Billy Pavone

And while a hometown NYC show still hasn’t been formalized, they’e just added Toronto to the list of cities who’ll get to spend “An evening with The Walkmen”, as the shows are being billed. That’ll be happening at The Phoenix on March 2, with tickets $25 in advance and going on sale today. There’s a feature interview with the band at The San Francisco Chronicle and a live video of one of the aforementioned new tunes has already surfaced.

MP3: The Walkmen – “Stranded”
MP3: The Walkmen – “Four Provinces”
Video: The Walkmen – “Heartbreaker”

DIY serves up a video session with Nada Surf. They’re at The Opera House on April 4.

Spinner and The Washington Post get to know Chairlift. They’re at The Horseshoe on March 28.

Craig Finn basically wins the zeitgeist this week as the press cycle for his new solo record Clear Heart Full Eyes gets him features in The AV Club, Prefix, Billboard, Dallas Observer, New York Magazine, Spinner, and Paste – but Clash wins if for no other reason than they sent Bob Mould to do the talking for them.

NPR has premiered the first video from White Rabbits’ forthcoming album Milk Famous, due out March 6.

MP3: White Rabbits – “Heavy Metal”
Video: White Rabbits – “Heavy Metal”

Austin’s White Denim have scheduled a show at The Horseshoe for April 16. DIY and College Times have chats with the band, who followed up last year’s D full-length with the Takes Place In Your Work Space LP late last year.

MP3: White Denim – “Anvil Everything”

Wilco have released an animated, Popeye-powered video from The Whole Love.

Video: Wilco – “Dawned On Me”

PopMatters has a sit-down with Wayne Coyne of The Flaming Lips. A video from the band’s New Year’s Eve 2011 gig of them playing a 17-minute version of The Beatles’ “I Want You” with Wilco’s Nels Cline on guitar has surfaced. Dig it.

Video: The Flaming Lips w Nels Cline – “I Want You (She’s So Heavy)”

The St. Augustine Record talks words with John Darnielle of The Mountain Goats while The Charlotte Observer asks him about moving to North Carolina.

Spin are offering a complete stream of the new Of Montreal album Paralytic Stalks as well as annotations for each song from Kevin Barnes. It’s out February 7.

MP3: Of Montreal – “Dour Percentage”
MP3: Of Montreal – “Wintered Debts”
Stream: Of Montreal / Paralytic Stalks

Sleigh Bells have released a first video from Reign Of Terror. They’re at The Phoenix on February 18 and the album is out February 21.

Video: Sleigh Bells – “Comeback Kid”

Also with a new video is The War On Drugs, taken from last year’s Slave Ambient.

Video: The War On Drugs – “Brothers”

David McCrindle

And if they do it all through the lens of the ’00s and in particular The Strokes, well that’s fair game as well. The band are absurdly young – frontman Jordan Gatesmith is all of 19 years old – and Julian Casablancas and his gang are probably as much a part of the classic rock canon to them as Elvis or The Ramones. This isn’t in any way to suggest that Howler will be taking their place amongst the aforementioned anytime soon, if ever. Though their debut album America Give Up has plenty of rough energy and enthusiasm and some immediately likeable tunes but loses some points for striving a bit too hard for some nebulous “authenticity”, particularly when Gatesmith tries to ape Casablancas’ more throat-shredding moments; they fare better when they sound more relaxed and like a bunch of kids having a good time. Still, they manage to stay on the right side of the ledger by keeping the tempos up, guitars loud, hooks sharp and running time short – under 32 minutes and they’re done.

Unsurpisingly, Howler are already critical darlings in the UK – The Guardian has a profile piece on the band. America Give Up is out next Tuesday and streaming in whole at NPR. They play The Drake Underground on April 5.

MP3: Howler – “Back Of Your Neck”
Video: Howler – “Back Of Your Neck”
Video: Howler – “Told You Once”
Stream: Howler / America Give Up

Not so long ago, Crocodiles were super-conspicuous for their absence from Toronto stages – now they’ve practically moved in as they’re back for their third show in eight months (sixth if you count all three NXNE gigs), playing Lee’s Palace on February 23. Tickets are $13.50.

MP3: Crocodiles – “Sleep Forever”

Chairlift’s new record Something will be out on January 24 and they’ll follow that up with a show at The Horseshoe on March 28 – tickets $12.

MP3: Chairlift – “Sidewalk Safari”

North Carolina’s Lost In The Trees continue to work 2010′s All Alone In An Empty House, returning to town again for another date at The Drake Underground on April 6, tickets $11.50. Update: Their new record A Church That Fits Our Needs is out March 20 and NPR is streaming the first song.

MP3: Lost In The Trees – “All Alone In An Empty House”
Stream: Lost In The Trees – “Red”

Amidst a lineup of some of the biggest – and loudest – names in indie rock of the past two decades, not many expected the delicate piano songs of Seattle’s Perfume Genius to stand out, but inexplicably, it did. Now with a second album in Put Your Back N 2 It ready for a February 21 release, Mike Hadreas will hit the road with it and stop in at the Drake Underground on April 8. Tickets for that are $13.50 in advance.

MP3: Perfume Genius – “All Waters”

Real Estate have rolled out a new Scharpling-directed video from Days. They’re at Lee’s Palace on January 20.

Video: Real Estate – “Easy”

Pitchfork has another MP3 from Of Montreal’s forthcoming Paralytic Stalks, out February 7.

MP3: Of Montreal – “Dour Percentage”

Clash talks to Eric Bachmann and Mark Price of Archers Of Loaf. The Vee Vee reissue is out February 21.

White Rabbits have announced a March 6 release date for their new record Milk Famous. You can grab the first MP3 at their website in exchange for an email address.

The Shins have released a stream of the first tune from their new record Port Of Morrow, out March 20.

Stream: The Shins – “Simple Song”

Memory Tapes have put out a new video from Player Piano.

Video: Memory Tapes – “Trance Sisters”

Village Voice interviews Jenn Wasner and Andy Stack of Wye Oak.

Billboard chats with Carrie Brownstein of Wild Flag and other stuff.

I don’t know if this video for Wilco’s “The Whole Love” is technically official, but seeing as how it was directed by Spencer Tweedy – son of Jeff – it’s at least officially acknowledged.

Video: Wilco – “The Whole Love”

PitchforkTV has a video documentary on The Flaming Lips’ masterpiece The Soft Bulletin.

Frank Yang

MP3: White Rabbits – “Percussion Gun”
Video: White Rabbits – “Percussion Gun”

Justin Evans

Reach back to Archers Of Loaf for some ragged and jagged proto-indie rock, early Crooked Fingers or his solo work for stark yet rich folk-rooted singer-songwriter fare, later Crooked Fingers for gorgeous Spanish-inflected rock or polarizing studio experimentation. He hasn’t revisited the instrumental sound-sculpting of the Barry Black project but give him time. But not right now as he’s got more balls in the air now than perhaps he ever has, simultaneously looking back with a much-heralded Archers reunion and album reissue series and forwards with a new Crooked Fingers album – Breaks In The Armor – out next Tuesday.

Toronto was treated to a preview of the latest incarnation of Crooked Fingers when Bachmann stopped by while shepherding Archers gear between cities in July and, given that they were just a two-piece consisting of himself and Liz Durrett, it wasn’t unreasonable to expect that Armor would be a stripped-down affair and a hard turn from the unfairly panned Forfeit/Fortune. And if that were the case, it’d have been fine – few do stripped down as affectingly as Bachmann – but Armor is a surprisingly fleshed-out record that sounds less like it’s revisiting past records than pulling inspiration from all of them simultaneously.

If you had to choose one reference point in the Bachmann oeuvre, Armor would be most reminiscent of Red Devil Dawn, which marked the transition of Crooked Fingers as pseudonym for a mostly-solo act to a full band project but rather than sounding at all transitional, it sounds arguably like the most representative Crooked Fingers record yet. Drum machines keep time on the simpler numbers, as on opener “Typhoon”, but when live rhythm is needed to allow a song like “The Counterfeiter” to really soar, the drums are there. And that little atonal guitar skronk that opens “Bad Blood”? Little bit of Archers right there, I’d say.

Bachmann has consistently flown under the radar of popular acclaim and finally seems to be receiving his critical (and commercial) due thanks to the Archers Of Loaf reunion, but one hopes that it doesn’t overshadow the fact that he’s still putting out excellent new music. Someday, Eric Bachmann will be properly recognized as being one of the great American songwriters of the last twenty years and Breaks In The Armor will be another strong argument why. I won’t go so far as to say that’s the best Crooked Fingers record to date – there is a place in my heart from which Dignity & Shame will never be dislodged – but it’s certainly one of the strongest and most consistently satisfying.

Spin talks to Bachmann about making the new record following a sabbatical from music to teach English in Taiwan and is also offering a stream of the whole thing while The AV Club has a video performance of “Your Apocalypse” filmed on a Chicago rooftop. Their Fall tour in support of the record kicks off later this month and hits The Drake Underground in Toronto on November 8.

MP3: Crooked Fingers – “Typhoon”
Stream: Crooked Fingers / Breaks In The Armor

Filter makes an argument for Bachmann’s greatness via his Archers Of Loaf work. And did anyone see Archer last week? “Archers Of Loaf-crosse”? Eh? EH? What do you mean you don’t watch Archer what the hell is wrong with you.

California’s High Places have announced a date at The Garrison on November 14 in support of their new record Original Colors, out Tuesday. Tickets are $11.50 in advance. Eater has an interview with the duo about, well, eating.

MP3: High Places – “On Giving Up”
Video: High Places – “Altos Lugares”

Brooklyners White Rabbits have been pretty quiet since the success of 2009′s It’s Frightening. But there are signs they’re getting ready to release something new – such as their scheduling a date at The Horseshoe for November 30, tickets $15.

MP3: White Rabbits – “Percussion Gun”

I’m not sure what is more confounding – the people getting worked up about Lana del Rey or the people getting worked up about the people getting worked up about her. But she of the enormous hype, controversial backstory, contentious lips and just-okay-but-hardly-spectacular two songs is bringing her show to Toronto’s Mod Club on November 30, tickets $12.50 and on sale at 10AM Friday. For a taste of the buzz, check out the interviews with her at The Quietus, The State, GQ, New York Magazine and Pitchfork (who also have a think piece about her divisiveness) and to let the music (and visuals) speak for themselves, her entire recorded output in video form.

Video: Lana del Rey – “Video Games”
Video: Lana del Rey – “Blue Jeans”

Clap Your Hands Say Yeah – who know a thing or two about both edges of the hype machine – are hoping you call their third album Hysterical a comeback and go see them when they play The Opera House on December 9. That one will cost you $20.50 in advance.

MP3: Clap Your Hands Say Yeah – “Same Mistake”

The director of the video for St. Vincent’s “Cruel” talks to Pitchfork about the making of the clip.

The AV Club chats with Jeff Tweedy of Wilco.

The Sun has an extensive interview and Exclaim a short one with Ryan Adams, whose new record Ashes & Fire is out on Tuesday. The Alternate Side also has an interview as well as a session. Adams is at The Winter Garden Theatre on December 10.

eMusic has posted the results of their Twitter-powered interview with Mates Of State, The Baltimore Sun publishes the results of a stock questionnaire and The Charlotte Observer settles for a simple conversation.

NYC Taper has posted a recording of Nicole Atkins’ recent set at Webster Hall in New York, and if you stop by her website on October 6, she tweets that there’ll be a free live EP to be had.

NPR has posted a WFUV session with Beirut.

And finally, rest in peace, Bert Jansch.

Frank Yang

I’m sure that’s a disappointment to those who were keen to see Luke Temple’s new outfit, but the White Rabbits faithful should have no problem filling the room on their own – the band’s last show at the Horseshoe last October was plenty well-attended and the word on their 2009 release It’s Frightening and their intense and sweaty live shows has only spread since then.

Tickets for the show are $14.50 in advance, but courtesy of Maple Music, I’ve got a pair of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see White Rabbits” in the subject line and your full name in the body; the contest will close at 4PM, April 23.

MP3: White Rabbits – “Percussion Gun”
Video: White Rabbits – “Percussion Gun”

Bao Nguyen

After seeing more than a few glowing reviews of their new album The Monitor, I dug up my copy, popped it in the CD player and proceeded to have my ass kicked for the next 60-plus minutes. The American Civil War themes that run through the record and offer context to the spoken word clips that appear throughout make for good talking points, but what’s really important about The Monitor is that it’s an uncompromising rock record that’s as tuneful and honest as it is intense and aggressive and so booze-soaked, you can almost see the fumes coming out of the speakers. And while on paper, that’s what all rock music should be, in reality it’s quite a rare thing and so when you hear it done right – and The Monitor does it right – it’s an eye-opener.

As far as reference points go, Titus Andronicus beats the music writer to the punch via their own bio, pre-emptively stating, “Blah blah blah Springsteen blah blah blah beer blah blah blah beard blah blah blah Shakespeare yadda yadda yadda Seinfeld blah blah blah Conor Oberst in a vat of acid blah blah blah books”. Clever, but if they were being thorough there’d be a few more “blahs” separating references to The Replacements, Whiskeytown and The Hold Steady and truly, The Monitor finds Titus Andronicus following in their same dense, wordy, angst-ridden, despondent and triumphant footsteps. It sprawls and staggers, it stands up and falls down. And gets back up again.

So what’s this got to do with Fanfarlo and their delightful orchestral pop? Well, Titus Andronicus are going to be at Sneaky Dee’s on Friday night as well, and as much as I enjoy the Londoners and hope they have a great show, I kind of want/need to see Titus Andronicus and, if their live reputation is accurate, get my face torn off. Figuratively speaking.

Titus Andronicus frontman Patrick Stickles tells Spinner how he recruited the likes of Craig Finn and Cassie Ramone (Vivian Girls) to provide the dramatic readings interspersed throughout the album. Pitchfork solicits a guest list from the band and Exclaim, eMusic and The Georgia Straight have interviews.

MP3: Titus Andronicus – “A More Perfect Union”
MP3: Titus Andronicus – “Four Score And Seven” (Part One)
MP3: Titus Andronicus – “Four Score And Seven” (Part Two)
Video: Titus Andronicus – “A More Perfect Union”
MySpace: Titus Andronicus

The Weekender talks to Hold Steady frontman Craig Finn about their new album Heaven Is Whenever, due out May 4.

Philadelphia Daily News, The Patriot Ledger, Victoria Advocate and JAM talk to Patterson Hood of Drive-By Truckers, who are in town this week for two nights at Lee’s Palace – April 6 and 7 – as well as an in-store at Sonic Boom at PM on Wednesday night. NYC Taper has a recording of their recent show in New York available to download.

White Rabbits have released a new video from last year’s It’s Frightening. They’re at Lee’s Palace on April 27.

Video: White Rabbits – “They Done Wrong, We Done Wrong”

Beatroute and Spinner talk to Spoon. The band stopped in at CBC last week to record a session for QTV.

Video: Spoon – “The Mystery Zone” (live on QTV)

The Quietus talks to The National’s Matt Berninger and Aaron Dessner about the making of High Violet, due out in just over a month on May 11. They play Massey Hall on June 8 and 9. And I really have to go pick up my tickets for that.

The Line Of Best Fit and Georgia Straight talk to Retribution Gospel Choir’s Alan Sparhawk.

LCD Soundsystem have scheduled a North American tour in support of their new record This Is Happening, out May 18, and it includes a May 25 date at the Kool Haus. Tickets $35 in advance, on sale Friday.

Stream: LCD Soundsystem – “Drunk Girls”

The Music Slut asks eight questions of Steve Drozdt of The Flaming Lips. They’ve announced a July 7 date in Montreal, so can a Toronto date – their first in almost four years – be far off? I imagine not.

Chart, eye and Metro talk to Superchunk’s Mac McCaughan about their contributions to the film Passenger Side, which premieres at the Royal tomorrow night and will be followed by an acoustic set from half of the ‘Chunk – Mac and Jim.

Interview and Under The Radar interview The Drums, whose debut album is due out June 7.

NPR interviews Sam Coomes of Quasi, who are in town at the Horseshoe on April 18.

Sounds Good Ink has a feature on Let’s Wrestle, who will be supporting Quasi on the aforementioned date (and tour).

Broward-Palm Beach New Times and Athens Banner-Herald have conversations with Arctic Monkeys bassist Nick O’Malley while News-Observer chats with guitarist Jamie Cook.

Doves’ guitarist Jez Williams talks to The Guardian about using the moon as a delay pedal and that the band have no plans to split, despite being in the career retrospective phase with the upcoming release of The Places Between: The Best Of Doves, due out April 20. Williams also tells BBC6 that he feels for new bands trying to get their careers started in this day and age.

Spinner and The Times chat with The Futureheads – their new record The Chaos is out in North America on June 1.

eGigs talks to Scott Hutchison of Frightened Rabbit, who are at the Opera House on May 4.

The first single from The Pipettes’ new record Earth Vs Pipettes, out June 28, is now available to download. Wouldn’t it be great if one of the choruses in the song went, “Our love was saved by Dr. Leo Spaceman“? Yes? No? Sorry, been watching a lot of 30 Rock.

MP3: The Pipettes – “Our Love Was Saved By Spacemen”

OPB Music has a video session with The Clientele, The Montreal Miror an interview.

Magnet prepares to hand over the editor’s desk to David Gedge of The Wedding Present for a week with a Q&A. They kicked off their Bizarro 20th anniversary tour last week and will be at the Horseshoe on April 14. The Aquarian Weekly also has an interview.

PopMatters interviews Bernard Sumner of Bad Lieutenant.

Clash lists 12 things you didn’t know about Pet Shop Boys.

The Quietus celebrates the 20th anniversary and defends the legacy of Lush.

Frank Yang

Though losing a founding member is always tough on a band, the rest of the band are clearly ready to soldier on, with another single from last year’s Forget The Night Ahead – “The Room” – set for release on March 29 and a massive North American tour announced for the month of May. Unlike their Fall 2009 tour which saw them teaming up with their countrymen, this jaunt will pair them up with an outfit from considerably further away – Japan’s epic instrumentalists Mono. They have a new live album and film coming out on April 29 entitled Holy Ground: NYC Live with the Wordless Music Orchestra.

I’ve always wanted to see Mono – yes they’ve been through town a number of times, I just haven’t gone – and am always happy to be aurally assaulted by The Twilight Sad, so you can consider May 26, when the tour winds its way through Lee’s Palace in Toronto, circled on my calendar.

MP3: The Twilight Sad – “Reflection Of The Television”
MP3: Mono – “Follow The Map”
MP3: Mono – “Ashes In The Snow”

Other concert announcements this week include an in-store triple bill during Canadian Musicfest at Criminal Records. On March 13, they’ll play host to Aidan Knight, Dan Mangan and Hollerado, playing at 5PM, 6PM and 7PM respectively. As far as their festival showcases go, Knight is at the Global Backpackers Hostel on March 12, Mangan is at the Great Hall on the 11th and the Courthouse on the 12th and Hollerado at the Horseshoe on the 11th. CTV has an Olympics-themed interview with Mangan.

MP3: Hollerado – “Juliette”
MP3: Dan Mangan – “Road Regrets”
MP3: Aidan Knight – “Jasper”

Adam Green has a date at the Mod Club on April 17 in support of his new record Minor Love, tickets $13.50. Clash, The Line Of Best Fit and Spinner have interviews.

Video: Adam Green – “What Makes Him Act So Bad”

On April 18, the Drake Underground will welcome White Hinterland and Dosh, both of whom have new records en route. White Hinterland’s Kairos is out March 9 while Dosh’s Tommy will be available on April 13.

MP3: White Hinterland – “Icarus”
MP3: White Hinterland – “No Logic”
MP3: Dosh – “Subtractions”

Here We Go Magic and White Rabbits are teaming up for a Spring tour that will stop in at Lee’s Palace on April 27. Here We Go Magic’s new album is due out sometime in the Spring; White Rabbits are still working last year’s It’s Frightening.

MP3: White Rabbits – “Percussion Gun”
Video: Here We Go Magic – “Fangela”

Northern Ireland’s Two Door Cinema Club will wrap up a North American tour with a May 17 date at Wrongbar, tickets $10 in advance. Their debut album Tourist History is out on April 27, and if you like mondo-catchy, jangly-dancey guitar pop, it/they should probably be on your radar.

MP3: Two Door Cinema Club – “I Can Talk”
MP3: Two Door Cinema Club – “Something Good Can Work”

Sharon Jones & The Dap Kings are back with a new record in I Learned the Hard Way, out April 6, and will be hitting the road, with a May 25 date at the Sound Academy in Toronto – tickets $25.

Behold the new clip from Caribou’s new album Swim, due out April 20.

Video: Caribou – “Odessa”

Phantogram’s Josh Carter tries to describe what they do to The Washington Examiner. Find out for yourself at the Drake Underground on Saturday night.

El Perro Del Mar’s Sarah Assbring talks to NOW about the Lou Reed influence on her latest record Love Is Not Pop. She is at the Mod Club on Sunday night.

The Daily Record talks to Scott Hutchison of Frightened Rabbit about The Winter Of Mixed Drinks, due out March 9. They are at the Opera House on May 4.

BBC6 talks to Friendly Fires about working on their second album.

Frank Yang

I think there’s a temptation to not take Woodhands entirely seriously – I mean, the image of Dan Werb shrieking himself hoarse whilst rocking out with a keytar will tend to elicit double-takes. But perhaps the visuals are meant to disarm, because you dismiss Woodhands at your peril – the energy and intensity of their aural experience is deadly serious… or at least as serious as synth-rock that intends to grab you by the lapels and scream, “ARE YOU HAVING A GOOD TIME?” in your face can be. It was something I experienced first in September when the duo were a last-minute addition to Toronto stop of the ill-fated Perez Hilton tour, but this setting was much better suited for them as far as atmosphere went.

With drummer Paul Banwatt behind his kit and Werb manning a massive bank of synths and mixers to go with his keytar, Woodhands takes up almost as much room on stage as a conventional rock band and were about as loud. Their set drew from both their debut Heart Attack and the new record, with this being the first time some of the new material had been translated live. Any hiccups were lost on the packed bar, though, whom I think were attempting to dance though it was hard to tell past the wall of photographers up front – myself included – trying in vain to shoot in the near-darkness of the room. There was definitely swaying and bobbing, at least, and a Rockwell nod from Banwatt. The high point of the set came at the finale when guest vocalist Maylee Todd joined them to reprise her vocals on “Dissembler” and “Dancer”, easily my favourite cuts off of Remorsecode and Heart Attack, respectively. Werb and Banwatt are great on their own but the addition of the female element really puts them over the top.

Evil Monito talks to Dan Werb about their past touring experiences. Their future touring experiences will include a free show at MTV Canada on February 2 (hit them up for tickets) and a cross-Canada tour that includes a March 11 show at the Opera House opening up for k-os.

Photos: Woodhands @ The Smiling Buddha – January 28, 2010
MP3: Woodhands – “Pockets”
MP3: Woodhands – “Dancer”
MP3: Woodhands – “I Wasn’t Made For Fighting”
Video: Woodhands – “CP24″
Video: Woodhands – “I Wasn’t Made For Fighting”
MySpace: Woodhands

The Vancouver Sun, The Calgary Herald and The Georgia Straight talk to Joel Plaskett. In addition to those Thrush Hermit reunion shows at Lee’s on March 26 and 27, it appears Plaskett is making a Canadian Musicfest appearance at the Mod Club on March 13 as part of the Sirius Songwriter’s Cafe, so think acoustic-y and talk-y. And Jeff Martin from the Tea Party is there too, so ask your self how much you like Joel Plaskett.

And speaking of Canadian Musicfest, the list of confirmed performers has gotten bigger, more hyperlinked (that’s right, I said “hyperlink”. In 2010. Deal with it) and a very preliminary schedule is up.

Pitchfork solicits a list of his current favourite things from Owen Pallett. He plays the Queen Elizabeth Theatre on April 8.

Spinner has premiered the new video from Zeus’ full-length debut Say Us, due out February 23. They’re playing Lee’s Palace on March 10.

Video: Zeus – “Marching Through Your Head”

Daytrotter has posted up a downloadable session with The Dears.

RCRDLBL is giving away an acoustic Metric track.

A few more-specific-than-previously-known-but-still-vague album release dates… look for a new record from Land Of Talk this Spring, the next effort from The Acorn come May, which is approximately when Born Ruffians’ Say It should be out. The Acorn are at Lee’s Palace on March 12 and Born Ruffians at The Phoenix on March 14.

BBC6, The List and The Times talk to White Rabbits.

Ear Farm has a short interview with Sharon Van Etten, in town twice in the next while – opening up for Great Lake Swimmers at Trinity-St. Paul’s on February 6 and then at the Horseshoe on April 5 with Megafaun.

The Bird & The Bee have announced they’ll release the self-explanatory Guiltless Pleasures Volume 1: A Tribute To Daryl Hall And John Oates on March 23, which I personally find quite exciting because having grown up in the ’80s I have a distinctly unironic appreciation for the works of Hall & Oates, and having seen The Bird & The Bee do “I Can’t Go For That (No Can Do)” at SxSW last year, I know they’ll do a fantastic job with them. Yep.

Annie Beedy

And as I stated at the time, it was mainly the departure of vocalist Gillian Lisee from the Fruit Bats lineup that I had trouble with, having been such a fan of the way she and main Bat-man Eric Johnson’s parts played off one another on that earlier record. Objectively speaking, Johnson and the new Fruit Bats lineup did just fine on their own in crafting winning and winsome folk-pop – perhaps even better, with a less sleepy and more dynamic sound – but at the time I was having none of it and subsequently paid little attention to them over the next few years. Which worked out well, as the Fruit Bats went on a hiatus of sorts shortly thereafter with Johnson bringing home paycheques as a member of The Shins. And though James Mercer has cleaned house somewhat since The Shins’ last record, at last check Johnson was not only still a member, but Fruit Bats bassist Ron Lewis had also been recruited as a Shin.

Fruit Bats has continued as an ongoing proposition, however, and this past Summer they returned with a new album in The Ruminant Band. And with the benefit of a few years perspective, it’s easier to appreciate what Johnson has done since Mouthfuls – the new record is another terrific collection of feel-good, classically-styled pop that goes down real easy. Those who like some bitter with their sweet would be well advised to look elsewhere, because angst and melancholy aren’t part of the Fruit Bats recipe – just head-nodding, toe-tapping and melody to spare. Not to say that some female harmonies wouldn’t be the perfect compliment at a few points, but that’s neither here nor there.

And Fruit Bats will be here for the first time since that Opera House show with Son Volt – they’ll be at The Horseshoe on March 24, tickets $10. Usually doctor’s orders are to hole up for at least a week post-SxSW to handle the breakfast taco withdrawal, but here an exception might be in order.

MP3: Fruit Bats – “The Ruminant Band”
MP3: Fruit Bats – “My Unusual Friend”
Video: Fruit Bats – “The Ruminant Band”
MySpace: The Fruit Bats

While the new Shins record has no more precise target than sometime in 2010, James Mercer’s side-project with the ubiquitous Dangermouse – Broken Bells – is much more real. The album isn’t out till March 8 but the duo are giving away an MP3 of “The High Road” for one day only – today – in exchange for your email address. Head over to their website to submit and receive. There’s more details on the project at Exclaim.

Paste checks in with The Long Winters’ John Roderick about an upcoming collaboration with Kathleen Edwards, which should see the light of day after the next Long Winters album is completed. Which can’t be soon enough.

Penny Black interviews Trespassers William, who also recently recorded a video session with Off The Beaten Tracks, featuring a couple of songs from Trespassers William side projects but performed by both principals of Trespassers William. Which sort of makes them covers but not. Trespassers William are recording a new album this year.

The second installment of Paste‘s “Moog Sessions” is up and features a performance from White Rabbits.

NPR is streaming a radio session with Monsters Of Folk.

Exclaim reports that the Flaming Lips cover album of Pink Floyd’s Dark Side Of The Moon will have the excessive but factually accurate title of The Flaming Lips and Stardeath and White Dwarfs with Henry Rollins and Peaches Doing the Dark Side of the Moon. It will be released digitally only – tomorrow on iTunes and next Tuesday at other online retailers. Pitchfork talks to Wayne Coyne and his nephew Dennis (of the titular Star Death and The White Dwarfs) about their decision to remake the classic rock staple. NPR also has an interview with The Flaming Lips frontman about their other “proper” album, Embryonic.

Pat Graham

That fact alone renders the band worthy of a closer look, though it’s not enough – I still think Modest Mouse are terrible, Marr or no Marr. Though it’s their fourth album, the just-released Ignore The Ignorant is the first I’ve heard and it’s sort of what I’d expected, even without any prior knowledge – scrappy post-Libertines guitar rock – but with a goodly amount of melody to go with the attitude and, of course, some searing guitar work courtesy of the non-Jarman in the band. Nothing revelatory or game-changing, but certainly successful at scratching the ol’ Brit-rock itch.

The Cribs wrap up an exhaustive three-date American tour tonight in New York, but have already began making plans to return in the New Year with the one announced date so far being right here in Toronto at the Phoenix on January 15, accompanied by Adam Green and The Dead Trees. And presumably accompanied by Mr. Marr, considering how keen they all are to present him as a full-fledged member of the band, and not just the cool uncle figure helping out in the studio. Which if fine with me – can’t say I’m not anxious about the opportunity to see and photograph Marr in such close quarters.

MTV UK has got a live video session with The Cribs available to stream.

MP3: The Cribs – “We Were Aborted”
Video: The Cribs – “Cheat On Me”
MySpace: The Cribs

Another British “The” band – and also a current “it” band – is officially down a member. In an interview with The Stool Pigeon, The xx confirm that guitarist Baria Quereshi has left the band and that they will continue on as a trio – bad news for Marr if he was looking for another band of young’ns to hang out with. The xx are at The Phoenix on December 2.

The previously-mentioned Rifles play an acoustic session in a Berlin park for They Shoot Music.

The Quietus has an audio session and interview with Patrick Wolf.

Pitchfork reports that Tindersticks will follow up 2008′s The Hungry Saw with Falling Down A Mountain, set for a January 25 release everywhere except North America; here it comes out February 16.

MP3: Tindersticks – “Black Smoke”

Taken By Trees cover of Animal Collective’s “My Girls”, taken from her new album East Of Eden, is now available to grab as an MP3.

MP3: Taken By Trees – “My Boys”
Video: Taken By Trees – “My Boys”

The Line Of Best Fit interviews Chris Taylor of Grizzly Bear.

The Village Voice talks to Bishop Allen’s Justin Rice about the making of their new video for “True Or False”.

Video: Bishop Allen – “True Or False”

Yahoo’s The New Now is streaming a video session with White Rabbits.

Wilco will be streaming their show in Amsterdam this coming Monday live via their Roadcase starting at 3PM Eastern time.

Great Lake Swimmers’ Mountain Stage session is currently available to stream at NPR, and there’s also an interview at Birmingham Mail. They have a date at Trinity-St Paul’s on February 6.

Zeus will play a free show at The Horseshoe on Tuesday night, alongside Still Life Still and The Most Serene Republic for a special Arts & Crafts-centric Nu Music Nite 16th anniversary party. They also just announced their debut full-length Say Us will be out on February 23.