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Friday, July 27th, 2012

Fineshrine

Review of Purity Ring’s Shrines

Photo By Sebastian MlynarskiSebastian MlynarskiI expect there’s a lot of interest in drawing parallels between the success of Purity Ring with that of Grimes what with both being based out of Montreal – although Purity Ring’s Corin Roddick and Megan James originally hail from Edmonton – and releasing albums of electronic pop that seem to be the perfect soundtracks for the zeitgeist circa 2012, and on the same label outside of Canada, no less – the legendary 4AD.

But whereas Claire Boucher’s work is rather defined by its technicolor ADD-ness and her pixie-like vocals, Purity Ring’s debut Shrines is quite content to work within decidedly narrow aesthetic parameters. Beats are slow and with their reverse-decay treatment, seem to exist somewhere between a stutter and a throb, giving the record a very steady if uneasy pace. At the other end of the spectrum and separated by layers of thickly reverbed ’80s-vintage synth tones, you have James’ bright, clear, and girlish vocals – and only occasionally electronically sliced and diced – delivering major-key, singalong melodies and lyrics that are often playfully nonsensical, yet still somehow foreboding.

This contrast essentially sums up Purity Ring – a friendly yet fearful intersection of dreampop and R&B. The consistency of their style reminds me of The xx, who were also able to turn a seemingly limited palette of sounds and ideas into a unique sonic world all their own. They aren’t quite as able to avoid the nagging sense of sameness that’s the downside of such an approach – by the end of Shrines, there’s a distinct sense that you’ve heard these songs already – but the record possesses enough distinctiveness and ideas to largely justify all the attention being given to it.

What attention? Well, consider that the week of the record’s release – that’s this week – has yielded feature pieces in Exclaim, Billboard, Rolling Stone, Interview, Canada.com, The Edmonton Journal, The Montreal Gazette, and Stereogum. I’d say that counts as people paying attention.

MP3: Purity Ring – “Belispeak”
MP3: Purity Ring – “Fineshrine”
MP3: Purity Ring – “Obedear”
Video: Purity Ring – “Fineshrine”
Video: Purity Ring – “Belispeak”

Claire Boucher talks to MTV Hive about some creative directions she may want to take in the future, whether as Grimes or as something else. It’s as Grimes that she’ll be at Lee’s Palace on September 21.

Crystal Castles are putting the finishing touches on their third album – still untitled but due out late September, and with the first sample available to download and accompanying North American tour announced. Full dates plus some words from Ethan Kath about the new record are available at Exclaim. The hometown date on the itinerary is November 4 at the Kool Haus; Los Angeles’ HEALTH supports.

MP3: Crystal Castles – “Plague”

Dan Snaith’s multiple personality disorder appears to have reared its head again. After being forced to stop being Manitoba and become Caribou some years ago – occasionally transforming into the Caribou Vibration Ensemble – he’s announced his next release will be under the name Daphni, and be decidedly more electronic/dancey than his past efforts which were decidedly electronic/dancey to begin with. The album JIAOLONG will be out on October 16 – Pitchfork has details, the first video is below.

Video: Daphni – “Ye Ye”

Also at Pitchfork, Dan Bejar reviews some of the musical milestones of his life that turned him into Destroyer. He also talks to The Vancouver Sun and Victoria Times-Colonist about attempting to get Destroyer onto the jazz festival circuit this Summer.

That new Stars tune from North that was made available to stream earlier this week is now downloadable. The album is out on September 4 and they open up for Metric at the Air Canada Centre on November 14.

MP3: Stars – “Hold On When You Get Love And Let Go When You Give It”

Shad talks to CBC Music about the ’90s-era samples and influences that went into his Melancholy & The Infinite Shadness mixtape.

Those who like their Can-rock bearded and retro-styled will like the looks of the lineup rolling into Echo Beach on September 15 – that’ll bring The Sheepdogs, The Sadies, Zeus, and Yukon Blonde to the waterfront stage. Tickets for that are $29.50 general admission and $45 VIP.

MP3: The Sadies – “Another Year Again”
MP3: Zeus – “Anything You Want Dear”>
MP3: Yukon Blonde – “Fire”
Video: The Sheepdogs – “I Don’t Know”

The Acorn have taken a moment to update the world on what The Acorn has been up to and to share an unreleased tune. A new record is in the works and they’re playing the Paper Bag Records 10th anniversary show at The Great Hall on September 27.

Stream: The Acorn – “Shoot The Moon”

Daytrotter has a session and The Calgary Herald an interview with Cold Specks. She’s at The Great Hall on August 8.

Beatroute talks to Little Scream.

Exclaim has some details on the deluxe reissue of Sloan’s seminal Twice Removed, which will come as a triple-LP set with the album proper on one slab of vinyl, a demo version of the album on another, and a batch of era-correct outtakes on the third. Street date and complete recital tour dates are still to come – the already announced dates only get them as far as the midwest by late September… they gotta come home sometime.

Those of you who like free shows – I see you enter my contests, I know that’s pretty much all of you – should take note of a couple things going down next week courtesy of Scion Sessions. They’ve got their fingers in a few things including the Mad Decent Block Party taking over Yonge-Dundas Square on Sunday, but there’s also a couple of shows – one headlined by Nosaj Thing at The Hoxton on August 2 and one led by Young Widows at Parts & Labour on August 3 that you can be at for just the cost of an RSVP. Follow the links above for details.

By : Frank Yang at 8:29 am
Category: General

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