Ruvan WijesooriyaThough James Murphy warned us even before This Is Happening was released last Spring, the LCD Soundsystem victory lap has run for so long and through so many gigs that the idea that the band as we know it is coming to an end in a little over a month – at a final Madison Square Garden show will apparently be attended solely by scalpers – is a bit surreal. But anyone thinking that that final LP was the last word from the band should definitely look for the London Sessions live postscript released digitally late last year and physically this year.

Recorded last Summer at south London’s Pool/Miloco Studios, the hour-long Peel Session-ish document functions both as a live album and best-of compilation. It captures the band sounding tight, lean and pretty much the peak of their live powers while running through a pretty good selection of their most essential tracks, adding occasional embellishments like the Joy Division-ish guitar parts on “All My Friends” and Murphy’s hilarious ad-libbed lyrics on “Pow Pow”, but largely staying true to the originals.

But rather than make London Sessions redundant, this faithfulness makes it all the more essential – those who only know the band from the albums might well assume that they’re a largely studio creation, but those who’ve had the privilege of experiencing them in a live setting know that they’re all hellaciously good musicians and Murphy is a completely riveting frontman, even though objectively speaking he doesn’t do much on stage. Even though there’s not the crowd noises and interaction you’d typically get from a live album, there’s still plenty of live-wire energy captured and the fact that the band are doing this off the floor – there are presumably no overdubs – makes London Sessions almost as essential a component of the LCD discography as anything else they’ve done.

London Sessions was released on CD in late January and will be out as a double-LP on April 26. The Vine has an interview with James Murphy.

Video: LCD Soundsystem – “Pow Pow”
Video: LCD Soundsystem – “Drunk Girls”

Billboard talks to Death Cab For Cutie bassist Nick Harmer about their new record Codes & Keys, due out May 31.

James McNew of Yo La Tengo discusses the band’s ongoing “wheel of fortune” tour with The Vancouver Sun.

Ted Leo talks about striking out on a solo tour with The Los Angeles Times.

Ra Ra Riot have released a new video from The Orchard. There’s an interview with the band at The Victoria Times Colonist.

Video: Ra Ra Riot – “Too Dramatic”

NPR solicits a Tiny Desk Concert from Local Natives.

The Black Keys are going to be at the Molson Amphitheatre on July 7. Tickets $50. Fifty. Plus fees. Yup. Presale today at 10AM.

Video: The Black Keys – “Tighten Up”

Magnet Q&As Gary Louris of The Jayhawks in advance of turning over the editorial reins to he and Mark Olson this week.

NPR is streaming a studio session with Iron & Wine.

Washington City Paper talks to Mike Cooley and The Chicago Tribnue to Patterson Hood of Drive-By Truckers. Their new record Go-Go Boots is out today.

Aquarium Drunkard has an interview with Lucinda Williams, who will be at Massey Hall on March 4 and 5 opening up for Levon Helm and promoting her new record Blessed, out March 1.

American SongwriterWhen Jeff Mangum, prodigal godhead of that which is largely called indie, gave a rare performance in a Brooklyn loft last December, people freaked out. And reasonably so – the Neutral Milk Hotel-ier had been basically been retired and out of sight for nigh on twelve years, his band having dissolved post-In The Aeroplane Over The Sea and in the intervening years, his legend only grew. So the idea of him suddenly surfacing to play a show probably seemed like a once in a lifetime occurrence.

Except that it wasn’t. My theory at the time was that this was far from a one-off but the start of a return to music for Mangum, who was probably tired of the mythology that had grown around him and wanted to begin the process of deconstructing it, of saying “hey – I’m a guy with a guitar who wrote some songs” and maybe pave the way to being able to write, release and perform some more. And so it really wasn’t a surprise that 2011 started with a trickle of additional live show announcements – first as a special guest at the Portishead-curated I’ll Be Your Mirror at Asbury Park, New Jersey in September, then as curator of the All Tomorrow’s Parties in Somerset, UK in December, and now additional non-festival dates have begun trickling out, and at the moment they begin in Toronto.

Though The Horseshoe played host to a legendary, almost-never-was Neutral Milk Hotel in 1998, Mangum’s return will be in the suitably reverent environs of Trinity-St. Paul’s on August 12 and 13. Tickets are $32.50 and will go on sale as follows: a limited pre-sale of paperless tickets will begin at 10AM on Friday, February 25 with the presale password being made public at the Collective Concerts website on Wednesday, February 23 at 3PM. Presale customers will be allowed to purchase four tickets per order, per customer, per show. Public on sale begins on Saturday, February 26 at noon via usual outlets – Ticketmaster, The Horseshoe, Rotate this and Soundscapes – and purchases will be limited to two per customer.

Exciting news, to be sure, though one wonders what this does to the chances of Mangum showing up with the upcoming Elephant 6 Holiday Surprise Tour which hits The Horseshoe on March 18 – it had been a pretty safe bet that Mangum would show up on at least some of those dates, and he might still. But if you’re not the gambling sort and the guarantee of a night of great tunes from his Elephant 6 compatriots isn’t enough to convince you, then these Trinity shows should be just the ticket. Not that you had much choice since the Holiday Surprise show is sold out anyways.

The Wall Street Journal welcomes Jeff Mangum back from the wilderness with a timeline of his “lost years”.

MP3: Neutral Milk Hotel – “Holland 1945″

From lost legends to exciting newcomers, Australia’s Tame Impala and London’s Yuck are teaming up for a North American tour that includes a stop at The Phoenix in Toronto on May 1, tickets $20. I’m not that familiar with Tame Impala but Yuck, whose wonderfully grungy ’90s power-pop-laden self-titled debut just came out this week and has been on heavy rotation in my ears. Spin thinks Tame Impala will be the next big thing while Spinner has an interview with Yuck.

MP3: Yuck – “Rubber”
MP3: Tame Impala – “Runaway, Houses, City, Clouds”

John Vanderslice will take his orchestrally-powered latest White Wilderness on the road this Spring, though it’s unlikely he’ll have an actual orchestra with him – you couldn’t fit one in the Drake Underground, where he’ll be on May 10. You will, however, be able to fit his tourmate Damien Jurado, and Jurado isn’t a small guy.

MP3: John Vanderslice – “The Piano Lesson”
MP3: Damien Jurado – “Gillian Was A Horse”

The Independent talks to Dean Wareham.

Pixies drummer Dave Lovering tells Billboard that the band are contemplating what to do after their run of Doolittle shows – including April 18 and 19 at Massey Hall – are done. Either do the full-album show treatment for another of the records or – horror of horrors – write and record new material.

Buffalo Tom is streaming the whole of their just-released new record Skins, out March 8.

Stream: Buffalo Tom / Skins

I haven’t been keeping track of whether The Flaming Lips have made good on their song-a-month promise, but they have uploaded a 12-part simul-song to YouTube, so that sort of counts I guess.

NPR has got a World Cafe session with Liz Phair.

Also stopping in at NPR’s World Cafe for a coffee and session are Superchunk.

Spinner talks to The Strokes’ Albert Hammond Jr about their new record Angles, out March 22.

The Montreal Gazette and Toronto Star have feature pieces on Interpol.

Pitchfork reports that the new Death Cab For Cutie album Codes & Keys will be released on May 31.

NPR has a World Cafe session and Pitchfork and Crave interview features with The Decemberists.

The Independent Weekly, Paste, Blurt, Prefix, The Wall Street Journal, NBC and Spinner profile Drive-By Truckers, whose new record Go-Go Boots is out next week but streaming now in whole at Spinner.

Stream: Drive-By Truckers – “Go Go Boots”

The Alternate Side has a video session and interview with Iron & Wine.

Will Sheff of Okkervil River blogs about his experience at the Grammy Awards (he was nominated for best liner notes) for Billboard. Their new record I Am Very Far is out May 10. A video of one of the new songs, recorded last month when they played Late Night With Jimmy Fallon, has just been posted online – check it out at Prefix.

Bright Eyes have released a new video from their new record The People’s Key. The Quietus also has an interview with Conor Oberst, who plays The Sound Academy (with his band) on March 13.

Video: Bright Eyes – “Shell Games”

The new DeVotchKa record 100 Lovers is up to stream at NPR in advance of its March 1 release.

Stream: DeVotchKa / 100 Lovers

The San Francisco Examiner and Spinner have interviews with and NYC Taper a live recording from last week of Nicole Atkins; she’s at The Horseshoe on February 26.

Asobi Seksu released their lastest Fluorescence this week and released a new video from it. They also have a chat with Spinner and will be at The Horseshoe on February 27.

Video: Asobi Seksu – “Trails”

NYC Taper has a live recording and Spinner an interview with Wye Oak, whose Civilian is out March 8 and who play The El Mocambo on April 9.

Paste and So Much Silence chat with Michael Benjamin Lerner of Telekinesis. They play The Horseshoe on March 6 and have an in-store at Sonic Boom earlier that afternoon.

Stereogum checks in with Fleet Foxes on the status of their new record Helplessness Blues, out May 3.

Rolling Stone is holding a competition to choose who will grace an upcoming cover – vote Ume.

nicoletakins.comThat Nicole Atkins’ 2007 debut album Neptune City was a favourite in these parts is a matter of public record, but does that mean it was a perfect record? No, not at all. As a vocalist and songwriter, Atkins has never tried to hide her New Jersey roots or the classic rock, blues and country traditions that informed her formative years so drenching her first record in big, romantic orchestral arrangements was a gutsy case of trying something completely unexpected from the get-go. And by and large, it succeeded though it was more because of Atkins herself and sometimes despite the production choices.

So opting to strip things down for her second effort, the just-released Mondo Amore, might seem a little less creatively adventurous but hearing Atkins operating completely within her comfort zone and playing to her strengths more than validates the decision. The front half of Amore showcases the rock instincts that were sublimated on Neptune City, from the sinister and slinky leadoff “Vultures” through the countrified “Cry Cry Cry” and barrelling “You Come To Me” – some of the genre nods can be a little on the nose, but their energy more than makes up for it.

As invigorating as side one of Mondo Amore is, it’s the smouldering side two that really seals the deal, dimming the lights, raising the reverb and spotlighting Atkins at her wounded, torchy best. The compositions themselves wouldn’t have been out of place on Neptune City, but whereas a track like “Heavy Boots” might have reached its crescendo accompanied by legions of strings, Amore drives the emotional quotient home with cavernous piano and understatedly snarling electric guitar. There’s still plenty of drama on tap, but it’s delivered more naturally and thus more effectively – Amore is less theatre, more boozecan, and all the better for it.

The New York Times, Seattle Post-Intelligencer, Palo Alto Daily News, Largehearted Boy, Spinner, NorthJersey.com, Blurt, Interview and BlogCritics all have features on Nicole Atkins. Her North American tour is underway and will make its way to The Horseshoe in Toronto on February 26. The whole of Mondo Amore is currently available to stream at Spinner.

MP3: Nicole Atkins – “Vultures”
Video: Nicole Atkins – “Vultures”
Stream: Nicole Atkins / Mondo Amore

Conor Oberst discusses the new Bright Eyes modus operendi with Billboard. The People’s Key is out next week and they’re at The Sound Academy on March 13.

Pitchfork is streaming Okkervil River’s new non-album single “Mermaid” while talking to Will Sheff about their new record I Am Very Far, due out May 10. Sheff also takes Spin through the new album track by track.

Austin360 celebrates Shearwater drummer Thor Harris.

Buffalo Tom is making an acoustic EP entitled Bones available for free download from their website in advance of the release of new album Skins next week.

Le Blogotheque has a Take-Away Show with Local Natives.

The Telegraph profiles Drive-By Truckers, whose latest Go-Go Boots arrives February 22.

There’s a new MP3 from J Mascis’ forthcoming solo record Several Shades Of Why, out March 15. He’s at The Great Hall on March 11 for Canadian Musicfest.

MP3: J Mascis – “Is It Done”

Oh hey it’s a new Kills video. Blood Pressures is out April 4 and they play The Sound Academy on May 1.

Video: The Kills – “Satellite”

Phantogram have released a new video from last year’s Eyelid Movies.

Video: Phantogram – “When I’m Small”

Ahead of their show at The Horseshoe later that evening, Telekinesis will play an acoustic in-store at Sonic Boom at 7PM on March 6. Their new record 12 Desperate Straight Lines is out next Tuesday.

MP3: Telekinesis – “Car Crash”

Magnet Q&As John Vanderslice, whom they’re letting play website editor for the week.

The final deluxe-ass Pavement reissue – that for Terror Twilight – will see the light of day sometime in November.

Eater talks food and drink with Ted Leo.

The Phoenix New Times interviews Interpol drummer Sam Fogarino while eye catches up with School Of Seven Bells. They’re both at The Sound Academy on February 15.

Exclaim reports the new TV On The Radio record has a name – Nine Types Of Light – and should be out this Spring.

And because for a short time yesterday people trying to get the new Strokes MP3 basically broke the internet, here it is. It sounds like The Strokes. Angles is out March 22.

MP3: The Strokes – “Under Cover Of Darkness”

Frank YangMy affection for The Jayhawks goes a long ways back, but not quite far enough. I became a fan around ’96, when I got a copy of Tomorrow The Green Grass via the old BMG Music Club – remember that? – by which point co-frontman Mark Olson had already left the band. Which meant that the only Jayhawks I got to experience in real-time was the second incarnation of the band, led solely by Gary Louris. And so while I appreciate why folks refer to the lineup that made Green Grass and Hollywood Town Hall as the “classic” lineup, I will always rise to the defense of any of Smile, Sound Of Lies or Rainy Day Music should someone try to diminish their worth.

That said, seeing Olson centre-stage at The Phoenix on Tuesday night fronting the reunited Jayhawks on the occasion of the deluxe reissue of those two timeless records, it was impossible to deny there was a certain kind of magic about the show generated by the reunion of he and Louris. Most obviously it was there in their vocals and the way their harmonies interlocked – as good as they sounded individually it was like their voices were meant to be together for always – but also in the way their guitars played off one another, Olson’s acoustic rhythm and Louris’ searing electric leads reminding that they played both sides of the country-rock tag equally and just that undefinable but undeniable chemistry between them. I’d seen the Louris-led Jayhawks in this same room back in 2004 and a short Olson solo in-store in 2007 and both more than stood tall on their own, but together with their old bandmates and those songs? Wow. If you ever want an example of two artists who just belong together, it’s them.

As befit the occasion, the hour-forty-five set stopped the clock at 1995 (save for a short excursion to 2003 when drummer Tim O’Regan sang “Tampa To Tulsa” from Rainy Day Music) and showcased broad swathes of Tomorrow The Green Grass and Hollywood Town Hall along with b-sides from the aforementioned reissues, as well as going back to their self-titled debut for a few and airing out some new songs from their just-completed new record. While it’s too early to comment on the quality of the new songs, they certainly had that vintage Jayhawks feel about them which, as far as first impressions go, is all anyone can ask. And as good as it is that The Jayhawks are intent on being a creatively active concern, on this night the fans were out to hear the old stuff and they got it.

The execution wasn’t always perfect – there were some off-harmonies, some missed cues, and by the show-closing jam on “Lights” the band’s tiredness was showing – but the spirit of the evening, both the celebration of their works and the gratitude that so many had come out to witness their return, more than carried them through those patches. Even though they promised a return engagement later in the Summer after their record was released, this first night of the tour and the official return of The Jayhawks was a special, singular occasion.

The Calgary Herald, Chicago Tribune, Exclaim, Blurt and The Aquarian have interviews with Louris and Olson while Spinner, Exclaim and American Songwriter were in attendance at the show.

Photos: The Jayhawks @ The Phoenix – January 18, 2011
Video: The Jayhawks – “Save It For A Rainy Day”
Video: The Jayhawks – “Big Star”
Video: The Jayhawks – “Blue”
Video: The Jayhawks – “Waiting For The Sun”
Video: The Jayhawks – “Settled Down Like Rain”
Myspace: The Jayhawks

Donewaiting talks to Sharon Van Etten and The National’s Aaron Dessner, who is working with her on her next record, while Philadelphia Weekly chats with her on her own. Van Etten is at The Drake Underground on April 12.

The National’s episode of Austin City Limits, which also features a set from Iron & Wine Band Of Horses, is now available to stream online.

Iron & Wine’s new record Kiss Each Other Clean is currently available to stream at Team Coco in advance of its release next Tuesday. The Sydney Morning Herald has a talk with Sam Beam.

Stream: Iron & Wine – “Kiss Each Other Clean”

Under The Radar and The New Zealand Herald talk to Alex Scally of Beach House.

There’s an MP3 available from the new Drive-By Truckers album Go-Go Boots, due out February 22. The Broward Palm Beach New Times talks to Patterson Hood about the new record.

MP3: Drive-By Truckers – “Used To Be A Cop”

There’s a new She & Him video. Yes, it’s full of Zooey. Yes, it’s adorable. No, that’s probably not Matt Ward dancing.

Video: She & Him – “Don’t Look Back”

The first MP3 from The Mountain Goats’ new record All Eternals Deck is now up for grabs. It’s out March 29 and they’re at The Opera House on April 3.

MP3: The Mountain Goats – “Damn These Vampires”

And also in the “why couldn’t they have released this yesterday when I posted the tour dates”, the first MP3 from the new DeVotchKa record 100 Lovers, out March 1. They’re at The Mod Club on March 30.

MP3: DeVotchKa – “One Hundred Other Lovers”

Rolling Stone gets some specifics on the new Strokes record, out March 22 and possibly called Angles.

Sarah BowlesIf there’s any upside – and I type this knowing that there’s not – to the fact that the holidays are over and it’s back to the workaday week, it’s that my inbox and RSS reader are once again filling up with interesting news bits (and tonnes of uninteresting ones) rather than lists upons lists and year-end retrospectives. And that includes concert announcements, of which there were more than a few yesterday.

Including a return to North America for the first time in a couple years from Brighton, UK’s premiere electro/indie/hip-hop/dance/rock party-all-over outfit The Go! Team. Their third record Rolling Blackouts will be out on February 1 and while their official tour itinerary only goes as far as the end of March and doesn’t cross the Atlantic, a Toronto show at the Opera House on April 10 has just been announced (tickets $23.50), so expect more dates to be announced in the coming days. Spinner has an interview with chief songwriter Ian Parton about the shift in lyrical direction on the new record, while samples of said album can be had via the video for the lead track and the stream of next single “Buy Nothing Day” – featuring vocals from Best Coast’s Beth Cosentino – over at The Guardian.

Stream: The Go! Team – “Buy Nothing Day”
Video: The Go! Team – “T.O.R.N.A.D.O.”

Also coming to town, fond of exclamations and parties are Vancouver’s You Say Party – though apparently the “!” was dropped in their recent name change – and Montreal’s Young Galaxy, whose new record Shapeshifting has got a lot of folks talking in advance of its February 8 release. Both are at Lee’s Palace on March 4, tickets $15.50 in advance.

MP3: You Say Party! – “Laura Palmer’s Prom”
MP3: Young Galaxy – “Peripheral Visionaries”

BBC Sound of 2011 shortlistee Anna Calvi will be in town for Canadian Musicfest with a showcase at Wrongbar on March 11. Her self-titled debut will be out on March 1.

MP3: Anna Calvi – “Jezebel”

Destroyer’s new record Kaputt is out on January 25 and though the tour dates with The War On Drugs are still patchy, there will be a show at Lee’s Palace in Toronto on March 31, tickets $15 in advance.

MP3: Destroyer – “Chinatown”
MP3: The War On Drugs – “The History Of Plastic”

They don’t really have a lot in common, but that’s not stopping …And You Will Know Us By The Trail Of Dead and Surfer Blood from teaming up for a tour that stops in at Lee’s Palace on May 3. Trail Of Dead’s new album Tao Of The Dead will be out on February 8 and Surfer Blood will be putting out an EP sometime this year before getting to work on their major label debut.

MP3: Surfer Blood – “Swim”

The new British Sea Power record Valhalla Dancehall is up and streaming in its entirety at The AV Club, one week before it’s January 11 release.

Stream: British Sea Power / Valhalla Dancehall

NPR is streaming the whole of The Decemberists’ new album The King Is Dead two weeks before its January 18 release date. The band play The Sound Academy on February 1.

Stream: The Decemberists / The King Is Dead

Also up at the NPR has also got a new song from R.E.M.’s forthcoming Collapse Into Now, which continues to confirm that this record might well be pretty good. It’s out March 8.

There will be a new Strokes record in March. BBC says bassist Nikolai Fraiture says so.

Titus Andronicus have blogged a farewell to their founding bassist Ian Graetzer, who amicably left the band as of this weekend.

Specifics on the new Okkervil River record are still forthcoming, but Pitchfork reports that the first single “Mermaid” will be out on February 8 on 12″.

Laundromatinee has got a video session with Son Volt.

NYC Taper is sharing a recording of the Drive-By Truckers’ New Year’s Eve eve show in New York. The Philadelphia Inquirer and The Boot talk to Patterson Hood about their new record Go-Go Boots, which will be out February 15.