Keith KlenowskiJust to be clear: filling Massey Hall for two nights in a row is no mean feat. Not many bands can do it once, let alone twice, but when The National did just that last June in support of their breakout album High Violet, it felt like an arrival – the best and most natural setting for a band that had graduated from the bar circuit and were taking their rightful place in the city’s most hallowed room, hopefully for years to come.

Except clearly, they weren’t done. A year and a half on from their last album’s release, though a couple of high-profile singles released over this Summer as well as plenty of touring have kept them front of mind, The National have gotten big enough that their next North American tour will bring them to the Air Canada Centre on December 8. Granted, it will probably be the approximately 5200-capacity theatre configuration, which is about the same size as their Massey shows held, but still – it’s a remarkable thing (and a depressing thing for those who hate arena shows). The band are apparently conscious of the fact that their fanbase may not be especially keen on seeing them play such a large room, so they’ve sweetened the deal via the support acts – joining them for this show will be none other than Neko Case and Wye Oak. Yeah, that ACC isn’t looking so unappealing anymore, is it? Tickets range from $43.50 to $59.50 plus fees and presale goes Wednesday morning, public onsale Friday.

Express Night Out chats with bassist Scott Devendorff while NME gets the Dessner twins on camera talking about this and that, including their next record.

MP3: The National – “Bloodbuzz Ohio”
MP3: Neko Case – “Middle Cyclone”
MP3: Wye Oak – “Civilian”

By the same token, people were incredulous when Mumford & Sons sold the hell out of the Sound Academy last Fall – hadn’t they just played Lee’s Palace that February? – but indeed, they were really that popular and now it seems they’re even more popular. Again, it’s probably the theatre configuration, but that doesn’t change the fact that when Mumford & Sons hit the Air Canada Centre on October 25, they’ll have taken their bluegrass-pop anthems arena-scale. And just to prove it’s not a fluke, they’re doing the same thing down the 401 in Hamilton when they play Copp’s Coliseum the following night and then Montreal’s Bell Centre the night after that. Maybe their quickie Canadian tour is just them trying to catch some hockey games? Tickets for both Ontario shows are $34.50 and $49.50 plus fees.

Video: Mumford & Sons – “The Cave”

Certainly not on the same scale of “really” but still a bit surprising is Coeur de Pirate making what I think is her first regular and proper club show in Toronto at a room the size of The Mod Club on November 11. I assume this means that her new album Blonde, out November 8, will be getting a hefty push to get folks interested before then. Tickets for the show are $21 in advance and they’ve released a little trailer for the new record.

Trailer: Coeur de Pirate / Blonde
Video: Coeur de Pirate – “Comme des enfants”

The Rural Alberta Advantage, on the other hand, seem to have settled quite comfortably into The Phoenix as their home away from home while at home – November 17 will be their third show in a row there, I think. Don’t think there’s any particular occasion for this show besides, well, why not? Tickets are $20 in advance.

MP3: The Rural Alberta Advantage – “North Star”

Zeus will be at Lee’s Palace on November 24, tickets $15 in advance.

MP3: Zeus – “Marching Through Your Head”

Formerly operating as Harbourcoats, former Constantines frontman Bry Webb has decided to go with his own name for his solo debut Provider, which will be out on November 15. And he’ll be introducing the songs live in a pretty daunting setting – he’s opening for Feist at Massey Hall on December 1.

And finally, as far as show announcements yesterday go, Tokyo Police Club will be rolling into The Phoenix on December 8 leading a Can-rocking bill that also features Born Ruffians and Said The Whale. Tickets for that are $25 in advance. Northern Star chats with TPC drummer Greg Alsop.

MP3: Tokyo Police Club – “Party In The USA”
MP3: Born Ruffians – “Sole Brother”
MP3: Said The Whale – “Camilo (The Magician)”

Pitchfork has an interview with Carl Newman of The New Pornographers, who’ve put out a new video from last year’s Together.

Video: The New Pornographers – “Up In The Dark”

Also with a new video is Diamond Rings, from Special Affections. He’s at The Mod Club on October 3.

Video: Diamond Rings – “You And Me”

Exclaim has got a new track from Ohbijou’s forthcoming Metal Meets, out September 27. They play Trinity-St. Paul’s in honour of its release on September 30 and PostCity chats with bandleader Casey Mecija about the new record.

MP3: Ohbijou – “Anser”

Pitchfork has a stream of Kathleen Edwards’ first new material in a while which will be released on 7″ on September 27 and oh yeah, features contributions from some guy who goes by Bon Iver.

Stream: Kathleen Edwards – “Wapusk”

The Line Of Best Fit chats with the sisters of Tasseomancy, whose record release show for Ulalame happens at The Great Hall on October 20. They also open up for Austra at The Phoenix on December 1. And speaking of Austra, a new b-side is available to stream, which is noteworthy because it’s kind of as good as their a-sides, and Prague Post has an interview with Katie Stelmanis.

Stream: Austra – “Identity”

The new Memoryhouse EP The Years has been available to stream for a while before its release today, but Drowned In Sound has sweetened their stream with track-by-track commentary from the band.

Southern Souls has an interview with Mark Hamilton of Woodpigeon.

Canadian Blast chats with The Wilderness Of Manitoba.

Le Blogotheque has a Take-Away Show filmed in Toronto with Little Scream.

Rockerzine chats with Sloan bassist Chris Murphy.

Under The Radar and The Victoria Times-Colonist interview Handsome Furs.

Caleb BeyersEven though Kathryn Calder had well-established her songwriting credentials prior to joining The New Pornographers via her tenure in the now-defunct Immaculate Machine, her 2010 solo debut Are You My Mother? still came as a surprise to many – myself included – for how musically sophisticated and lyrically poignant it was, while still being tremendously tuneful. No one doubted Calder was talented – holding her own in a band of such musical heavyweights was plenty of proof of that – but to release such a mature record on her first go-around was really remarkable.

So while the entire thing has yet to be heard, the first sample of her second album – already completed, entitled Bright And Vivid and set for an October 25 release – certainly seems to prove that Are You My Mother? was no fluke. If anything, “Who Are You?” declares that Mother was just Calder getting warmed up – it sounds more widescreen in scope yet nimbler in execution and more assured all around. If the album’s other nine tracks measure up, Bright And Vivid will firmly establish Calder as a formidable artist in her own right, every bit the equal of her bandmates’ own solo ventures. Yes, I mean that.

Exclaim has more details on the album. Calder’s only visit to Toronto as a solo artist was back in June on one of the most packed concert nights in recent memory and sadly, her Tranzac show didn’t make the cut – here’s hoping that the Fall brings her back to showcase both her records in a live setting.

MP3: Kathryn Calder – “Who Are You?”

What does it sound like when awesome meets awesome? Probably a bit like this cover Basia Bulat did of Ted Leo’s “Where Have All The Rude Boys Gone” for the AV Club Undercover. I look forward to her inevitable folk-punk album. And if you need a Basia fix in the GTA, she’s playing a free show on Friday evening, August 26 at Mississauga Celebration Square – that’s around Square One shopping centre – at 8:30PM; Mississauga.com previews the show with an interview. She also teams up with the Hamilton Philharmonic Orchestra to play Hamilton’s Supercrawl on September 10 – another free show.

Tasseomancy have made their album Ulalume available to stream a week before its August 30 release over at Exclaim, who also have an interview. They play an album release show at The Great Hall on October 20 and open up for Austra at The Phoenix on December 1.

MP3: Tasseomancy – “Healthy Hands”
MP3: Tasseomancy – “The Darkest Of Things”
Stream: Tasseomancy / Ulalume

Feist talks to Q about the process of making Metals. It’s out October 4 and she plays Massey Hall on December 1.

HearYa has a audio/video session and CultureMob an interview with The Wilderness Of Manitoba, who cap off a busy Summer of touring with a homecoming show at Lee’s Palace on September 8.

MP3: The Wilderness Of Manitoba – “Hermit”

Speaking of hometown shows, Elliott Brood will mark the September 27 release of Days Into Years with a show at The Phoenix on November 18, advance tickets $12. There’s interviews with the band about the new record at The Whistler Question and Pique.

MP3: Elliott Brood – “Northern Air”

The Weeknd are getting a jump on their bid for a 2012 Polaris Prize nomination to go with this year’s shortlist nod, making a new album/mixtape available for free download.

ZIP: The Weeknd / Thursday

Spoonfed talks to Fucked Up’s Jonah Falco.

Jason SummersThis isn’t a review of the double-disc edition of Icky Mettle, released earlier this week and the first of four Archers Of Loaf reissues to come over the next year and a bit – for that, hit up the excellent Pitchfork writeup. I’ve had Icky Mettle for years but it hasn’t become such a part of me that I can offer any sort of explanation as to why it’s such a great record – in fact, I’ve only really come to that realization recently. So go read Matt LeMay’s writeup.

This also isn’t a broader discussion of why Archers were such a great and important band, and why their reunion is so exciting, even for those who are super-jaded about reunions in general. For that, check out this The Village Voice piece that gets The Hold Steady’s Craig Finn, Band Of Horses’ Ben Bridwell and members of Les Savy Fav to articulate their love for and influence of the band.

No, this is just me trying to clear out some links and make it to the weekend while listening to All The Nation’s Airports. So if you’re looking for some Archers content, check out the interviews with the band at The Village Voice and Washington Post and hope that the promises that Eric Bachmann made last month while here with Crooked Fingers to bring Archers through town sometime next March prove to be true.

MP3: Archers Of Loaf – “What Did You Expect”
Video: Archers Of Loaf – “Web In Front”

Also being reissued with bonuses is Superchunk’s 1994 album Foolish, out on September 13. Full details available at Exclaim.

Video: Superchunk – “Driveway To Driveway”

Pitchfork reveals that super-deluxe, super-limited remastered reissues of Olivia Tremor Control’s two albums – Dusk At Cubist Castle and Black Foliage: Animation Music Volume One – are coming on November 15. That’s too late to grace the merch table on their upcoming Fall tour, including the September 16 show at Lee’s Palace, but considering there’s only going to be 1000 of each made, it’s doubtful they’d make it past the first few cities on the itinerary anyways.

Not a reissue, but Old 97s are revisiting their past by giving away MP3s of all the demos for their 1997 album Too Far To Care.

MP3: Old 97′s – “Daybed” (demo)
MP3: Old 97′s – “Timebomb” (demo)

The Chicago Daily Herald talks to John Darnielle of The Mountain Goats.

The Awl has an interview with Amy Klein of Titus Andronicus.

My Morning Jacket drummer Patrick Hallahan discusses the band’s approach to playing live with Billboard. The Indianapolis Star also chats with guitarist Carl Broemel.

Writers On Process and Blurt go under the creative hood with Richard Buckner. Both are two-parters though the back half of the Writers piece is still forthcoming.

Drowned In Sound talks to Ra Ra Riot bassist Mathieu Santos. They play Lee’s Palace on October 6.

Exclaim reports that Ryan Adams – who apparently ended his retirement last year and has already released like fifteen albums – will put out his first proper solo record in some time with Ashes & Fire, due out October 11.

Rachael Yamagata will release a new album in Chesapeake on October 11; grab the first MP3 below.

MP3: Rachael Yamagata – “Starlight”

Spin has premiered the video for EMA’s contribution to their Nirvana tribute album Newermind.

Video: EMA – “Endless Nameless”

Decemberists bassist Nate Query confirms the band’s upcoming hiatus to Billboard but assures them it’s just a break, nothing permanent. The Arizona Republic and Cincinnati Citybeat also get to query Query (oh come on).

Brooklyn rockers Obits have set an October 25 date at The Rivoli in support of their second record Moody Standard & Poor. Tickets are $13 in advance.

MP3: Obits – “Shift Operator”
MP3: Obits – “You Gotta Lose”

San Francisco’s Wooden Shjips will release their latest West on September 15 and follow up with a show at The Horseshoe on November 7.

MP3: Wooden Shjips – “Lazy Bones”

NOW has put Bon Iver frontman Justin Vernon on their cover with accompanying interview, while NPR is streaming their show in DC from earlier this week. Bon Iver play The Sound Academy on Monday night, August 8.

NOW also checks in with Kathleen Edwards, whose next album will be produced by Vernon. And who’s also his girlfriend. Not that that matters.

The Toronto Star and NOW welcome The Doughboys back to active duty – they’ll play a free show at the Bovine Sex Club on Monday night as a warm-up to opening up for Foo Fighters at the Air Canada Centre the next night.

Emily Haines gives The Grid a status report on the next Metric record.

MTV gets Broken Social Scene’s Kevin Drew to respond to comments made by guitarist Andrew Whiteman about the band’s last video for “The Sweetest Kill”.

The Line Of Best Fit has a video session with Dan Mangan, whose next record Oh Fortune is out September 27 and who plays The Queen Elizabeth Theatre on October 28.

The Thrill Is Back got Rural Alberta Advantage into the back of their van at Hillside a few weeks ago and videotaped him playing a couple songs, including one new one.

Metro chats with The Wilderness Of Manitoba.

Laurie Kang & Hannah HurThere’s a temptation to wish that the title of Ohbijou’s third album offered a hint to the contents within, that the Toronto six-piece had discovered their inner headbanger and when Metal Meets was released on September 27, it would come in packaging adorned with pentagrams and flames. But not only would this hypothetical record probably not be very good – let’s be honest – it would also mean that the world would be down one almost certainly lovely collection of orchestral pop.

A preview of the new Jace Lasek-produced record was made available a couple of weeks ago and it certainly sounds like they’ve stayed the course laid out by their 2006 debut Swift Feet For Troubling Times and its 2009 follow-up Beacons, anchored by Casey Mecija’s sweet vocals and songwriting but allowing the sonics supporting them to grow and evolve. With its echoing electric guitar riff, “Niagara” would have sounded out of place on Swift Feet but as the first taste of the follow-up to Beacons, it makes perfect sense.

And as their sound gets bigger, so too do the rooms in which they’ll be playing. A set of eastern Canadian dates have been announced and the hometown date on September 30 finds them playing the gorgeous environs of Trinity-St. Paul’s – a milestone, to say the least. Tickets for the show are $20 and go on sale tomorrow at 10AM.

Ohbijou are also releasing a series of video trailers for the new record; at present there are two. Note the lack of three-finger devil salutes.

MP3: Ohbijou – “Niagara”

Light Fires, the electro-pop duo of which Ohbijou drummer James Bunton is half and Gentleman Reg’s Reg Vermue in the guise of Regina Gentlelady is the other have released a video for their debut single, available digitally and on 7″ as of today.

Video: Light Fires – “Ten Feet Tall”

I appear to have missed a couple instalments of the Bruce Peninsula Fire Sale, but that’s okay because they go with the just-released one to form an impressive collection of performances captured by Southern Souls, wherein the band’s members each cover a song by an artist they personally know. It’s also the first look at who is part of Bruce Peninsula this time around, with a number of new faces in the mix. Their second album Open Flames is due out in September and they play the Lower Ossington Theatre on August 11 as part of Summerworks.

Chart talks to Taylor Kirk of Timber Timbre.

The Quietus interviews saxophonist and Polaris shortlister Colin Stetson, who has a show at The Drake Underground on August 26. He’ll also release a 10″ EP entitled Those Who Didn’t Run on October 4.

The Wilderness Of Manitoba have released a new video from When You Left The Fire, done live-style.

Video: The Wilderness Of Manitoba – “Hermit”

Fucked Up guitarist Mike Haliechuk has a chat with The Vancouver Sun while frontman Damian Abraham has words with The Riverfront Times. Fucked Up play the Air Canada Centre

The Georgia Straight talks to Kathryn Calder, whose second solo album should be released sometime this Fall.

Dan Mangan discusses his forthcoming new record Oh Fortune with Spinner. The album is out September 27 and a cross-Canada tour has been announced; he’ll be at the Queen Elizabeth Theatre on October 28.

MP3: Dan Mangan – “Oh Fortune”

tUnE-yArDs brings her much-feted second album WHOKILL back to town for a show at Lee’s Palace on September 24.

MP3: tUnE-yArDs – “Bizness”

Frank YangYou might not have guessed it to listen to their records, as laid-back and fuzzy blanket-like as they were, but the American Analog Set were an amazing live act. Not through on-stage antics or pyrotechnics or the like, but by how unbelievably tight they were as a unit. The sound of Andrew Kenny’s soft voice and echoing guitar overtop the bed of vibraphone and Farfisa was the very definition of hypnotic and each of the two Toronto shows I saw prior to their disbanding in 2006 were magical. So given that Kenny’s new outfit The Wooden Birds shares many stylistic attributes with AmAnSet, it wasn’t unreasonable to hope that their first visit in support of their new record Two Matchsticks last night at The Drake would recreate some of that magic.

Support for the evening came from locals Heartbeat Hotel, whose psych-pop-laden Fetus Dreams I’d recommended picking up (for free) and who’d made a decent live impression back in December. They’d played out a fair bit since then, though, and some growth was to be expected. Even so, I didn’t expect that the echoey, slow burn that opened their set would be more the rule than the exception. The freewheeling sonic experimentation that marked Fetus Dreams seems to have been reined in, or the approach of flinging everything against the wall has served its purpose and they’ve now identified what stuck and what works; either way, Heartbeat Hotel circa Summer 2011 is a much more controlled, groove-oriented entity, yet still capable of getting noisy when needed. They’ve learned a lesson in musical economics that some bands take albums to master, if ever, and though it’d be nice if some of the energy of the LP could find its way back into their sound, based on the new material showcased – due for release in EP or album form this Fall – they’ll do well on the exam.

Even before The Wooden Birds played a note, it was pretty clear that this wasn’t going to be American Analog Set unplugged. For starters, Leslie Sisson was handling the acoustic guitar duties I’d assumed were Andrew Kenny’s on record, Kenny had no six-string of any kind, instead holding down the low end with a Thunderbird bass and whereas on the recordings electric guitar was used for texture or the occasional lead, the two electric setup implied that live, it would be decidedly otherwise. And indeed, it didn’t take very long to understand and appreciate that The Wooden Birds were no extension of anyone’s old band, but their own thing entirely; whereas AmAnSet shows were like exercises in hypnosis, this performance was wide-eyed and fully awake.

As the band showcased material from Two Matchsticks and its predecessor Magnolia, I couldn’t help think how someone for whom their first impression of the band was this show might find those decidedly mellower-sounding records. Because the live presentation of The Wooden Birds was definitely a much louder and more sprightly and widescreen-sounding affair. Tempos were stepped up appreciably, and rhythms given an almost country-western shuffle which would prove especially complimentary to the subtle twang of Sisson’s vocals. Those vocals were more than complimentary to Kenny’s voice – they sounded as lovely together as any two voices could – and for an hour or so, they led the band through a set of splendid pop. And for the AmAnSet fans in the audience – which I would assume to be most of them – they did Toronto the pleasure of honouring a request made the last time AmAnSet was in town, which is to say half a decade ago, and offered a reading of “Aaron & Maria” which they segued into a cover of Jackson Browne’s “Somebody’s Baby”. I went into this show hoping to relive a little AmAnSet magic but The Wooden Birds would have none of that; as stated they’ve got their own thing going on and that thing is simply lovely. If they’re coming through your town on their way back down to Austin, do go see them.

The Fort Worth Weekly and Sloucher have interviews with Andrew Kenny. There’s also a writeup and recording of much of the show over at Hater High.

Photos: The Wooden Birds, Heartbeat Hotel @ The Drake Underground – July 10, 2011
MP3: The Wooden Birds – “Two Matchsticks”
MP3: The Wooden Birds – “False Alarm”
MP3: Heartbeat Hotel – “Fins Of A Shark”
MP3: Heartbeat Hotel – “Walls Of Dry Clouds”
MP3: Heartbeat Hotel – “The Hello Barrel”
Video: The Wooden Birds – “Two Matchsticks”
Video: The Wooden Birds – “Hometown Fantasy”
Video: Heartbeat Hotel – “Windowsill #1″

Though just announced as support for The Vaccines show at The Phoenix on September 27, Young Buffalo will do a little advance work with a free show at The Horseshoe on July 26.

MP3: Young Buffalo – “Only We Can Keep You From Harm”
MP3: Young Buffalo – “Anthems For A 17-Year Old Girl”

On the NXNE schedule in June for like a nanosecond, Massachusetts’ Dom will be in town for real for a show at The Garrison on August 9, the same day their new Family Of Love EP is released.

MP3: Dom – “Living In America”

Marnie Stern and No Joy team up for a show at Wrongbar on September 23. The Riverfront Times has an interview with Ms Stern.

MP3: Marnie Stern – “Transparency Is The New Mystery”
MP3: No Joy – “Hawaii”

Suuns have slated a show at The Garrison for October 2 and there’s a new video session up over at For No One.

MP3: Suuns – “Up Past The Nursery”

Shonen Knife will be at The Horseshoe on October 20 to kick of a 30th anniversary tour and next week’s release of their new record Osaka Ramones, a Ramones tribute record. Tickets for the show are $14.50 in advance, full dates at Exclaim.

Video: Shonen Knife – “Ramones Forever” (live)

Spinner has the first sample of the first Ivy album in six years, All Hours due out September 20, and it seems that in the time away they’ve discovered their inner discotheque. They wear it well.

MP3: Ivy – “Distant Lights”

USA Today profiles The Head & The Heart.

Spin checks in with Stephen Malkmus about his new solo record Mirror Traffic, due out August 23. He and his Jicks play The Phoenix on September 21.

NBC San Diego, The Georgia Straight and San Diego City Beat chat with The Rosebuds, in town on August 9 at The Sound Academy opening up for Bon Iver.

Stereogum talks to the director of Handsome Furs’ racy new video. They’re at The Horseshoe on August 1 and 2.

Video: Handsome Furs – “What About Us”

Spin gets a guided tour of Fucked Up frontman Damian Abraham’s domicile. Their next date is August 9 at the Air Canada Centre with Foo Fighters.

Sax-toting Polaris shortlister Colin Stetson has an interview in The Globe & Mail and a session up at Daytrotter. He plays The Drake Underground on August 26.

Loud & Quiet talks to Timber Timbre.

Southern Souls has posted a video session with Jenn Grant.

The Wilderness Of Manitoba are featured in an interview and video session with The Alternate Side.

The documentary film which led to a rather nasty exchange between filmmaker Vincent Moon and Arcade Fire management – Miroir Noir: Neon Bible Archives – will be getting a screening at the TIFF Lightbox on Wednesday evening at 7:30PM as part of Images Festival. Probably safe to say neither filmmaker nor subjects will be in attendance.

Trailer: Miroir Noir: Neon Bible Archives