Broken BellsSo I’m sitting here on Wednesday night with a headache and a pile of links and no particular idea what I’m going to do with them. Got some contests and the last of the SxSW stuff to dole out over the long weekend, but for today, it’s gonna be one of those housecleaning posts.

Starting with the announcement of Broken Bells’ first North American tour, which includes a June 2 date at the Queen Elizabeth Theatre in Toronto. The collaboration between workaholic producer Danger Mouse and Shins frontman James Mercer yielded a self-titled debut last month and while the little bit I heard of it at SxSW – from the street while they played in a parking garage – didn’t especially wow me, it’s been reasonably well-received and I feel like I should, as a Shins fan, at least give it a fair shake. The band’s set at the NPR showcase from SxSW is available to stream for anyone wondering how it translates live. Support on this tour will come from The Morning Benders, who themselves are presently on tour and will be in town at The Drake on April 14.

Video: Broken Bells – “The High Road”

Moving on to stuff coming through town over the next few months – Serena-Maneesh’s appearance tomorrow night has been moved from The Great Hall to the Drake Underground; appropriate since the Norwegians’ new record S-M 2: Abyss In B Minor was recorded in a cave. Cave? Underground? Get it? Bah.

Rolling Stone declares Swedes Love Is All to be “breaking” and talks to frontwoman Josephine Olausson. They bring their new record Two Thousand and Ten Injuries to the Horseshoe on Saturday night, April 3.

MP3: Love Is All – “Bigger, Bolder”

NOW, hour.ca and The Chicago Tribune interview The xx, in town at the Phoenix on April 4 and again at the Kool Haus on April 20.

In addition to two shows at Lee’s Palace next week – April 6 and 7 – the Drive-By Truckers will be doing an in-store across the street at Sonic Boom on the 7th at 5PM in what’s being billed as “Patterson Hood & Members of Drive By Truckers”. In other words, expect to see Hood with an acoustic guitar and a passel of songs, and maybe some of his bandmates will show up if they feel so inclined. I warn you though, Cooley, that if you try to stand on the monitors while taking a solo you WILL hit your head on the ceiling – you can have that one for free. Spinner has a chat with Hood about his Southern roots.

State and Owen Pallett, who plays the Queen Elizabeth Theatre on April 8.

Donewaiting interviews Fanfarlo frontman Simon Balthazar. They play Lee’s Palace on April 9.

Plants & Animals are celebrating the April 20 release of their second album La La Land with a free show at the Horseshoe that night. Beatroute has an interview.

The Province and The Montreal Gazette profile Dan Mangan, in town at the Horseshoe on April 22.

The Fly and MOG talk to Jonsi about his new solo record Go, which is due out next Tuesday. The whole album is currently streaming at NPR and he has two dates at the Sound Academy on April 30 and May 1.

Stream: Jonsi / Go

The Fly talks to Caribou main man Dan Snaith about his new record Swim. It’s out April 20 and he plays the Phoenix on May 3.

The Joy Formidable frontwoman Ritzy Bryan gives The Fly a sneak preview of their upcoming full-length follow-up to last year’s A Balloon Called Moaning; a record which is getting a North American release on May 4, the same day they play a free, sure to be awesome show at the Horseshoe. Strange Glue has the remainder of their North American tour dates.

Bad Veins have been added as support for Two Door Cinema Club’s show at Wrongbar on May 17. This will be their first time in Toronto, after their show with Now Now Every Children last Summer was snookered by a dead van. Spinner has an interview with the Cincinnati duo.

MP3: Bad Veins – “Gold & Warm”
MP3: Bad Veins – “Go Home”

The Sadies will celebrate the release of their new record Dark Circles with a show at Lee’s Palace on May 22; tickets $18 in advance. They’ll also be your Canada Day entertainment at Harbourfront Centre – July 1, yo.

Exclaim converses with John K Samson of The Weakerthans, who play the Queen Elizabeth Theatre on May 26.

Spin has a stream of a new song from the second Born Ruffians record Say It, due June 1, and they also note that there’ll be a show at the Horseshoe in Toronto on May 28.

German electronica duo Mouse On Mars have a date at the Drake Underground on June 1, though their next record isn’t due out until next year. Sometimes you just have to get out of the house, I guess.

Video: Mouse On Mars – “Actionist Respoke”

His two nights at the Drake Underground on June 11 and 12 will be super-cozy, but Robyn Hitchcock takes intimate a step further in this Black Cab Session.

Tiger Weekly talks to Ted Leo, who brings his Pharmacists to Lee’s Palace on June 26.

And now to the stuff not coming through town in the next while – Black Mountain frontman Stephen McBean gives Exclaim a sneak preview of their next album, tentatively entitled Wilderness Heart and due out later in the Summer.

Soundproof and Spinner talk to Mark Hamilton of Woodpigeon, who has offered a tribute to Alex Chilton in the form of a cover of “Thirteen”.

MP3: Woodpigeon – “Thirteen”

Bad Panda Records Q&A’s Great Lake Swimmer Tony Dekker and offers up a free live track to download.

MP3: Great Lake Swimmers – “Gonna Make It Through This Year” (live)

Woodhands have released a new video for the best tune – in my humble opinion – from Remorsecapade.

Video: Woodhands – “Dissembler”

The Line Of Best Fit and Drowned In Sound talk to Joel Gibb of The Hidden Cameras.

Tokyo Police Club have set a June 8 release date for their second album Champ and are giving away the first MP3 from it on their website; The Brock Press talks to keyboardist Graham Wright about the new record.

An acoustic version of one of the tracks from Bettie Serveert’s new record Pharmacy Of Love is up for grabs.

MP3: Bettie Serveert – “Semaphore” (acoustic)

Yours Truly has a video session with Taken By Trees.

4AD reports that Camera Obscura and Richard Hawley will be releasing a split-7″ on May 17 wherein the former covers the latter’s “The Nights Are Cold” while the latter remixes the former’s “The Sweetest Thing”. Clearly, I must have this.

NME reports that Glasvegas drummer Caroline McKay has left the band.

The Line Of Best Fit and The Fly have interviews with Laura Marling, whose I Speak Because I Can is out next week in North America, though for now it doesn’t appear there’s any vinyl edition of said album on the horizon. Bah.

Editors bassist Russell Leetch talks to The Line Of Best Fit.

Alex John BeckI headed into SxSW last week with a list of artists I wanted to see at the festival and I actually did quite well at crossing names off of it – the only two really notable misses were Los Angeles’ Local Natives and Norwegian ragna-rockers Serena-Maneesh. I had experienced the Norwegians in Austin before – their gleefully insane set was one of the highlights of the 2006 festival – but this time out, their schedules and mine just didn’t gel.

Though our last encounter was four years ago at a short but destructive (see a trend?) show at Lee’s Palace in September 2006, I haven’t missed much with the band in the interim. It’s taken them that long to follow up their self-titled debut, which they finally did this week with the release of S-M 2: Abyss In B Minor, and if you think they’ve spent the time away learning new tricks… think again.

Quantitatively, Abyss is probably more sophisticated and melodic than its predecessor, but the underlying template remains very much the same, and it’s easily summed up as My Bloody Velvet Underground, all dreamy vocals overtop unrelenting rhythms and swirling aural chaos, divided into concise pop jewels and sprawling jams. And while the potency of the formula isn’t necessarily diminished on a visceral level – that’d be like saying that being punched in the face doesn’t hurt as much the second time – it doesn’t feel as fresh this time out, even if it may well be a better record.

It certainly contains their finest moment to date in “I Just Want To See Your Face”, a divine-sounding lost MBV track if ever there was one with vocalist Lina Wallinder channeling Belinda Butcher more than a little. And perhaps it’s telling that they’re at their best when sounding their most derivative? These, however, are considerations that are only likely to arise when you’re not actually listening to the album and have time to think objectively. When immersed in it, you’ll likely be too busy exalting in the sonic bedlam to worry if it’s really bringing anything new to the table – and that goes double for their live show, which though I haven’t seen it in some years I can’t imagine being any less chaotic.

To prove that point, Serena-Maneesh returns to Toronto on April 2 for a show at the Great Hall; tickets are $14 in advance but courtesy of Union Events, I’ve got five pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Serena-Maneesh” in the subject line and your full name in the body. Obviously this giveaway is only good for folks in the Toronto area – to all residents of North America, including locals who enter the concert giveaway, and courtesy of 4AD, I’ve also got a limited-edition 12″ single of “Ayisha Abyss” up for grabs. If you’d like that, email me again at contests AT chromewaves.net with “I want 12″ of Serena-Maneesh” in the subject line and your full name and mailing address in the body. Contest for both closes at midnight, March 31.

The Georgia Straight interviews Serena-Maneesh frontman Emil Nikolaisen.

MP3: Serena Maneesh – “I Just Want To See Your Face”
MP3: Serena-Maneesh – “Ayisha Abyss”
Video: Serena-Maneesh – “I Just Want To See Your Face”
Stream: Serena-Maneesh / S-M 2: Abyss In B Minor
MySpace: Serena-Maneesh

Exclaim talks to Jonsi, who has released a new video from his solo record Go, originally supposed to be out this week but now pushed back until April 6. He still plays the Sound Academy on April 30 and May 1.

Video: Jonsi – “Kolnidur”

NPR’s World Cafe doubles up on the Swedes with one session featuring El Perro Del Mar and another with Taken By Trees. AndPop and Smile At Your Sister also have interviews with El Perro Del Mar’s Sarah Assbring.

The AV Club, hour.ca and The Boston Herald talk to The Big Pink.

Paste and Express Night Out talk to The xx. They are at the Phoenix on April 4 and the Kool Haus on April 20. Both shows are sold out.

Arctic Monkeys have rolled out a new video from Humbug.

Video: Arctic Monkeys – “My Propeller”

The Quietus revisits Suede circa Coming Up.

Elbow frontman Guy Garvey discusses the importance of the album with BBC6.

Let’s Wrestle make a mixtape for Magnet. They’ll be at the Horseshoe on April 18 with Quasi, who’ve just released a new video from American Gong.

Video: Quasi – “Laissez Les Bon Temps Rouler”

Carrie Brownstein tells Pitchfork that a Sleater-Kinney reunion could happen in the next three to five years.

The Listener and Aquarium Drunkard talk to Dean Wareham. The new set of Galaxie 500 reissues came out this week.

Each Note Secure interviews A Place To Bury Strangers, who’ve just released a new video from Exploding Head.

Video: A Place To Bury Strangers – “Ego Death”

MGMT, whose second album Congratulations arrives April 13, will be at the Mod Club on April 29 for an intimate-type show. Not as intimate as their surprise gig at Captain John’s Seafood Restaurant a couple weeks ago, but the Mod Club probably smells better. Tickets are $30 and go on sale Saturday at 10AM.

Though not currently listed on their tour itinerary, CocoRosie will be at the Phoenix on June 15 in support of their new album Grey Oceans, out May 11.

Whilst killing time during my accidental time off in Austin earlier this week, I happened up on the Yard Dog art gallery on South Congress where they were selling pieces by one Jon Langford, whom as it happens is in town tonight at the Horseshoe with The Sadies and in addition to the regular sort of merch, will have some of his artwork available for sale – this stuff is cool and better than a t-shirt. Check it – and the show – out tonight.

Spinner, JAM and NOW have features on the Thrush Hermit reunion which rolls into Lee’s Palace this weekend for shows on Friday, Saturday and Sunday.

And oh yeah, the official trailer for Scott Pilgrim Vs. The World is now out and it’s onomatopoeiariffic. The film is released August 13 while the sixth and final book of the series, recently revealed to have the titled of Scott Pilgrim’s Finest Hour, will be out July 20.

Trailer: Scott Pilgrim Vs. The World

Frank YangThere’d been some underlying confusion surrounding Sunday night’s show at the Mod Club since it was announced. First it was El Perro Del Mar. Then it was El Perro Del Mar and Anna Ternheim. Then it was El Perro Del Mar, Taken By Trees and Anna Ternheim. Then it was El Perro Del Mar and Taken By Trees. Then it was Taken By Trees and El Perro Del Mar, on account of their alternating closer, co-headliner arrangement. An arrangement that got turned around somewhere mid-tour and so by the time it was all said and done, it was Taken By Trees opening and El Perro Del Mar closing. And about as much reason as one would ever need to be sure to arrive at the venue on time, though I’d like to think that anyone attending this show would have the good sense to want to see both acts regardless of order.

I’d always felt that the greatest strength of The Concretes was how Victoria Bergsman’s sleepy vocals contrasted with the big pop arrangements underneath. Since going solo as Taken By Trees, contrast has been exchanged for compliment, as the gently orchestrated folk accompaniments of her new project mesh perfectly with her voice. Open Field had very much the sort of pastoral aesthetic you’d expect a voice like Bergsman’s to wrap itself in, but she mixed that recipe up a bit on her latest record, East Of Eden, which sounds very much a product of being recorded in Pakistan without being overwhelmingly so.

Though still quite demure, Bergsman seemed in much better spirits than her last visit to Toronto on the final Concretes tour in May 2006 – she visited Montreal once circa Open Field but for whatever reason didn’t make the trip down the highway. Thanks to the backlighting and smoky incense haze, she appeared more silhouette than anything, but what you weren’t able to see was more than made up for by what you heard. With the help of a terrific backing band, she was able to forge the airy folk-pop of her debut with the eastern influences of her latest into a strong and distinctive sound, with a welcome emphasis on the rhythmic elements of her songs. In fact, I liked Taken By Trees considerably more live than on record; the extra oomph served her well. Now if only we could get her to allow some light on her face, we’d be cooking with gas.

Henceforth, I swear to no longer describe El Perro Del Mar as “sad”. Despite the persona that comes across on her records, the Sarah Assbring that danced onstage to “Let Me In” from her latest record Love Is Not Pop was no melancholic moper. Sharing a band with Taken By Trees meant that Assbring only needed to strap on the guitar for a few numbers and spent the rest dancing and generally putting on the sort of show that I would not have expected.

The set drew mainly from the new record, which to be fair, does expand El Perro Del Mar’s sound well beyond the ’50s doo-wop that underpinned her first two records. Live, her sound was transformed further as the shimmering guitarwork and solid, danceable basslines gave everything a distinctively ’80s 4AD-ish sheen that really suited her. And considering one of her set’s highlights was an unexpected cover of The xx’s “Shelter” – done faithfully yet still sounding every bit like El Perro Del Mar – perhaps that’s a direction she’ll be moving further in in the future. Either way, it does seem certain she’ll be moving. And swaying. And dancing.

Chicagoist has an interview with Victoria Bergsman and Pitchfork has some audience video of El Perro Del Mar’s xx cover from the New York show. Panic Manual, Chart, Exclaim and It’s Not The Band I Hate It’s Their Fans also have reviews of the Toronto show.

Photos: El Perro Del Mar, Taken By Trees @ The Mod Club – February 21, 2010
MP3: El Perro Del Mar – “Change Of Heart”
MP3: El Perro Del Mar – “Change Of Heart” (Rakamonie Remix)
MP3: El Perro Del Mar – “Glory To The World”
MP3: El Perro Del Mar – “God Knows (You Gotta Give To Get)”
MP3: Taken By Trees – “Anna”
MP3: Taken By Trees – “My Boys”
MP3: Taken By Trees – “Watch The Waves”
MP3: Taken By Trees – “Lost & Found”
Video: El Perro Del Mar – “Change Of Heart”
Video: El Perro Del Mar – “Glory To The World”
Video: El Perro Del Mar – “God Knows (You Gotta Give To Get)”
Video: Taken By Trees – “My Boys”
Video: Taken By Trees – “Lost And Found”
MySpace: El Perro Del Mar
MySpace: Taken By Trees

New from Sweden this week and streaming at Spinner are European, the new record from Sambassadeur, Work from Shout Out Louds, who are also coming to town for a show at the Mod Club on May 8.

Stream: Sambassadeur / European
Stream: Shout Out Louds / Work

Spinner talks to Serena-Maneesh frontman Emil Nikolaisen about his distaste for music prizes and showcase festivals. Not that that’s stopping him from playing a showcase festival in Texas next month. Their new album S-M 2: Abyss In B Minor is out March 23 and they play The Great Hall on April 2.

Some other Norwegians coming to town – a-Ha will be at Massey Hall on May 11 as part of their farewell tour. I’ll have you know I listened to these guys a lot back in the day, and their first three records were pretty damn good. Much more than just “Take On Me”. Though that’s still a great tune. As is this one. Seriously thinking about going to this, though I don’t know if it’s quite how I want to spend my 35th birthday.

Video: a-ha – “The Sun Always Shines On TV”

The Raveonettes have rolled out a new video from In And Out Of Control.

Video: The Raveonettes – “Heart Of Stone”

Under The Radar talks to Simon Blathazar of Fanfarlo. They’ll be at Lee’s Palace on April 9.

NPR has a World Cafe session with Mumford & Sons.

The Tripwire has a feature piece on The xx, in town on April 4 at The Phoenix and April 20 at the Kool Haus.

Lucky Soul are giving away the title track from their new album A Coming Of Age in exchange for your email – believe me, it’s a deal and a half. The album is out on April 5 19 and is, no word of lie or exaggeration, awesome.

The Washington Post and Washington City Paper interview Alisdair Maclean of The Clientele, coming to town for a show at the Horseshoe on March 19.

Spinner has an Interface session with The Cribs.

Beyond Race and The Sentimentalist interview The Big Pink. They’re at the Mod Club on March 24.

NME has collected some of Jarvis Cocker’s finest bon mots over the years into an entertaining slideshow.

Barely six months after bringing their orchestral Ocean Rain to Toronto, Echo & The Bunnymen will return on April 23 for a show at the Phoenix. Presumably the only strings in play this time will be the ones on their guitars.

MP3: Echo & The Bunnymen – “I Think I Need It Too”

The Times discusses the political and the personal with Billy Bragg.

Music Snobbery interviews The Joy Formidable, who are putting the finishing touches on their debut full-length album and starting to book some North American dates for May – just NYC and the Truck Festival so far, but fingers crossed.

Frightened Rabbit are gearing up for the March 9 release of The Winter Of Mixed Drinks with a second video for new single “Nothing Like You” and a full steam of the new album on their MySpace. Scott Hutchison also talks to Tour Dates UK. The band are at The Opera House on May 4.

Video: Frightened Rabbit – “Nothing Like You”
Video: Frightened Rabbit – “Nothing Like You” (alternate version)
Stream: Frightened Rabbit / The Winter Of Mixed Drinks

Spinner reports that The Twilight Sad have replaced the low end supplied by recently departed bassist Craig Orzel. the new lineup will be in action for their upcoming North American tour which stops in at Lee’s Palace on May 26.

Aversion talks to We Were Promised Jetpacks.

PopMatters checks in with Glasvegas’ Rab Allen. The band is currently working on album number two.

The Control GroupSadness is Sarah Assbring’s stock in trade, a point I’ve rather drilled home in my reviews of her output as El Perro Del Mar – the 2007 self-title and 2008′s From The Valley To The Stars. While both records were beautiful in their downbeat demeanor, you couldn’t help but hope that Assbring would find a way to cheer up, if only for her own emotional well-being.

Unfortunately for Assbring – but fortunately for her listeners – delectable heartache is still the order of the day, and her third album Love Is Not Pop is again chock full of it, but the record stands a good distance apart from its predecessors for other reasons. Rather than the spare, ’50s doo-wop stylings that defined her previous work, Pop draws on a distinctly different aural palette. The core songwriting style and Assbring’s signature forlorn vocals remain, but the introduction of electronic textures and rhythms and Shields-y glider guitar overtop the spare (but occasionally orchestrated) arrangements is unexpected and welcome. Of course, the fact that the album proper is only seven tracks long, and the rest is padded out with remixes adds to the impression that this is a fresher, more sonically adventurous and dance-friendlier El Perro Del Mar. Actually, danceable might be a bit of a reach, but the extra tracks do showcase Assbring with an extra spring in her shuffle.

El Perro Del Mar is at the Mod Club on February 21 as part of a co-headlining tour with fellow Swede Taken By Trees, with the latter closing out this particular show. This is exciting as Victoria Bergsman – she who is Taken By Trees – isn’t especially predisposed to life on the road and hasn’t been to Toronto since the last visit from The Concretes. Unfortunately, it’s meant that Anna Ternheim, previously slated to open for El Perro Del Mar, will no longer be appearing. But maybe it’s a bit of a consolation that another MP3 from Taken By Trees’ East Of Eden is now up for grabs and is, appropriately enough, entitled “Anna”.

MP3: El Perro Del Mar – “Change Of Heart”
MP3: El Perro Del Mar – “Change Of Heart” (Rakamonie Remix)
MP3: Taken By Trees – “Anna”
Video: El Perro Del Mar – “Change Of Heart”
MySpace: El Perro Del Mar

Also Swedish but totally not sad are Love Is All. Their new record Two Thousand and Ten Injuries is out MArch 23 and they’re at the Horseshoe on April 3. Check out another track from the new album.

MP3: Love Is All – “Repetition”

Danish orchestral post-rock outfit Under Byen will release a new album in Alt Er Tabt on April 6.

Magnet Q&As Los Campesinos!, whom they’ve made guest editors of their site this week. Hope they hid all the breakables. Spinner, Islington Tribune, CMJ and Wales Online also have conversations, but don’t hand over the keys to the car. Los Campesinos! are at the Phoenix on April 20.

Laura Marling talks to NOW, The Visalia Times Delta and The San Francisco Examiner about making her new album I Speak Because I Can, out April 6. She plays Lee’s Palace on Tuesday night.

Chart, The Georgia Straight, The National Post, The Aquarian, San Jose Mercury News and The San Francisco Examiner talk to various members of Editors, who play the Phoenix on February 16.

Spin asks Dev Hynes about the secret origin of Lightspeed Champion. His second album Life Is Sweet! Pleased To Meet You, out February 16.

State has a word with Massive Attack, who’ve released a new video from Heligoland, out next week.

Video: Massive Attack – “Splitting The Atom”

Ska fans prepare to skank: The Specials reunion tour will include a stop in Toronto – the two-tone pioneers play the Sound Academy on April 19 – tickets $36.50 for floors, $46.50 for VIP balcony and The English Beat have a date at Lee’s Palace on May 18, tickets $23.50.

Video: The Specials – “Message To You Rudy”
Video: The English Beat – “Mirror In The Bathroom”

Pitchfork talks to Phoenix’s Thomas Mars about how it feels to be a Grammy Award winner.

The Music Fix has details on the next batch of Nick Cave & The Bad Seeds reissues, which will arrive in 5.1 surround sound and with a plethora of bonus goodies, on April 5.

Aux.tv has assembled a guide to the many, many online video session sites out there in the wilds of the internet. Not comprehensive – five more started up while I was typing this sentence – but a good start.

Leigh RightonFor a band that’s so good at doing things quietly, Calgary’s Woodpigeon certainly has a thing for volume. Their debut Songbook was originally released in 2006 in Canada and Japan, then reissued in Europe in 2008 to great critical acclaim. Their next release Treasury Library Canada wasn’t even intended to be a proper follow-up – just a collection of outtakes and leftovers from Songbook intended for sale as a limited run direct from the band. Thankfully, it became clear very quickly that it was too good a collection to not be made available to all – an opinion backed up by its eventual Polaris Prize longlisting – and it was reissued in early 2009, itself with another complete album appended as a bonus in Houndstooth Europa.

Which brings us to the impending release of their next album Die Stadt Muzikanten. Weighing in at 16 tracks and filled with orchestral pop finery, it’s no slight musical statement but again, Woodpigeon are all about value and North American and Japanese editions will come with Balladeer / To All The Guys I’ve Loved Before, described as an EP but at a dozen tracks and over 47 minutes, is pretty much another proper album recorded with Howard Bilerman, Steve Albini and Husky Hoskulds. And this round-up doesn’t even include all the one-offs, covers and whatnot that are regularly given away on their website. Sufficed to say, if you’re a Woodpigeon fan, you are never short of material to listen to.

Hearing said material live, however, is less easy – at least if you live in Ontario. Though the band has staged extensive tours throughout Europe, where they remain a much bigger draw than their home and native land, they rarely seem to make it out this way. Since 2007 they’ve only visited Toronto twice, opening for Calexico in July 2007 and an appearance at this Summer NxNE 2009. They’re looking to rectify that somewhat this Winter and have booked a fairly extensive tour through southern Ontario and Quebec, locally stopping at the Drake Underground on February 11.

Die Stadt Muzikanten is out on January 12 in Canada and Japan, March 1 in Europe and March 9 in the US, with Treasury Library Canada being made available domestically in the US for the first time as of that date as well. A sample track from Die Stadt is available below along with a holiday tune for the, well, holidays. Woodpigeon’s Mark Hamilton gave Ragged Words a list of his albums of the decade.

MP3: Woodpigeon – “Empty-Hall Sing-Along”
MP3: Woodpigeon – “xoxmas”

NYCTaper is sharing a recording of Final Fantasy’s recent show in New York, chock full of material from Heartland. Said album is out January 12 and the show that night at the Mod Club is sold right out. Way to dither.

Southern Souls has a video session with Olenka & The Autumn Lovers.

Spinner gets a rundown from Diamond Rings’ John O’Regan about how the Sony takedown kerfuffle last week shook out.

Stereogum talks to Born Ruffians about how the drummer situation that resulted in founding member Steve Hamelin giving up the throne for a spell this year was resolved, just in time to record sophomore album Say It, out early next year.

Joel Plaskett discusses the Thrush Hermit reunion with Spinner. That hits Lee’s Palace for two nights in March, the 26 and 27.

aux.tv recorded a video interview with The Rural Alberta Advantage at their instore last month at Soundscapes; The Portland Mercury also has a chat.

Toro y Moi and The Ruby Suns have a date at the Drake Underground on March 30. The former’s Causers Of This and the latter have a new one entitled Fight Softly and due out March 10.

MP3: Toro y Moi – “Blessa”
MP3: The Ruby Suns – “Tane Mahuta”

Swedes ahoy! Pitchfork reports that Taken By Trees will join Anna Ternheim as support for El Perro Del Mar on their upcoming North American tour, which stops in at the Mod Club on February 21. The Skinny talks to Victoria Bergsman.

MP3: Taken By Trees – “My Boys”
MP3: Taken By Trees – “Watch The Waves”
Video: Taken By Trees – “My Boys”

Denmark’s Efterklang have a date at the El Mocambo on March 6 as part of a North American tour in support of Magic Chairs, out February 22.

MP3: Efterklang – “Modern Drift”

The National Post talks to Bo Madsen of Mew.

Bettie Serveert will return with a new album in Pharmacy Of Love on March 23. There’s already a video for the first single.

Video: Bettie Serveert – “Deny All”

Filter solicits a list of Lightspeed Champion’s ten favourite things of 2009. Life Is Sweet! Nice To Meet You – which has good odds of being one of my favourite things of 2010 – is out February 16.

Fanfarlo plays a Tiny Desk Concert for NPR.