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Friday, December 14th, 2012

Gotta Be That Way

The House Of Love return with a fresh coat of Paint

Photo via FacebookFacebookA pile of this and that from overseas to get to today, so why not start with the item that I’m sure the fewest people – statistically speaking – care about.

And that’s the return of The House Of Love. A cult band’s cult band, the Guy Chadwick-led outfit has probably become better known for what they didn’t do – which is become the biggest band in the UK, as many/most expected in the late-’80s – than what they did – which was release two brilliant (as well as one decent and one turgid) albums of sweeping proto-Britpop whose influence, despite the band imploding rather than exploding, can still be detected in many British guitar bands of the past quarter-century.

After disbanding in 1993, three-quarters of the original lineup – most importantly frontman Guy Chadwick and guitarist Terry Bickers – reunited in 2005 for some live dates and an album of new material in the impressively solid throughout Days Run Away. Rather than carry that momentum forwards, however, the band seemed to go underground again with most assuming that the reunion had run its course and the band had quietly gone their separate ways, content to keep their legacy alive via a seemingly endless series of reissues of their debut album – most recently this week – and archival live material.

But then would come word of a one-off live show or a festival appearance – not much, but enough to confirm the band as an ongoing proposition – and very occasional rumours of new material being written and recorded. Rumours which coalesced this week with the reveal that, indeed, a sixth studio album had been completed and that it would be out early in the new year. Further details came yesterday via Slicing Up Eyeballs, which pointed out the band had updated their Facebook with the title of the new album – She Paints Words In Red – along with the artwork and a targeted release date of March or April, via Cherry Red Records.

I don’t expect this new record to be life-changing at all – on par with Days would be a gift – nor do I expect there’ll be any kind of effort to play live shows anywhere near this continent, but I find it pleasing to know that this band, who’s had no shortage of opportunities or incentive to simply call it day, are still making music because they want to and their fans want to hear what they have to say. Shine on.

MP3: The House Of Love – “Shine On”

All that unpleasantness this past Summer about Jaz Coleman going missing before turning up in the Sahara apparently sorted out, Killing Joke have slated a North American tour in support of their forthcoming best-of comp The Singles Collection: 1979-2012, due out April 15. They’ll be at Lee’s Palace in Toronto on April 24.

Video: Killing Joke – “Love Like Blood”

She’s gone on to become something of a rising star back in the UK since making her North American debut opening for Bon Iver last December, but Lianne La Havas hasn’t been back for a proper tour in support of her debut Is Your Love Big Enough? since. That changes this Spring, though, as she undertakes an extensive North American tour that brings her to the Opera House on April 4, tickets $21.50 in advance. NPR has a World Cafe session and The Guardian a quick feature.

Video: Lianne La Havas – “Lost & Found”

HungerTV interviews Patrick Wolf.

Esben & The Witch have released the first video from their second album Wash The Sins Not Only The Face, out January 21.

Video: Esben & The Witch – “Deathwaltz”

Frightened Rabbit have released a new video from their new record Pedestrian Verse. It’s out February 5 and they play The Phoenix March 31.

Video: Frightened Rabbit – “The Woodpile”

Foals are streaming another new song from their forthcoming album Holy Fire, out February 12.

Stream: Foals – “My Number”

The Guardian has a video session with Stornoway, who are preparing their second album Tales From Terra Firma for a March 11 release.

Billboard has a talk with Jessie Ware about her American debut and why her forthcoming introductory EP for this market will be called If You’re Never Gonna Move instead of 110%, as originally intended. She’s also released an adorable new video from her debut Devotion and given a year-end interview to The Guardian.

Video: Jessie Ware – “Sweet Talk”

DIY talks to Victoria Hesketh – aka Little Boots – about the long road to her second album, which she’s not quite prepared to share details about but assures us that it’s done and coming next year.

Los Campesinos! may be down a bassist but they’re up on Christmas, as evidenced by this seasonal tune they’re giving away.

MP3: Los Campesinos! – “A Doe To A Deer”

Elizabeth Sankey of Summer Camp talks holiday plans with DIY, and also offers an update on album number two.

The Wall Street Journal spends some quality time with Richard Hawley.

Matador has dished details on Danish post-punks Iceage’s forthcoming release, their first for the label. It’s optimistically titled You’re Nothing and will be out on February 19.

Junip will release their new album Junip on April 23, and have a wee little trailer for it.

Trailer: Junip / Junip

El Perro Del Mar has released a new video from Pale Fire.

Video: El Perro Del Mar – “Hold Off The Dawn”

By : Frank Yang at 8:54 am
Category: General

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RSS Feed for this post4 Responses.
  1. iain_harrison says:

    @fyang which HOL album was turgid?

  2. Frank Yang says:

    Audience With The Mind. Maybe not turgid, but ponderous, joyless, and not a patch on the three that came before. Would have liked Days to be a bit spacier, let Bickers be Bickers, but was happy to have it regardless.

  3. Scott says:

    Except that Audience has one of my all-time favourite HoL songs in “Hollow” – up there with anything they did, and a yardstick for many a shoegaze band around that era (IMHO).

    Looking forward to another album – Guy’s solo record was also pretty solid – he’s had a refreshingly consistent career.

  4. Frank Yang says:

    yeah, “Hollow” was probably the first HOL song I heard on account of it being in rotation at CFNY dance nights when I was in high school. I may be being too hard on ‘Audience’, will have to give it a spin this weekend.

    And yeah, Chadwick has been consistent but like all great British songwriters, was so much better with his guitarist foil at his side.