Rachel PickThose with their ears to the ground with respect to Canadian independent music might have been hearing good things about Vancouver’s Belle Game for a few years now; they might have even heard their debut album was done and supposed to be out as long ago as last October. So they’d probably be wonder why, with it now being April, they hadn’t actually heard it yet. The whys and wherefores of the delay are really known only to the band and their label(s), but what’s important is that Ritual Tradition Habit is finally coming out next week on April 16.

I don’t fully buy the “dark noise pop” self-description – to ears accustomed to things both dark and noisy, it’s not that much of either – but it is very much the sound of a band who knows who they are and what they want to do. The sonic parameters drawn around Ritual are fairly rigid – I guess if you find a reverb setting you like, why not stick to it? – but within those lines the band have crafted a well-realized world centered around Andrea Lo’s yearning vocals and Adam Nanji’s roughly echoed guitars, tastefully bolstered by orchestral flourishes and all in support of some terrific songs of the sophistication you’d expect from a much more veteran outfit. It’s a record that may have taken longer than it should have to come out, but still manages to have been worth the wait.

The album is currently streaming in whole along with an interview at CBC Music and there’s another feature on the band at Ladywood.

MP3: The Belle Game – “River”
Stream: The Belle Game / Ritual Tradition Habit

Noisey interviews Moon King, whose are streaming a couple tracks from their new Obsession II EP, which is out on Tuesday. They played their hometown release show for it at the Drake last night, but will be back in June for NXNE.

Stream: Moon King – “Icarus”
Stream: Moon King – “Dreamtrap”

CBC Music also has a stream of the new Odonis Odonis EP Better ahead of its release April 16.

Stream: Odonis Odonis / Better

Spinner has made available to download Broken Social Scene’s contribution to the Arts & Crafts: 2003-2013 anniversary compilation due out April 16; a new recording of their very first song they recorded way back who knows when. Maybe they’ll play it when they headline the Field Trip festival at Garrison Common on June 8.

MP3: Broken Social Scene – “Deathcock”

Exclaim talks to Born Ruffians about their new album Birthmarks, out April 16, which they helpfully also have an advance stream of.

Stream: Born Ruffians / Birthmarks

The Irish Times and Irish Independent talk to Rachel Zeffira. She plays The Drake Underground on May 2

Paste have premiered a stream of a new Jim Guthrie song, taken from his new record Takes Time, out May 7.

Stream: Jim Guthrie – “What A Difference A Day Makes”

Local Krautrocking instrumentalists Fresh Snow have released a new video for the title (and only) track of their “Saturation Complete” single. They’ll play the May edition of Feast In The East at Polyhaus on May 10.

Video: Fresh Snow – “Saturation Complete”

The Fader has premeired a new video from Doldrums, taken from Lesser Evil. He plays The Horseshoe on May 11.

Video: Doldrums – “Lost In Everyone”

Exclaim has details on Gravez, the new album Hooded Fang. It’s due out May 28, a song from it is available to stream right now and they’ll play songs from it at The Horseshoe on May 31.

Stream: Hooded Fang – “Graves”

Exclaim has the results of the Red Bull Hometown Tour concert series, which I didn’t tell you about but which will be bringing Tokyo Police Club to Sugar Beach – that’s Sugar, on the east end, not Echo at Ontario Place – for a free show on June 2. RSVP for admission.

MP3: Tokyo Police Club – “All My Friends”

Black Mountain spinoff Lightning Dust have announced a June 25 release for their new album Fantasy and are streaming a song from it.

Stream: Lightning Dust – “Diamond”

AV ClubHungover, half-assed cover posts seem to have become a theme of late, but at least this time it kind of ties into the track in question. Holiday are here and that means holiday get-togethers and that means being reminded how great your friends are and if you have a blog-like platform on which to broadcast unfiltered thoughts because you’re still probably about 10% gin and in all honesty should probably still be in bed but are kind of hungry and think that that last bagel in the fridge might not have gone off yet, then yeah. Holidays!

Local boys Tokyo Police Club covered this most beloved of LCD Soundsystem anthems as part of their 2011 project to cover ten bands from ten years in ten days – collected as 10 Days, 10 Covers, 10 Years – this one repping 2007. That collection was a stopgap of sorts after their last proper release, 2010′s Champ, and while they didn’t get anything out this year, they are giving their fans something to hold them over with a few holiday shows this week, including Saturday night at The Sound Academy. A Music Blog, Yea has an interview with Graham Wright of the band.

As for LCD Soundsystem, they’ve made good on their promise to not exist as an active concern, but have still remained a presence through 2012, mainly through their excellent Shut Up And Play The Hits concert film/documentary, which screened at festivals through the year before getting a physical release. And though he downplayed his involvement, it was revealed this week that James Murphy had indeed been working with Arcade Fire on their new record in a collaborator/producer/whatever capacity on at least a few songs. It’s cool, they’re all friends.

MP3: Tokyo Police Club – “All My Friends”
Video: LCD Soundsystem – “All My Friends”

Michael HalsbandTwenty is a nice round number for an anniversary, and Sloan marked their two decades as a band in fine style last year, releasing the milestone-referencing Double Cross and touring a career-spanning set more extensively than they have in some time. Fifteen is also a pretty solid number, so when they busted out a One Chord To Another recital for last year’s Fucked Up-sponsored fundraiser, it could also be seen as marking an occasion.

Twice Removed, however, only turns 18 this year (“only”… everyone who remembers buying a copy new put up your hand – congratulations, you’re old) so unless they’re celebrating the record’s ability to vote or fight in a war, it’s curious timing for a deluxe reissue and commemorative tour, though it’s worth noting they already did this at least once back in 2010 for Halifax Pop Explosion – celebrating the album’s legality to drive a car? But one of the perks of having been around as long as they have is they don’t have to justify themselves to anyone, so if Sloan wants to put together a super-fancy deluxe box set and tour across the country playing the album in full – plus other hits, don’t worry – who’s anyone to question it? Certainly not me.

This is a record, remember, that was twice voted the best Canadian album of all-time by Chart readers (in 1996 and 2005) but as adored as it became, when it was first released it confounded pretty much everyone (and eventually got them dropped from their major label deal), so definitively did it ditch the shoegrunge of their debut Smeared for much cleaner, classic pop styles. I personally remember listening to the radio at a Summer job in 1994 (painting a warehouse – fun!) and hearing the DJ declare they were about to play the new Sloan single; that was “Coax Me” and I swear another two or three more songs played before I realized that that moody, chiming, Byrds-y/Beatles-y throwback number from about 15 minutes ago was the song I’d been waiting for. And, eighteen years later, I’ve finally gotten around to learning to play it on guitar. Not nearly as difficult as I thought it was.

The first batch of Twice Removed dates started out west but only took them as far as Chicago; the second leg has now been announced and in addition to covering a lot more of the northeastern United States in October, a string of November dates covers southern Ontario and wraps up November 22 at The Phoenix in Toronto. Tickets for that are $26.50 in advance and go on sale this Saturday.

The Nelson Star has an interview with Jay Ferguson about the process of digging through the Sloan archives for the Twice Removed reissue set. They’ve also been posting video footage from the era at their YouTube channel.

Video: Sloan – “People Of The Sky”
Video: Sloan – “Coax Me”

The Darcys are also revisiting a classic album live, but it’s not one of theirs. Having released their interpretation of Steely Dan’s Aja at the start of the year, they’re now going to take it on tour. Exclaim has their Autumn itinerary, which wraps on November 10 at Lee’s Palace, tickets $10.

MP3: The Darcys – “Josie”
MP3: The Darcys – “Josie (Vol 2)”
Video: The Darcys – “Josie”

The Luyas are part of the PBR10 celebrations at the Great Hall in a couple weeks – they’re playing the Saturday night, September 29 – but with a new album in Animator due out shortly after on October 16, a tour of their own is in order – Exclaim has the dates, including a November 7 date at 918 Bathurst.

MP3: The Luyas – “Fifty Fifty”
Video: The Luyas – “Fifty Fifty”

Another recent Paper Bag Records signing also playing the PBR10 shows – they’re up Friday night – are Yamantaka/Sonic Titan. They’re this week’s NOW cover story, and are also going to be at Wrongbar November 12 supporting Lydia Lunch; tickets $25. And oh, they also need your help in creating a Yamantaka/Sonic Titan video game – of course you should support this.

Tokyo Police Club have announced a holiday season show at The Sound Academy on December 15, tickets $22.50 general admission and $35 VIP.

MP3: Tokyo Police Club – “Party In The USA”

Beatroute interviews Fucked Up, who’ve got something cool planned in the way of shows come November. Mike Haliechuk gives Exclaim a tease about their Long Winter concert series which kicks off November 9.

CBC Music is streaming the whole of The Wilderness Of Manitoba’s new album Island Of Echoes before its release this coming Tuesday; they play a record release show for it at Trinity-St. Paul’s on October 26.

MP3: The Wilderness Of Manitoba – “Morning Sun”
Stream: The Wilderness Of Manitoba / Island Of Echoes

Neil Young & Crazy Horse have given Psychedelic Pill, their second album of 2012, a released date of October 30 – Rolling Stone has details. Neil and the boys are at the Air Canada Centre on November 19.

Snowblink have premiered a new video from Inner Classics over at The Guardian. And if you’ve ever wanted a Snowblink-powered musical therapy session… well you can. Yeah. They’re at the Bicycle Music Festival at Christie Pits tomorrow evening at 6:30PM and play their official record release show at The Music Gallery on September 27.

Video: Snowblink – “Black & White Mountains”

JAM talks to Torq Campbell of Stars while The Olathe News, The Herald Sun, and Toledo Free Press have features on Metric. They both play the Air Canada Centre on November 24.

CBC Music asks Japandroids to list his five favourite records of the past 20 years. They play The Phoenix on December 12.

Justin BroadbentIn an age where many young bands seek to get on the expressway to your skull immediately after their first rehearsal – assuming they rehearse instead of just uploading jams to Soundcloud – you have to appreciate a band like The Wooden Sky. They’ve taken the time to hone their songcraft and live show since forming as Friday Morning’s Regret in 2003, and with their 2009 sophomore full-length If I Don’t Come Home You’ll Know I’m Gone and its attendant endless touring regimen, have positioned themselves as one of the country’s finest young roots-rock bands.

And after tantalizing with this Fall’s City Of Light EP, they’ll be looking to take that on-the-cusp status over the top on February 28 when their third album, an 18-track nearly-double opus 13-track regular-sized record Every Child a Daughter, Every Moon a Sun, is released. Details on the release are available over at Exclaim, as is the itinerary for their accompanying Canada-heavy North American tour. That jaunt includes a hometown show at The Opera House on April 20, tickets $15.50 in advance.

There’s no official preview track of the new album yet but this one from City Of Light, if it’s not on it, should at least point at where they’re going.

MP3: The Wooden Sky – “Angelina”

Rich Aucoin will bring his debut album We’re All Dying To Live and accompanying over-the-top live spectacle to the Drake Underground on January 13.

MP3: Rich Aucoin – “It”
Video: Rich Aucoin – “It”

Fresh off their three-night stand headlining the Phoenix, Tokyo Police Club are back in a support role having been added as openers for Foster The People at The Meadows at Downsview Park on June 19.

MP3: Tokyo Police Club – “Party In The USA”

Chart talks to Wes Marskell of The Darcys. They and The Balconies, with whom Plaid has an interview, are a couple of the acts playing this year’s edition of Edgefest, happening July 14 at Downsview Park.

So yeah, new Arcade Fire video(s) for “Sprawl 2 (Mountains Beyond Mountains)”, in conventional and interactive forms. Dance!

Video: Arcade Fire – “Sprawl 2 (Mountains Beyond Mountains)” (conventional)
Video: Arcade Fire – “Sprawl 2 (Mountains Beyond Mountains)” (interactive)

aux.tv talks to Bry Webb about life post-Constantines.

Exclaim has good news and bad news for Karkwa fans: the good is that the band are readying a double-live album – where I’d argue they’re at their best – to be recorded tomorrow night in Montreal and released next year, the bad is that it’ll be their last release for a while as they’re going on a hiatus after that. Which is reasonable – their Polaris win in 2010 made the touring cycle for Les chemins des verre (just certified gold, by the way) many times longer than they probably expected when they released it. Nice problem to have.

The Alternate Side has posted a session and interview with The Handsome Furs.

Exclaim has premiered the first track from John K Samson’s solo album Provincial, due out January 24.

Stream: John K Samson – “When I Write My Master’s Thesis”

CBC Radio 3 has posted a track-by-track live performance from Coeur de Pirate of her new album Blonde.

DIY has n interview and video session with Dan Mangan. Exclaim has also posted a couple of live session videos with the Dan.

Kathryn Calder talks the touring life with CBC Radio 3 and also to The Riverfront Times.

Diamond Rings talks about brushes with fame in the form of Beastie Boys and Katy Perry with Spinner.

Woodpigeon ends an extended – for them, at least – hiatus with the release of the For Paolo digital EP due out on January 16, presumably in advance of a full-length later next year.

The Line Of Best Fit has released their holiday edition of the Oh! Canada mix series. Download it and blast it from your car over the next two weeks.

David BlackThat Ryan Adams’ retirement from music – declared at the start of 2009 as a result of personal, medical, and industry factors – wouldn’t last was never in question. You don’t go from being as prolific as he had been over the past decade and a half to radio silence without a relapse or two. That said, he made a pretty good go of it for a while, busying himself with writing and being Mr. Mandy Moore. By early 2010, however, he was clearly ready to get back to making music and soft-launched his post-Cardinals career with the limited, vinyl-only release of a metal album that had been sitting in the vaults for a few years, and then before the year was out, a final Cardinals record – also shelved for a few years – was released via his website.

So while it’s his third release in under two years, Ashes & Fire is notable for being the first in some time to contain newly-written and recorded material without The Cardinals and get a wide release. And for anyone expecting Adams to make his return with a grand, rock’n'roll statement, Ashes may come as a bit of a puzzle – it’s slow, understated and primarily acoustic, sounding more of a denouement than a declaration, but most of all it sounds peaceful. An unexpected place for alt.country’s one-time enfant terrible and someone known for being creatively and personally mercurial, but considering that Adams has basically grown up in public – that first Whiskeytown record came out when he was 21 – it’s rather comforting to know that he’s feeling more settled and contented now.

If approached without the weight of expectation, without hoping for another Heartbreaker as I’ll admit I have for a decade now, Ashes has much to recommend it. Adams is in fine voice, his raspy croon having aged nicely and perfectly suiting the material, and though it initially sounds quite skeletally-arranged, there’s a full band in there playing with delicacy and restraint. It’s easy to wish that maybe there was a little more of the fire that the album’s title promises, but even a token rocker would probably detract more from the atmosphere of the album as a whole than it would add. And anyways, the guy just put out a metal album – maybe hit that up if you need some volume. Ashes & Fire comes with a very specific sound and purpose and it fulfills that most effectively.

Though Ashes & Fire came out digitally and on CD last month, the vinyl edition won’t be out until next week and courtesy of EMI Music Canada, I’ve got three copies of the LP edition to give away. To enter, email me at contests AT chromewaves.net with “I want Ashes & Fire” in the subject line and your full name and mailing address in the body, and have that to me by midnight, November 11. And sorry, contest only open to residents of Canada.

Adams plays the Winter Garden Theatre in Toronto on December 10. Paste, Adelaide Now and The Quietus have interviews and NPR an interview and session with WFUV.

Video: Ryan Adams – “Lucky Now”
Video: Ryan Adams – “Ashes & Fire”
Stream: Ryan Adams / Ashes & Fire

NPR welcomes Stephen Malkmus & The Jicks to the World Cafe for a session.

Rochester City Newspaper, The Portland Press Herald and Yes! Weekly talk to Joey Santiago of Pixies.

NPR has a six-song session with Wild Flag up to stream while The San Francisco Examiner talks to Carrie Brownstein.

Spin has posted a nice gallery that gets the likes of Justin Vernon and Johnny Marr to talk about their instruments.

Let’s play three – Tokyo Police Club have added a December 10 date to their run at The Phoenix in December, making it a three-night residency. As with the other two shows, Born Ruffians and Said The Whale will support. Tickets are $25.

MP3: Tokyo Police Club – “Party In The USA”
MP3: Born Ruffians – “Sole Brother”
MP3: Said The Whale – “Camilo (The Magician)”

Pitchfork are on board with Vancouver garage-soul outfit Chains Of Love, offering up the A-side of their new 7″, out December 13, and reporting that the band’s debut EP will be coming in early 2012. They’re at The Horseshoe on Tuesday night, November 8, for a free show. Go. Show appears to have been nixed. Sorry.

MP3: Chains Of Love – “Breaking My Heart”

The Edmonton Journal, Saskatoon Star Phoenix and Calgary Herald interview Dan Mangan.

Paste has a quick video session with Stars.

Toronto post-rockers Old World Vulture have released an MP3 as a teaser for their forthcoming album, due out in early 2012. Hear it live when they play Rancho Relaxo on November 12.

MP3: Old World Vulture – “Trophy Lovers”

Paste declares PS I Love You amongst the best of what’s next.