Norman WongEven though he coined it himself, I often wonder if Joel Gibb regrets encouraging the use of “gay church folk music” as a description for the music of The Hidden Cameras. Certainly they got a lot of mileage out of it in the band’s earlier days, as it was both attention grabbing and accurate, but now, four albums in, it probably deserves to be retired.

It’s not that it’s no longer descriptive – Gibb is still gay (one assumes), it’s still music and it’s still built on foundations of folk and church traditions – but it doesn’t give them due credit for evolving from record to record and shedding some of the Cameras’ more titillating/explicit facets in exchange for more musical and lyrical sophistication. Case in point, their latest album Origin: Orphan. It remains unmistakeably a Hidden Cameras record – Joel Gibb’s muse is simply too distinctive for it to be anything else – but there’s a clear effort to broaden the definition of exactly what a Hidden Cameras record is. I’ve always found past albums to feel a bit static, so the ranginess Origin: Orphan is a real eye-opener.

There’s also a heaviness to the record that’s new, and maybe it’s just the excitement of being surprised by a Hidden Cameras album, but I think they wear it well. While the signature whimsy remains, it’s accented by sounds and textures that give them a real weight – the shrieking outro of “Do I Belong?”, the insistent descending riff of the title track, and the glorious foreboding of orchestral centerpiece “Walk On” – and end up the most memorable moments. And it’s the contrast of those dark pieces that give the brighter pop numbers even more jump, like the giddy almost-closing pairing of “Underage” and “The Little Bit” which sound as buoyant as anything they’ve ever recorded. Having reached a point in their existence where they seemed to be faced with the choice of sticking to the tried and true and becoming predictable or trying something new and risking not playing to their strengths, The Hidden Cameras have somehow managed to not only do both, but turn in maybe their best record yet in the process.

The Hidden Cameras are currently in the midst of an extensive North American tour with Gentleman Reg that will wrap with a homecoming show at the Opera House in Toronto on December 5. Tickets for the show are $15 in advance but courtesy of Rootmeansquare, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see The Hidden Cameras” in the subject line and your full name in the body and get that in to me before midnight, November 25.

Gibb talks to Spinner about how a trip to Berlin inspired the direction of the new album.

MP3: The Hidden Cameras – “Walk On”
Video: The Hidden Cameras – “In The NA”
MySpace: The Hidden Cameras

The Magnetic Fields will take the theme of their next album Realism to heart by playing songs from it in the flesh on a North American tour that kicks off shortly after the album’s January 26, 2010 release date. That includes a February 8 date at the Queen Elizabeth Theater in Toronto, their first visit since a two-night stand at Trinity-St. Paul’s in July 2004. Tickets are $30.50 plus fees, onsale this Saturday though a presale started yesterday – I got second row centre tickets, so they had good ones blocked off.

Beach House have released the first MP3 from their third album Teen Dream, due out January 26. I kinda think I like this song better than anything they’ve done yet.

MP3: Beach House – “Norway”

Ever wish you could make your birthday last forever? Constantines do – their tenth anniversary celebrations have extended from a two-night stand at Lee’s Palace to a three night engagement, the third night taking place a full week after the second. So that’s December 11, 12 and 19 and with different support each night. The 11th will feature Attack In Black and Weakerthan John K Samson doing a solo set, the 12th has Oneida and Metz warming things up and the 19th has Julie Doiron and Ladyhawk on the bill.

Ohbijou’s Casey Mecija talks to Spinner, The Canmore Leader and See.

A slew of in-stores have been announced by Sonic Boom. You’ve got Koushik on November 19 at 7:30PM, Lullabye Arkestra on November 21 at 7PM, Malajube on November 25 at 7PM, The Schomberg Fair on November 28 at 4PM and Everything All The Time on December 2 at 7PM. All shows are free, though a donation of canned food is encouraged and appreciated.

MP3: Lullabye Arkestra – “We Fuck The Night”
MP3: Malajube – “Porte Disparu”
MP3: Everything All The Time – “Lazy Days”

The Toronto Public Library’s Make Some Noise series continues through this month, with a number of performances and discussions of interest to, well, probably anyone reading this site. Katie Stelmanis will give a performance at the Bloor/Gladstone branch this Friday, November 20, at 8PM, Colin Medley of Morning Noon Night will discuss the finer points of videography and “Documenting the Local Music Scene” at the Kennedy/Eglinton branch on November 24 at 7PM and Steve Jordan, grand poo-bah of the Polaris Music Prize, will get into the nitty-gritty of just how much of a bribe it takes to make the long list, short list and win the whole she-bang, respectively. Kidding – he’ll be talking about the Prize and Canadian music industry in general at the Northern District branch on December 1 at 7PM.

Paper Bag Records is celebrating seven years of not going under with a special covers compilation featuring their artists entitled 7 Year Itch and available to grab for free.

Brian TaborelloI’m thinking I should start declaring Fridays to be “Leftover Fridays”, or “Fragmented Fridays” on account of them more often than not being theme-less hodge-podges of whatever bits of linkage I have left over from the week that I’d rather not sit on through the weekend. Though today maybe it should be “Funny Friday” because rather than kick off with music, we’ve got some comedy to close out your week.

Season two of Flight Of The Conchords ended exponentially stronger than it started (which was pretty weak) and so the resulting second album I Told You I Was Freaky – out October 20 – should have a healthy quotient of parodic hilarity. Don’t know if there’s anything quite on the level of genius of “Inner City Pressure”, “Hiphopopotamus vs. Rhymenoceros” or “Foux du Fafa”, but “Sugalumps”, available to download below, was pretty great and “Too Many Dicks On The Dance Floor” is pure Gondry gold.

And further, Eugene Mirman – who plays landlord Eugene on Flight Of The Conchords – also has a new album out in God Is A 12-Year Old Boy With Aspbergers. It’s a straight stand-up recording and is chock full of LOL and LULZ moments, though I don’t think a bear was actually heckling as heard in the sample MP3. It’s out on Tuesday.

And that photo is pretty funny, too. Look, Jemaine is trying to bribe some miniature toy policemen. And he and Bret are also miniature!

MP3: Flight Of The Conchords – “Sugalumps”
MP3: Eugene Mirman – “Vancouver, Detroit & Bears”
Video: Flight Of The Conchords – “Sugalumps”

And oh yeah, David Cross is in town for two shows at the Queen Elizabeth theatre tonight, early and late. He’s labelmates with FOTC and Eugene Mirman so I thought I’d throw that in there. There’s interviews with Cross at eye and The Pitch.

MP3: David Cross – “Certain Leaders in Government Look or Act Like Certian Pop Culture References”
MP3: David Cross – “My Wife’s Crazy!”

Sentimentalist talks to A Place To Bury Strangers about their new record Exploding Head, out next Tuesday. Look for them at the Mod Club on October 27.

Asobi Seksu are offering tastes of their two new releases – a video for the title track of their “Transparence” 10″ single and an MP3 of the Hope Sandoval cover from their acoustic Rewolf album, due out November 10. The latter should give a sense of what to expect when they play the Horseshoe on October 13. There’s also an interview with the band at The Georgia Straight.

MP3: Asobi Seksu – “Suzanne”
Video: Asobi Seksu – “Transparence”

Hope Sandoval will herself be in town next week, with a show at the Mod Club on October 7. Interview has an interview.

I’m not usually one for posting remixes but this xx re-imagining of Florence & The Machine’s “You’ve Got The Love” is more cover than remix, with the young London outfit basically replacing all of the original with their own recorded tracks and vocals, saving only a bit of Florence for the chorus. Of course, Florence’s version is itself a cover of Candi Staton, so… yeah. Florence is at the Mod Club on November 2 while The xx are at the Phoenix on December 2. The Times has an interview with the latter.

MP3: Florence & The Machine – “You’ve Got The Love” (xx remix)

The Joy Formidable are giving away a new song via last.fm which is just about as good as anything on their superb A Balloon Called Moaning mini-album. They’re also putting out a limited-edition live CD entitled First You have To Get Mad, recorded this past Wednesday night (!) in London – it’s officially released on November 16.

MP3: The Joy Formidable – “Greyhounds In The Slips”

eMusic, The List, The Skinny and MusicOmh interview The Big Pink. They’ve a date at Lee’s Palace on November 29.

Clash interviews Editors. In This Light and On This Evening is out next week.

NME reports that Elbow are re-issuing their 2001 debut Asleep In The Back on October 26 enhanced with a second disc of bonus and live tracks and a DVD. I’ve fallen in love with all of their subsequent records but their debut still leaves me unmoved. I doubt this edition will change that, and I’m okay with that.

Mum have premiered a new video for the sort-of title track from Sing Along To Songs You Don’t Know over at Stereogum. They play the Phoenix on October 27.

Video: Mum – “Sing Along”

Ladyhawke has released a new video. The San Francisco Examiner has an interview.

Video: Ladyhawke – “Magic”

Built To Spill are streaming their new record There Is No Enemy at their MySpace in advance of next Tuesday’s release date. They’ve got two dates at Lee’s Palace on October 6 and 7.

Stream: Built To Spill / There Is No Enemy

St. Vicent’s Annie Clark talks to Pitchfork about her contributions to the new Twilight soundtrack.

An MP3 from the Alela Diane EP Alela & Alina – out Tuesday – is now up for grabs. She plays the Horseshoe on October 16.

MP3: Alela Diane with Alina Hardin – “Bowling Green”

Canadian Interviews talks to Tony Dekker of Great Lake Swimmers.

Though he’s in town on Monday at the Mod Club opening up for Bob Mould, Miles Anthony Benjamin Robinson has already scheduled a return engagement for after his new album Summer Of Fear is released on October 20. He’ll be at the Drake Underground on November 17 with These United States, who themselves have a new record out in Everything Touches Everything.

MP3: Miles Anthony Benjamin Robinson – “The Sound”
MP3: These United States – “I Want You To Keep Everything”

Luxury Wafers interviews Matthew Clark of White Rabbits. They’re at the Horseshoe on October 24.

And the Malajube show originally scheduled for that date at the ‘Shoe has been postponed to November 26.

Decider chats with The Pains Of Being Pure At Heart.

Wye Oak are the subject of feature pieces at Slap Magazine, LAist and Honest Tune.

Exclaim talks to Mac McCaughan and Laura Ballance of Merge Records.

Frank YangThroughout this year’s process for the Polaris Music Prize, I’ve been saying that I’m thankful that I was on the Grand Jury last year – when there were no shortage of albums on the short list that I could get behind and the one I felt most deserving, Caribou’s Andorra, won – rather than this year, where the nominees by and large leave me feeling cold. That’s not saying that they’re not good or great albums worthy of the prize, just that I don’t think that I could come up with a real heartfelt advocacy for any of them. So while I’m glad I wasn’t sequestered in the jury room, I do sort of wish I had been a fly on the wall to see just how they decided to award this year’s prize to Fucked Up’s The Chemistry Of Common Life.

Make no mistake – I am thrilled that they won. Not necessarily because I’m a fan – hardcore is not my thing – but because if I were to have a horse in this race, it’d either have been them or K’Naan for no other reason than they would be the most surprising and interesting winners (though also, somehow, the least controversial). Both represent genres that most would have thought would be too niche to actually win the big prize, too outlier to win over a jury (theoretically) representing a broad cross-section of a diverse country. And yet here we are – a band with a name that can’t be printed or pronounced in most media outlets and a record that has more screaming than singing – has been declared the best this country has to offer. Fun-fucking-tastic.

So while Fucked Up improbably took the competition portion of the evening, the almost three hours of celebration leading up to it belonged to pretty much everyone. For the first time in the four-year history of the gala, all ten nominees were slated to perform – which made the scheduled allotment of two hours pretty absurd. Things were definitely going to go to overtime. Things started off with Metric – at least the James and Emily half of the band – performing acoustic renditions of “Help, I’m Alive” and “Gimme Sympathy”, trading the slick synth-powered album arrangements for something simpler and prettier, a side of the band not often seen. Great Lake Swimmers and Malajube followed up with solid but fairly typical two-song sets that were enjoyable and certainly reaffirmed that they belonged on the short list, but were not revelatory – especially not after being followed by Patrick Watson. The 2007 Polaris winner is a bit of a punching bag in some quarters precisely because he won the 2007 prize, but stunts like the one he pulled on this evening – leading his band into the hall like a marching band while decked out in a harness of megaphones and lights, all weird and wonderful – can’t help but generate good will. You’re winning me over, Watson, though it’s got little to do with your music.

If there was a prize to be awarded by the audience based on the performances, though, the Polaris would have gone to K’Naan. The man had an irresistible charisma onstage and his selections from Troubadour so powerful and anthemic, you wanted to give him the award – hell, every award – right then and there. Joel Plaskett followed up by taking things down a few notches, his first selection a downbeat and mellow piece performed with his father and then inviting Three collaborators Ana Egge and Rose Cousins out for a more upbeat “Deny Deny Deny”, and in the process reaffirming the fact that it’s impossible to dislike Joel Plaskett. It’s also impossible to keep a straight face whenever Chad Van Gaalen gets near a microphone. Though his set showcasing the noisy and delicate sides of Soft Airplane – which are often the same side – was fine, it was the introduction from Radio Free Canuckistan’s Michael Barclay and Van Gaalen’s own demented and rambling thank-you speech – both paying tribute to Leonard Cohen in the process – that were the real highlights of his moment in the spotlight. If you’re inclined to think that someone who makes the sort of animations that he does isn’t quite right in the head… you’re probably right.

Windsor’s Elliott Brood ratcheted up the audience participation quotient, handing out metal baking trays and wooden spoons and encouraging the house to clatter along, making for a righteous racket and turning the gala into a hoe-down. As the band gave shout-outs to the other nine nominees, it seemed clear they weren’t here to win – just to have a good time. Newfoundland’s Hey Rosetta! were pretty much an unknown quantity to me, but did their part to reaffirm as a land that likes big bands. They numbered 14, and I’m not sure if they played one song or two, but the first half was a down, piano-led dirge that thankfully blossomed into a grander, orchestral sort of thing. Maybe it was the lateness of the hour, but my attention was starting to wander. Hey Rosetta made little impression.

And then Fucked Up. The fact that they were scheduled to play last had less to do with their impending coronation – no one knew about that – but for the fact that they would be an impossible act to follow. Mayhem is to be expected at their shows and mayhem is what they brought. With inaugural Polaris winner Final Fantasy and Lullabye Arkestra along for the ride, they turned the heretofore genteel gala into something, well, fucked up. Frontman Damian Abraham wasted no time in stripping down to his underwear while performing and even gave himself a wedgie. They played just one song – I believe Chemistry lead track “Son The Father” – but that was all they needed to basically blow everyone away. Though I’d heard tale of their live energy, I’d never seen it before and wow. That’s all.

It was ironic that that this performance and this achievement would come at the Masonic Temple, a room they’d been been previously banned from by MTV.ca for causing a couple thousand dollars of damage. I think they can afford to pay that off now. During their acceptance speech, Abraham mentioned that the band had been frisked by security every time they came into the building for the gala. If they get searched on the way out, they’d better have an explanation for why Abraham’s got that giant cheque shoved into his pants (assuming he’s wearing pants). Because I don’t really have an explanation for how they won, just a hearty congratulations that they did.

The Toronto Star talked to Abraham post-win about their plans for the $20,000 prize. Spinner also reports back from the post-show press conference.

Here’s some photos from the night and after the jump, a recap of all the short list nominees, with attendant A/V materials.

Photos: 2009 Polaris Music Prize Gala @ The Masonic Temple – September 21, 2009

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Alina HardinIf Alela Diane’s to-do list for 2009 had release a critically acclaimed album and tour relentlessly behind it, then it would be understood if she opted to take it easy through the tail end of the year. After all – her latest record To Be Still, with its timeless folk roots and clear-eyed songwriting, began collecting accolades as soon as it was released back in mid-February and she was on the road to promote it through much of this year. Yes, rest would be well-earned.

But not to be. Come October 6, she’ll release Alela & Alina, a new EP available on 10″ vinyl and in digital form. As the title implies, it’s a collaborative effort pairing her with Californian singer-songwriter Alina Hardin and while it sounds very much in the vein of To Be Still, the tight high harmonies provided by Hardin on the six new compositions do add an extra layer of loveliness to the proceedings. You can hear one of the new tracks at Diane’s MySpace.

And with the new release comes another excuse to tour, which Diane is of course doing. She’ll be spending September in the UK and Europe, but after a short break she’ll be setting out on an extensive North American tour. It’s unclear if Hardin will be joining her on the trek, but even if not, Diane has lined up a more than worthy tourmate in Marissa Nadler, herself no stranger to delicately beautiful folk music and who released a new album in Little Hells earlier this year. I’ve only managed to catch Diane live once, at a Soundscapes in-store back in February, and have never seen Nadler live despite her being no stranger to Toronto, so I’ve definitely got November 16, when they’ll be at the Horseshoe, circled on the ol’ calendar.

There’s interviews with Alela Diane over at Wears The Trousers, For Folk’s Sake and The Guardian.

MP3: Alela Diane – “White As Diamonds”
MP3: Marissa Nadler – “River Of Dirt”
Video: Alela Diane – “White As Diamonds”
MySpace: Alela Diane

Jonathan Meiburg of Shearwater talks to Muso’s Guide about their just-completed new album which is currently targeted for a February 2010 release.

Woodpigeon’s recent European jaunt has yielded a five-part series of dispatches, each with an accompanying new recording. Enjoy.

MP3: Woodpigeon – “Say Say Say” (Michael Jackson cover)
MP3: Woodpigeon – “Lonely Kiss” (The Consonant C cover)
MP3: Woodpigeon – “I’m Not Saying” (Gordon Lightfoot cover)
MP3: Woodpigeon – “Rambler Gambler”
MP3: Woodpigeon – “Reynisdranger Lullaby”

Pitchfork gets some background from John Darnielle on the Biblical themes pervading The Life Of The World To Come, the new album from The Mountain Goats, out October 6.

This week sees the release of Grand Archives’ new album Keep In Mind Frankenstein, which is streaming at Spinner. They play the Mod Club on October 15.

Stream:Grand Archives / Keep In Mind Frankenstein

Spinner talks to Big Star drummer Jody Stephens about sifting through the archives whilst assembling the Keep An Eye On The Sky box set, due out next Tuesday.

BeatRoute talks to Tad Kubler of The Hold Steady, playing a two-night stand at Lee’s Palace on September 26 and 27.

Spinner and here get to know Two Hours Traffic. Territory is out now and they’re at Lee’s Palace on October 16.

Dan Snaith gives eye an idea of what to expect at tonight’s Caribou Vibration Ensemble show at the Opera House as well as the new Caribou record, due out next Spring.

Malajube have made a date for the Horseshoe on October 24, tickets $13. They talk to Exclaim about some upcoming soundtrack work.

MP3: Malajube – “Porte Disparu”

Danish orchestral-pop collective Choir Of Young Believers will stop in at the Horseshoe on October 25 as part of a North American tour in support of their debut album This Is For The White In Your Eyes. Tickets for that show are $10.

MP3: Choir Of Young Believers – “Action Reaction”
MP3: Choir Of Young Believers – “Next Summer”

Just here in July, Wales’ Future Of The Left are back for a date at the El Mocambo on November 3 in support of Travels With Myself And Another. Tickets for that show are $10.

MP3: Future Of The Left – “Arming Eritrea”
Video: Future Of The Left – “The Hope That House Built”

Wolfmother are at the Kool Haus on November 11. The new album Cosmic Egg is out October 13.

hopesandoval.comIt’s been over a month since word came that the reclusive Hope Sandoval was returning to active duty – she had not only completed a new Warm Intentions album with My Bloody Valentine’s Colm O Cíosoig, but was also putting finishing touches on a new record from Mazzy Star. Now there’s been no further word on what would be her and David Roback’s first album since 1996, but the new Warm Inventions album Through The Devil Softly is definitely happening, albeit with a September 29 release date instead of the originally announced September 15.

Also promised at the time was a tour to support the new record, and Under The Radar has a goodly number of the North American dates, though the gaps in the schedule imply there might be some more to come. Locals will be pleased to see she’s got a Toronto date at the Mod Club on October 7, her first appearance in these parts since an August 2002 date at Lee’s Palace which got some mixed reviews but of which a recording exists.

And speaking of recordings, Entertainment Weekly is streaming a new song from Through The Devil Softly to go along with the MP3 which was previously released. Update: Actually that EW track is also now available to download.

MP3: Hope Sandoval & The Warm Intentions – “Trouble”
MP3: Hope Sandoval & The Warm Intentions – “Blanchard”

Also with a new album out on September 29 are The Avett Brothers, who will be releasing their latest I And Love And You. They’ll be in town at the Horseshoe the next night, September 30, to support – tickets $17.50 – but what has me doing a double-take is their tour routing thereabouts. They’re in Dallas on September 27, Toronto on September 30, and then New Orleans on October 1? Those two cities are 20 hours apart. If this schedule is correct, I have no idea how they’re going to pull that off, nor why you’d even try. Anyways, The Boston Globe has a feature and Rolling Stone declares the trio, who’ve been putting out records since 2000, an “artist to watch”.

MP3: The Avett Brothers – “I And Love And You”

And also in town on October 7 – referencing back to the Hope Sandoval bit here – are Israeli nutjobs Monotonix, famous for their absurd and insane live shows. Their Fall North American tour includes an October 7 date at the Velvet Underground, tickets $10. Their debut full-length Where Were You When It Happened is out August 31 – details at Strange Glue.

MP3: Monotonix – “Ride”
MP3: Monotonix – “Body Language”

Presumably part of a larger North American tour and presumably implying their latest album Klang, out since March in the UK, is getting a release over here, The Rakes will be at the Mod Club on November 9.

Video: The Rakes – “1989″

The Sadies have made a date at the Horseshoe for September 12, tickets $15. It’s not part of any particular tour but the Sadies need as much excuse to play the ‘Shoe as you need to breathe.

MP3: The Sadies – “Anna Leigh”

Both They Shoot Music and aux.tv have posted up video sessions with Malajube, who are this week’s featured Polaris Prize nominee, which basically means you can download an MP3 for free via the Polaris website. And speaking of free, you can also enter this contest to win a trip to Toronto for the September 21 Polaris Prize awards gala – all ten nominees will be performing this year!

Exclaim has details on the new Do Make Say Think record Other Truths, out October 20, while Stereogum is steaming a first preview track from it. Do Make Say Think are at the Polish Combatants Hall tonight for the Bicycle Film Festival launch party – congrats to Evan for winning my contest for passes.

Time Out and The Sydney Morning Herald talk to Aimee Mann.

The first MP3 from Headlights’ new album Wildlife, out October 6, is now available over at RCRDLBL.

Elvis Perkins In Dearland will release a new EP on October 20 entitled Doomsday, featuring five new tracks in addition to the title track taken from their self-titled album.

MP3: Elvis Perkins In Dearland – “Slow Doomsday”

Yet another video from Yo La Tengo’s new album Popular Songs has emerged. The record is out September 8 and they play The Opera House on October 3.

Video: Yo La Tengo – “Nothing To Hide”

Pitchfork has details on the new R.E.M. live album Live At The Olympia, which will feature 39 songs across two CDs recorded in Dublin in 2007. Look for it October 26.