Friday, May 24th, 2013
Tomorrow Is Yesterday
An introduction to Field Mouse
Shervin LainezIf it were as recently as last year, I would be spending this post – hell, yesterday’s post – talking about how after arriving in Chicago last Saturday, I went almost straight to Beat Kitchen to see Laura Stevenson and Field Mouse play, on account of missing the Toronto show of their tour this past Tuesday because of this little vacation. But because I’ve grown as a person and am no longer spending all my time and energy trying to make it to shows and write about them, I have nothing to say about that show because I didn’t make it anywhere near the club, though I can’t say that I didn’t look up where it was and write it in my calendar. Just in case.
But that doesn’t mean you shouldn’t make the acquaintance of either of the acts. Stevenson I wrote about way in August 2010 – her new album Wheel is plenty solid, by the way, fans of country-pop would do well to check it out – but Brooklyn duo Field Mouse have had but a passing mention here, and I’d like to give them a little bit more because if your musical tastes align with mine – and why would you be here otherwise – they’re worth a listen.
Their name brings to mind – or is maybe confused for – English twee-pop forebears Field Mice, but while there are some points of intersection, particularly in their facility with melody and dreamy texture, the singular edition of Rachel Browne (vocals, guitar) and Andrew Futral (guitars) is much less navel-gazing and their shoegazey roots give their sound some wonderfully shimmering bite without overwhelming their tunefulness. It’s a formula that’s all about balance, and Field Mouse get it right. With a discography limited to just a few singles right now, they’re prepping their full-length debut for release later this year and have released a new video – presumably from said full-length – via Spin and recorded a video session for BrooklynVegan; as always, don’t read the comments. But do, however, hope they keep touring and make their way back to town soon, ideally when I’m also in town.
MP3: Field Mouse – “Tomorrow Is Yesterday”
MP3: Field Mouse – “Glass”
Stream: Field Mouse – “You Guys Are Gonna Wake Up My Mom”
Stream: Field Mouse – “Happy”
Video: Field Mouse – “Revenge Is Yesterday”
Stream: Savoir Adore – “Beating Hearts
Pitchfork has rightly devoted one of their fancily-presented cover story in-depth features to The National, and The Irish Times, The Hollywood Reporter, and 680 News also have features. They play Yonge-Dundas Square for NXNE on June 14.
Spin has premiered a new song from Florida’s Beach Day, whose debut Trip Trap Attack is out June 18 and who are here for NXNE on June 15 with a show at Handlebar in Kensington Market. DIY has a feature.
Stream: Beach Day – “Stay”
Exclaim has details on the new full-length from Crocodiles; Crimes of Passion is out August 20 and there’s a first track to hear courtesy of Stereogum. They’ll preview the album at the Adelaide Music Hall on June 17 when they support Japandroids.
Stream: Smith Westerns – “3AM Spiritual”
Beatroute and The Georgia Straight have interviews and NPR a session with Yo La Tengo, playing the final day of TURF at Garrison Commons on July 7. DIY also has an interview with bassist James McNew about the reissue series for his Dump side-project.
Merge has announced a deluxe reissue of the last, great lo-fi Mountain Goats album All Hail West Texas on July 23, which is great new if for no other reason as it gives these imaginary liner notes by comics scribe a reason to exist, if only online.
Trailer: Ty Segall / Sleeper
Stream: The Dodos – “Confidence”
Video: Chelsea Light Moving – “Lip”
The Cleveland Plain Dealer has an interview and Rolling Stone an acoustic video session with The Thermals, who’ve just released a video for the decidedly non-acoustic new single from their latest, Desperate Ground.
Video: The Thermals – “The Sunset”