Photo via Murmur

Those fancy double-disc deluxe edition reissue sets have become fairly commonplace recently as the labels try to take advantage of the type of people willing to buy the same album over and over again while they’re still alive, but that doesn’t mean they’re not – at least sometimes – getting it right. Case in point, the announcement that R.E.M.’s debut album Murmur will be getting said treatment this Fall.

Pitchfork has your specifics, but basically you’re looking at the standard remastered album on disc one – maybe the same remaster job as the last couple times Murmur was re-released? – and for the second disc, a complete live show recorded here in Toronto circa 1983. The gig was held at a no-longer existent dive called Larry’s Hideaway which if memory serves (and by memory I mean Google – I was 8 at the time and wouldn’t have had the experience with Toronto’s live music dives that I do now) was located just a few blocks from here at Carlton and Jarvis. Anyone know if the place still exists in some form and if so, what it is now? I’m curious.

The Murmur deluxe edition is out November 25. Update: Blurt has some thoughts on what they view as a flawed reissue (thanks to Eugene for the link).

Video: R.E.M. – “Radio Free Europe”

Though guitarist Damian Cox has recovered from his stroke well enough to blog, he’s not sure if or when he’ll be able to play guitar again so as a result, The Long Blondes have called it a day. Details at NME. Singles, the compilation of their early singles, is out in the UK today.

MP3: The Long Blondes – “Once And Never Again”
MP3: The Long Blondes – “Here Comes The Serious Bit”
MP3: The Long Blondes – “Guilt”

Relix has specifics on M Ward’s new record Hold Time, due out February 17.

Pitchfork has an interview with a surprisingly lucid and non-crazy pills Kevin Barnes. Of Montreal’s new one Skeletal Lamping is out tomorrow and they’re at the Queen Elizabeth Theatre on October 28.

The Minneapolis Star-Tribune talks to Lucinda Williams.

Pop Reckoning and Paste interview Rachael Yamagata.

Sloan’s Chris Murphy talks to The Halifax Chronicle-Herald. They’re at the Air Canada Centre on Wednesday night.

So while I usually try and actually get a substantive post up for Mondays, this week will instead kick off only the slim bits above and a weak-ass apology. Rather than actually do any listening or writing this weekend, I was instead coding, trying to get a fairly significant upgrade to this here site working and while it’s tantalizingly close, it’s not there yet. Maybe tomorrow. Maybe the day after. Hopefully before I leave for New York, at the very least.

Photo by Elizabeth Weinberg

So most everyone I know is referring to next Tuesday night’s show at Lee’s Palace as “the Frightened Rabbit” gig, and quite reasonably so – they released one of the year’s best records in The Midnight Organ Fight back in April and have toured North America a few times since then, but have yet to visit Toronto and also, we do love those thick Scottish accents. But as much of an attraction as they are, there’s another touring band on the bill, the one that goes on after them. What’s the word… oh yeah – the headliner.

And the lucky band that gets to follow Frightened Rabbit (and possibly see the crowd thin considerably?) is the hottest thing out of Deleware right now – Joe Biden. Okay, second-hottest – The Spinto Band, who just released a new album in Moonwink. As was established when the tour was first announced, it’s an odd pairing of acts. Frightened Rabbit trade in deadly earnest folk-rock with a particular interest in bodily fluids and listening to The Spinto Band is like mainlining pure refined sugar through your eyeballs (or eardrums), but apparently they’re quite big in Europe so there you go.

Moonwink is unrelentingly cheerful and bursting with tight harmonies, runaway off-kilter melodies and quirky instrumentation. Imagine Clap Your Hands Say Yeah overdosed on cotton candy or Of Montreal without the general batshit crazy. Moonkwink‘s unrelenting glee gets a bit exhausting, even over the record’s brief 35-minute running time, but its masterfully executed and all evidence is that the sextet put on a terrific show so if your blood sugar is within safe levels, they may offer the perfect pick-me-up to follow Frightened Rabbit.

Metro and ArtistDirect have interviews with The Spinto Band.

MP3: Spinto Band – “Summer Grof”
MySpace: The Spinto Band

The Quietus has an interview with one of Of Montreal frontman Kevin Barnes’ alter-egos. As I said: batshit crazy. Skeletal Lamping is out next week, they play the Queen Elizabeth Centre on October 28, and if that show is even a fraction as insane as the New York one – though I think the venue IS next door/part of to the equestrian building at the CNE – it’s going to be ridiculous. Update: New video!

Video: Of Montreal – “Id Engager”

Spinner and LiveDaily talk to Rachael Yamagata about her new record Elephants… Teeth Sinking Into Heart.

Pitchfork has an interview with Sigur Ros bassist Georg Holm about the making of Med sud I eyrum vid spilum endalaust, which NME points out will be re-released on November 24 with a fancy 200-page hardcover book and DVD video content and costing a pretty penny (approx $85). Gotta combat that collapsing Icelandic economy somehow, I guess.

The Globe & Mail and Canadian Press talk to Feist about the charitable aspect of her upcoming cross-Canada tour which has two dates in Toronto – November 1 at Massey Hall and November 3 at the Air Canada Centre.

JAM, The Portland Mercury and Canada.com have features on Chad Van Gaalen.

Minnesota Public Radio welcomes The Magnetic Fields to their studios for a session.

Daytrotter has a downloadable session with Black Kids.

NPR is streaming Ra Ra Riot’s show in DC this past weekend in its entirety.

Photo via Facebook

“There’s a new album from The New Year” is all the review that longtime fans need. Those less familiar with the works of the brothers Kadane may need a little more to go on. They began as Bedhead, a mid-90s Texan band known for their slow, languid songs built on a nest of intricately intertwined and unfailingly melodic guitar lines, and when that outfit dissolved in 1999 the principals went on to start a new band – The New Year – who quickly became known for their slow, languid songs built on a nest of intricately intertwined and unfailingly melodic guitar lines. And for also stepping up the tempo just a bit and working some piano into things as well.

Their third album under the New Year brand is a self-titled affair and contains another batch of songs that, much like the band’s career path, takes its own slow, sweet time getting where its going but makes the trip there so relaxing, you wouldn’t mind if it took forever. In the past, each successive record has seen Bedhead and The New Year push the boundaries of what defined their sound by shifting tempos or incorporating a new sound or two but most always favouring evolution over revolution. And while that’s not fundamentally changed with The New Year, it does seem to find them in a more exploratory mood than you might have expected. There’s a definite spring in their step and they sound almost anthemic at points. There’d have been no complaints from this end if they’d done the expected and kept things low-key, but this more sprightly New Year? This works too.

Though Matt and Bubba Kadane’s visit in July – which I believe was their first time in Toronto at least this century if not longer – was special in its own way (hit up Bradley’s Almanac for audio of their show in Boston on the same tour), the arrival of The New Year as a complete band at Lee’s Palace next Wednesday night, with Angela Desveaux as support, is going to be something special in every way. Matt Kadane talks to The Los Angeles Times about their secret connection to the Dixie Chicks, to The Colorado Springs Independent about the flexibility of the “-core” suffix and to Stereogum about his day job as a college history professor.

Update: There’s a new MP3 from the album available as of now and according to this, Will Johnson of Centro-Matic is filling in on guitar for Peter Schmidt on the current tour – sweet!

MP3: The New Year – “The Company I Can Get”
MP3: The New Year – “X Off Days”
MySpace: The New Year

Daytrotter welcomes Baltimore noiseniks Wye Oak to their studios for a session. The duo also just recently released their first video.

Video: Wye Oak – “Please Concrete”

Pitchfork reports that The Decemberists have completed their fourth album and given it a name – Hazards Of Love will almost certainly not see the light of day until 2009.

Rachael Yamagata gives Paste a guide to Chicago for dating and breaking up. She also talks to The Kansas City Star about the delay behind her new double-album, Elephants … Teeth Sinking Into Heart. The album is finally out and streaming at Spinner and there’s also a couple videos.

Video: Rachael Yamagata – “Elephants”
Video: Rachael Yamagata – “Sidedish Friend”
Stream: Rachael Yamagata / Elephants … Teeth Sinking Into Heart

Also currently streaming at Spinner is one of the new albums from Margot & The Nuclear So And Sos, the band-approved Animal!. The Arizona Daily Star reports on the unique arrangement between the band and their label that yielded it and the companion Not Animal, and also reviews the pair.

Stream: Margot & The Nuclear So And So’s / Animal!

State interviews Bon Iver.