Jeremy BaldersonAt first, it’s hard to imagine what need there is for a Craig Finn solo album. After all, he gets to run roughshod over The Hold Steady records with as many words as he can manage to pair with their classic rock attack – has he really got a backlog of ideas that don’t fit that broad and welcoming template? As Clear Heart, Full Eyes, out next Tuesday but now available to stream in whole at NPR demonstrates, yeah he does.

It’s not as though any of these songs couldn’t have easily been made into Hold Steady numbers; Finn’s character-driven songwriting style is still immediately recognizable. But the mood is more thoughtful and the musical accompaniments chosen are simpler and slower – though not acoustic and strummy, it should be made clear – and allow Finn to occupy enough of a different timbre and cadence to clearly distinguish him from the manic character who fronts The Hold Steady. It’s the sort of record that fans will enjoy for its own merits but also make them appreciate the next Hold Steady record even more.

Clash gets into the literary inspiration that goes into his work while Pitchfork and Hitfix talk to him about going solo and what’s next for The Hold Steady.

MP3: Craig Finn – “Honolulu Blues”
Stream: Craig Finn / Clear Heart Full Eyes

School Of Seven Bells have revealed details of a Spring tour in support of Ghostory, out February 28. The Toronto date is May 2 at The Hoxton.

MP3: School Of Seven Bells – “Lafaye”
MP3: School Of Seven Bells – “The Night”

Hospitality were just here last week but they’ve already scheduled a return date for February 29 when they’ll be supporting Tennis at The Horseshoe. Their self-titled debut is out January 31.

MP3: Hospitality – “Friends Of Friends”

Beirut have announced a July 19 date at The Sound Academy, part of a Canadian tour in support of last year’s The Rip Tide. Tickets are $35 general admission, $50 VIP.

Video: Beirut – “Santa Fe”

NPR has a World Cafe session with Real Estate, who play a sold-out show at Lee’s Palace this Friday. The Boston Globe and Montreal Mirror have interviews.

Nada Surf has made their new record The Stars Are Indifferent To Astronomy available to stream ahead of its release next week over at NPR. They play the Opera House on April 4.

MP3: Nada Surf – “When I Was Young”
Stream: Nada Surf / The Stars Are Indifferent To Astronomy

Stuff like iTunes sessions don’t typically get my attention, but one coming out on January 24 does – because a) it’s by Wilco and b) it’s all of eight songs long, picked from all throughout their existence and featuring a cover of “Cruel To Be Kind” with Nick Lowe. So yeah, maybe I’ll buy that. Details on the release at Consequence Of Sound, and there’s interviews with Jeff Tweedy at The Denver Post and Glenn Kotche at The Los Angeles Times.

The Stool Pigeon talks to Chairlift about their new record Something, out January 24 and followed by a show at The Horseshoe on March 28.

Stereogum checks in with Sharon Van Etten about the state of her new album Tramp, out February 7. She plays Lee’s Palace on February 21.

Opening up that show are Shearwater, who’ve offered up another track from their new one Animal Joy. It’s out February 14.

MP3: Shearwater – “You As You Were”

The first official preview of Sleigh Bells’ forthcoming Reign Of Terror is now available to hear. It’s out February 21 and they play The Phoenix February 18.

Stream: Sleigh Bells – “Comeback Kid”

Another tune from the new Lambchop record Mr. M is available to download ahead of its February 21 release date.

MP3: Lambchop – “Gone Tomorrow”

The Boston Herald, Boston Phoenix, and Metro talk to Joe Pernice about the Scud Mountain Boys reunion tour, which kicked off this week in Boston and hits Lee’s Palace on February 25.

The Decemberists will be entering their hiatus in grand fashion, with the released of their first live album, the double-disc We All Raise Our Voices To The Air (Live Songs 04.11-08.11). It will be out on March 13; Rolling Stone has specifics.

Rolling Stone has an MP3 from Threads, the new record for Minneapolis’ Now, Now. It’s out March 16 and they may or may not be opening for The Naked & Famous at The Sound Academy on April 5 – I’ve seen both that they are and aren’t.

MP3: Now, Now – “School Friends”

Rolling Stone has got an MP3 from the new Justin Townes Earle album Nothing’s Gonna Change The Way You Feel About Me Now available to download. The record is out March 27.

MP3: Justin Townes Earle – “Nothing’s Gonna Change The Way You Feel About Me Now”

DIY profiles Howler, who are at The Drake Underground on April 5. They’ve also released a live session video recorded at the Rough Trade store in London.

Video: Howler – “Back Of Your Neck” (live at Rough Trade)

Wayne Coyne talks to Rolling Stone about a new The Flaming Lips record that will be made up of collaborations with other artists such as Bon Iver (who, let’s be honest, would probably agree to collaborate with anyone who asked) and which may be out as soon as April.

Lower Dens have announced a new record – look for Nootropics on May 1 – and also released the first MP3 from it, which is kind of great.

MP3: Lower Dens – “Brains”

DIY has a feature piece on Guided By Voices, who aim to release their second reunion album Class Clown Spots A UFO in or around May.

Ryan Adams has released a new video from Ashes & Fire.

Video: Ryan Adams – “Chains Of Love”

There’s also a new video from Death Cab For Cutie’s Codes & Keys.

Video: Death Cab For Cutie – “Underneath The Sycamore”

aux.tv talks to Annie Clark of St. Vincent.

Dean Wareham gives an interview to Music Times Two and offers some thoughts on a Luna reunion (not likely, but not impossible).

Filter has a two-part feature piece on Tom Waits.

MergeIf you thought that it had been a while since we heard from Nashville’s Lambchop, well you were right. It had. After finishing up with 2008′s OH (ohio), bandleader Kurt Wagner was content to put the orchestral country-soul outfit in mothballs for an undetermined spell while he worked on KORT, a collaborative project with singer-songwriter Courtney Tidwell.

But with the passing of friend and collaborator Vic Chesnutt in 2009 and at the urging of guitarist Mark Nevers, Wagner got the band back together for at least one more go-around and the result is Mr. M, their eleventh studio album which will be out on February 21 of the new year.

Clash has details on the new record and some background from Wagner about its inception, and the leadoff track has been made available as a download – if you were hoping that Wagner had gotten in touch with his inner metalhead during the layoff, you may be disappointed. But if you want some lovely, languid string-laden soul, “If Not I’ll Just Die” is like manna.

MP3: Lambchop – “If Not I’ll Just Die”

Daytrotter has posted up a session with Crooked Fingers, and there’s some fresh and vintage Bachmann available to download via the just-released Merge Winter Sampler: a new MP3 from the exquisite new Crooked Fingers record Breaks In The Armor and one of Archers Of Loaf’s best tunes, from the forthcoming Vee Vee reissue due out sometime in the new year. Plus a pile of other stuff either recently out or coming soon from the label – so download already. And read this interview with Bachmann over at Denver Westword.

MP3: Crooked Fingers – “Bad Blood”
MP3: Archers Of Loaf – “Harnessed In Slums”
ZIP: Merge Winter Sampler 2011

Over at The AV Club, Mac McCaughan of Superchunk discusses and performs “Digging For Something” from their latest, Majesty Shredding.

Fleet Foxes have gotten around to releasing a new video from Helplessness Blues.

Video: Fleet Foxes – “The Shrine/An Argument”

Paste is streaming the new Calexico CD Selections From Road Atlas 1998-2011, which is not to be confused with their new vinyl box set Road Atlas 1998-2011. The former is a 16-track sampler of the latter, which is a compendium of all the band’s tour-only releases of the past 13 years – 12 LPs worth. The former is also out now, whereas the latter is out next week.

Stream: Calexico / Selections From Road Atlas 1998-2011

CNN talks to Jeff Tweedy and John Stirratt of Wilco.

Craig Finn discusses the Friday Night Lights connection in his debut solo album Clear Heart Full Eyes with Slate. It’s out January 24.

Having released his second album of the calendar year in Humour Risk at the start of the month, Cass McCombs will be back in town for a show at The Garrison on January 27, tickets $14.50 in advance. Pitchfork has an interview.

MP3: Cass McCombs – “The Same Thing”
Video: Cass McCombs – “The Same Thing”

The Fly interviews Girls.

PopMatters interviews The War On Drugs, in town for a show at the Horseshoe on December 9.

Of Montreal are streaming the first taste of their forthcoming Paralytic Stalks, due out next year.

Stream: Of Montreal – “Wintered Debts”

The Line Of Best Fit gets Okkervil River to play a video session from aboard a boat at End Of The Road in September while Spoonfed snags an interview with Will Sheff.

HearYa has a session with Mates Of State available to watch and/or download. On Milwaukee, Cleveland Scene and Minnesota Daily snag interviews as the duo tours through the midwest.

The Georgia Straight, Huffington Post, SF Weekly, The Weal, Victoria Times-Colonist and Calgary Herald talk to Merrell Garbus of tUnE-yArDs.

The Austin Chronicle profiles hometown heroes Ume.

The New Zealand Herald interviews Annie Clark of St. Vincent, who plays The Phoenix on December 15.

More R.E.M. exit interviews – there’s been a lot of them, yes, but once this round is done, that’s it. For always. Read the pieces at Spin, Spinner, The AV Club, NPR, Shortlist, and Pitchfork.

Steve GullickI’m not quite at the point where I can refer to Emma Pollock without adding “former Delgados frontwoman”, but it’s getting there and with the release of her second solo album The Law Of Large Numbers, we’re getting there. Her 2007 debut Watch The Fireworks was a wholly enjoyable balance of intimate folkishness and scrappy rock, a recipe familiar to Delgados fans, but more immediate and accessible than her more idiosyncratic former band. If the first taste of the new record is any indication, it’s still quite direct but perhaps more ambitious, sonically speaking.

Either way, the new record is due out March 1 and one thing that’s certain is it’s certainly good to hear her voice again.

MP3: Emma Pollock – “Hug the Harbour”

And I was going to add a little bit asking what happened to Pollock’s co-lead in The Delgados, Alun Woodward, but it turns out he didn’t disappear so much as I just didn’t look. Some cursory digging reveals he released his self-titled solo debut under the name of Lord Cut-Glass this past Summer, so that’s both Delgados voices accounted for, and the drums as well, as Paul Savage appears on Woodward’s effort as well as on Pollock’s first record – though not, apparently, the second. Which only leaves bassist Stewart Henderson as MIA, but considering his wanting to retire is what caused the band to dissolve in the first place, that’s not surprising.

MP3: Lord Cut-Glass – “Even Jesus Couldn’t Love You”
Video: Lord Cut-Glass – “Look After Your Wife”

Decoding Static interviews Polly Scattergood.

Muse drummer Dominic Howard tells Spinner that touring as support for U2 earlier this year was an educational experience. Look for some of those lessons to be put on display when they play the Air Canada Centre on March 8.

The Quietus interviews Hope Sandoval.

Wears The Trousers has a conversation with Sharon Van Etten, who is in town on February 6 opening up for Great Lake Swimmers at Trinity-St. Paul’s.

Daytrotter is closing out the year with a session with The Daredevil Christopher Wright.

Interview does their thing with Kurt Wagner of Lambchop.

The Milwaukee Journal-Sentinel talks to Spoon frontman Britt Daniel. Their new album Transference is out January 19.

Wayne Coyne of The Flaming Lips names off some of this favourite records of the decade to Spinner. He also gives an interview to BBC6.

Their 20th anniversary year might officially end tonight, but Merge has at least one more goodie for the faithful – a new Portastatic digital EP featuring covers of other Merge artists, with proceeds going to charity.

And that’s it for this year. Have a safe New Years, everyone and – once more with feeling – fuck you 2009.

Frank YangI’m not even kidding when I say that a typical Friday night for me usually wraps up sound asleep before midnight. Rock’n'roll lifestyle indeed. But I had been quite looking forward to seeing Brooklyn’s Parts & Labor, what with their latest album Receivers growing on me more with each listen, so instead of being properly crashed out from the week that was last Friday, I was at Sneaky Dee’s taking in a full lineup of local acts before the headliner.

Kicking things off were Radius & Helena, who just released their debut Precious Metals. Their angular, art-rock was in the vein of Sonic Youth or late-era Radiohead, though without the genius of either act. I don’t mean this as a slight – you can be plenty smart without being a genius – but R&H could stand to hone the pop side of their equation. After all, their stylistic forebears are as highly regarded as they are because they were able to take their inventiveness and restlessness and still make it (mostly) wholly listenable. Radius & Helena mostly were, as well, but there were a few points where something especially interesting caught my ear and hinted that there were better things yet to come.

Gears couldn’t have shifted more than they did when Peter Project took the stage next. The one-man act set up behind a bank of television monitors displaying the performance and old TV shows, and armed with a turntable and sampling pad, proceeded to craft a set of jazzy, ’60s-retro hip-hop grooves. Mostly instrumental save for a couple of guest raps (pre-recorded), it was unexpected and really enjoyable, like a nice respite of lounging in a sea of loud rock.

Rock which returned with Ten Kens, whom I’ve been curious about since hearing they’d signed to Fat Cat and were thus labelmates with the likes of The Twilight Sad and Frightened Rabbit. And now, having seen and heard them, all I can say is that the label has much better talent scouts in Scotland than they do in Canada. Recalling ’90s post-grunge alt-rock when heavy guitars and angsty vocals were enough to build a career, they failed to deliver anything remotely engaging. They did apologize at the end of their set for some undetermined technical difficulties, so maybe their self-titled debut is more interesting, but I’ve no real interest in finding that out.

And finally, after long last and on the wrong side of 1AM, came Parts & Labor. And while they played one of the shortest sets of the night – maybe 35 minutes, tops – it was worth the wait. First, I’d like to go back to my review of Receivers and apologize to current drummer Joe Wong for suggesting that he wasn’t fully able to step into the shoes of departed drummer Christopher Weingarten. Wong’s live work was simply devastating. Pulverizing, precise and loud as fuck. It was great. And over top the din, his bandmates managed to recreate the dense sonics of Receivers and its predecessor Mapmaker, maintaining their frantic energy yet with most every detail and melody coming across loud and clear. Intense and awesome, and invigorating enough to get me back home, where I proceeded to sleep for the next nine and a half hours. Yessir.

The New Haven Register talks to Parts & Labor’s B.J. Warshaw about the bands shift towards the melodic over the last couple records.

Photos: Parts & Labor, Ten Kens, Peter Project, Radius & Helena @ Sneaky Dee’s – November 21, 2008
MP3: Parts & Labor – “Nowhere’s Nigh”
MP3: Parts & Labor – “Fractured Skies”
MP3: Parts & Labor – “A Great Divide”
MP3: Ten Kens – “Bearfight”
MP3: Peter Project – “Repetitive Stress Injury”
MP3: Radius & Helena – “What Gets In The Way Of Love”
MP3: Radius & Helena – “Commodore”
MP3: Radius & Helena – “The Thin Man”
Video: Parts & Labor – “The Gold We’re Digging”
Video: Ten Kens – “Bearfight”
Video: Ten Kens – “Y’all Come Back Now”
Video: Radius & Helena – “Commodore”
MySpace: Parts & Labor
MySpace: Ten Kens
MySpace: Radius & Helena

Billboard gets updates from Adam Schlesinger on the statuses of Fountains Of Wayne and Ivy, both of whom are in the midst of assembling new albums.

The Australian profiles Fleet Foxes.

Chart interviews Will Sheff of Okkervil River.

Jonathan Meiburg discusses leaving Okkervil for Shearwater with The Argus.

Lambchop’s Kurt Wagner rides a Black Cab, covers Dylan.

Clash Q&As Death Cab For Cutie.

I didn’t really count their gig opening up for Broken Social Scene this Thursday as a proper make-up for the cancelled show at the end of September, so I’m glad to see that Land Of Talk have scheduled a show at the Horseshoe for January 15, tickets $10. Also on the bill, Zeroes and Little Scream.

I missed The Submarines the last time they came to town in May on account of my being in Europe at the time. And while I can’t totally predict what I’ll be doing in three months time, being at the Drake Underground on February 15 to see their return engagement seems like a fairly safe bet. Tickets for that show are $10.50.

MP3: The Submarines – “You, Me And The Bourgeoisie”
Video: The Submarines – “You, Me And The Bourgeoisie”

Aquarium Drunkard has a release date for volume one of Neil Young’s Archives. If the information is accurate and doesn’t change (as it has countless times already), the ten-disc set (DVD or Blu-Ray) will be available on January 27 of next year and run you in the ballpark of $350 or $450, depending on which format you prefer. Yeah. Neil is at the Air Canada Centre next Thursday and Friday, December 4 and 5.

Frank YangI’m going to have to stop using my line about any British band being able to fill a venue in notoriously Anglophilic Toronto… this past Wednesday night at the El Mocambo, The Rumble Strips were not only able to draw just a couple dozen people, they couldn’t even get their support act to show up.

Okay, in the case of tourmates Birdmonster, it was less the Rumble Strips’ fault than the border guards who wouldn’t let the San Francisco outfit into the country (I think this is at least the second time they’ve been turned away – a topic they address in a MySpace blog in a manner that pretty much guarantees they’ll never be let in…) but otherwise, I was perplexed as to why the low turnout. Sure, they’re not exactly NME darlings, but the horn-driven soul-pop of their debut Girls & Weather (reviewed here) is eminently likeable and it was hardly an expensive ticket. Was it the cold? Got news for you, Toronto, it’s only going to get worse. Wimps. I was out, and on my BICYCLE no less. Anyway.

But, as the sage show business advice goes, you play for the people who show up – not the ones who don’t – and so even to the thin house, The Rumble Strips weren’t going to phone it in. They did indeed bring it, albeit quietly at first. They led with a new song that was decidedly more sedate than anything you’d find on their debut, one of a few that would be scattered throughout the set and none of which were as immediate as the Girls & Weather material – which is as much of a commentary as I feel fit to make after a single live listen. Cue the more introspective sophomore effort? Everything else, however, was pure extroverted pop goodness.

Everything that makes The Rumble Strips distinctive on record – the horns, the hooks, Charlie Waller’s voice – somehow comes across even stronger live. The rhythm section sounds huge, with duties frequently divvied up between Matthew Wheeler on drums and bassist Sam Mansbridge on what they call “Rumble Drum” but is actually just the floor tom beat extra hard, and is super-tight. The horns… well another thing I’m going to have to stop saying is that I don’t like horns, because I loved theirs. In fact, all the band’s orchestrations and arrangements were impressive to witness. One strength that I hadn’t noticed on record but was quite evident on stage was their harmonies. Waller’s huge vocals – pitch perfect with loads of character – obviously take center stage, but three of the other four also quite ably stepped up to add their voices to the mix.

But above all else, they brought the songs. Each listen to Girls & Weather only makes me grow fonder of uptempo, feel-good, sad-sackery – with so many strengths and such personality, I am really astonished that they weren’t able to draw out more of the curious to go along with the converted who did show up. And though it’s damn near impossible to turn a room that’s only 5% full into a party, The Rumble Strips certainly tried.

Photos: The Rumble Strips @ The El Mocambo – October 29, 2008
MP3: The Rumble Strips – “Time”
MP3: The Rumble Strips – “Motorcycle”
Video: The Rumble Strips – “Girls And Boys In Love”
Video: The Rumble Strips – “Alarm Clock”
Video: The Rumble Strips – “Motorcycle”
Video: The Rumble Strips – “Oh Creole”
Video: The Rumble Strips – “Time”
MySpace: The Rumble Strips

The Independent profiles Noah & The Whale, who will be returning to Toronto for a show at the El Mocambo on December 9.

The Quietus interviews A Place To Bury Strangers. NPR is streaming part of their CMJ set last week.

Pitchfork talks to Portastatic’s Mac McCaughan.

Austin360 asks three questions of Decemberists drummer Nate Query.

The Drive-By Trucker/Hold Steady-powered “Rock & Roll Means Well” tour kicked off last night, and while the November 11 show at the Phoenix is sold out, a small block of tickets was released earlier this week via Ticketmaster and at last check, were still available. And I’m still giving away a few pairs. The Courier-Journal profiles The Hold Steady, The Winston-Salem Journal talks to the Truckers and Nashville Scene and The Village Voice talk to them both.

Paul Westerberg reflects on the legacy of The Replacements for The Guardian.

NPR welcomes Okkervil River to their studios for a World Cafe session.

Exclaim! and Get Wokingham have interviews with Lambchop’s Kurt Wagner.

An Aquarium Drunkard and The Colorado Springs Gazette interview members of DeVotchKa.

One of the Jonas Brothers interviews Elvis Costello for Rolling Stone.

The Grace Potter & The Nocturnals gig originally scheduled for the El Mocambo on December 10 now appears to be happening at Lee’s Palace.

Matador has made their Fall 2008 sampler available to download and it includes tastes of new and upcoming releases from Belle & Sebastian, Shearwater and Fucked Up.