Big Hassle

A Place To Bury Strangers have a legitimate reason to be hitting the road – they’re releasing the Onwards To The Wall EP on February 7, and have just put out an MP3 and video from said release to build anticipation. The Joy Formidable are still working last year’s debut The Big Roar, and though they’ve said they’re working on the follow-up and want to have it out this year, it’s hard to imagine how they’ll find the time as it seems they’ve been touring non-stop for years now – they were here thrice in the span of a year and the April 2 stop at Lee’s Palace will make it four times in under two years. Tickets for that are $16.50.

And rounding out the bill will be New York’s Exitmusic, who aren’t all that loud – their 2011 EP was called From Silence, after all – but whose frontwoman Aleksa Palladino might be familiar if you watch Boardwalk Empire (and if you do, you know she’s got a lot of time to devote to her music now).

The Vinyl District has an interview with The Joy Formidable and, as a bonus, over the holidays the band shared a cover of their tune “I Don’t Want To See You Like This” as done by long-time Elvis Costello keyboardist Steve Nieve. Random, but nice. And not loud.

MP3: The Joy Formidable – “Whirring”
MP3: A Place To Bury Strangers – “So Far Away”
MP3: Exitmusic – “The Sea”
MP3: Steve Nieve – “I Don’t Want To See You Like This”
Video: The Joy Formidable – “Whirring”
Video: A Place To Bury Strangers – “So Far Away”
Video: Exitmusic – “The Hours”

The Twilight Sad – themselves no strangers to the joys of noise – have made a second MP3 from their forthcoming No One Can Ever Know – out February 7 – available via Spin. They’re at Lee’s Palace on February 29 and there’s interviews with the band at The Skinny and Delusions Of Adequacy.

MP3: The Twilight Sad – “Another Bed”

The Big Pink give Spin a track-by-track tour of their new record Future This, and you can follow along at NME as they’re streaming the whole thing ahead of its release next Tuesday, January 17. Drowned In Sound also has an interview with the band.

Stream: The Big Pink / Future This

The Stool Pigeon talks to David Lewis Gedge of The Wedding Present; they’re at The Horseshoe on March 25.

Laundromatinee has got a video session with Yuck for the sharing.

While I’m beyond disappointed that Allo Darlin’s Spring American tour isn’t a NORTH American tour – which is to say there’s no Canadian dates – that sting is lessened just a bit by the fact that the first proper single from Europe is now available to stream. The record is due out sometime in May.

Stream: Allo Darlin’ – “Capricornia”

Fanfarlo have premiered a new video from Rooms Filled With Light over at NPR. The record is out February 28 and they play The Mod Club as part of Canadian Musicfest on March 24.

Video: Fanfarlo – “Shiny Things”

Arctic Monkeys have put out another new video from Suck It And See; they’re at The Air Canada Centre on March 14 supporting The Black Keys.

Video: Arctic Monkeys – “Black Treacle”

BBC6 talks to Richard Hawley about his next record, which will be much more “guitar-centric”. Can. Not. Wait.

New Jersey Underground reports that British Sea Power’s New Year’s resolution appears to have been to release a shit-tonne of new music. Starting now – BSP EP1 is already available – the band will release an EP every month for the next six months, each featuring in-progress new material that may surface in different forms in future albums.

Loud & Quiet talks to Greg Hughes of Still Corners.

Australian dance-rock outfit The Temper Trap have made a March 25 date at The Phoenix. They’ve still yet to follow up 2009′s Conditions, but planning shows on the other side of the world could be a sign that that’s going to change. Or maybe they just want to do some shopping.

Video: The Temper Trap – “Sweet Disposition”

Snow Patrol will be at Massey Hall on April 17. Their latest album Fallen Empires came out in Europe last year but only just came out in North America yesterday – Billboard has a track-by-track tour of the record from frontman Gary Lightbody.

Video: Snow Patrol – “This Is Everything You Are”

Spin talks family bands with First Aid Kit. They’ve released a new video from their forthcoming The Lion’s Roar, out January 24, and will play The Great Hall on April 4.

Video: First Aid Kit – “Emmylou”

Swedish singer-songwriter Amanda Mair has set a February 15 release date for her self-titled debut.

MP3: Amanda Mair – “Doubt”

The AV Club interviews Anthony Gonzalez of M83. They play The Sound Academy on May 6.

MySpace

MP3: The Temper Trap – “Down River”
Video: The Temper Trap – “Love Lost”
Video: The Temper Trap – “Fader”
Video: The Temper Trap – “Sweet Disposition”

Michael Lavine

Matador Records is looking to spend their coming of age in slightly glitzier environs. They offered some teasers earlier this year but yesterday made things official with an announcement that pretty much met any and all lofty expectations about what kind of party they might throw. Led by a reunited Guided By Voices – the most classic 1993 to 1996 Bee Thousand/Alien Lanes/Under The Bushes Under The Stars lineup no less – the three-day bender will take place in the Palms hotel and Casino in Las Vegas from October 1 to 3 and feature a who’s who of Matador artists, past and present. In addition to GBV (GBV!), you’ve got label stalwarts Pavement (who if they hadn’t already reunited might have had to for this party), Belle & Sebastian, Cat Power, The New Pornographers, Yo La Tengo and Liz Phair (whose contract probably has a strict “first three albums only” clause) as well as acts like Sonic Youth, Spoon and Superchunk who might be better associated with other labels but who have OLE catalog numbers in their discographies. In short, for anyone who came of musical age with the golden age of college rock in the 1990s, it’s a dream lineup and then some. AND there’s gambling.

Full details about pricing and additional acts are coming next week, but if you aren’t at least taking a look at how much flights and hotels in Vegas for that weekend will run you, you must have stumbled across this site by accident. That said, my attendance is far from certain but damn if I’m not thinking hard about it.

MP3: Guided By Voices – “I’ll Replace You With Machines”
MP3: Pavement – “Gold Soundz”
MP3: Belle & Sebastian – “Another Sunny Day”
MP3: Sonic Youth – “Sacred Trickster”
MP3: Spoon – “Mountain To Sound”
MP3: Yo La Tengo – “Here To Fall”
MP3: Cat Power – “The Greatest”
MP3: The New Pornographers – “My Rights Versus Yours”
MP3: Liz Phair – “Fuck And Run”

In talking to Aux.tv, Bob Nastanovich of Pavement throws cold water on the prospect of new material coming out of the current reunion.

The National stopped in for a performance at CBC’s Q when in town earlier this month.

Video: The National – “Terrible Love” (live on Q)

aux.tv and The Guardian interview Warpaint, who’ve got two local dates coming up – a headlining appearance on August 11 at Wrongbar and as support for The xx at Massey Hall on September 29.

Insound has posted a video session with The Hold Steady and are offering one track as a download in exchange for signing up for their newsletter. And in related news, the Hold Steady’s Toronto show on July 16 just got twice as intimate, having been moved from The Kool Haus to The Phoenix. All tickets still honoured.

David Bazan (formerly of Pedro The Lion) will be joined by The Mynabirds, aka Laura Burhenn (formerly of Georgie James) at Lee’s Palace on September 18. Tickets $12.50 in advance.

MP3: David Bazan – “Bless This Mess”
MP3: The Mynabirds – “Let The Record Go”
MP3: The Mynabirds – “Numbers Don’t Lie”

Lee’s Palace will host two of Kill Rock Stars’ finest on October 3 when Deerhoof and Xiu Xiu perform as part of a Fall tour.

MP3: Deerhoof – “+81″
MP3: Xiu Xiu – “Gray Death”

Australia’s Temper Trap will be in town at the Phoenix on October 5 – tickets $21.50 in advance.

MP3: The Temper Trap – “Down River”

There’s new music from Sharon Van Etten, via the soundtrack to the film The Builder. The DVD for the film will be released on July 27.

MP3: Sharon Van Etten – “I Couldn’t Save You”
Trailer: The Builder

Offering more proof to the theory that they’re incapable of doing anything that’s not adorable, Mates Of State have released a new video from their covers album Crushes. Actually it’s the second video from the record, the first was for this Nick Cave & The Bad Seeds tune, which isn’t so much adorable but isn’t trying to be. Anyways.

Video: Mates Of State – “True Love Will Find You In The End”
Video: Mates Of State – “Love Letter”

Each Note Secure talks to Free Energy, who’ve recorded an Interface session at Spinner.

Yours Truly has posted up a new video performance from The Morning Benders, in town to open for The Black Keys at The Kool Haus on August 3 and 4.

Pitchfork has got the first sample of The Thermals’ new record Personal Life, due out September 7.

MP3: The Thermals – “I Don’t Believe You”

Vampire Weekend talks to BBC. They’re at the Molson Amphitheatre on September 7.

Best Coast have released an MP3 from their much-buzzed forthcoming debut Crazy For You, coming July 27. They’re at Lee’s Palace on September 25.

MP3: Best Coast – “Boyfriend”

Miami New Times talk to Tampa’s Sleepy Vikings.

NOW welcomes We Were Promised Jetpacks to the Horseshoe on Saturday night. Daytrotter has also posted up a session.

So this past Saturday night’s Thao/Mirah show at the Horseshoe was cancelled on account of burning police cars. The guys from These United States, who were slated to support, have some video of their trip to Toronto. Y’all come back now, y’hear?

Frank Yang

While precognition is only slightly more plausible than temporal displacement, it’s still quite a coincidence that I selected this photo for my not-yet-failed Photo 365 project a couple weeks ago and then framed last week’s cover of the week as I did – it’s almost as though I knew that Dinosaur Jr was going to be at Sonic Boom in more than pre-recorded form. Which, of course, I did not so the almost last-minute announcement on Monday morning that the trio would be playing an in-store in the Annex record store before their sold-out show at the Phoenix was a WTF of the best kind. And one that would surely require a lot of advance planning and waiting in order to get a good spot.

I’m sure some had hopes that this would be a fully-plugged in, foundation-shaking rock extravaganza that people would be talking about for generations to come, but those sorts of expectations were just a bit unrealistic, what with all of their gear already set up and soundchecked at the Phoenix. What they did bring when they finally arrived at the packed house a half hour later than scheduled – traffic, dontcha know – was a semi-acoustic setup that wasn’t going to damage anyone’s hearing, but would provide a unique experience. They also didn’t bring Murph – apparently border issues left him at home in the land of the free and a replacement drummer in Kyle Spence, who played with Mascis in The Fog. Mascis came bearing a Gibson acoustic rather than one of his signature Jazzmasters but the fuzz pedal and tube amp that accompanied it ensure that things wouldn’t be too polite. And you could call their six-song set a bit mellow and certainly unprepared, it was not polite – a J Mascis guitar solo, even one on acoustic guitar, is epic, rambling and awesome but not polite. They may have come without a set list, but the selections they did decide on offered a pretty good representation of the Dino jr canon – three from the original trilogy of records, one from their latest Farm and most excitingly to me, a couple from the non-Barlow years, which through no real fault of Lou’s, are my favourite. Knowing that material from those records was in the mix for this tour was pretty damned exciting.

And the belief that they were focused only on Lou-era material was part of the reason that I had yet to see the resurrected Dinosaur Jr live, even though this was their third time coming through town since 2005. The first time out, my understanding was that they were only playing material from the first three records since the touring was in support of the reissues and I missed their Summer 2007 visit in support of Beyond on account of scheduling. And I’d seen the charity J Mascis/Broken Social Scene gig back in July 2006 so it’s not as though I hadn’t borne witness to J Mascis’ guitarwork before. These rationalizations were, however, entirely moot when I got to the Phoenix Thursday evening. The in-store was a delicious appetizer but this was the main course. The unbelievably loud and wholly electrified main course.

I hope that anyone who found the Sonic Boom set too low-key for their tastes had tickets for the Phoenix show. While they opened up relatively slowly with Green Mind‘s “Thumb”, the energy accumulated quickly and by the time they got to “Out There” about mid-way through, this Dinosaur was moving at full speed and leaving a trail of sonic destruction in its wake. I’d always thought of Lou Barlow as the sensitive mope-rocker of his solo career, so it was a bit odd to watch him absolutely rock out on bass, lurching and hair-whipping through the set. In contrast, J Mascis stood relatively placid at stage right, safely ensconced in his fortress of amplitude while spewing massively fuzzed-out guitar solos from his fingers and lazily drawled lyrics from his mouth.

It was a personal thrill to hear “Feel The Pain” from Without A Sound, not their most celebrated record but my gateway drug into the world of Dinosaur Jr, and “The Wagon” which closed their in-store set in grand style but was even better delivered at a billion decibels. For the finale they went back to the (more) classic material with a blistering “Freak Scene” and a Living All Over Me-centric encore of “Kracked” and “Sludgefeast” before inviting Fucked Up frontman Damian Abraham onstage to close things out with early b-side “Chunks”. It was an epic show and, knowing that this no longer really counts as a reunion or a farewell, there’s no reason to not expect more of the same in the future.

The Ottawa Citizen and hour.ca have interviews with J Mascis. aux.tv and For The Records were in attendance at the in-store while Chart, eye and The Music Slut report back from the Phoenix show. NYC Taper is sharing a recording of the Dinosaur Jr show in Brooklyn last week.

Photos: Dinosaur Jr @ The Phoenix – January 21, 2010
Photos: Dinosaur Jr @ Sonic Boom – January 21, 2010
MP3: Dinosaur Jr – “I Want You To Know”
MP3: Dinosaur Jr – “Almost Ready”
MP3: Dinosaur Jr – “Freak Scene”
MP3: Dinosaur Jr – “Forget The Swan”
Video: Dinosaur Jr – “Over It”
Video: Dinosaur Jr – “Been There All The Time”
Video: Dinosaur Jr – “Feel The Pain”
Video: Dinosaur Jr – “Get Me”
Video: Dinosaur Jr – “Start Choppin’”
Video: Dinosaur Jr – “The Wagon”
Video: Dinosaur Jr – “Freak Scene”
Video: Dinosaur Jr – “Just Like Heaven”
Video: Dinosaur Jr – “Little Fury Things”
MySpace: Dinosaur Jr

Spinner talks to Fucked Up guitarist Ben Cook about a Sonic Youth feud that never really was. F’ed Up’s Couple Tracks comp is out this week and they play the Opera House on February 26.

St. Louis Today talks to James McNew of Yo La Tengo.

Wilco are doing their bit for Haiti relief efforts by offering a couple of complete live recordings from last year – Keyspan Park in New York and HMV Forum in London – in exchange for a minimum $15 donation to either OXFAM or Doctors Without Borders.

The New Have Advocate, Chart, The Duluth News-Tribune and The California Chronicle have interviews with Alan Sparhawk of the Retribution Gospel Choir, in town at the Drake Underground tonight.

The Hold Steady are a moustache down – keyboardist Franz Nicolay has officially left the band.

Fans of free shows and record store ambiance have a tough decision to make on February 5 – to see Great Lake Swimmers at Sonic Boom at 6:30PM or Hawksley Workman at Criminal Records at 6PM. Of course, both have their own proper shows coming up – Great Lake Swimmers at Trinity-St. Paul’s the following night and Workman at Massey Hall on April 24 – but they’re not free and you can’t shop for Animal Collective LPs while they play. Okay, maybe that last bit’s not such a bad thing.

MP3: Great Lake Swimmers – “Pulling On A Line”
MP3: Hawksley Workman – “Maniacs”

Aussies The Temper Trap are setting out on a North American tour that includes a date at the Mod Club on March 30 with Danes The Kissaway Trail. The former’s debut Conditions came out last year while the latter’s second album Sleep Mountain is due out in March.

MP3: The Temper Trap – “Down River”

Good Friday will be a day of hard choices for Toronto dream-pop aficionados. In addition to A Sunny Day In Glasgow’s show at The Garrison on April 2, Norwegian sonic apocalypse merchants Serena Maneesh will be just a short hop away at the Great Hall that night to showcase their new album S-M 2: Abyss In B Minor, out March 23. This may not necessarily be an either-or proposition – the venues are just a kilometer apart and if set times are obliging, you could do parts of both. That was the case the last time Serena Maneesh were here at Lee’s Palace in September 2006 and Early Day Miners were a couple blocks away at The Tranzac – Serena Maneesh managed to utterly demolish their set both figuratively and literally in under 45 minutes and I made it to the EDM show in plenty of time. Here’s hoping they haven’t learned any lessons in endurance in the past few years. Tickets for the show are already on sale for $15.

MP3: Serena Maneesh – “Ayisha Abyss”

If you, like I, are missing seeing Sharon Van Etten open up for Great Lake Swimmers at the aforementioned Trinity-St. Paul’s show on February 6, you’ll be pleased to know she’ll be back on April 5 for a show at the Horseshoe with Megafaun. I’m not so familiar with Megafaun but Van Etten’s Because I Was In Love is a quiet gem of a record – The AV Club and On Milwaukee have interviews with the singer-songwriter.

MP3: Sharon Van Etten – “For You”
MP3: Megafaun – “The Fade”
MP3: Megafaun – “Kaufman’s Ballad”

SubPop punks Pissed Jeans are at the Horseshoe on April 12, tickets $12. Their third album King Of Jeans came out last Summer.

MP3: Pissed Jeans – “Dream Smotherer”
MP3: Pissed Jeans – “False Jesii Part 2″
MP3: Pissed Jeans – “People Person”
MP3: Pissed Jeans – “I’ve Still Got You (Ice Cream)”

With their new album Romance Is Boring out tomorrow, Los Campesinos! have plotted a North American tour that kicks off with an April 20 show at The Phoenix. Clash has an interview with the band and Gareth Campesinos tells Drowned In Sound why he’s auctioning off his glockenspiel (and donating the proceeds to Haitian relief).

Frank Yang

Any degree of schadenfreude, however, was tempered by the fact that the lineup was now down one good headliner – I’ll just add this to the ongoing list of Ida Maria near misses (two cancelled SxSW appearances in March due to visa issues and her dropping off the Glasvegas tour early in April – and it was really the people who were going to show who were losing out. I was still committed to attend thanks to the continued presence of Ladyhawke on the bill. Semi Precious Weapons also remained in the lineup and the Toronto bill was rounded by a couple of hometown acts, Woodhands and Anjulie.

Anjulie I knew from the posters for V Fest, where she’d been one of the Radio stage performers, and that was enough to make me think I wasn’t going to be particularly interested in her. And no, while urban/r&b pop is not my thing, there’s no discounting that this girl is good at it – great voice, great look and thankfully not given to oversinging or the diva hand, and a #1 Billboard single to boot. Playing with a tight band and backing singers, she delivered a short but varied set covering a good range of styles and had enough old-school Motown and soul nods to please, which still sounding wholly contemporary. Hometown girl done good, indeed.

So while I kind of suspect Anjulie would have been a special guest whether Ida Maria had been on the bill or not, Woodhands were almost certainly an eleventh-hour addition to fill out the bill. And while a Perez Hilton show might seem a weird place for the local indie synth-rock heroes to show up, sonically they actually fit in quite well with the sort of dancey pop theme of the evening/tour – big beats, fat synths and frantic and fun delivery from Dan Werb. Though they’ve got a reputation as one of the most enjoyable live acts in the city, I’d never actually seen them in full, plugged-in fashion before and now that I have? I’ll give ‘em the thumbs up.

The audience had been slowly filling in through the evening and while not nearly sold-out – I would put attendance at around 450 tops, and that includes the local acts’ probably-sizeable guest lists – it was pretty jammed up near the front for Semi Precious Weapons and why not? This was the first act of the night that the people would have actually paid to come and see (besides Hilton himself, who was not in attendance. Instead, we got weird little video-screen introductions with him looking like Max Headroom). Which went well with the Perez-curated video clips that constituted the between set music, giving me a look at top-40 music that I really didn’t need. Anyways.

I’d been told that if nothing else, Semi Precious Weapons were fun to photograph and yeah, they would have been if the entire night hadn’t been defined by horrid backlighting that made getting anything decent pretty much impossible. Which meant that I head to enjoy them on their musical merits which, I have to saw, were few. They offer transgressive glam-rock for the mall-punk set, which basically means a lot of swearing and sophomoric pottymouth banter about boobs, sex and general self-aggrandizing interspersed with high-energy if unremarkable rock songs and shout-along choruses, all delivered with over the top costumes and on-stage antics. If that sounds specifically formulated to get a response, that’s because it is and it does. This isn’t to say it wasn’t entertaining and the excitement elicited from the crowd a real boost to the evening’s energy, but not necessarily something I need to see or hear again.

Unsurprisingly, the crowd did thin out some following Semi Precious Weapons but it was still a decent-sized and enthusiastic audience on hand to welcome Pip Brown for her first Toronto appearance – and hey, less people means more room on the floor to dance. I had seen her play at SxSW and while the quality of the tunes from her self-titled debut – recently re-released with more goodies – were unimpeachable (if you like hook-laden, ’80s-flavoured synth-rock), the performance itself was generally workmanlike and not especially noteworthy and as such, my expectations weren’t the highest. It was a pleasant surprise, then, to see that Brown has upped her game in the live setting or perhaps that night at Stubb’s had been an off one – either way, her show this time out was much better. It’s hard to quantify how or why, exactly – she’s still not the most animated or charismatic performer – but she seemed much more comfortable on stage and that looseness carried over into the music. Delivered by a five-piece band, the Ladyhawke material sounded much more guitar guitar-driven live than on album – all the necessary synth parts were accounted for, but the guitars were louder and rawer. They dished out all the singles and “up” tracks from the record plus an old b-side for about 50 minutes of pop bliss. Never mind the sponsor, never mind the circus, this show was Ladyhawke’s show and it was great.

There’s a review at ChartAttack. City Sonic has a video feature on Woodhands and the Don Valley Brickworks, site of one of their most memorable – and illegal – gigs. Long way from that to Perez Presents.

Photos: Ladyhawke, Semi Precious Weapons, Woodhands, Anjulie @ The Opera House – September 17, 2009
MP3: Ladyhawke – “My Delirium”
MP3: Semi Precious Weapons – “Semi Precious Weapons”
MP3: Woodhands – “Dancer”
MP3: Woodhands – “I Wasn’t Made For Fighting”
Video: Ladyhawke – “Paris Is Burning”
Video: Ladyhawke – “My Delirium”
Video: Ladyhawke – “Dusk Till Dawn”
Video: Ladyhawke – “Back Of The Van”
Video: Semi Precious Weapons – “Magnetic Baby”
Video: Semi Precious Weapons – “Rock N Roll Never Looked So Beautiful”
Video: Semi Precious Weapons – “Her Hair Is On Fire”
Video: Semi Precious Weapons – “Semi Precious Weapons”
Video: Woodhands – “I Wasn’t Made For Fighting”
Video: Anjulie – “Boom”
Video: Anjulie – “Love Songs”
Video: Anjulie – “Day Will Come Soon”
MySpace: Ladyhawke
MySpace: Semi Precious Weapons
MySpace: Woodhands
MySpace: Anjulie

Aussies The Temper Trap, finally turning some early-year buzz into success thanks to (500) Days Of Summer, will be in town for a free show at the Horseshoe on October 20.

Video: The Temper Trap – “Science Of Fear”
Video: The Temper Trap – “Sweet Disposition”

Also free at the ‘Shoe the following week – October 27 – is Seattle garage rock outfit The Blakes, whose new record Souvenir is out October 13. Check out a track from the new record courtesy of Under The Radar.

MP3: The Blakes – “Ramshackle Hearse”

It’ll be an east-meets-west thing at the Horsesehoe on November 5 as Victoria’s Immaculate Machine meet up with Halifax’s Dog Day, tickets $10.

MP3: Dog Day – “Rome”
MP3: Immaculate Machine – “Sound The Alarms”

Patrick Watson has a date at the Queen Elizabeth Theatre on December 12, where he probably hopes to be introduced as “two-time and current Polaris Music Prize winner”.

Which segues nicely into the fact that the Polaris Prize is being awarded tonight. Exclaim ran a feature last week wherein the examined the possible gender and geographic biases that exist within the jury, though I have to say that as a Toronto-based male, I don’t see what all the hubub is about. Har Har. Oh, I am also the latest (last?) subject of the “Better Know A Juror” feature on the Polaris website. Read it and know my most innermost thoughts and feelings. So let’s talk about your feelings. Who do you think will win? Should win?