FacebookWhilst perusing the shelves at Soundscapes on Saturday, was a little surprised to find Yann Tiersen’s latest Skyline – released last year in Europe and last week in North America – filed under “World Music”. Looking a bit closer, I saw that it was actually in a World Music subsection marked, “French Pop” which I suppose is technically accurate, but also not really. In fact, I’m glad it’s not my job to try and file Tiersen’s records because it’s something of an impossible task.

Sure, his arguably most famous work – the soundtrack to Amélie – is a gimme (soundtracks, if it wasn’t clear). A case could be made for filing the rest of his work alongside it; though they may not have been crafted to score any particular film, their cinematic scope is undeniable – Skyline opener “Another Shore” certainly seems like it was recorded straight to IMAX. And yet with its melodic richness and compact song structures, it would be understandable to head straight for the pop/rock section of your local music store, or “Alternative” if such segregation still exists. With its dreamy, widescreen ambitions and acoustic underpinnings, “Monuments” sounds like it could be an outtake from Mercury Rev’s “Deserter’s Songs” and if you traded the glider-esque guitars of “The Gutter” for some synths, it could pass for an M83 tune – and you wouldn’t file M83 under French Pop, would you?

None of which should be taken as implying that Tiersen lacks his own sonic identity; that Skyline hangs together so well despite covering so much stylistic ground is a real testament to his skills as a songwriter, composer, and bandleader. It’s the sort of record you could put on as shifting aural wallpaper or listen to intently over headphones and get something new and different out of each time. Maybe where you file it is a moot point since the best place for it is in your CD player or on your turntable.

The Sydney Morning Herald has an interview with Tiersen and he plays a video session for The Yellow Bird Project. Tiersen is in town at The Phoenix on May 2, and courtesy of Union Events, I have two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Yann Tiersen” in the subject line and your full name in the body and have that in to me before midnight, April 29.

Stream: Yann Tiersen – “I’m Gonna Live Anyhow”
Video: Yann Tiersen – “The Gutter (skyline)”
Video: Yann Tiersen – “Monuments”
Video: Yann Tiersen – “Another Shore”
Video: Yann Tiersen – “The Trial”

The Toronto Star has an interview and NPR a World Cafe session with Of Monsters & Men.

Drowned In Sound has a stream of the Ólafur Arnalds/Nils Frahm collaborative EP which was released this weekend for Record Store Day.

Stream: Ólafur Arnalds & Nils Frahm / Stare

Whereas in North America, Sigur Rós’ contribution to the list of Record Store Day exclusives was their 2007 double-EP set Hvarf/Heim on vinyl, Europe got the first single from their next album Valtari on 10″ wax. The b-side of “Ekki Múkk” has turned up online as a stream, and while it is a non-album track, it does lend credence to reports that Valtari finds the band getting back in touch with their atmospheric side. Sigur Rós play Echo Beach on August 1.

Stream: Sigur Ros – “Kvistur”

Ane Brun has made her new single – a collaboration with José González – available to download. Her latest It All Starts With One gets a North American release on May 1 and she plays The Great Hall on May 10.

MP3: Ane Brun featuring José González – “Worship”

Niki & The Dove have released another new video from their debut Instinct. It has a European release date of May 14 and a North American one of August 7, but those on this side of the pond who are handy with computers can get it digitally/legitimately on May 15. Intreview also has a feature.

Video: Niki & The Dove – “Hot Summer”

In what is I think their third visit to Toronto in less than as many years, Shonen Knife will be at the Hart House Quadrangle at University Of Toronto on August 23. Yes, that is an unusual venue. Exclaim has details on the tour, which is in support of their new record Pop Tune, out June 6.

Video: Shonen Knife – “Super Group”

Annie BeedyI’d like to, if I could, refer you back to my writeup of The Shins on the occasion of their visit to Toronto last September. In it, I mused about how this band had a Forrest Gump-like knack for getting pulled into conversations bigger than themselves and how all of that seemed out of scale with James Mercer’s desire to simply write pop songs. That hasn’t necessarily subsided as some of the pieces I’ve read surrounding last month’s release of Port Of Morrow were built around the very questionable thesis that The Shins are already a reunion or nostalgia act (four albums over eleven years is hardly a snail’s pace these days, people).

Having already gotten that end of things out of my system with the aforementioned live review, I’m going to try and just talk about Port Of Morrow in the context of being a new Shins record, and nothing else. And it’s actually not too difficult to do because even with all that’s happened between this record and 2007′s Wincing The Night Away – namely the sacking of the band and shelving the whole thing in favour of Broken Bells – Port makes it feel like nothing has transpired and no time has elapsed.

The sonic aesthetic seems a bit shinier than before, more distinctly in line with ’70s studio pop but still following the path laid out by the albums that came before. Mercer’s distinctive, reedy voice manages to keep up – sometimes barely – with the looping melodies he writes for his cryptically evocative lyrics, accompanied by some ratio of jangly guitars to moody synths. The songwriting is also as solid as before, peaking with lead single “Simple Song” – it easily belongs on any post-career best-of compilation – and while it doesn’t again reach those heights, there’s an admirable lack of filler across the other nine tracks. It seems that it really doesn’t matter who’s along for the ride with James Mercer, The Shins remain as The Shins ever were. It’s funny that a band that was sold to so many as being life-changing should find their greatest strength in their constancy.

The Shins premiered their new video for “The Rifle’s Spiral” on the Nintendo DS platform last week, because they’re cool/annoying like that – it should be available for those of us without portable video game systems this week. They open up for The Black Keys at The Molson Amphitheatre on August 4.

Also, courtesy of With A Bullet, I have several copies of Port Of Morrow to give away – one on LP and three on CD. To enter, email me at contests AT chromewaves.net with “I want The Shins” in the subject line and your full name and mailing address in the body, and indicate if you’d like to be eligible for the vinyl, digital or both. Contest is only open to residents of Canada – sorry, rest of the world – and closes at midnight, April 29. Update: The prizing has been upgraded to four LPs; if you’re CD-only, sorry, can no longer oblige. Maybe buy a turntable?

Video: The Shins – “Simple Song”
Video: The Shins – “Bait & Switch”

I still have fond memories of seeing The Shins for the first time back in Summer 2002 – just before this blog came into existence – at The Rivoli in Toronto, opening up for Los Angeles’ psychedelic-country outfit Beachwood Sparks. The Shins would eventually go on to great things while the Sparks went on hiatus shortly afterwards… a hiatus that is now over. Pitchfork reports the reconvened band will return with their third album The Tarnished Gold on June 26. One of the new tracks and a couple of old ones are posted below.

MP3: Beachwood Sparks – “Forget The Song”
MP3: Beachwood Sparks – “Confusion Is Nothing New”
MP3: Beachwood Sparks – “Drinkswater”

The Fly talks to Bethany Cosentino of Best Coast. Her new record The Only Place is out on May 15 and they’re at The Phoenix on July 21.

Wears The Trousers has an interview with Dee Dee of Dum Dum Girls.

School Of Seven Bells have a new video from Ghostory. They’re at The Hoxton on May 2 and are the subject of interviews at The Star-Telegram, The Citizen-Times, The Pitch, and The National.

Video: School Of Seven Bells – “Reappear”

tUnE-yArDs has released a new video from WHOKILL, featuring some face that may be familiar if you’ve seen the old videos from WHOKILL. There’s also interviews with Merril Garbus at OC Weekly and The Santa Barbara Independent; she plays The Phoenix on August 1.

Video: tUnE-yArDs – “My Country”

Lambchop have squeezed a new video out of Mr. M. Indy Week, Magnet, and The Washington Post have chats with Kurt Wagner.

Video: Lambchop – “2B2″

M. Ward is the subject of feature pieces at Spinner, Paste, The Vancouver Sun, Clash, American Songwriter, Ventura County Star, and Flagstaff Live.

NPR welcomes Perfume Genius to WFUV for a radio session featuring a new song. There’s also features at The Georgia Straight and Dazed, and the second part of the interview between Michael Stipe and Mike Hadreas is now up at East Village Boys.

NPR has made The Magnetic Fields’ day show at SXSW available to stream, and also have a radio interview with Stephin Merritt available. There’s also pieces at The Guelph Mercury and Creative Loafing.

Rolling Stone caught up with Annie Clark of St. Vincent to talk about her next album – a collaboration with David Byrne that should be out in the Fall. Pitchfork also points out that her entire Coachella set is available to watch online and a new song which appears on her Record Store Day 7″ makes its live premiere and scorches.

Video: St. Vincent @ Coachella 2012

QRO talks to Jonathan Meiburg of Shearwater.

Greg Dulli talks to DIY about the Afghan Whigs reunion.

New York electro-rock/soul/funk acts Penguin Prison and Class Actress are teaming up for a co-headline tour which brings them to Wrongbar on June 7;

Video: Penguin Prison – “Don’t Fuck With My Money”
Video: Class Actress – “Weekend”

You have the Toronto Jazz Festival to thank for bringing Janelle Monáe back to Toronto for the first time since CMW 2011; she’ll be playing the outdoor stage at Nathan Phillips Square on June 22, and hopefully you can find a spot to watch from the unticketed area because admission is a rather dear $62.50.

Video: Janelle Monáe – “Tightrope”

Also in town for the Jazz Festival is Nellie McKay, whose boycott of Canada in protest of the seal hunts is apparently over. She’ll be at The Horseshoe on June 30, tickets $20 in advance.

Video: Nellie McKay – “Real Life”

San Francisco electronic artist Tycho is back in town on July 10 for a date at The Hoxton.

MP3: Tycho – “Hours”
MP3: Tycho – “Coastal Brake”

And Bruce Springsteen & The E Street Band – perhaps you’ve heard of them – have finally added a Toronto date for their Wrecking Ball tour. They’ll be at The Rogers Centre on August 24 with tickets going on sale April 20; no pricing as yet but you can bet it won’t be cheap and that it’ll still be worth it. They’ve also released a new video from Wrecking Ball recorded at the Moody Theater show at SXSW in March. If you look really closely, you can see me in the stands! Okay, no you can’t. Update: Tickets are $35 and $115. Nicely done, Bruce.

Video: Bruce Springsteen & The E Street Band – “Death To My Hometown”

Dan Burn-FortiWho: Nick Lowe
What: Legendary – a term not to be used lightly but wholly appropriate in this case – English singer-songwriter whose wit and songwriting greatly influenced punk and new wave in the ’70s and ’80s and is still going strong; his last record The Old Magic came out last Fall.
Why: Though he came through town back solo in September whilst opening up for Wilco, he’s coming back for his own show and a full band.
When: Monday, April 23, 2012
Where: The Phoenix in Toronto (19+)
Who else: Local boy Peter Elkas gets to warm things up.
How: Tickets for the show are $35 in advance but courtesy of Collective Concerts, I’ve got a pair of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Nick Lowe” in the subject line and your full name in the body and have that in to me before midnight, April 18.
What else: Macleans has a lovely Q&A with the man.

Video: Nick Lowe – “Sensitive Man”

Natalie EscobedoWho: Good Old War
What: Philadelphia folk-popping three-piece who just released their third album Come Back As Rain in mid-March.
Why: Said album landed the band at the top of the Billboard heatseekers chart – they debuted at #1 – meaning a lot of people wanted to hear them, and presumably see them. And so they tour.
When: Friday, April 20, 2012
Where: The Horseshoe in Toronto (19+)
Who else: Support comes from The Belle Brigade and Family Of The Year.
How: Tickets for the show are $12.50 in advance but courtesy of Collective Concerts, I’ve got a pair of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want a Good Old War” in the subject line and your full name in the body and have that in to me before midnight, April 17.
What else: The band are featured in pieces at The Daily Nebraskan, The Phoenix New Times, College Times, Blare, The Gauntlet, and The Georgia Straight.

Video: Good Old War – “Calling Me Names”

Who: Yukon Blonde
What: Classic rocking Vancouver quartet who know the importance of having a musical portfolio with a good balance of hooks and riffs.
Why: Their second album Tiger Talk was released at the start of March and the reception has been enough to justify a two-night stand in Toronto on their cross-Canada tour.
When: Thursday, April 12, 2012
Where: Lee’s Palace in Toronto (19+)
Who else: Support for the whole tour comes from Saskatchewan’s Library Voices and Great Bloomers round out the bill with some local flavour.
How: Tickets for the show are $15 in advance but courtesy of Collective Concerts, I’ve got two pairs of passes to give away for the Thursday night show as well as a copy of Tiger Talk on LP. To enter, email me at contests AT chromewaves.net with, “I want to see Yukon Blonde” and your full name in the body, and also note if you are equipped to and interested in spinning vinyl – one winner will get the passes and the LP, another will just get the passes. And be quick like bunny, the contest closes tomorrow – April 11 – at 5PM.
What else: The band is featured in pieces at The Telegram, Uptown, Spinner, and here, while DIY has both a complete stream of the album (which only just came out in the UK last week) and track-by-track commentary from the band.

MP3: Yukon Blonde – “Stairway”
MP3: Yukon Blonde – “Fire”
Video: Yukon Blonde – “Stairway”
Stream: Yukon Blonde / Tiger Talk