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Posts Tagged ‘Wrens’

Tuesday, April 26th, 2011

Sim Sala Bim

Fleet Foxes’ Helplessness Blues; let them show you it

Photo By Sean PecknoldSean PecknoldWe’re a week out from the release of one of the most-anticipated records of the year – Helplessness Blues by Fleet Foxes – and as has become commonplace, the album is available to stream a week before it goes on sale at NPR. A couple of listens in and all the key ingredients that made the debut a smash are still in place: Robin Pecknold’s otherworldly voice, the ridiculously lush and immaculate harmonies, the blankets of reverb imported from some Pacific northwest mountaintop, but Blues also sounds more confident and dynamic than its predecessor, perhaps a sign that the songwriting is now more up to par up with the immense musical talents of the band. I liked but didn’t love Fleet Foxes and am cautiously confident that I’ll like the new record more. I am certain, however, that they won’t alienate any of their fanbase with it.

Exclaim and Spinner have conversations with Pecknold, the former about the process of writing the new record and the latter about the general awfulness of Myspace. Meanwhile, over at We All Want Someone To Shout For has a session the band played for BBC Radio 1 last week available to download and if you like Fleet Foxes but hate their songs, You Ain’t No Picasso has collected a decent-sized archive of covers they’ve performed.

Fleet Foxes are at Massey Hall on July 14.

Stream: Fleet Foxes / Helplessness Blues

Yours Truly has got a video session with The Head & The Heart which I’m sure is great, but can’t watch to confirm since it’s restricted to the US only… but they’re working on it, I’m told. In the meantime, read this interview at LAist.

Prefix talks to Charles Bissell of The Wrens about the state of their new record which will not actually be called Funeral and should be out someday. Maybe.

Wilco’s Jeff Tweedy talks to both Spin and Rolling Stone about their new record which may but probably won’t be called Get Well Soon Everybody and may be out come September. Know what would be awesome? If Tweedy gave completely contrary information to both publications. But he didn’t. More certain, as Exclaim reports, is the first release on the band’s new dBpm label – a 7″ single due out sometime in July A-sided by new song “I Might” and backsided by a cover of Nick Lowe’s “I Love My Label”.

NPR has a World Cafe session with Bright Eyes.

Spinner, Paste and Clash talk to Steve Earle about his just-released new record I’ll Never Get Out Of This World Alive, acting and the Gulf of Mexico (song and region), respectively. He also sets up behind a Tiny Desk for NPR. Earle is at the Molson Amphitheatre on August 20.

PopMatters catches up with The Thermals on tour in Germany.

PO Box 607 gets to know Anna-Lynne Williams of Trespassers William about a new solo record coming out as Lotte Kestner and her new label Saint-Loup Records.

Blurt profiles Buffalo Tom while Bill Janovitz contributes a piece on being both rocker and realtor to Boston Magazine.

PopMatters tries to extract an interview from J Mascis.

The Chicago Tribune talks to The Pains Of Being Pure At Heart. They’re at The Opera House on August 2.

Comic artist and musician Jeffrey Lewis is in town for the Toronto Comic Arts Festival and will be whiling away the evening by playing a solo show at The Dakota on May 8, tickets $10 at the door.

MP3: Jeffrey Lewis & The Junkyard – “Slogans”

Back for like the third time in less than a year, Robyn is back on June 3 with this past Winter’s tourmate Diamond Rings in tow and they’re playing an actual new venue in Toronto. It’s called Echo Beach and it’s an approximately 4000-capacity general admission outdoor venue at Ontario Place, on the water, not far from the Molson Amphitheatre but far away in time. Tickets for the show are $39.50, on sale Friday.

MP3: Diamond Rings – “All Yr Songs”
Video: Robyn – “Dancing On My Own”

New York’s Gang Gang Dance will have a new record out in Eye Contact on May 10 and be at The Horseshoe on July 10 to support.

MP3: Gang Gang Dance – “MindKilla”
Video: Gang Gang Dance – “MindKilla”

Friday, March 11th, 2011

As I've Known

Epitonic is back; Wrens, still working on it

Photo via Agency GroupAgency GroupA decade ago, before there were really such things blogs but the MP3 existed, there was Epitonic. Easily the best site online for researching, discovering and hearing new and independent acts, it was a treasure trove of great things to hear right up until it was shut down in 2004. By that point there were many other avenues for sampling music via downloadable files – you’re on one right now – but the breadth and organization of Epitonic was missed.

So it’s more than great to see that they’ve returned with the same mandate and they’ve come bearing gifts – including a new track from everyone’s favourite prodigal band, The Wrens. They were last heard from, as far as records go, at about the same time Epitonic went dark so hopefully the site’s return will apply some pressure to them to get the new record – in process for years and years – finished and out. I thought that they were close when they started issuing recording dispatches in early ’09 and even played some shows at SxSW that year, but there’s still been nothing released. Their booking agency says they’re available for Spring and Summer 2011 headlining dates, though, so maybe…? Come on guys, 10 more songs and you can go back to hiding for another decade.

Either way, at least Epitonic is back.

MP3: The Wrens – “As I’ve Known”

The Battles show announced last week in support of new record Gloss Drop will be happening at The Mod Club on April 29, and not The Horseshoe as originally reported. Tickets are $15.

The Felice Brothers will be at Lee’s Palace on May 12, just a couple days after their latest album Celebration, Florida is released, tickets $17.50.

Sharon Jones & The Dap Kings are back in town on May 12 for a show at the Sound Academy. The Pensicola News Journal has an interview with Jones.

Video: Sharon Jones & The Dap Kings – “I Learned The Hard Way”

Jason Isbell & The 400 Unit have set a May 22 date at The Horseshoe Tavern in support of their new record Here We Rest, out April 12. Maria Taylor will support.

MP3: Jason Isbell & The 400 Unit – “Codeine”
MP3: Maria Taylor – “Song Beneath The Song”

Explosions In The Sky have released the first MP3 from their new record Take Care, Take Care, Take Care, due out April 26.

MP3: Explosions In The Sky – “Trembling Hands”

Austinist and Austin 360 chat with Will Sheff of Okkervil River about their new record I Am Very Far, due out May 10. There’s also a video session and interview at Rolling Stone and the first official MP3 from said record is now available. They play The Phoenix on June 10.

MP3: Okkervil River – “Wake And Be Fine”

Fender Guitars has a chat with proud users of their products Ume.

The AV Club talks to Lucinda Williams.

NOW‘s CMW cover story is Janelle Monáe, who headlines The Indies at The Royal York on Saturday night.

The Huffington Post talks to Mike Mills of R.E.M.. Another new video from Collapse Into Now has gone up and as a bonus, an official live studio performance clip is up at Fluxblog.

Video: R.E.M. – “Alligator Aviator Autopilot Antimatter”
Video: R.E.M. – “Every Day Is Yours To Win” (live)

NPR is streaming a World Cafe session with Of Montreal. They’re at The Phoenix on May 3.

The Vinyl District, Rocky Mountain Collegian and NPR talk to Wye Oak about Civilian. They are at The El Mocambo on April 9 and their show in DC tonight will be streamed live on NPR.

Pitchfork reports that The Antlers have set a May 10 release date for their new record, which will bear the title Burst Apart.

The New York Times have a feature piece on The Strokes. Angles is out March 22.

The Pains Of Being Pure At Heart are streaming the whole of their new record Belong on their website, well ahead of its March 29 release.

Stream: The Pains Of Being Pure At Heart / Belong

The National have released a new video from last year’s High Violet, starring Flight Of The Conchords’ Kristen Schall and Mad Men‘s John Slattery. Black Book also has a video session with the band.

Video: The National – “Conversation 16″

Faster Louder meets The Hold Steady.

NPR is streaming a KEXP radio session with The Jayhawks, Denver Westword talks to Mark Olson and Jambands to Gary Louris.

Blurt has a feature piece on DeVotchKa, who are in town at The Mod Club on March 30.

Friday, July 10th, 2009

This Day

WTF, V? Lineup speculation and goodies from Bowerbirds, Wrens, The Clientele and more

Photo By Nick HeldermanNick HeldermanI’d honestly thought I’d have been able to build a post around the Torontontario V Fest announcement this week. All signs pointed to them finally coming clean about the when, where – already a poorly kept secret, sure – but more importantly the who. And yet here we are at Friday with no official word, just seven weeks out from when it’s all supposed to go down (August 29 and 30 at Burl’s Creek near Orillia, Ontario) and so instead of reporting facts, I will delve into the rumour mill for goodies. Though when it comes straight from the artist’s mouth, it probably counts as somewhat more than rumour. I refer, of course, to the fact that Nine Inch Nails has decided that Bonnaroo would not mark their final live North American appearance, as originally intended, and instead will do a few more dates including a headlining slot at the Ontario edition of V Fest. And in addition to NIN, a few other acts came to light this week though nothing major: Thunderheist, Trouble Andrew (does his presence imply Santigold? I can’t imagine anyone would want him on his own), and though not confirmed, I don’t think it’s any big secret what the August 30 “TBA” for Toronto on the Pet Shop Boys’ Fall itinerary means.

So yeah. Another week, another non-announcement. On the plus side, it’s evident that they’re trying to put together something really good and the last Canadian V of the Summer will have a bona fide, big-time headline act – I wouldn’t call myself a fan of Trent but there’s no arguing his stature – but on the downside, even a leak this size hasn’t been enough to prod them into announcing anything, which to my paranoid sensibilities doesn’t necessarily bode well for the rest of the bill. But it’ll come, and until then, I’m going to engage in more rampant and unfounded lineup speculation while clearing out a big old pile of links and stuff.

Paste talks to Bowerbirds about their second album Upper Air was released this week. Daytrotter and They Shoot Music have also released sessions with the band – audio and video respectively – who are on the road to support. They’re not doing anything August 29 or 30, but do have a date at Sneaky Dee’s next week on July 14 so it’s unlikely they’re playing V Fest.

Magnet’s “Wrens Watch” feature has coaxed another new song demo MP3 from Wrens, who continue to work on their follow-up to Meadowlands. It’s conceivable that they could make the trek up here for V – the calendar is clear – but probably haven’t been invited.

Pitchfork has the first taste of Bonfires On The Heath, the new album from The Clientele, out October 6. They played V Fest back in 2007 and while I’d love to see them again, they’re already making a short North American trek this month and probably won’t be back till the Fall.

MP3: The Clientele – “I Wonder Who We Are”

Editors’ Tom Smith keeps up the sci-fi soundtrack talking points in discussing their new record In This Light And On This Evening, out September 21, with NME. The band also played V in 2007 and would certainly be welcomed back, but are probably going to stick to Europe for the Fall before coming to North America to promote.

The Line Of Best Fit talks to Yo La Tengo – their new record Popular Songs is out September 8. They’ve got a November European tour scheduled – they could do North America before that, but probably no dates before the record is released.

Ca Va Cool has an interview with Telekinesis’ Michael Benjamin Lerner. Their calendar is clear for late August but they’re far too small to be added to a festival bill when they’re not already touring through the region.

Wheat are offering a new MP3 from their forthcoming album White Ink Black Ink, due out July 21. Odds of playing V? Less than Telekinesis.

MP3: Wheat – “Changes Is”

The Bird & The Bee have a new video from Ray Guns Are Not Just For The Future. They have nothing on the schedule, and I’d personally love to see them again in any setting. But they are probably not playing V.

Video: The Bird & The Bee – “My Love”

Jenny Lewis has released yet another new video from Acid Tongue. Why ask why? She’s finishing some US tour dates and is in Japan in early August. Maybe she can come to Toronto in late August.

Video: Jenny Lewis – “See Fernando”

NPR interviews Steve Earle. He’s at Massey Hall on Saturday, which really precludes his playing V in August. Not that he probably would anyways.

PitchforkTV is streaming the Townes Van Zandt documentary Be Here To Love Me for the next week. I saw this film at TIFF 2004 and it’s a lovely work. It’d be quite a coup if V got Townes to play, but I’m not holding my breath.

Video: Be Here To Love Me

The Denver Post interviews Son Volt’s Jay Farrar. They’re touring from July through early August, then picking up again second week of September. Don’t see them interrupting the downtime to trek up here to play in front of, well, people who probably aren’t fans. The NIN and Son Volt fanbase Venn diagrams don’t overlap much.

American Songwriter has excerpted a portion of their cover feature on Wilco, The Boston Globe has an interview with Jeff Tweedy and The Boston Herald talks to Nels Cline about his role in the band. They’re in Dublin on August 28. Probably not in Toronto on August 29 or 30.

NPR is streaming Sonic Youth’s recent show in Washington DC. They’re playing the Vancouver V Fest but having just played Toronto last week, I don’t expect a return engagement so soon.

Spinner gets Metric to recount their run-in with Spinal Tap at Stonehenge after Glastonbury this year. Metric are seemingly playing every other V in the country, I give them very good odds for being at the Toronto edition. Spinal Tap just did the “unwigged” thing at Massey Hall, but doing V – in character, of course – would be kinda great. Their new record is Back From The Dead.

Malajube have a new video from their Polaris-nominated album Labyrinthes. Their schedule is clear, they could be at V.

Video: Malajube – “Luna”

The Scotsman talks to Dean & Britta. I don’t think their 13 Most Beautiful… Warhol soundtrack show would work too well on a big outdoor stage.

Mew are releasing their new album No More Stories… on August 25 and have already been tapped to play some of Nine Inch Nails’ other “final” shows – why not this one? Spinner has an MP3 from the new record.

MP3: Mew – “Repeaterbeater”

PitchforkTV is running video of Fleet Foxes’ performance from Pitchfork Festival last year. Obviously they do the festival thing, but with an August 4 date at Massey Hall, a V slot is unlikely.

But for everyone who had tickets for that Fleet Foxes show and were crushed that it meant missing the Yeah Yeah Yeahs show at the Kool Haus that same night, rejoice! A second Yeah Yeah Yeahs show has been added for August 5, same venue. Tickets $32.50, on sale today at 10AM. And yes, this pretty much guarantees that they won’t be at V – that is, if being at Reading/Leeds across the Atlantic wasn’t guarantee enough.

Off The Beaten Tracks gets an acoustic video session out of The Thermals. They’re in Europe through mid-August. Swinging by Toronto en route back to Portland seems improbable.

Decider and Austin360 have features on Spoon. Besides their own Spoon-fest in Austin this weekend and performance at the Wanderlust yoga/music festival in Lake Tahoe at the end of the month, they’re not doing much. They could be playing V.

Contact Music has an interview with Glasvegas – they’re one of many bands at Reading/Leeds the weekend of V, so are obviously not playing Toronto. What’s more curious is the routing of their mid-September tour supporting Kings Of Leon, which puts them in Long Island on the 14th, Montreal on the 16th, Ottawa on the 17th, Hamilton on the 19th, London on the 20th and Detroit on the 22nd. Obviously this leaves many opportunities to make a Toronto stop, and yet there currently is none. As I said, curious.

Daytrotter has a session with Ida Maria, who seems awfully reluctant to make her Toronto debut. She’s on tour in North America till early August and then will be back for Monolith in Denver in mid-September. Obviously a lot more dates would have to surface to keep her on the continent from late August till then, but I can see it happening.

NPR is streaming a radio session with Phoenix. They’re playing V in the UK the weekend before the Ontario edition, and are back in September for a string of dates including Monolith and ACL. Odds of them playing our V are slim to none.

The List talks to St Vincent’s Annie Clark, who is at the Horseshoe on August 8 and will consequently not be at V Fest.

And while I know it’ll never happen, I would love beyond words for Superchunk to come and play V Fest. Or play anywhere nearby. This acoustic version of “Detroit Has A Skyline Too” came from a recent radio session. Loverly.

MP3: Superchunk – “Detroit Has A Skyline” (acoustic)

The Boxer Rebellion, who made headlines by charting in the top 10 on iTunes’ charts with the wholly independent release of their second album Union, will be at the Mod Club on August 8 – tickets $11.50. Though they’d probably fit the V demographic, this show means they’re unlikely to be there.

Video: The Boxer Rebellion – “Evacuate”

Either of these bands – …And You Will Know Us By The Trail Of Dead and The Secret Machines – would be a decent addition to a festival bill, but they won’t be to V because they’ve got a date at Lee’s Palace on September 22 – tickets $18.50.

MP3: The Secret Machines – “Dreaming Of Dreaming”
MP3: The Secret Machines – “Atomic Heels”

You know, this little “who’s playing V” meme turned out a helluva lot more tiring than I expected. Whew.

Friday, March 27th, 2009

SxSW 2009 A/V – The Wrens

Photo By Frank YangFrank YangThe Wrens
Teaneck, New Jersey, USA

Indie-rock veterans beginning the slow journey forward from 2003′s epic The Meadowlands. Recording of the follow-up is underway
- Show review
- album progress tracker at Magnet

Photos: The Wrens @ The Mohawk Patio – March 20, 2009
MP3: The Wrens – “Everyone Choose Sides”
MP3: The Wrens – “I Guess We’re Done”
MP3: The Wrens – “This Machine”
MP3: The Wrens – “Dance The Midwest”
MP3: The Wrens – “Surprise, Honeycomb”
MP3: The Wrens – “Built In Girls”
MP3: The Wrens – “Napiers”
MP3: The Wrens – “Behold Me”
MP3: The Wrens – “Grey Complexion”
Video: The Wrens – “Marked Up”
Video: The Wrens – “She Sends Kisses”
Video: The Wrens – “Per Second Second”
Video: The Wrens – “Faster Gun”
Video: The Wrens – “Boys, You Won’t”
MySpace: Wrens

Saturday, March 21st, 2009

SxSW 2009 Day Three

The Hold Steady, The Wrens, American Analog Set and more at SxSW 2009

Photo By Frank YangFrank YangThe Hot Freaks! Yesterday was the day, the first of our third big to-do at SxSW. To say I was excited was an understatement – the past two were my highlights of SxSW if not my whole year and there wasn’t any reason to think this year would be any different.

And yes things got off to a bang. Throwing the whole notion of headliners closing things out, The Wrens agreed to open the show up at high noon on the Mohawk’s patio, and if they were feeling sluggish from their 1AM showcase the night before, it didn’t show. It had been some years since I’d seen them – over five, to be exact – but the band were manic as ever onstage, if not more. Maybe the long break since The Meadowlands has made them extra hungry to get out and play, but whatever it is, they who’ve been called the best live band in America show no signs of being ready to give up that title – give us that new record and hit the road!

As The Wrens finished up their set, I dashed inside the Mohawk where The Rural Alberta Advantage were starting theirs. They were the only band I had planned on seeing twice this week, and considering the first time was just last night, there’s not a lot else I can say. Granted, the inside of the Mohawk is a slightly different sort of room from the Central Presbyterian Church, but one thing they had in common was being filled with people discovering the band and presumably, since there’s really no other logical response, loving them.

Showing they know how to mark a tenth anniversary, Insound had stacked their stage over at Club DeVille to a ridiculous degree – this was where I was going to be spending the rest of the day, no question. I got there in time to see Handsome Furs, whom if you believe some of the coverage from CMW last week were the only band that mattered. I’ve never managed to love or even like the band as much as some, but do find their live show and its utter rawness engaging. Dan Boeckner has got rock star charisma to spare and Alexei Perry’s beats may be simple, but they’re insistent and effective. Hard not to get caught up in their set.

If they got Club DeVille worked up, then the briefly reunited American Analog Set brought things way down in the best possible way. On hiatus since 2005′s Set Free, they got back together to pull a “Don’t Look Back”-esque revisit to 1999′s The Golden Band for this show only. A special occasion to say the least. I’d forgotten how beautifully hypnotic AmAnSet was, particularly their earlier records – I’d only seen them live in their (slightly) more upbeat and poppier configurations. This show, however, was all shimmering vibraphone, whirring farfisa and Andrew Kenny’s somnambulant vocals – pure aural beauty in its sleepiest form. Though it’s great that Kenny has a new project in The Wooden Birds, I hope this isn’t the last of AmAnSet (although I sort of do, since it means I was there).

Though The Thermals were playing what seemed like a hundred and one shows at SxSW to drum up interest in their forthcoming Now We Can See, out April 7, they’re certainly giving their all to all of them, if this show was any indication. Mixing up new material with old, though tragically “Pillar Of Salt” was cut, The Thermals’ set was compact but pulverizingly good, with Hutch Harris and Kathy Foster bouncing around the stage while new drummer Westin Glass laid the foundation. Simple, direct and so good.

And finally, The Hold Steady. It’s possible they were at SxSW to promote their new live CD/DVD set A Positive Rage, out April 7, but it’s also possible they just heard that there was a big party down in Texas and there was beer. Whatever. The Hold Steady doesn’t need an excuse. Now most sets at SxSW – official or unofficial, big band or small band – clock in at around 40 minutes, and I expected The Hold Steady to do the same. But when they were setting up the stage in front of a jam-packed Club DeVille, they taped down a set list in front of me and there were 21 – Twenty-one – songs written down. This was not going to be a sampler, this was going to be a full and proper set. ZOMG, as the kids say.

And oh my god, what a set. I’ve seen the Hold Steady a number of times and it’s never anything less than a great show, but for whatever reason – maybe the small venue, maybe the party atmosphere of the festival, maybe the ruthless efficiency with which they tore through their set – this may have been the best one I’ve seen them play. Though they’ve justifiably graduated to larger venues and have proven their ability to work the large rooms effectively, they still come across best in the small scale where Craig Finn can sweat on you directly (as he did to me more than a little) and lead the audience in singalongs. And for 70 minutes, covering material from across their entire career, they just killed and killed and killed. They didn’t, however, make it all the way through the set list – they had to call it at 18, leaving out “Stay Positive”, “Cheyenne Sunrise” and “Slapped Actress”. I would have loved to hear them all, but I don’t think there’s any room for complaining of any kind here.

Fantastic.