Ali BiddellIt hadn’t occurred to me until just now, but there’s a bit of a parallel between this site, right here, and Wavelength. They got a couple years’ head start on me, but both of us spent a solid decade servicing the Toronto independent music community – Wavelength with a weekly concert series that helped introduce the city and the world to much of the amazing music being produced in the 416 and 905, and chromewaves by, um, going to shows and taking pictures. Okay, perhaps the scale is a little different, but both of us also had the good sense to call it after a decade and trade the grind of a regular, regimented schedule for something a little more intermittent but hopefully just as meaningful.

Wavelength events are a bit fewer and far between than my posts – though hey, did you notice me posting just four times over the past fortnight? And not that this is my third post in 24 hours? – but one thing you can still set your watch to is their anniversary series, which always make the dark days of mid-February a little or a lot more musical. This year’s edition – the thirteenth birthday and thus the first entry in its awkward teen years – will take place from February 14 to 17 at venues around town, and while many of the headliners are familiar faces to Wavelength-goers and the Toronto scene in general, it’s notable that former Spiral Beach vocalist/guitarist Airick Woodhead’s new electro incarnation as Doldrums – already making waves internationally and one of the country’s more hotly-tipped new acts for the past year or so. He’s relocated from Toronto to Montreal, but will be back to close the Friday night showcase at the lower Great Hall, less than two weeks before his debut full-length Lesser Evil is released on February 26. Will it deliver on the long-simmering buzz? Dunno, but you can bet that the show will be sold out by people looking to find out.

The rest of the weekend shapes up as follows; hit up Wavelength for descriptions of each act. Advance tickets for each show will be available or you can get an all-access festival pass for $39.

Thursday, February 14 @ The Shop under Parts & Labour ($10 advance)
Lullabye Arkestra / Ell V Gore / Fresh Snow / This Mess / Slow-Pitch

Friday, February 15 @ Black Box Theatre/The Great Hall Downstairs ($15 advance)
Doldrums / Cadence Weapon / Blue Hawaii / Blonde Elvis / Thighs

Saturday, February 16 @ The Great Hall Upstairs ($15 advance)
Do Make Say Think / Evening Hymns / Sarah Neufeld / Doom Squad / Bernice

Sunday, February 17 @ The Garrison ($10 advance)
Cookie Duster / The Magic / Henri Fabergé & the Adorables / Cell Memory & Castle If / Legato Vipers

MP3: Cadence Weapon – “Conditioning”
MP3: Do Make Say Think – “Greed Waltz”
MP3: Doldrums – “She Is The Wave”
MP3: Evening Hymns – “Arrows”
MP3: The Magic – “Door To Door”

A few years on from his last album, Hayden is gearing up for the release of his new record Us Alone on February 5 with the announcement of a North American tour that will manage the rare feat of staging a three-night stand that will almost certainly leave most of his fans shut out. A more properly-sized hometown show will almost certainly follow, but for now local fans have the choice between seeing him on February 20 at the tiny Dakota Tavern, February 21 at the even tinier Cameron House, or February 22 at the not-that-tiny-but-certainly-not-large Rivoli. Advance tickets – you’ll want those – are available at Arts & Crafts. You can download one of the songs from his new record and stream another.

MP3: Hayden – “Old Dreams”
Stream: Hayden – “Rainy Saturday”

Stars gives aux.tv a behind-the-scenes look at their video from “Backlines”. They’re at The Danforth Music Hall on March 20 and 21.

aux.tv interviews Grimes, whom they declared their artist of the year. Last year.

Filter gets some touring thoughts from Patrick Watson.

Tony Dekker of Great Lake Swimmers plays clotheshorse and also a video session for British designer Mr Porter.

Toro interviews The Wilderness Of Manitoba.

Hot on the heels of their holiday edition, The Line Of Best Fit has another Oh! Canada compilation of Canuck artists available to download. No holiday songs, guaranteed!

Norman WongConsidering their fanbases intersect pretty heavily, it wouldn’t have been unreasonable to think that Stars’ Autumn jaunt supporting Metric across Canada’s finest arenas would constitute the bulk of their touring in support of their latest effort The North. Not unreasonable, but also incorrect.

Following forays to Europe and Australasia this Winter, Stars will embark on another transcontinental tour in the Spring with certain cities hosting a two-night stand that the band promise will be more than just repeated sets. They’ve dubbed these shows “Evenings Of Sex & Death” and will be plumbing their discographies for songs relating to each topic – not difficult, certainly – to create themed evenings. And if that means super-fans will want to attend both nights rather than just choose one or another, then all the better. Though let’s be honest, they would have anyways. Toronto plays host to one of the two-parters on March 20 and 21 at the Danforth Music Hall, with tickets for individual nights going for $29.50 a piece or $50 for both evenings. These go on sale this Saturday at 10AM.

Canada.com has an interview with Amy Millan.

MP3: Stars – “Hold On When You Get Love And Let Go When You Give It”
MP3: Stars – “The Theory Of Relativity”

The Drake Hotel has released details of this year’s What’s In The Box Boxing Week concert series, which they’ve been doing since 2006 and sees five bands and/or DJs playing the Underground each night from December 26 to 30 with a modest $5 cover for all. There’s still some TBAs in the itinerary, but with names like July Talk, Born Ruffians frontman Luke Lalonde, Dusted, and Zeus in the mix, you know they’re going to be sold out regardless of who else gets added.

MP3: Zeus – “Anything You Want Dear”
MP3: Dusted – “(Into The) Atmosphere”
Stream: Luke Lalonde – “(Grand) Rhythmnals”
Video: July Talk – “Paper Girl”

Looking ahead to the new year, Basia Bulat – who will have a new record out in 2013 – will be performing at the January installment of the Art Gallery Of Ontario’s 1st Thursday monthly programme on January 3. If you’re not familiar with it – and I wasn’t until I went to this month’s – $10 gets you not only the show, but run of the AGO’s exhibits with the addition of impromptu dance clubs, taco bars, and drop-in life-drawing classes. It’s good fun, but know that it will sell out so advance tickets are recommended and people get quite dressed up for it. Except for the ones who are naked.

MP3: Basia Bulat – “Gold Rush”

Yamantaka//Sonic Titan – who incidentally played this month’s 1st Thursday – will be at The Garrison on January 18, part of a compact Ontario tour. Dazed & Confused has an interview with band principals Alaska and Ruby.

Video: Yamantaka // Sonic Titan – “Hoshi Neko”

Fucked Up have squeezed another video out of David Comes To Life. They headline their Long Winter show at The Great Hall on Friday and will also open up the Alexisonfire farewell show at The Sound Academy on December 27.

Video: Fucked Up – “Inside A Frame”

DIY has details on the European release of Woodpigeon’s new album Thumbtacks & Glue, which is perhaps fitting since Mark Hamilton is now an Austria-residing ex-pat. It’s out February 25 over there, and should be released around then in Canada via Boompa. You can stream one of the new songs right now. Update: Under The Radar confirms February 26 as the North American release and has another new track to download.

MP3: Woodpigeon – “Red Rover, Red Rover”
Stream: Woodpigeon – “Sufferin’ Suckatash”

PEI power-poppers Two Hours Traffic have announced details of their next album, entitled Foolish Blood and due out February 19. Head over to Exclaim for details and stream the first single below.

Stream: Two Hours Traffic – “Last Star”

Chains Of Love have made a single from their forthcoming second album – now revealed to be called Misery Makers and due out in the Spring – available to download.

MP3: Chains Of Love – “Pretend”

Beatroute and The Chicago Tribune talk to Japandroids.

The Line Of Best Fit has released this year’s holiday edition of their Oh! Canada compilation – or Ho! Ho! Ho! Canada – for free download, featuring holiday-themed original songs from the likes of The Wilderness Of Manitoba, The Acorn, and Del Bel amongst many others. One of those others being Kathryn Calder, who has upped the ante with a video for her contribution, which is intended as a fundraiser for Plan Canada’s Because I Am A Girl charity – read Calder’s message for the video at The Line Of Best Fit.

Video: Kathryn Calder – “Little Ones”

And whilst talking about charitable Christmas compilations, Zunior has assembled a tribute album to surf rock heroes The Ventures’ 1965 release The Ventures Christmas Album, featuring names like Sister and Super Friendz. All proceeds from the comp will go to The Daily Bread Food Bank.

And if you hadn’t taken a boo yet, the first batch of names who will be in town from March 19 to 24 for Canadian Musicfest were rolled out last week. Putting aside the big names like Nick Cave and Rihanna who clearly are not in town for Canadian Musicfest but will be admitting approximately one lucky wristband holder for marketing purposes, I look forward to seeing acts like… ok I’ll get back to you.

Pavla KopecnaIn mentioning yesterday that winning the Mercury Prize allowed Alt-J to graduate from playing Wrongbar in September to playing The Phoenix in March, we can also scientifically see what only getting nominated to the shortlist gets you. Django Django, who were shortlisted on the strength of their self-titled debut, also played Wrongbar in late September and have also just scheduled a Spring tour that brings them back to town in March – March 12, specifically, and at The Opera House. So based on the capacities of these two rooms, what can we discern? Winning the Mercury lets you play to about 200 more people. QED. Tickets are $17.50.

DIY has an interview with Django Django, who’ve just released a new video from the aforementioned Mercury-nominated album. There’s also a World Cafe session up at NPR.

MP3: Django Django – “Default”
Video: Django Django – “Life’s A Beach”

Also just announced – Ken Stringfellow of The Posies, R.E.M., and Big Star will be in town as just Ken Stringfellow – solo artist who released Danzig In The Moonlight in October – for a date at The Drake Underground on February 19. Tickets for that are $15, and God Is In The TV has an interview.

MP3: Ken Stringfellow – “Doesn’t It Remind You Of Something”

Chapel Hill’s rootsy Mount Moriah – recently signed to Merge and getting a lot of good press – will release their second album Miracle Temple on February 26 and be in town at The Drake on March 20 to celebrate; that’ll be part of Canadian Music Week, if you were wondering.

Stream: Mount Moriah – “Lament”

The Get Down Stay Down are at Lee’s Palace on March 27 in support of their new album We The Common, due out February 5. Sallie Ford & The Sound Outside support, tickets are $17.50 in advance. Full tour dates at Exclaim.

MP3: Thao & The Get Down Stay Down – “Know Better Learn Faster”

And if you hadn’t heard and were interested, the reunited but still Christine McVie-less Fleetwod Mac will be at the Air Canada Centre on April 16. Stevie Nicks talks to The Los Angeles Times about the upcoming tour, while Rolling Stone also loops in Lindsey Buckingham for a Q&A.

Video: Fleetwood Mac – “Go Your Own Way”

Pitchfork and Rolling Stone talk to ex-Girls frontman Christopher Owens about his solo debut Lysandre, out January 15. He plays The Mod Club on January 18.

DIY has an interview and The Alternate Side a session with The Antlers.

The AV Club have premiered a new video from Crooked Fingers’ 2011 effort Breaks In The Armor and The Line Of Best Fit also has a video session on offer.

Video: Crooked Fingers – “Bad Blood”

DIY talks to Mike Hadreas of Perfume Genius.

Stereogum has an interview with Dayve Hawk of Memory Tapes.

DIY talks to Wild Nothing’s Jack Tatum.

The Austin Chronicle, Phoenix New Times, and Dallas Observer interview John Darnielle of The Mountain Goats.

NPR has a World Cafe session with Stars.

Spin, ABC News, The New Zealand Herald, DIY, and The Daily Swarm talk to Claire Boucher of Grimes.

The Grid and NOW preview Joel Plaskett’s upcoming five-night stand at The Horseshoe next week. That’s December 12 to 16.

Spinner finds out why a Raveonettes-mixed new No Joy album won’t be winding its way to you anytime soon. Or ever.

Modern Superstitions talk to aux.tv about their self-titled debut.

DIY has a quick chat with Wild Beasts.

The Fly has a video session with 2:54.

TOY are interviewed as part of DIY‘s year-end wrap.

Pitchfork reports that Phoenix are planning to rise again with a new album in or around April. That there’s the sound of Two Door Cinema Club’s business model collapsing.

M83 have released the fourth video from Hurry Up, We’re Dreaming.

Video: M83 – “Wait”

DIY interviews Tame Impala, in town at The Kool Haus on March 9.

Sigur Rós have released the final installment of their Valtari Mystery Film Experiment – just in time for the screenings happening worldwide and at The Bloor Cinema on Saturday. This one’s another short film rather than conventional video, and is directed by Floria Sigismondi and stars Elle Fanning and John Hawkes. Save the best – or at least biggest-named – for last, yeah? Sigur Rós are at The Air Canada Centre on March 30.

Video: Sigur Rós – “Leaning Towards Solace”

And with that, everything I’ve had in my blog drafts hopper is gone. It’s empty! There’s nothing left! You know what that means? Me neither. I’m scared.

Frank YangIt’s probably a reach to think that Sloan had some sort of master plan for the past couple years that would pull their career from the respectable but not overly remarkable holding pattern that it’d been in for the past few albums and make them both exciting and relevant again, but that’s pretty much what they’ve managed to do. Their twentieth anniversary as a band last year was kept from being a one-way trip down memory lane thanks to The Double Cross, arguably their best album this century (those arguing otherwise would generally be arguing for 2006’s Never Hear The End Of It). Further, their partaking in the “Don’t Look Back”-style album recital shows – Once Chord To Another for a local show last December and Twice Removed for this Fall tour – was an attractive hook for getting old fans who might have lost interest in recent years to be reminded of why they loved the band in the first place and that despite ups and downs in their discography, they’re still one of the best acts this country has produced in the past two decades.

I covered the landmark-ness of Twice Removed back in September, and as you’d expect given its iconic status, The Phoenix was sold out for Thursday night’s (adopted) hometown performance, the second-last show of their cross-country tour. Not as many people as who’d shown up for their epic show at Echo Beach last August, but that was a free show – hardly a fair point of comparison by numbers, but you could probably make a case for this show’s crowd winning on enthusiasm and anticipation. Despite promising to be on at the stroke of 8 – as with many shows on this tour, there was no opening act – the stage remained empty until quarter-to-nine, perhaps all a ploy to get some old-school “Slooo-aaaaan” changes going. If so, it worked.

When they finally took the stage, it was straight into “Penpals” and the first of many boisterous, singalong moments. And here’s where I’ll make a point about Twice Removed that I didn’t mention last time – for all the love laid at its doorstep, it’s really quite an odd record. Catching the band in the process of transitioning from a noise- to power-pop outfit and before each of the four songwriters had settled into the roles and styles that’d define them henceforth, it’s high on quirk and creative forays that they’d not repeat later in their career. In practical terms, it also meant that fewer Twice Removed songs made it into live sets than their more chart-friendly peers. Why play “Bells On” rather than “She Means What She Says”? “I Hate My Generation” instead of “The Rest Of My Life”? Maybe the Twice Removed recital was largely fan service and a nostalgia exercise, but it’s also true that its songs don’t get nearly the live attention that they deserve, and was as much of a treat as anyone could have hoped.

Even though the band took a decidedly businesslike approach to getting through the material – little talking, straight onto the next song – they still created no shortage of magical little moments; fitting for an album defined more by its magical little moments than any big, rousing singles. Patrick Pentland’s “Loosens” reminding everyone that he was the sensitive pop guy in the band before he decided to become the classic rock guy, Chris Murphy and Andrew Scott going it alone for the guitar-and-drum highlight “Deeper Than Beauty”, the irresistible chorus of Jay Ferguson’s “Snowsuit Sound”, and perhaps most of all, their bringing out jale’s Jennifer Pierce to reprise her harmonies with Pentland on too-sweet-for-words album closer “I Can Feel It”.

Sloan left the stage on that high for an extended intermission, but returned for a second 45-minute set of career-spanning material that offered a good balance of hits and deep cuts, an extra bit of focus on Double Cross and a four-song mini-set of Andrew Scott tunes in the middle of it all. It may not have been formulated to keep a packed house packed – people began peeling off throughout the second set as it became clear that it wouldn’t be a greatest hits revue – but I have to respect the band for keeping it unpredictable (though thankfully not as unpredictable as their all b-sides set at Sonic Boom for Record Store Day 2010. And I can only hope that those who left early got a good night’s sleep, because it meant they missed hearing Jennifer Pierce return for the encore to cover her parts on Smeared‘s rarely-played “I Am The Cancer”, didn’t get to see Chris Murphy’s one scissor-kick of the night during “Losing California”, and didn’t get to sing along with “Underwhelmed” for the set closer.

It’s no easy thing to work both the nostalgia circuit and maintain your status as a creative, active band simultaneously – I can only think of The Wedding Present as far as acts who are even really trying over the long term – but Sloan are doing a fine job of it. During the show, they promised a new studio album in 2013 and a One Chord To Another deluxe reissue set after that. What’s next, Navy Blues live? Bring it. I’ll stay interested until Pretty Together.

NOW, BlogTO, and The Record talk to Jay Ferguson about revisiting Twice Removed. The National Post also has a writeup of the show.

Photos: Sloan @ The Phoenix – November 22, 2012
MP3: Sloan – “Follow The Leader”
MP3: Sloan – “The Answer Was You”
MP3: Sloan – “Unkind”
MP3: Sloan – “I’m Not A Kid Anymore”
Video: Sloan – “Unkind”
Video: Sloan – “Witch’s Wand”
Video: Sloan – “Emergency 911”
Video: Sloan – “All Used Up”
Video: Sloan – “The Rest Of My Life”
Video: Sloan – “The Other Man”
Video: Sloan – “Friendship”
Video: Sloan – “Losing California”
Video: Sloan – “She Says What She Means”
Video: Sloan – “Money City Maniacs”
Video: Sloan – “The Lines You Amend”
Video: Sloan – “Everything You’ve Done Wrong”
Video: Sloan – “The Good In Everyone”
Video: Sloan – “People Of The Sky”
Video: Sloan – “Coax Me”
Video: Sloan – “500 Up”
Video: Sloan – “Underwhelmed”

Another track from Crystal Castles’ new album (III) has been made available to download.

MP3: Crystal Castles – “Affection”

CBC Music talks to Gentleman Reg about his new album Leisure Life, which they’ve also got available to stream in whole. He plays a record release show at The Gladstone on December 2.

Stream: Gentleman Reg / Leisure Life

Also available to steam at CBC Music with attendant Q&A is The Dears’ new Live At Pasagüero live album, out digitally this week.

Stream: The Dears / Live At Pasagüero

Spinner has an interview and Bowery Presents an acoustic video session with Diamond Rings, coming home for a show at The Mod Club this week on November 29.

Pop This and The Vancouver Sun have interviews with Cold Specks, opening up for Conor Oberst at Massey Hall on December 8.

The Fly talks to Purity Ring, in town at The Phoenix on February 1.

The Grid Q&As Emily Haines of Metric.

Spinner and State have long and short interviews with Torq Campbell and Pat McGee of Stars, respectively.

Marc PannozzoIt’s true that Crystal Castles had to push the release of their third album (III) back a week from this past Tuesday to next, but they only barely needed the extra time. The record went up as an advance stream earlier this week at MuchMusic, offering further evidence that the Toronto duo of Alice Glass and Ethan Kath have come a long way since the glitchy, more spectacle than songcraft hype of their 2008 self-titled debut. (III) is still built on bent beats, shrieked vocals, and chopped-up synths, but is far less confrontational, far more melodic and sophisticated, and is arguably more about something – talking points around the record are decidedly social-political – than just acting out. And you can still dance to it like a spaz.

Pitchfork has an interview with the duo. It went better than The Village Voice’s.

MP3: Crystal Castles – “Wrath Of God”
MP3: Crystal Castles – “Plague”
Stream: Crystal Castles / (III)

The 405 meets Japandroids, back in town at The Phoenix on December 11.

Blurt and The Georgia Straight meet METZ.

PS I Love You have released a new video from Death Dreams, and CBC Music has both an interview and video featurette on the making of the clip.

Video: PS I Love You – “Saskatoon”

The Alternate Side has a session, and Beatroute and The Santa Cruz Sentinel interviews with Diamond Rings, back home for a show at The Mod Club on November 29.

The Province, The Globe & Mail, Beatroute talks Metric, headlining the Air Canada Centre on November 24.

Billboard and Beatroute have features on Stars, who are opening up that Metric show at the ACC.

Evening Hymns are giving away an EP of live recordings made on their recent European tour via Facebook; warning – you may have to “like” them. Forewarned. They play The Church Of The Redeemer on December 15.

Daphni have released a video from Jiaolong.

Video: Daphni – “Ahora”

DIY talks to Chains Of Love.

Brasstronaut have released a new video from their latest record Mean Sun.

Video: Brasstronaut – “Mean Sun”

Poster boys for, “never believe us when we say we’re breaking up again”, The Lowest Of the Low are the latest Canadian institutions who’ll be helping The Horseshoe turn 65, setting up shop at the bar for two nights, December 19 and 20, tickets $26.50 in advance.

MP3: The Lowest Of The Low – “Bleed A Little While Tonight”

DIY talked to Damian, Jonah, and Sandy of Fucked Up prior to this year’s Polaris Prize gala, while CBC Music gets Mike Haliechuk to talk about his writing process for the band. They play The Great Hall tonight for the first installment of Long Winter.

The Vancouver Sun, Georgia Straight, Beatroute chats with A.C. Newman.

DIY has a video session with Patrick Watson. He plays Massey Hall on December 6.

Beatroute and The Vancouver Sun chat with Rose Cousins.

DIY has an interview with Kathleen Edwards.

Exclaim have got a stream of Have Not Been The Same, the compilation of Canadian indie rock rarities from the likes of Sloan, Weeping Tile, and Doughboys, and companion to Have Not Been The Same: The CanRock Renaissance 1985-1995, due out next week.

Stream: various artists / Have Not Been The Same