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Posts Tagged ‘Hospitality’

Tuesday, November 12th, 2013

Chords I've Known

Tribute to Sparklehorse seeks tributes from fans

Photo By Frank YangFrank YangSparklehorse were never an especially commercially successful band during their lifetime, their heartbroken transistor radio cosmic country finding only a cult audience, but a lot of that cult audience were other artists. And so almost four years after Mark Linkous took his own life, the Box Of Stars organization, which seeks to raise awareness of mental health issues through music, has gathered together an impressive roster of those fans for Last Box Of Sparklers: A Tribute To Mark Linkous.

Amongst the contributors you’ll find Sparklehorse forebears, contemporaries, and followers including The Flaming Lips, Dinosaur Jr, Cowboy Junkies, Phantogram, and The Joy Formidable. Financing for the release is currently being sourced through Indiegogo and with nine days to go, they’re 40% of the way to their $50,000 goal. It would be a shame on so many levels if this project didn’t happen so if you were a fan of Sparklehorse – or are a fan of any of the contributing artists and would like to be introduced to the sad and beautiful world of Sparklehorse – see about contributing.

Pitchfork has more details on the project and a stream of Mercury Rev’s track.

Stream: Mercury Rev – “Sea Of Teeth”
Trailer: Last Box Of Sparkers: A Tribute To Mark Linkous

The National have made their contribution to the new The Hunger Games: Catching Fire soundtrack – due out November 19 – available to stream and guitarist Aaron Dessner gives NME some insight into their plans for their next album.

Stream: The National – “Lean”

Unofficial ambassador of Arizona to the world – never mind that Walter White fellow – Howe Gelb has made a date at The Drake Underground on December 7 to play songs from his new solo record The Coincidentalist, his first visit since bringing the ‘Sno Angel Like You gospel project to Lee’s Palace in December 2006. Tickets for that will be $17.50.

Stream: Howe Gelb – “Vortexas”

Pitchfork and Rolling Stone talk to Stephen Malkmus about his new album with The Jicks, entitled Wig Out at Jagbags and due in January 7; details at Matablog, lyric video for a new song below. Sing along!

Lyric Video: Stephen Malkmus & The Jicks – “Lariat”

The whole of Warpaint’s set at the Pitchfork Paris festival earlier this month is available to watch online; I would expect some tracks from their new album Warpaint, out January 21, are included in the set.

Video: Warpaint live at Pitchfork Paris 2014

Though just here last last month, San Francisco’s Weekend are coming back to town and bringing Philadelphia’s unbelievably loud Nothing – themselves just here in August – for a show at The Garrison on January 21; tickets are $10.50 in advance.

MP3: Weekend – “Coma Summer”
Video: Nothing – “Downward Years To Come”

Le Tigre alumnus JD Samson & MEN are touring behind their new record Labor and will be at The Garrison on January 26. Noisey has an interview with Samson.

Video: JD Samson & MEN – “Making Art”

Rolling Stone has premiered a stream of the new song by Hospitality, taken from their sophomore album Trouble, coming out January 27.

Stream: Hospitality – “I Miss Your Bones”

Austin’s White Denim have announced Winter dates behind their new, Jeff Tweedy-produced album Corsicana Lemonade; dates and a stream of the album can be had at Exclaim, and they include a March 3 date at The Horseshoe, tickets $15.50. The Irish Examiner has an interview with the band and NPR a video session.

Stream: White Denim / Corsicana Lemonade
Video: White Denim – “Pretty Green”

Billboard talks to Patterson Hood of Drive-By Truckers about their new album, recorded in a fortnight and set for release in March of the new year.

We Are Scientists have slated a Spring tour behind their new EP Business Casual – which includes a cover of Berlin’s love theme from Top Gun which itself has a video – and they’ll be at Lee’s Palace on April 22.

Video: We Are Scientists – “Take My Breath Away”

Innocent Words has an interview with Tanya Donelly.

Superchunk have made the latest edition of their Clambake live album series – a 1996 vintage show in Melbourne – available to stream for free.

Stream: Superchunk / Clambakes Volume 7: Shut the F*ck Up!…No, We Love You – Live at the Corner Hotel 1996

NYC Taper is sharing a record of Built To Spill’s visit to Irving Plaza in New York last week.

PopMatters, The Georgia Straight, and San Francisco Examiner talk to Cameron Mesirow of Glasser.

The Alternate Side has a session with The Dismemberment Plan.

eMusic, Paste, and Filter have interviews with Midlake, who also offer instructions on how to make an old-fashioned.

Noisey talks to Josh Tillman of Father John Misty.

Spin and The Fly talk to Wayne Coyne of The Flaming Lips.

The 405 interviews The Men.

Rolling Stone has a eulogy for Lou Reed by his wife Laurie Anderson, as well as video of his final interview.

Wednesday, October 23rd, 2013

We Looked Like Giants

Death Cab For Cutie celebrate Transatlanticism‘s 10th with naked baby photos

Photo By Peter EllenbyPeter Ellenby2013 marks the tenth anniversary of all kinds of things – the US invasion of Iraq, Lost In Translation, the passing of both Johnny and June Carter Cash – but also the debut of a television show called The O.C. which hand to god I have never watched but know of because it catapulted one of my then-favourite bands in Death Cab For Cutie from bubbling-under buzz band into bona fide (indie-scale) stars. Well their endorsement, plus the momentum of Ben Gibbard’s other project The Postal Service, and also the release of the band’s most beloved album in Transatlanticism. I personally preferred its predecessor The Photo Album, but a generation of indie kids came of age to this record and so its decade anniversary is almost certainly making a lot of people feel really old right now; my world and welcome to it.

In any case, it’s a milestone that merits commemoration and the band’s former and spiritual home of Barsuk Records is doing so with the re-release of the album on double vinyl, after several years out of print, and as a bonus have released the original demos for the record alongside it. The set of song sketches comes as a download with the LP or can be purchased on its own. Both versions of the record are available to stream right now at NPR before being officially released next week on October 29.

Entertainment Weekly and Consequence of Sound have pieces on why the album endures, and if you’re more about living in the now than the past, Billboard reports that they’re back in the studio working on their next record.

MP3: Death Cab For Cutie – “Title and Registration”
Stream: Death Cab For Cutie / Transatlanticism 10th Anniversary Edition

Another tenth anniversary of a much sadder note came to pass this week; the passing of Elliott Smith a decade ago this week. Tributes abound online, but Pitchfork has assembled an impressive oral history of the songwriter’s career.

Spin has an advance stream of Widowspeak’s new EP The Swamps, which sees official release on October 29. They’re in town at The Silver Dollar on November 2.

Stream: Widowspeak / The Swamps

Paste talks to The Head & The Heart, in town for a show at the Danforth Music Hall on October 31.

Matablog has posted a new track from the forthcoming and inevitable deluxe edition of Kurt Vile’s last album Wakin’ On A Pretty Haze: Deluxe Edition (Post Haze), out November 19.

MP3: Kurt Vile – “Feel My Pain”

Tone Deaf chats with James McNew of Yo La Tengo. The deluxe edition of their latest album Fade comes out November 19.

Sub Pop is really emphasizing the “Pop” with the release of a Low/Shearwater split 7″ for Black Friday Record Store Day on November 29; the a-side will feature Low’s already-released Rihanna cover, while the b-side unveils Shearwater’s take on Frank Ocean. Proceeds go to charity, vinyl is limited to 3500 copies, and both tracks will be made available digitally.

Stream: Low – “Stay”

Pixies have released another video from their recent EP-1, which they’re using to justify their show at Massey Hall on January 15.

Video: Pixies – “Andro Queen”

Electronic duo Darkside have released a new video from Psychic; they’re at Lee’s Palace on January 15.

Video: Darkside – “Metatron”

Brooklyn’s Hospitality have announced a January 27 release date for their second album Trouble; check out a trailer for it and check out their 2012 self-titled debut if you don’t know why they’re a good band.

Trailer: Hospitality / Trouble

The reunited Dismemberment Plan continue to be a topic of discussion with MTV Hive, Stereogum, Paste, and The 405, and NYC Taper has posted a recording of their recent Terminal 5 show in New York.

Dean Wareham has released a video from his solo mini-album Emancipated Hearts.

Video: Dean Wareham – “Love Is Colder Than Death”

Jim James has put out another video from his solo record Regions Of Light and Sound Of God.

Video: Jim James – “State of the Art (A.E.I.O.U.)”

DIY talks to Kevin Barnes of Of Montreal.

Will Sheff of Okkervil River talks to The Guardian.

The Big Takeover and examiner.com interview Charlie Hilton of Blouse.

To celebrate their 20,000th Twitter follower, Superchunk have posted an acoustic version of “Breaking Down”, which appears fully electrified on their latest I Hate Music.

Stream: Superchunk – “Breaking Down” (acoustic)

Aquarium Drunkard interviews the Kadane/Johnson/Bazan-powered beast that is Overseas.

Wednesday, September 19th, 2012

Costume Characters Face Dangers In The Workplace

Mark Eitzel doesn’t want to be a Stranger

Photo By Cynthia WoodCynthia WoodA lot’s happened with Mark Eitzel since he last set foot on a Toronto stage. That would have been back in April 2008, when he was leading the reunited American Music Club on tour in support of their second album of the 21st century, The Golden Age. The American Music Club machine slowly wound down again and was officially declared on indefinite hiatus again by Eitzel last Fall, and he also released a couple more solo records in that time: Klamath in 2009 and Brannan Street the following year, both low-key in both presentation and distribution. Oh, and last Spring he had a heart attack (but is okay now).

But as has been the pattern over a career that has swung from the cultiest of cult artists to getting a modicum of the respect that his songwriting talent deserves, Eitzel again appears ready to step a little more into the spotlight. His new solo record Don’t Be A Stranger is coming out on Merge, who rightly believed those two AMC reunion albums deserved to be shepherded into the world, and Eitzel is undertaking what he’s dubbed “The Warm Gentle Rain Tour”, which will traverse North America and bring him to the Rivoli in Toronto on November 28, tickets for that $15.50 in advance. It’s hard to say what form the show will take, be it solo or with a band, but when I last saw Eitzel at SXSW 2011, it was just him and a keyboardist and he was singing AMC songs lounge/cabaret-style, so it could really be anything. What is certain is that it will be hilarious, depressing, and excellent.

After all – the promotional campaign for the record involves Eitzel getting career and performance advice from the experts on video; there’s clips of him consulting with Lady Gaga’s make-up artist Billy B. and at Gawker, you can watch him discuss his lyrics with comedienne Nadya Ginsburg. Yes, hilarity ensues.

Stream: Mark Eitzel – “I Love You But You’re Dead”

GQ, The Chicago Tribune, and Spinner talk to Bob Mould about what has turned out to be the year of the resurgence of Bob Mould.

Gothamist and Newsday talk to Greg Dulli of The Afghan Whigs, finally bringing their reunion tour to The Phoenix on October 3.

Consequence Of Sound, DIY, NOW, and Clash all talk to members of Dinosaur Jr about their new record I Bet On Sky. They’re at Lee’s Palace on Monday, Tuesday, and Wednesday of next week.

Exclaim has specifics on the third Guided By Voices album of 2012, The Bears For Lunch, out November 13.

Salon, NPR, and Stereogum talk to Aimee Mann about hew new record Charmer, from which she’s just released a new video that has a few guest stars you might recognize and is a shot-for-shot remake of a video you might recognize if you’ve been following Aimee’s career from the outset… Don’t worry, I’ll help you out. You’re welcome. Aimee Mann is at The Danforth Music Hall on November 6.

Video: Aimee Mann – “Labrador”
Video: ‘Til Tuesday – “Voices Carry”

DIY, NOW, The Quietus, and Billboard all want to talk Shields with Grizzly Bear. They’re at Massey Hall on September 26.

Cat Power goes blonde zombie-fighting road warrior in the first video from Sun. Of course. She’s at The Kool Haus on October 20.

Video: Cat Power – “Cherokee”

The 405, DIY has a feature and The Line Of Best Fit a video session wtih Band Of Horses.

The Lab sends Saturday Night Live and Portlandia‘s Fred Armisen to interview St. Vincent, while The Montreal Gazette talks to both her and David Byrne. They’re at the Queen Elizabeth Theatre tomorrow night.

The AV Club talks to Jeff Tweedy of Wilco, and his right-hand guitarist Nels Cline will be at The Great Hall on November 2 as part of this year’s Sleepwalk Guitar Festival.

MP3: Nels Cline – “Don’t Threaten Me With Your Threats”

Dum Dum Girls are streaming their new EP End Of Daze over at Stereogum. It’s out next week, and Houston Press talks to Dee Dee about it.

MP3: Dum Dum Girls – “Lord Knows”
Stream: Dum Dum Girls / End Of Daze

Titus Andronicus have unveiled the album art and first lyric video from their new record Local Business, coming October 22. See the art at Pitchfork and hear the first song from the new record below.

Lyric Video: Titus Andronicus – “In A Big City”

Trespassers William have released a video from their farewell compilation Cast.

Video: Trespassers William – “Believe Me”

Hospitality has released a new video from their self-titled debut.

Video: Hospitality – “Eighth Avenue”

NPR and Spoonfed chat with Calexico.

Check out the latest video from The Kills’ Blood Pressures.

Video: The Kills – “Wild Charms”

I speculated that The Killers’ show at the Sound Academy this weekend was a precursor to something bigger, and I was right. Las Vegas’ favourite sons return for a show at the Air Canada Centre on December 15, tickets ranging from $39.50 to $65.00.

Video: The Killers – “Runaways”

A Place To Bury Strangers have a new video from Worship.

Video: A Place To Bury Strangers – “Leaving Tomorrow”

Benjamin Gibbard – he’s only Ben when he’s in a band, apparently – discusses his solo album Other Lives with Stereogum. It’s out October 16 and he’s at The Danforth Music Hall a couple days earlier, on October 14.

Magnet welcomes Beachwood Sparks to their website editor’s chair with a Q&A.

You Me & Charlie interviews Josh Tillman of Father John Misty. He plays Lee’s Palace on October 27.

The Quietus interviews James Murphy.

Friday, May 4th, 2012

White Wind

School Of Seven Bells and Exitmusic at The Hoxton in Toronto

Photo By Frank YangFrank YangWhen I think back to School Of Seven Bells’ last headlining show in Toronto in September 2010 circa Disconnect From Desire, two things leap immediately to mind. One, that it was less than a month before Claudia Deheza announced her departure from the band and two, that it was shockingly poorly attended – as in you could count the dozens of people there on one hand from where I stood. That these come to mind before the fact that it was a great show – the best I’d seen from them at and not uncoincidentally the first time I saw them with a live drummer – was unfortunate.

Wednesday night wasn’t their first time back since then – they opened up for Interpol at The Sound Academy in February of 2011 – but it was their first in support of Ghostory, their third album and first as a duo, and first in front of their own local fanbase, however many that would turn out to be. To my ears they’d recovered quite well from losing a third of the band as far as writing and recording went, but was certainly curious to see how their live show adapted. Questions about whether or not they had fans in the 416 were thankfully answered early on as The Hoxton, while not nearly sold out, was respectably full. We’ll call that last show an exception, then.

Support on this tour came from fellow New Yorkers Exitmusic, a new act – their debut EP From Silence came out last year and their first full-length Passage is due May 22 – but one whose face may be familiar to viewers of Boardwalk Empire. Not that this tidbit offered any insight into what sort of music they might make; indeed, you don’t get much further from the sounds of the prohibition era than the dark and goth-y dreamscapes that they offered. They moved at a steady, determined pace that preferred to render dynamics on the scale of their set than in each individual song. Aleksa Palladino’s voice has a great range, but rather than show it off she tended to restrict it to what was necessary for the song – a commendable approach that you don’t hear as much as you should. Utilizing plenty of electronics but with few synthetic affectations, they succeeded at creating a distinct mood but were light on melody and the songs were ultimately only intermittently memorable.

I probably make too much out of the loss of Claudia Deheza from School Of Seven Bells. Certainly it disrupted my sense of symmetry and novelty, but as Ghostory proved it didn’t adversely affect them creatively, this show proved it wasn’t even a speed bump in their ever-improving live show. Recall that when they first started performing, it was as near to a literal translation of a studio project to stage as you could get with the Deheza sisters on guitar and keys flanking Ben Curtis on guitar, all playing over dense backing tracks – it sounded note-perfect, but felt overly mechanical. Now with their sound having evolved towards a full-on dance-rock hybrid, having a live drummer and keyboardist/backing vocalist augmenting Allie Deheza and Curtis may have made them a more conventional band, but also a much better one.

With Deheza as the focal point – okay, the glowing Ghostory glyphs on either side of the stage were also eye-catching – they worked a set that had good weight and flow and stretched equally across their discography, sounding much more organic than you might have expected but still sleek and gleaming where it counted. Allie Alvarado didn’t try to replace all of Claudia’s departed harmonies, but when called on to double Deheza as on “Iamundernodisguise”, she acquitted herself alright – for the most part though, they were able to get the listener to gently accept that that facet of the band was no more but it was going to be alright. It was impressive just how many great songs they’ve produced in just three albums and half a decade, but it was the set-closing selections from Alpinisms that still got me the most – “Half Asleep”, which opened the encore, is still pure and glorious pop. And this time, there were people there to see it.

The Detroit Free Press has an interview with School Of Seven Bells’ Ben Curtis and The Daily Kansan Q&As Exitmusic’s Aleksa Palladino.

Photos: School Of Seven Bells, Exitmusic @ The Hoxton – May 2, 2012
MP3: School Of Seven Bells – “Lafaye”
MP3: School Of Seven Bells – “The Night”
MP3: School Of Seven Bells – “Windstorm”
MP3: School Of Seven Bells – “Babelonia”
MP3: School Of Seven Bells – “Connjur”
MP3: Exitmusic – “The Sea”
Video: School Of Seven Bells – “Reappear”
Video: School Of Seven Bells – “Lafaye”
Video: School Of Seven Bells – “Windstorm”
Video: School Of Seven Bells – “My Cabal”
Video: School Of Seven Bells – “Half Asleep”
Video: Exitmusic – “Passage”
Video: Exitmusic – “The Hours”

Before opening up for Bear In Heaven at The Garrison later that night, Blouse will stop in at Sonic Boom’s Kensington location this Saturday – May 5 – for a little record-shopping and in-store performing at 5PM. There’s features on the Portland dream-pop outfit at The Boston Phoenix and SSG Music.

MP3: Blouse – “Into Black”

Exclaim reports that How To Dress Well – the pseudonym of Brooklyn’s Tom Krell – will bring his take on R&B sounds backed by a full band to The Drake Underground on June 7 as part of a Summer tour, presumably in support of a new record.

Video: How To Dress Well – “Lover’s Start”

!!! have made a date for Lee’s Palace on July 7, tickets $16.50 in advance. Could a follow-up to 2010’s Strange Weather, Isn’t It? be on the way?

MP3: !!! – “AM/FM”
MP3: !!! – “Jamie, My Intentions Are Bass”

After putting on a helluva show at The Horseshoe in November, Chicago soul outfit JC Brooks & The Uptown Sound will return to that same room for a show on July 13, tickets $9. For a taste of what to expect, check out their Epitonic Saki Session and read and interview at Go Pride Chicago. They also just released a new video from Want More.

MP3: JC Brooks & The Uptown Sound – “Everything Will Be Fine”
MP3: JC Brooks & The Uptown Sound – “Sister Ray Charles”
Video: JC Brooks & The Uptown Sound – “Sister Ray Charles”

Reunited San Diego hardcore legends Hot Snakes are coming to town for a show at The Horseshoe on September 21, tickets $20 in advance.

MP3: Hot Snakes – “Who Died”

NPR welcomes Hospitality for a Tiny Desk Concert. They’re at The Garrison tomorrow night – May 5 – opening up for Eleanor Friedberger.

NYC Taper has a recording of a recent Lower Dens show and Paste, Blurt, and The Baltimore Sun have interviews. They’re at Lee’s Palace on July 17.

Design Sponge gets a tour of Sharon Van Etten’s apartment. Can’t say I’m not disappointed that she’s got one of those terribly Crossley turntables… There’s also interviews at The Pittsburgh Post-Gazette and Nashville Scene. Van Etten plays The Phoenix on July 31.

DIY interview Peter Silberman of The Antlers.

Perfume Genius has released a new video from Put Your Back N 2 It, starring Mike Hadreas and his mom.

Video: Perfume Genius – “Dark Parts”

The Alternate Side and The Guardian both have video sessions with The Magnetic Fields and The Silver Tongue an interview.

Thursday, March 8th, 2012

Now We Hurry On

Bowerbird/Andrew Bird-watching season is here

Photo By D.L. AndersonD.L. AndersonIt’s unlikely bird videos will ever achieve the same degree of online adoration as, say, cat videos, but when said clips come courtesy of artists who push the boundaries of what can be called folk music the way that North Carolina’s Bowerbirds and Chicago’s Andrew Bird do, a little more attention should be paid. Both artists released their new albums this week – The Clearing and Break It Yourself, respectively – and both have marked the occasion with the release of a new video.

Both are also streaming the new records in whole – not new news, but always good to be reminded of – and are doing quite a bit of press to promote their records. Bowerbirds are featured in The Quietus, The 405, Consequence Of Sound, Interview, Paste, and NPR while Mr. Bird has chats with each of Interview, PopMatters, The Stool Pigeon, The Guardian, Spinner, and The AV Club.

Where they differ is in their migratory patterns – Bowerbirds have long had a March 27 date at The Garrison in Toronto booked as part of their Spring tour, whereas Andrew Bird’s tour dates come as close as Detroit, but no closer – at least for now. I don’t think he’s been here since Spring 2009 so it’s reasonable to say he owes us a visit.

MP3: Bowerbirds – “Tuck The Darkness In”
MP3: Bowerbirds – “In The Yard”
Stream: Andrew Bird – “Eyeoneye”
Stream: Andrew Bird – “The Crown Salesman”
Video: Bowerbirds – “Tuck The Darkness In”
Video: Andrew Bird – “Eyeoneye”
Stream: Bowerbirds / The Clearing
Stream: Andrew Bird / Break It Yourself

Shearwater is named for a kind of bird, so they’re up next. Rolling Stone talks to frontman Jonathan Meiburg about their new record Animal Joy.

Mother Jones chats with Sharon Van Etten, who just premiered a new video from Tramp at The Los Angeles Times.

Video: Sharon Van Etten – “Leonard”

Perhaps hoping to get people talking about something besides their collaboration with a corporation as ethically vile as Urban Outfitters, Best Coast have announced the May 15 release of their second album The Only Place and accompanying tour which hits The Phoenix on July 21, tickets $18.50. Details on the record and full tour dates over at Tiny Mix Tapes.

MP3: Best Coast – “Boyfriend”

The Decemberists are spreading the love around, streaming both discs of their forthcoming live set We All Raise Our Voices at two different sites – Rolling Stone and Paste.

Stream: The Decemberists / We All Raise Our Voices to the Air (Live Songs 04.11-08.11) disc one
Stream: The Decemberists / We All Raise Our Voices to the Air (Live Songs 04.11-08.11) disc two

They haven’t fessed up to the accuracy of reports that their new album would be called Bloom and released on May 15, but the fact that a new Beach House song showed up to stream on their website the other night certainly makes it seem to be the case. The track is called “Myth” and it sounds like Beach House. Update: Okay, the above new album info is officially official.

Stream: Beach House – “Myth”

NOW welcomes EMA back to town; she’s at The Garrison on March 13. The Chicago Sun-Times, Montreal Mirror, and Playback:STL also have interviews.

Death & Taxes, Clash, and DIY have interviews with Sleigh Bells, making up a cancelled date at The Phoenix on March 26 and supporting Red Hot Chili Peppers at The Air Canada Centre on April 27 and 28.

For a guy with a reputation for being a tough interview, Stephin Merritt sure is entertaining a lot of inquiries. The Magnetic Fields mastermind chats Love At The Bottom Of The Sea with PopMatters, Rolling Stone, Clash, Beatroute, Salon, and Vulture. They will play The Sound Academy on March 30.

They Shoot Music has a video session and Magnet and Beatroute interviews with Nada Surf. They play The Opera House on April 4.

co.create looks at the marketing campaign being organized to help make Minneapolis’ Howler your new favourite band. They may or may not include this video session and interview at The Alternate Side or this interview about their already in-process second album at Paste, and if they work, you may find yourself seeing them at The Drake Underground on April 5.

Also courtesy of The Alternate Side is a session and interview with Perfume Genius, and also worth reading is an interview with Mike Hadreas at Slutever. Perfume Genius is at The Drake on April 8.

If you ever need a reminder of how gorgeous Low can be, this performance recorded in a Duluth church for a new television programme called Audio-Files should do the trick. They’re here on April 19 at Massey Hall opening for Death Cab For Cutie.

Video: Low – “Point Of Disgust” (live for Audio-Files)

Interview gets to know Hospitality, in town at The Garrison on May 5.

The Fly talks to James Mercer of The Shins, whose Port Of Morrow arrives March 20. They are at The Molson Amphitheatre on August 4.

Clash talks to Jay Farrar about the Woody Guthrie tribute project New Multitudes, of which he’s a part.

Jeff Tweedy and Nels Cline discuss the guitar (read: gear) side of Wilco’s The Whole Love with Guitar World.

Also talking the gear: St. Vincent’s Annie Clark with Guitar Player.

Pitch, The Daily Nebraskan, and SXSW interview Lauren Larsen of Ume.

Daytrotter has posted a session with Telekinesis.

NYC Taper has shared a recording of one of Craig Finn’s recent performances in New York while Allentown Morning Call shares an interview.

The Quietus talks reunion with Greg Dulli of The Afghan Whigs.

Dirty Laundry hangs out in a laundromat with Eric Bachmann of Crooked Fingers and Archers Of Loaf.

Loud & Quiet talks to Robert Pollard of Guided By Voices.

PopDose talks to Bill Janovitz about the 20th anniversary of Buffalo Tom’s excellent Let Me Come Over.