The Village Voice talk to Sandro Perri, whom you can probably expect will be announced any day now as opening for Destroyer at The Opera House on June 23.

Photos: Metronomy, Sandro Perri @ The Hoxton – April 2, 2012
MP3: Metronomy – “The Look”
MP3: Sandro Perri – “Love And Light”
MP3: Sandro Perri – “Futureactive Kid (Part 1)”
Video: Metronomy – “Everything Goes My Way”
Video: Metronomy – “The Look”
Video: Metronomy – “The Bay”
Video: Metronomy – “She Wants”
Video: Metronomy – “A Thing For Me”
Video: Metronomy – “You Could Easily Have Me”
Video: Metronomy – “Heartbreaker”
Video: Metronomy – “A Thing For Me”
Video: Metronomy – “Holiday”
Video: Metronomy – “My Heart Rate Rapid”
Video: Metronomy – “Radio Ladio”
Video: Metronomy – “A Thing For Me”
Video: Sandro Perri – “Love And Light”

Throwback English singer-songwriter Gemma Ray has made a date at The Great Hall for May 10 in support of her new record Island Fire, out April 16 in the UK and May 29 in North America. I caught her back at SXSW 2010 and she’s an entertaining and engaging performer; worth investigating.

MP3: Gemma Ray – “Runaway”
Video: Gemma Ray – “Rescue Me”

DIY talks to Clock Opera’s Guy Connelly as they await the April 17 release of their debut Ways To Forget.

PopMatters checks in with Gareth Campesinos of Los Campesinos!.

Gerard Love of Lightships (and yes, Teenage Fanclub) puts together a list of some of the music that inspired his solo debut Electric Cables for All-Music Guide.

Interview talks to Jason Pierce of Spiritualized, whose Sweet Heart Sweet Light is out April 17. They’re at The Phoenix on May 5.

The Line Of Best Fit talks to Stuart Braithwaite about curating a day of the London edition of All Tomorrow’s Parties festival in May and have also made available to download a recording of the band’s appearance at the first ATP back in 2000. Mogwai are at The Phoenix on June 18.

MP3: Mogwai – “Stanley Kubrick” (live at ATP, 2000)

Scandinavian singer-songwriter Ane Brun, in town at the Great Hall on May 10, has opted to introduce herself to North American audiences by means of an Arcade Fire cover available to download via Rolling Stone. It appears as a bonus digital track of her new album It All Starts With One, out May 1.

MP3: Ane Brun – “Neighbourhood #1 (Tunnels)”

Ólafur Arnalds’ contribution to the Hunger Games soundtrack – which also appeared on his 2010 mini-album Found Songs – has been made available to download for free. There’s also a new animated video to go with “Near Light”, taken from Living Room Songs, and a track from his collaboration with Nils Frahm is available to stream at DIY.

MP3: Ólafur Arnalds – “Allt Varð Hljótt”
Stream: Ólafur Arnalds & Nils Frahm – “a2”
Video: Ólafur Arnalds – “Near Light”