Piper FergusonI suspect most of your inboxes aren’t reminding you of it quite as insistently as mine is, but the fact is that the CMJ Music Marathon kicks off in New York next week. Retirement or no, heading down is always on the table because hey – week/end in New York that I can write off. What’s not to like? Unfortunately, that’s not happening this year because of work and other logistics, and it’s especially unfortunate because this year I’ve teamed up with the good folks at Hype Machine and some other blogger types from YVYNL, All Things Go, and No Fear Of Pop to put on a couple nights of free shows.

My night is Wednesday, October 17, at Brooklyn Bowl where you can, indeed, bowl as well as see live music – what will they think of next – and the impressively international bill stacks up as follows: New York’s own Virgins, who had no small amount of buzz circa their 2008 party-friendly self-titled debut and are looking to recapture that with a new lineup and a second album, due out in early 2013. Ameri-Kiwi psych-pop trio Unknown Mortal Orchestra, who’ve been turning heads whilst opening for Grizzly Bear on their Fall tour and have just announced they’ve signed to Jagjaguwar for the February 5 release of their second album II. From Los Angeles, The Neighbourhood do a kind of dark, neo-soul writ rock and have been making an impression with their debut EP …I’m Sorry. Copenhagen’s Indians, who recently found the perfect home for their dream-induced folk-pop with legendary label 4AD; their debut full-length is due out in 2013 and they’re opening up for Other Lives on tour this Fall – which is good, because it means I can catch them at The Horseshoe on November 23. And finally, there’s JJAMZ, the improbable West Coast electro-pop supergroup drawing DNA from Rilo Kiley, Phantom Planet, The Like, and, um, Maroon 5. Hey, it’s eclectic!

So if you’re going to be in New York next week – be it visiting or residing – do RSVP and show up, knock down some pins, cut a rug, whatever being in Williamsburg compels you to do. And if you do go, let me know how it is, yeah?

MP3: The Virgins – “Venus In Chains”
MP3: Unknown Mortal Orchestra – “I’ll Come Back 4 U”
MP3: Indians – “I Am Haunted”
Video: The Neighbourhood – “Female Robbery”
Video: JJAMZ – “Heartbeat”

Closer to home, it really doesn’t seem like there’s been a time in the past few years when Ty Segall didn’t have an album coming out and/or a show coming up. His third record of 2012, Twins, just came out this week and even though he was just here at The Hoxton a few weeks ago, he’s already scheduled a return engagement – and this time the show will be Phoenix-sized. He’s back on February 6, tickets $16.50 in advance.

MP3: Ty Segall – “Don’t Talk To Me”
Video: Ty Segall – “The Hill”

Savoir Adore gets some blog love as BrooklynVegan has premiered a new video and My Old Kentucky Blog has a stream of their new album Our Nature, out next Tuesday. They’re at Rancho Relaxo tomorrow night.

MP3: Savoir Adore – “Sparrow”
MP3: Savoir Adore – “Dreamers”
Video: Savoir Adore – “Empire Of Light”
Stream: Savoir Adore / Our Nature

Spinner talks to Benjamin Gibbard about his solo debut Former Lives, out next Tuesday but available to stream in whole now. He’s at the Danforth Music Hall on Sunday, October 14.

MP3: Benjamin Gibbard – “Teardrop Windows”
Stream: Benjamin Gibbard / Former Lives

The Aquarian, amNY, and PopMatters talk to John Darnielle of The Mountain Goats while The AV Club solicits a goth playlist and The Fader a reading list. The Mountain Goats are at The Phoenix next Saturday, October 20, and they’ve just released both a new video and download from Transcendental Youth.

MP3: The Mountain Goats – “Amy aka Spent Gladiator 1″
Video: The Mountain Goats – “Cry For Judas”

There’s been a flurry of Sharon Van Etten goodness over the last few days – a new video from Tramp, a Black Cab Session, and a stream of a duet with Rufus Wainwright taken from a forthcoming Starbucks-assembled holiday compilation called Holidays Rule, available where you buy coffee come October 30.

Video: Sharon Van Etten – “Magic Chords”
Stream: Rufus Wainwright and Sharon Van Etten – “Baby, It’s Cold Outside”

Spin reports that Dinosaur Jr will release a vintage live recording on vinyl come November 19; Chocomel Daze (Live 1987) is available to preorder now and a sample from it is streamable below.

Stream: Dinosaur Jr – “The Lung” (live 1987)

DIY talks to Jason Lytle, in town opening for Band Of Horses at Massey Hall on December 5.

A new video from M. Ward’s A Wasteland Companion has premiered over at Team Coco.

Video: M. Ward – “Me And My Shadow”

Paul Westerberg talks to Rolling Stone about the covers benefit EP that will eventually be coming out credited to The Replacements.

Toro has an interview and Chart a video session with The Antlers.

The Alternate Side welcomes Bob Mould to their studios for a video session.

Jason Frank RothenbergIt’s a matter of public record – or at the very least Google index – that I was no fan of Dirty Projectors’ last record Bitte Orca, even though objectively speaking it was obviously one of the albums of 2009. However, one of the nice things about a band as obviously talented – no way am I arguing that point – and creatively restless as they is that each new album is akin to a blank slate.

So yeah, I’m giving their new one Swing Lo Magellan – which is out next Tuesday but now available to stream a week early – a fair shake, and happily it doesn’t sound nearly as fussy or overthought as Orca did. No, that’s not nearly an endorsement, but it’s a start. Give it a listen for yourself, and while you’re at it maybe read some of the feature interviews that bandleader Dave Longstreth has been giving out in advance of the record’s release. They’re on the cover of this month’s Exclaim with an additional feature, a Q&A to go with an album stream at The New York Times, back-and-forths at ArtInfo, NOW, The Irish Times, and MTV Hive, and a long piece at Pitchfork. He also talks to Interview about the Hi Custodian short film which will be released later this Summer and is meant to thematically accompany the new record. Odds of it being incomprehensible are good to great.

Dirty Projectors are in town this week for a show at the Danforth Music Hall on July 6.

MP3: Dirty Projectors – “Dance For You”
MP3: Dirty Projectors – “Gun Has No Trigger”
Video: Dirty Projectors – “Gun Has No Trigger”
Stream: Dirty Projectors / Swing Lo Magellan
Trailer: Hi Custodian

Eternal Summers were just here for NXNE, it’s true, but their new album Correct Behavior wasn’t nearly out then – July 24 is still a ways off – so it’s eminently logical that they’d schedule a return engagement after it was out, which is what they’ve done. They’re at The Garrison on August 7, tickets $11.

MP3: Eternal Summers – “Millions”

Phil Elverum isn’t a guy who seems to like to spend a lot of time on the road, at least not far from his Washington state home base. I could be mistaken but I don’t think he’s been through town since Fall 2008 in support of Lost Wisdom, his collaboration with Julie Doiron and Frederick Squire; his last time through as as Mount Eerie solo was May 2007 and he’s not been back since, despite having released a couple records since then. But if promoting one album isn’t quite enough incentive, apparently promoting two is – having put out Clear Moon back in May and with a companion album Ocean Roar set to come out September 4, he’s finally coming back to town – he’ll be at The Great Hall on September 10 with a full band in tow, tickets $15 in advance.

Stream: Mount Eerie – “Pale Lights” (excerpt)
Stream: Mount Eerie – “Lone Bell”
Stream: Mount Eerie – “House Shape”

You might think that with no less than four visits in 2011 – one headlining show in the Spring and three others supporting The Decemberists in February, Explosions In The Sky in October, and The National in December – that Wye Oak would have had their fill of Toronto for a while. Well apparently nine months is as long as they could wait because they’ve scheduled a show here at The Horseshoe for September 17, tickets $12.50. One assumes that with all that touring, they’ve not had time to write let alone record a follow up to last year’s Civilian, but if you’re hankering to hear something new there is a track they’ve recorded for an Adult Swim compilation that’s available to stream.

MP3: Wye Oak – “Holy, Holy”
Stream: Wye Oak – “Spiral”

Over at The AV Club, Father John Misty record a lovely cover of The Flaming Lips’ “Do You Realize?” for their Undercover series. Father John Misty are at The Opera House opening for Youth Lagoon on July 12.

Spin is streaming another tune from Fang Island’s new record Major, due out July 24.

Stream: Fang Island – “Seek It Out”

NPR has a World Cafe session from The Shins. They open up for The Black Keys at The Molson Amphitheatre on August 3.

Divine Fits – the new band from Spoon’s Britt Daniel, Wolf Parade/Handsome Furs’ Dan Boeckner and New Bomb Turks’ Sam Brown – have announced that their debut album A Thing Called Divine Fits will be out August 28; stream the first track from it below.

Stream: Divine Fits – “My Love Is Real”

Rolling Stone has an interview with J Mascis about the new Dinosaur Jr album I Bet On Sky, the first single from which is available to stream. The album is out September 18 and they kick off their Fall tour in support of it with a three-night stand at Lee’s Palace on September 24, 25, and 26.

Stream: Dinosaur Jr – “Watch The Corners”

Pitchfork has details on the new End Of Daze EP coming from Dum Dum Girls End Of Daze on September 25.

Clash talks to Beach House, in town at the Kool Haus on October 18.

Spinner talks to Beachwood Sparks about getting back together for their first album in over a decade in the just-released The Tarnished Gold.

NPR welcomes M. Ward to their World Cafe for a session.

Drowned In Bells catches up with Sleigh Bells.

Liz FlyntzIf we can regard Beach House literally as their namesake, which is to say as a holiday getaway, a reliably stolid place to escape from the real world, then the amount of adoration they’ve gotten for largely sticking to their skeletal formula through four albums now is understandable. Their fans don’t want them to reinvent themselves with each outing; they want that comforting blanket of Victoria Legrand’s narcoleptic vocals and whirring keyboard interwoven with Alex Scally’s languid slide guitar, and across their first two records – their 2006 self-titled debut and 2007′s Devotion – that’s almost exactly what they got, seasoned with some rudimentary percussion both electronic and organic.

The closest thing they’re ever likely to come to a revolution was with 2010′s Teen Dream, which managed to take a relatively huge leap forward with the production and songwriting, making interesting rhythms and pop hooks a front burner concern without compromising their core sound. A risk, perhaps, but one that paid off immensely in the form of their strongest and most critically and commercially successful work. So with that in mind, it’s not surprising that Bloom – out next Tuesday – opts to stay the course laid out by its predecessor. Surprises simply aren’t Beach House’s style.

Gorgeousness is, however. It took the aforementioned embrace of bigger sounds on Teen Dream to really make me appreciate Beach House – prior to that, I had to be in a very particular mood to listen to them for any period of time – and now they’re a band for all occasions. Having touring drummer Daniel Franz play on the whole of the record, a third member of the band even if he’s not formerly acknowledged as such, helps both ground and propel Bloom while Legrand and Scally do their thing in crafting the haunting textures and melodies that are the foundation of Beach House. And while we’re being literal about things, Bloom is an exceptionally appropriate name for this collection as there’s moments that simply burst outwards. To even suggest that the band be capable of this sort of dynamicism circa their debut would have seemed absurd, and yet just six years later, here we are – and without compromising their identity, no less.

It’s too early to say if Bloom is better than Teen Dream, but by the quantitative measure of how many times I’ve felt compelled to listen to it, it’s already well ahead. At worst, it’s as good as its predecessor and at best, its even better. In either case, it’s hard to imagine liking one and not the other and regardless of where you rank it relative to Beach House’s earlier output, despite really just being more of the same – or perhaps because of it – it’s excellent.

NPR has an advance stream of the new record and DIY, The Line Of Best Fit, The Orlando Sentinel, and Pitchfork have interviews with the band.

MP3: Beach House – “Myth”
Stream: Beach House / Bloom

Also streaming at NPR but two weeks ahead of release are The Only Place, the second album from Best Coast, and Passage, the debut from Exitmusic. Best Coast are at The Phoenix on July 21 and Exitmusic have a NXNE showcase at Wrongbar on June 14.

Stream: Best Coast / The Only Place
Stream: Exitmusic / Passage

S. Carey’s new EP Hoyas came out this week – stream it at Stereogum and read interviews with Sean Carey about the record at The Leader Telegram and Volume One.

MP3: S. Carey – “Two Angles”
Stream: S. Carey / Hoyas

In concert announcements, Joe Pernice will stretch his legs and take a mosey to The Dakota Tavern on June 22, maybe play some songs.

MP3: Pernice Brothers – “Somerville”

Having sold out Lee’s Palace their last time through, Youth Lagoon will be at The Opera House on July 12 with Father John Misty, who still has to get through Monday night’s show at the Horseshoe before he can make a return engagement. Tickets are $15.50 in advance.

MP3: Youth Lagoon – “July”
MP3: Father John Misty – “Nancy From Now On”

If part of Liars’ to-do list in preparation for the June 5 release of WIXIW was slate a North American tour, they can cross it off – they’ll be at Lee’s Palace on July 21, tickets $15. They can also check off releasing the first video from the new album.

MP3: Liars – “Scissor”
Video: Liars – “No. 1 Against The Rush”

Twin Shadow is also hitting the road in support of a new record – with Confess due out July 9, George Lewis Jr will be at Lee’s Palace on July 30 and 31, tickets $20.

MP3: Twin Shadow – “Five Seconds”
MP3: Twin Shadow – “Slow”

Merge has released a companion album to Crooked Fingers’ 2011 album Breaks In The Armor comprised of acoustic demos of the album. It’s out now and you can stream one of the tracks at Donewaiting.

Stream: Crooked Fingers – “Bad Blood” (acoustic)

Exclaim reports that some of The Mountain Goats’ early cassette releases from the early ’90s – The Hound Chronicles and Hot Garden Stomp, specifically – will be released on a single CD on June 26.

Fang Island have announced that their second album Major will be out on July 12; details at Spin.

Pop Etc have released a video from their self-titled debut, out June 12.

Video: Pop Etc – “Live It Up”

Explosions In The Sky have released a second video from last year’s Take Care, Take Care, Take Care.

Video: Explosions In The Sky – “Postcard From 1952″

America Give Up has yielded another video from Minneapolis’ Howler.

Video: Howler – “This One’s Different”

Rolling Stone has premiered a new video from Mates Of State, off of last year’s Mountaintops.

Video: Mates Of State – “Unless I’m Led”

The Magnetic Fields have released a second video from Love At The Bottom Of The Sea.

Video: The Magnetic Fields – “Quick!”

Interview talks to Molly Hamilton of Widowspeak, in town at The Garrison on June 15 for NXNE.

The Line Of Best Fit has a video session with Of Montreal, in town for NXNE on June 16 at Yonge-Dundas Square.

Artrocker and Drowned In Sound talk to A Place To Bury Strangers about their forthcoming album Worship, out June 26.

Red Eye and The Detroit Free Press talk to Andrew Bird, in town at Echo Beach on July 19.

Sharon Van Etten plays a video session for WBEZ; she’s at The Phoenix on July 31.

Pitchfork talks to Merrill Garbus and the director of the recent tUnE-yArDs video for “My Country”. She plays The Phoenix on August 1.

SF Weekly chats with John Vanderslice.

Reverb interviews Kurt Wagner of Lambchop.

NPR is streaming a KCRW radio session with M. Ward.

The Line Of Best Fit talks to Savoir Adore.

Ra Ra Riot talks to Spin about what they’ve got planned for album number three and to Grantland about their appreciation for hockey.

NPR has a WFUV session with Shearwater.

Spin gets a progress report on the next Dinosaur Jr album, due out later this Summer.

Greg Dulli takes The Skinny on a guided tour of The Afghan Whigs’ catalog.

Spin talks to Bob Mould about the 20th anniversary of Sugar’s Copper Blue and the single, “If I Can’t Change Your Mind” in particular. Slicing Up Eyeballs reports that two of Mould’s ’90s albums – Bob Mould and The Last Dog & Pony Show – will be getting released as a three-disc set in the UK on June 18 with the third disc consisting of a live 1998 show.

The Atlantic reflects on the significance of Wilco’s Yankee Hotel Foxtrot on the occasion of its tenth anniversary.

The AV Club has posted the fourth part of their look at the history of R.E.M..

J. Michelle Martin-CoyneSo what are you doing June 16? Are you one of those so conditioned by years of Toronto Radiohead shows selling out in a heartbeat that you tripped over yourself getting tickets for their Downsview gig as soon as they went on sale, even though the new venue was over twice the size of the Amphitheatre and general admission? Or are you one of those conscious of the fact that this is a King Of Limbs tour and realistically speaking, they probably won’t be playing the stuff you like most and anyways that’s the day the reunited Archers Of Loaf are finally coming to town and there’s no place you’d rather be that night than The Phoenix? Or were you waiting to hear what NXNE had up their sleeves since that’s when the Yonge-Dundas Square mainstage traditionally hosts the biggest name of the fest playing for free? If you chose option c), then congratulations on wanting to make an informed decision. And I’m sorry to say that Radiohead is now sold out so all your strategizing was for naught.

But you’ve hardly lost out as NXNE finally announced their first batch of acts playing the festival this year, and the Saturday night mainstage headliners will be none other than The Flaming Lips. The Oklahoman psychedelic-rockers, last here in July 2010, will endeavour to transform Yonge-Dundas Square into a garish, technicolor assault on the senses… so pretty much what it is every day, but with a bubble walk. Kidding aside, it will be pretty exciting to see a lot of people who’ve presumably never seen the Lips perform (or even know who they are) witness one of the most ridiculous and entertaining live shows going. Laser hands! And hey – since Yonge-Dundas isn’t far from The Phoenix, you can technically do both The Lips and Archers Of Loaf. I will, anyways.

As for the other confirmed acts, there’s a pretty impressive collection of both buzz bands and veterans coming to Toronto the weekend of June 14 to 17 – certainly more than a few that I’ve either been waiting to see come to town or are quite curious about. And because I’m a big dork, as I’ve done the past couple years, I’ve tried to discern the when and where of as many showcases as possible based on tour routing, previous announcements, what have you. There’s not quite as much info floating around right now as in past years, but if you wanted to get a jump start on trying to resolve inevitable scheduling conflicts, it’s something. Of course, all of this is unconfirmed until the official schedule is unveiled and certainly subject to change – I’ll probably keep updating it until that happens, if just for my own reference – but my sources are credible.

Wednesday, June 13, 2012
Hayes Carll, July Talk @ The Horseshoe
Eternal Summers @ The Drake Underground

Thursday, June 14, 2012
Bad Religion, No Use For A Name, Good Riddance @ Yonge-Dundas Square
White Rabbits, Vacationer, Nash @ The Mod Club
Bran Van 3000, Unknown Mortal Orchestra, Violens, Hooded Fang @ The Horseshoe
The Men, Grass Widow, The Black Belles, Mac DeMarco, Gap Dream @ The Garrison
Young Magic, Purity Ring, Moon King, Exitmusic, The Hundreds in The Hands @ Wrongbar
The Danks, Vinyl Williams @ The Drake Underground
Bleached @ The Silver Dollar
Mean Jeans @ The Shop Under Parts & Labour
The Seedy Seeds @ The Painted Lady
Larry & His Flask, The Schomberg Fair @ Sneaky Dee’s

Friday, June 15, 2012
Matthew Good, Plants & Animals, Eight And A Half @ Yonge-Dundas Square
2:54, Friends, Oberhofer @ Lee’s Palace
The Smoking Popes @ The Great Hall
The Sadies & Andre Williams, Reigning Sound, The Black Belles, The Coppertone @ The Horseshoe
Widowspeak, Yamantaka // Sonic Titan, Art Vs. Science @ The Garrison
The Men, Bass Drum Of Death, DZ Deathrays, The Death Set, Metz @ Wrongbar
Bleached, Parlovr, Hooded Fang, Goose Hut @ The Silver Dollar
Rah Rah @ The Dakota Tavern
Phèdre, Odonis Odonis, Beta Frontiers, Cartoons, Hellaluya, Hussy, Times Neue Roman @ Sneaky Dee’s
Brasstronaut, Útidúr @ TBA

Saturday, June 16, 2012
The Flaming Lips, Of Montreal, The Soundtrack Of Our Lives, Ceremony, Art Vs. Science, Oberhofer, Parlovr, Hollerado @ Yonge-Dundas Square
Archers Of Loaf, Metz @ The Phoenix
Catl, Young Empires @ The Horseshoe
Killer Mike, Death Grips, Ceremony, Doldrums, Trae Tha Truth @ Wrongbar
Yamantaka // Sonic Titan @ Sneaky Dee’s
Holly McNarland, The Deer Tracks @ The Rivoli
Limblifter, Shellshag, Our Brother The Native, Neon Windbreaker, International Zombies OF Love @ El Mocambo
Kontravoid, Automelodi, Bleached, Prince Innocence, Ell V Gore, Mac DeMarco, Cellphone, Dutch Toko @ The Silver Dollar
Sean Rowe @ The Dakota Tavern
WAZU @ The Painted Lady
Carnival Moon @ Czehoski
DJ Jonathan Toubin @ TBA

Sunday, June 17, 2012
Raekwon & Ghostface Killah @ Yonge-Dundas Square

The full list of announced acts – including those without a venue or exact date that I can pin down – can be grokked over here but definitely catching my eye are Rival Schools and Porcelain Raft (June 14 or 15). Not a bad start at all, lots more to come.

MP3: Archers Of Loaf – “Harnessed In Slums”
MP3: Ceremony – “Hysteria”
MP3: Death Grips – “Spread Eagle Cross The Block”
MP3: The Deer Tracks – “Dark Passenger”
MP3: Mac DeMarco – “Baby’s Wearin’ Blue Jeans”
MP3: Doldrums – “I’m Homesick Sittin’ Up Here In My Satellite”
MP3: Hollerado – “Americanarama”
MP3: The Men – “Ex-Dreams”
MP3: Oberhofer – “Away Frm U”
MP3: Of Montreal – “Coquet Coquette”
MP3: The Soundtrack Of Our Lives – “Karmageddon”
MP3: Widowspeak – “Harsh Realm”
MP3: Andrew Williams – “Dirt”
Video: Bad Religion – “21st Century Digital Boy”
Video: The Black Belles – “What Can I Do”
Video: The Flaming Lips – “Fight Test”
Video: Friends – “Friend Crush”
Video: Ghostface Killah – “2getha Baby”
Video: Matthew Good – “Everything Is Automatic”
Video: Raekwon – “House Of Flying Daggers”
Video: 2:54 – “You’re Early”

And speaking of The Flaming Lips, their Flaming Lips & Heady Fwends album is out this Saturday for Record Store Day – if you can get your hands on one – and Wayne Coyne talks about it to The Huffington Post. They’ve also released a video from it – NSFW, of course. Lips don’t do clothes.

Video: The Flaming Lips and New Fumes – “Girl, You’re So Weird”

Electronic Anthology Project is the brainchild of Built To Spill’s Brett Netson wherein he takes songs from artists who aren’t especially electronic – like, say, Dinosaur Jr – and recreates them in synth-y, new wave style and actually makes it work. Of course it helps when you can get the likes of J Mascis to re-record some vocals for the project… The Electronic Anthology Project of Dinosaur Jr will be released on CD for Record Store Day but you can stream the whole thing right now at Stereogum.

Stream: Electronic Anthology Project – “Tarpit”
Stream: Electronic Anthology Project of Dinosaur Jr

Stereogum checks in with Jana Hunter of Lower Dens to see how things are coming on their next album Nootropics, out May 1.

Beach House are streaming another new song from Bloom, out May 15. It’ll be available on 7″ for Record Store Day this Saturday.

Stream: Beach House – “Lazuli”

Spin interviews Bethany Cosentino of Best Coast, whose new record The Only Place is out on May 15. They play The Phoenix on July 21.

Though Mark Kozelek has a habit of booking and then cancelling shows, he’s planning to be in Toronto at The Great Hall on October 3 to promote the new Sun Kil Moon record Among The Leaves, out May 29. Tickets are $20 in advance and refunds will be available at the point of purchase.

MP3: Sun Kil Moon – “UK Blues”
MP3: Sun Kil Moon – “Carry Me Ohio”
MP3: Sun Kil Moon – “Sunshine In Chicago”

Exclaim reports that the second Guided By Voices album of 2012 – Class Clown Spots a UFO – will be out on June 21 and a third GBV album entitled Bears For Lunch should be out in November. Most prolific reunion ever?

That Nintendo-premiered new video from The Shins is finally available to watch online. They’re at The Molson Amphitheatre on August 4 supporting The Black Keys.

Video: The Shins – “The Rifle’s Spiral”

Craig Finn tells Rolling Stone that The Hold Steady will begin work on a new record this Summer, but he’s not quite done with the solo thing yet – Paste has premiered a new video as part of a fundraising campaign for Big Brother/Big Sisters of America.

Video: Craig Finn – “Respective Coasts”

Spin chats with M. Ward.

Chart talks to Nada Surf frontman Matthew Caws.

Annie BeedyI’d like to, if I could, refer you back to my writeup of The Shins on the occasion of their visit to Toronto last September. In it, I mused about how this band had a Forrest Gump-like knack for getting pulled into conversations bigger than themselves and how all of that seemed out of scale with James Mercer’s desire to simply write pop songs. That hasn’t necessarily subsided as some of the pieces I’ve read surrounding last month’s release of Port Of Morrow were built around the very questionable thesis that The Shins are already a reunion or nostalgia act (four albums over eleven years is hardly a snail’s pace these days, people).

Having already gotten that end of things out of my system with the aforementioned live review, I’m going to try and just talk about Port Of Morrow in the context of being a new Shins record, and nothing else. And it’s actually not too difficult to do because even with all that’s happened between this record and 2007′s Wincing The Night Away – namely the sacking of the band and shelving the whole thing in favour of Broken Bells – Port makes it feel like nothing has transpired and no time has elapsed.

The sonic aesthetic seems a bit shinier than before, more distinctly in line with ’70s studio pop but still following the path laid out by the albums that came before. Mercer’s distinctive, reedy voice manages to keep up – sometimes barely – with the looping melodies he writes for his cryptically evocative lyrics, accompanied by some ratio of jangly guitars to moody synths. The songwriting is also as solid as before, peaking with lead single “Simple Song” – it easily belongs on any post-career best-of compilation – and while it doesn’t again reach those heights, there’s an admirable lack of filler across the other nine tracks. It seems that it really doesn’t matter who’s along for the ride with James Mercer, The Shins remain as The Shins ever were. It’s funny that a band that was sold to so many as being life-changing should find their greatest strength in their constancy.

The Shins premiered their new video for “The Rifle’s Spiral” on the Nintendo DS platform last week, because they’re cool/annoying like that – it should be available for those of us without portable video game systems this week. They open up for The Black Keys at The Molson Amphitheatre on August 4.

Also, courtesy of With A Bullet, I have several copies of Port Of Morrow to give away – one on LP and three on CD. To enter, email me at contests AT chromewaves.net with “I want The Shins” in the subject line and your full name and mailing address in the body, and indicate if you’d like to be eligible for the vinyl, digital or both. Contest is only open to residents of Canada – sorry, rest of the world – and closes at midnight, April 29. Update: The prizing has been upgraded to four LPs; if you’re CD-only, sorry, can no longer oblige. Maybe buy a turntable?

Video: The Shins – “Simple Song”
Video: The Shins – “Bait & Switch”

I still have fond memories of seeing The Shins for the first time back in Summer 2002 – just before this blog came into existence – at The Rivoli in Toronto, opening up for Los Angeles’ psychedelic-country outfit Beachwood Sparks. The Shins would eventually go on to great things while the Sparks went on hiatus shortly afterwards… a hiatus that is now over. Pitchfork reports the reconvened band will return with their third album The Tarnished Gold on June 26. One of the new tracks and a couple of old ones are posted below.

MP3: Beachwood Sparks – “Forget The Song”
MP3: Beachwood Sparks – “Confusion Is Nothing New”
MP3: Beachwood Sparks – “Drinkswater”

The Fly talks to Bethany Cosentino of Best Coast. Her new record The Only Place is out on May 15 and they’re at The Phoenix on July 21.

Wears The Trousers has an interview with Dee Dee of Dum Dum Girls.

School Of Seven Bells have a new video from Ghostory. They’re at The Hoxton on May 2 and are the subject of interviews at The Star-Telegram, The Citizen-Times, The Pitch, and The National.

Video: School Of Seven Bells – “Reappear”

tUnE-yArDs has released a new video from WHOKILL, featuring some face that may be familiar if you’ve seen the old videos from WHOKILL. There’s also interviews with Merril Garbus at OC Weekly and The Santa Barbara Independent; she plays The Phoenix on August 1.

Video: tUnE-yArDs – “My Country”

Lambchop have squeezed a new video out of Mr. M. Indy Week, Magnet, and The Washington Post have chats with Kurt Wagner.

Video: Lambchop – “2B2″

M. Ward is the subject of feature pieces at Spinner, Paste, The Vancouver Sun, Clash, American Songwriter, Ventura County Star, and Flagstaff Live.

NPR welcomes Perfume Genius to WFUV for a radio session featuring a new song. There’s also features at The Georgia Straight and Dazed, and the second part of the interview between Michael Stipe and Mike Hadreas is now up at East Village Boys.

NPR has made The Magnetic Fields’ day show at SXSW available to stream, and also have a radio interview with Stephin Merritt available. There’s also pieces at The Guelph Mercury and Creative Loafing.

Rolling Stone caught up with Annie Clark of St. Vincent to talk about her next album – a collaboration with David Byrne that should be out in the Fall. Pitchfork also points out that her entire Coachella set is available to watch online and a new song which appears on her Record Store Day 7″ makes its live premiere and scorches.

Video: St. Vincent @ Coachella 2012

QRO talks to Jonathan Meiburg of Shearwater.

Greg Dulli talks to DIY about the Afghan Whigs reunion.

New York electro-rock/soul/funk acts Penguin Prison and Class Actress are teaming up for a co-headline tour which brings them to Wrongbar on June 7;

Video: Penguin Prison – “Don’t Fuck With My Money”
Video: Class Actress – “Weekend”

You have the Toronto Jazz Festival to thank for bringing Janelle Monáe back to Toronto for the first time since CMW 2011; she’ll be playing the outdoor stage at Nathan Phillips Square on June 22, and hopefully you can find a spot to watch from the unticketed area because admission is a rather dear $62.50.

Video: Janelle Monáe – “Tightrope”

Also in town for the Jazz Festival is Nellie McKay, whose boycott of Canada in protest of the seal hunts is apparently over. She’ll be at The Horseshoe on June 30, tickets $20 in advance.

Video: Nellie McKay – “Real Life”

San Francisco electronic artist Tycho is back in town on July 10 for a date at The Hoxton.

MP3: Tycho – “Hours”
MP3: Tycho – “Coastal Brake”

And Bruce Springsteen & The E Street Band – perhaps you’ve heard of them – have finally added a Toronto date for their Wrecking Ball tour. They’ll be at The Rogers Centre on August 24 with tickets going on sale April 20; no pricing as yet but you can bet it won’t be cheap and that it’ll still be worth it. They’ve also released a new video from Wrecking Ball recorded at the Moody Theater show at SXSW in March. If you look really closely, you can see me in the stands! Okay, no you can’t. Update: Tickets are $35 and $115. Nicely done, Bruce.

Video: Bruce Springsteen & The E Street Band – “Death To My Hometown”