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Posts Tagged ‘Hooded Fang’

Wednesday, September 7th, 2011

Sweetness

As good as their word, Tokyo Police Club cover the decade in ten days

Photo via FilterFilterTokyo Police Club are not a band you’d expect to announce an ambitious covers project. Not to say that they haven’t reinterpreted someone else’s song before – I’ve not heard it but I’m sure it’s happened – but they haven’t really made doing so “their thing”, so to speak. Well not until now. Last month, they announced their intention to record and release ten covers over ten days, one from each of the last ten years, and document the process via Polaroids and Polaroid.com.

Random on so many levels, and yet now that it’s done and the results a matter of public record, I have to say that I’m quite enjoying the results. The song selections are relatively obvious but not cliched (okay, the Kelly Clarkson maybe) or ironic (okay, the Miley Cyrus) and cover a decent range of genres, and TPC’s sound isn’t so unique that they can’t tackle most pop songs without rendering them unrecognizable. They strike a pretty good balance between remaining faithful to the original and still sounding like Tokyo Police Club – in fact, I’ll go a bit further and say that this set presents a much rangier and versatile TPC than their own albums have.

But if it wasn’t obvious, I’m a soft touch for cover versions so cheers to Tokyo Police Club for making up, taking up and beating the challenge. For their next little project, I suggest they pay tribute to a fellow 905 musical icon and try to rhyme the world in 80 days.

They’ve made all the tracks available to download, but if you don’t want to commit you can also stream it all at Soundcloud. And if you want to follow the actual internet release tour – each song was premiered at a specific website – and read some of the accompanying commentary, head over to any and all of Entertainment Weekly, Alternative Press, Mashable, Spinner, The AV Club (double-shot here) and Filter (another double shot). “Party In The USA” didn’t seem to get a proper premiere, but whatevs.

MP3: Tokyo Police Club – “Southside” (Moby cover)
MP3: Tokyo Police Club – “Sweetness” (Jimmy Eat World cover)
MP3: Tokyo Police Club – “Under Control” (The Strokes cover)
MP3: Tokyo Police Club – “Since U Been Gone” Kelly Clarkson cover)
MP3: Tokyo Police Club – “Little Sister” (Queens Of The Stone Age cover)
MP3: Tokyo Police Club – “Long Distance Call” (Phoenix cover)
MP3: Tokyo Police Club – “All My Friends” (LCD Soundsystem)
MP3: Tokyo Police Club – “Kim And Jessie” (M83 cover)
MP3: Tokyo Police Club – “Strictly Game” (Harlem Shakes cover)
MP3: Tokyo Police Club – “Party In The USA” (Miley Cyrus cover)
Stream: Tokyo Police Club / 10 Days, 10 Covers, 10 Years

Keeping in the Canuck covers theme, check out this video of Evening Hymns trying on a little Tom Petty for size. Their new album of original material Spectral Dusk is due out this Fall – I expect formal details to be announced soon. ‘Cause it’s already Fall.

Video: Evening Hymns – “Learning To Fly”

Southern Souls has branched out from just videos to include editorial content, like this interview with Neil Haverty of Bruce Peninsula. The topic at hand being, of course, their second album Open Flames, which is due out October 4. They play a release show at Lee’s Palace on October 27.

Though their second album Tosta Mista has been out since late July, Hooded Fang are only now getting around to organizing an official release party. It’ll be a Wavelength Presents joint and happen September 24 at the Academy of Lions Crossfit Gym – how rock’n'roll is that – on Dundas West near Dovercourt, tickets $10 in advance.

MP3: Hooded Fang – “ESP”
MP3: Hooded Fang – “Den Of Love”

The Stool Pigeon and Beatroute talk to the Lightman twins of Tasseomancy. They have a release show for Ulalame at The Great Hall on October 20 and open up for Austra at The Phoenix on December 1.

Miracle Fortress has assembled some “what I did on my Summer vacation”-style films for the first video from Was I The Wave?.

Video: Miracle Fortress – “Miscalculations”

The Line Of Best Fit is streaming Memoryhouse’s revisited debut EP The Years, out next week. Now that their local dates opening up for Peter Bjorn & John are done, I expect confirmation that they’re doing the same for The Radio Dept at The Mod Club on November 17. If not, then perhaps a hometown release show of their own is in the works? The Milford Daily Times has an interview with Evan Abeele of the band.

Stream: Memoryhouse / The Years

Toronto country-rock stalwarts Cuff The Duke have commandeered The Horseshoe for the weekend of November 25 and 26 to celebrate the release of their new record Morning Comes, out October 4.

MP3: Cuff The Duke – “Standing On The Edge”
Video: Cuff The Duke – “Standing On The Edge” (Paper Bag sessions)

Beatroute interviews The Besnard Lakes, who will be at Lee’s Palace on October 13.

If you were wondering, “hey – why does Los Angeles get a special intimate preview of Metals and not, oh, Feist’s hometown?” then relax… or get more agitated. Exclaim reports that the Glenn Gould Studio at the CBC’s headquarters will host a very special concert on October 8 – just four days after the album’s release – wherein the singer will be joined by such guests as Jeff Tweedy, Ed Droste, Bry Webb, Joel Gibb and Doug Paisley. Tickets for the show are only available via a CBC Radio 2 contest but is open to all residents of Canada and will include airfare and accommodations if you hail from outside the Toronto area. If you are local, well maybe they’ll splurge for a cab. One-way.

Monday, August 1st, 2011

CONTEST – Summerworks Music Series 2011 – August 5 to 13, 2011

Image via SummerworksSummerworks
What: Summerworks
Why: Celebrated long-running theatre festival that added a musical component four years ago.
Who: In its short run, Summerworks already counts some of the cream of the current Canadian musical crop as its alumnus – this year’s class seems certain to add to that list. For specifics, keep reading.
When: There will be six nights of live music double-headers running over the course of the festival’s week-and-a-bit duration, with the night-by-night breaking down as follows – there’s also opening and closing parties on the 4th and the 14th.

Friday, August 5 – Hooded Fang, Steven McKay
Saturday August 6 – Bonjay, Lioness
Wednesday August 10 – Great Bloomers, House League (featuring members of Forest City Lovers, Matters, Evening Hymns and more)
Thursday August 11 – Bruce Peninsula, Jennifer Castle
Friday August 12 – Miracle Fortress, Ruby Coast
Saturday August 13 – Green Go, Powers
Where: The Lower Ossington Theatre in Toronto (19+)
How: Tickets for each show are $10 in advance but courtesy of the festival, I’ve got three pairs of passes to a show of your choice to give away. To enter, email me at contests AT chromewaves.net with “I want the Summerworks” in the subject line and your full name and the show you’d like to attend in the body. Contest closes at midnight, August 4.
What else: BlogTO has previewed some of the acts performing at this year’s festival.

MP3: Bruce Peninsula – “Light Flight”
MP3: Hooded Fang – “ESP”
MP3: Miracle Fortress – “Miscalculations”
MP3: Jennifer Castle – “Neverride”

Thursday, July 28th, 2011

White Are The Waves

Review of Papercuts’ Fading Parade

Photo By Chloe AftelChloe AftelWhilst at the closing sale for the now dearly departed Criminal Records this past weekend, I found amongst the remaining stock a copy of Papercuts’ latest LP Fading Parade. Already having the CD, I suggested a friend pick it up and when asked, not unreasonably, what it sounded like, I was at a loss and don’t think I came up with anything more articulate than, “it’s good” – hey, I don’t always think fast on my feet. Unsurprisingly, the sales pitch failed but happily, the album found a good home not long afterwards with another acquaintance. Having had a little more time to think on it though, I’d like to take another shot at the “what’s it sound like?” inquiry.

Papercuts were an unknown to me before Fading Parade, which is their fourth album but their Sub Pop debut so score one for the benefits of bigger labels. But all you really need to know about them is that a) they’re from San Francisco and b) they is essentially a he – one Jason Robert Quever – and his lovely and gentle pillow of a voice. Actually that’s too reductive. As central as Quevers’ breathy vocals are to the Papercuts sound, also crucial are the wistfully longing melodies he delivers with it and the sonic aesthetic that he surrounds it all with – an aesthetic built on reverbs precisely set so as to cushion all of the intricate instrumental arrangements but not obscure the detail and delicacy of it all.

Clearly atmosphere matters, but I still don’t quite get all the shoegaze namedrops that pop up in their press – if you were looking for English DNA in their sound, it’d look more Sarah Records than anything else. But if forced to come up with a single reference point, I’d probably go with The Shins, albeit less folksy and more elegantly baroque. Which now that I think about it, isn’t very Shins-y at all. Okay, how about this – Papercuts’ Fading Parade? It’s good.

The Line Of Best Fit welcomed Quever to their studio for an acoustic video session.

MP3: Papercuts – “Do You Really Wanna Know”
MP3: Papercuts – “Do What You Will”
Video: Papercuts – “Do You Really Wanna Know”
Video: Papercuts – “Do What You Will”

Dazed has an interview with Antlers while Wears The Trousers points to a studio video of the band performing “Hounds” with Nicole Atkins guesting on vocals.

Epitonic and Spectrum Culture talk to Erika Anderson of EMA.

Check out a track from Wild Flag’s forthcoming self-titled debut, due out September 13. They play Lee’s Palace on October 11.

MP3: Wild Flag – “Romance”

A new track from tUnE-yArDs’ WHOKILL is up for grabs and there’s also a KCRW session over at NPR. They play Lee’s Palace on September 24.

MP3: tUnE-yArDs – “Powa”

Head over to Soundcloud to hear a three-track sampler of the new Ivy record All Hours, due out September 20.

The Mountain Goats have released a new video from All Eternals Deck.

Video: The Mountain Goats – “Real Estate Sign”

MPR has an interview with Fleet Foxes.

Exclaim talks to Eric Bachmann about the Archers Of Loaf reunion.

Bob Mould talks memoirs with eMusic.

Stereogum has marked the 10th anniversary of The Strokes’ debut album Is This It by compiling Stroked, a tribute album to said record with contributions from the likes of Peter Bjorn & John, Owen Pallett and The Morning Benders, amongst others.

Their fire sale over and done with, Bruce Peninsula have finally come clean with details on their second album – Open Flames will be out on October 4, and will follow it with a Fall tour that includes a hometown show at Lee’s Palace on October 27. And if you don’t want to wait that long to see them and hear the new stuff – and why would you – remember they’re playing the Lower Ossington Theatre on August 11 as part of Summerworks.

MP3: Bruce Peninsula – “Light Flight”

Playing that same stage and festival on August 6 are Hooded Fang, who’ve marked the release of their second album Tosta Mista this week by talking to aux.tv and Exclaim and streaming the whole album online.

Stream: Hooded Fang / Tosta Mista

Tuesday, June 28th, 2011

You Lived In The City

The Besnard Lakes welcome you to Pine Point

Photo By Jessica EatonJessica EatonThough they should be – and probably are – at work on their next album, a follow-up to last year’s The Besnard Lakes Are The Roaring Night, Montreal’s Besnard Lakes have put together a little something something that will not only slake their fans’ appetite for some new outer space-scale rock, but give them an excuse to get out of the studio and back on the road for a spell. On September 20, they’ll release You Lived In the City, a new 12″ EP that contains music the band prepared for the documentary film Welcome To Pine Point, which chronicles the short life of a town in the Northwest Territories.

As for the aforementioned tour, it will kick off in late September on the west coast and wind its way across the continent – largely in Canada but with some forays south of the border – before wrapping mid-October in Ottawa, though you have to think that there’ll be a hometown show to cap it off. Toronto gets our fix on October 13 at Lee’s Palace, tickets $20 in advance. And sweetening the deal, as though it needed sweetening, is the fact that Malajube will be opening up all dates – that’s two bands with four Polaris shortlist appearances between them – five if Malajube’s La caverne gets the nod in a couple weeks. Not bad.

MP3: The Besnard Lakes – “Albatross”
MP3: Malajube – “Synesthésie”
Trailer: Welcome To Pine Point

Scenes From The Subrubs, the Spike Jonze-directed short film assembled to give Arcade Fire a music video and an excuse to re-release The Suburbs, is currently available to stream in its entirety over at mubi.com. The deluxe edition of The Suburbs is out August 2.

Video: Scenes From The Suburbs

Filter talks to Graham Van Pelt of Miracle Fortress. They play The Lower Ossington Theatre on August 12 as part of Summerworks. And speaking of Summerworks, the festival has run a bit afoul of the current federal government and had their funding cut; donations to help make up the shortfall are welcome (and tax deductible).

The Alternate Side has a session and interview with The Dears.

Their August 1 show in support of new album Sound Kapital presumably long sold out, Handsome Furs have added a second date at The Horseshoe for August 2, tickets $15 in advance. Exclaim has an interview.

MP3: Handsome Furs – “Repatriated”

The Corkman chats with Owen Pallett, who has two dates at the Phoenix – August 2 and 4 – opening up for Beirut.

While there hasn’t been much to draw music fans to the Toronto Islands this Summer – no V Fest, no Olympic Island shows, just the Sarah Harmer, Serena Ryder and Skydiggers free show on July 16 – Wavelength has put together a good reason to hop on the ferry for the weekend of August 13 and 14. That’s when the annual ALL CAPS! all-ages festival goes down, this year featuring performances from Julie Doiron, The Wooden Sky, Monogrenade, Steamboat, Muskox, Rich Aucoin, Dog Bus, More or Les, Evening Hymns, Moon King, Jennifer Castle and DD/MM/YYYY. And this is in addition to art installations, BBQs, general fun and frivolity and – get this – overnight camping on the island. Tickets and specifics still to come.

MP3: Julie Doiron – “Consolation Prize”
MP3: The Wooden Sky – “Something Hiding For Us In The Night”
MP3: Monogrenade – “Ce Soir”
MP3: Evening Hymns – “Cedars”
MP3: Rich Aucoin – “10,342 Cuts For The US”
MP3: Jennifer Castle – “Neverride”
MP3: DD/MM/YYYY – “Infinity Skull Cube”

Hooded Fang are not resting on their Polaris long-list laurels for their debut album Album; they’ve got a new album entitled Tosta Mista coming out July 26 – check out a couple new songs below and see them when they play the Lower Ossington Theatre on August 6 for Summerworks.

MP3: Hooded Fang – “ESP”
MP3: Hooded Fang – “Den Of Love”

Sloan have taken their turn in the AV Club’s Undercover studio, covering Gary Numan’s “Cars”. There’s also an interview at BrooklynVegan.

Southern Souls has posted a video session with Chad VanGaalen. Post City also has an interview.

Woodpigeon have put out a video from last year’s Balladeer: To All The Guys I’ve Loved Before and, via their blog, made a new song built off a poem by Marie Cecilia Ryan available to download. And head over to YouTube to see a set of live videos recorded in a disused London schoolhouse.

MP3: Woodpigeon – “The Way To Happiness”
Video: Woodpigeon – “Featherstone”

The Guardian contemplates the appeal of soft rock with Dan Bejar of Destroyer.

There’s a little photography-tilted interview with me over at Live In Limbo.

Tuesday, June 21st, 2011

NXNE 2011 Day Two

Fucked Up, Crocodiles, Chains Of Love and more at NXNE

Photo By Frank YangFrank YangHands down, the best thing to happen to NXNE in recent years is the designation of Yonge-Dundas Square as the festival’s main stage and making the shows staged there – usually featuring the lineup’s biggest names – free for everyone. And what’s better is that despite being located in pretty much the most central and public place in the city, there’s been no signs that they festival has been concerned about diluting the quality of the performances to be a little more family-friendly; witness last year’s near-carnage of Iggy & The Stooges or the mid-day ass-shaking sissy bounce clinic put on by Big Freedia. Passers-by were offended by the latter – and to be honest I don’t blame them – but that it happened was great.

And it was just as great that Thursday evening’s programme featured an early evening slot from a band whose credentials were impeccable; a Polaris Prize-winning local act with mounds of international critical acclaim and fronted by a national television personality. Who just happened to be called Fucked Up. And the best part? No one cared. Actually, check that – it didn’t even matter that no one cared because it implies that there were concerns about people being offended. The best part was that the show was fantastic. I don’t think I’d have believed you if you told me a couple years ago that I’d become a Fucked Up fan – I figured that respect was as far as I’d get, but fact is I think their latest David Comes To Life is terrific and I can’t think of anyone I like more as Toronto’s musical and cultural ambassadors right now than them.

After being introduced by the festival emcee – a role that Damian Abraham played last year – the band tore into “Queen Of Hearts” from the new album and Abraham tore into the crowd, body surfing into the masses and largely disappearing into the circle pit and general tumult while somehow continuing to sing. The punk rock revelling continued through the first portion of the set as Abraham’s bandmates dutifully cranked out arena-sized rock from the safe confines of the stage, with Abraham eventually climbing out to bellow out the rest of the set from the edge of the barricade while the fans carried on moshing, surfing and generally carrying on. And through it all, the spirit was amazing and celebratory, quite a far cry from the dark vibe of last year’s Stooges show, though to the casual onlooker the mayhem might have appeared similar. For Fucked Up, it was a sort of warm-up to their more familiar club-sized show at Wrongbar later that night, but for everyone else, it was a pretty high bar set for the rest of the night.

Time Out New York has an interview with Damian Abraham and the brand-new video for “Queen Of Hearts” is linked below.

Photos: Fucked Up @ Yonge-Dundas Square – June 16, 2011
MP3: Fucked Up – “The Other Shoe”
MP3: Fucked Up – “Ship Of Fools”
MP3: Fucked Up – “A Little Death”
MP3: Fucked Up – “Queen Of Hearts”
MP3: Fucked Up – “Neat Parts”
Video: Fucked Up – “Queen Of Hearts”
Video: Fucked Up – “Black Albino Bones”
Video: Fucked Up – “Crooked Head”

I was pretty proud of myself for getting from Yonge to Ossington on bike in less than 8 minutes, even if it meant being a sweaty mess for the Modern Superstitions set at The Garrison. I’ve liked to check in on the local quartet from time to time, happily seeing the potential obscured by awkwardness at V Fest 2009 be more fully-realized in a much more confident Halifax Pop Explosion set last Fall. And the upward trend continued on Thursday as the band sounded louder and punchier than ever before, with new material that sounded less immediate but more impressive in its ambitions. While they could have done pretty well simply being “The Strokes fronted by a cute girl”, they’re obviously looking to do something more and that they’re arriving at these conclusions before their debut full-length is released can only be taken as a good thing. The next time I see them, I expect they’ll be ready to take on the world.

Photos: Modern Superstitions @ The Garrison – June 16, 2011
MP3: Modern Superstitions – “Visions Of You”
Video: Modern Superstitions – “Mercy Line”
Video: Modern Superstitions – “Visions Of You”

Leaving The Garrison, my tour of the worst venues in the city to take photographs in continued at The Velvet Underground where The Two Koreas were set to perform. I’d seen them way back in 2007 and was impressed enough at the time, but not enough to keep up with what the quartet in the years since. A recommendation to give their latest Science Island a spin confirmed that they were still at it and their facility for combining big guitar riffs with shouty yet melodic vocals was even sharper than before. And live, with frontman Stuart Berman’s dance moves thrown in, it was a good way to spend a half hour or so. And then it was back out into the night.

Spinner gets Berman to write about the duality of being in a band and writing about bands for a living.

Photos: The Two Koreas @ The Velvet Underground – June 16, 2011
MP3: The Two Koreas – “Midnight Brown”
Video: The Two Koreas – “Midnight Brown”

Getting to The Silver Dollar for 11 was strictly a logistical move to make sure I got in but it turned out to be one of the most fortuitous of the weekend, as it allowed me to see Chains of Love. The Vancouver outfit don’t do anything new whatsoever, but that’s rather the point. They take the spirit of ’50s and ’60s girl-group pop and writing new – GOOD – songs in that style and deliver them with genuine rock energy and plenty of sass and style, thanks to the charisma of frontwoman Nathalia Pizarro. A couple of gear issues threatened to stall their momentum early on but when they got going, there was no stopping them. An unknown quantity with only a 7″ and handful of MP3s entering the fest, they left as one of the bands everyone was talking about.

Photos: Chains Of Love @ The Silver Dollar – June 16, 2011
MP3: Chains Of Love – “You Got It”
MP3: Chains Of Love – “All The Time”

San Diego’s Crocodiles, on the other hand, came into NXNE with all the hype and lots to prove – not many bands get a three-night residency at a major festival for their Canadian debut. If they thought for a minute that they didn’t deserve the attention, however, you couldn’t tell from behind frontman Brandon Welchez’s Ray-Bans. Drenched in nothing but red light, they came off as cool as you could imagine and and as loud as you’d expect. On last year’s Sleep Forever, they found a good balance between the lo-fi psychedelic garage aesthetic of their scene and their fondness for big pop hooks but live, it was all about the drone and the volume. As such, guitarist Charles Rowell became the real star of the show as the amount of racket he was able to conjure out of his axe was most impressive, layering noise upon fuzz upon more noise, all delivered in riff form. Welchez gets points for simply being audible overtop of all that, but you couldn’t really hear anything more specific than that. Still, even so, a pretty bracing – and deafening – debut.

Spinner has an interview with Rowell, who post-gig also told them why they’ve never played in Canada before (hint: it’s what you think).

Photos: Crocodiles @ The Silver Dollar – June 16, 2011
MP3: Crocodiles – “Sleep Forever”
Video: Crocodiles – “Hearts Of Love”
Video: Crocodiles – “Sleep Forever”

I would have been happy to call it a night at that point but the fact that I was there, and Vancouver’s Dirty Beaches – whose debut Badlands was long-listed for this year’s Polaris Prize earlier that day – was up next was a pretty good argument for sticking around. And with regards to what Alex Zhang Hungtai – he who is Dirty Beaches – is about, all I can say is I don’t get it. I mean, I kind of do; his one-man, no-fi bedroom Elvis act certainly has a unique style to it and works on record in creating an atmosphere. But live, with Hungtai either shrieking or muttering into a plastic condensor mic or coaxing squalls of noise out of his guitar over simple looped beats, it was just kind of perplexing. The people around me went nuts, I went home. Dirty Beaches return on September 24 at the Phoenix as support for Peter Hook.

Photos: Dirty Beaches @ The Silver Dollar – June 16, 2011
MP3: Dirty Beaches – “Lord Knows Best”
Video: Dirty Beaches – “Shangri-La”

On a day where I would be seeing an Andy Bell and was writing up a band called Chains Of Love, how weird is it that an Erasure tour – including a September 11 date at the Sound Academy – be announced? Pretty weird. The show is in support of their new record Tomorrow’s World, due out this Fall, and tickets are $40.

Video: Erasure – “Chains Of Love”

As one festival ends, another begins. Or at least is announced. I speak of Summerworks, the annual convergence of theatre and music, and their 2011 music programme which was announced yesterday. Things kick off on August 4 with an all-day opening party and wrap on the 14th with same – details on performers for each are still forthcoming – but the evenings in between will shake out as follows, with all shows being held at the Lower Ossington Theatre with advance tickets $10 a night.

Friday, August 5 – Hooded Fang, Steven McKay
Saturday August 6 – Bonjay, Lioness
Wednesday August 10 – Great Bloomers, House League (featuring members of Forest City Lovers, Matters, Evening Hymns and more)
Thursday August 11 – Bruce Peninsula, Jennifer Castle
Friday August 12 – Miracle Fortress, Ruby Coast
Saturday August 13 – Green Go, Powers

The National Post talks to Shad, who will be playing a free show at Metro Square on July 1.

The Boston Globe has a visit with Chad VanGaalen.

The new Handsome Furs record Sound Kapital is streaming in whole over at Exclaim in advance of its release next week; Spin has an interview and a stream as well. They play The Horseshoe on August 1.

Stream: Handsome Furs / Sound Kapital

DIY has a pre-Glasto chat with Dan Mangan. His new record Oh, Fortune should be out in September.

Southern Souls has posted a video session with Little Scream.