Frank YangIf you’re ever debating what to do on a given evening of either Canadian Musicfest or NXNE, you can always do far worse than to simply post up at either The Horseshoe or Lee’s Palace for the entire evening. These Toronto anchors always host a solid bill of bands, both local and international, buzzy and unheralded, covering a swath of genres that will surely have something to delight the ears. Granted, I was there with a more specific mandate than to just take in some music – I wanted to see Savages – but still opted to spend the whole night there and see some other acts I’d not seen before. Because isn’t that the point of these things?

Vancouver’s Zolas drew the opening slot and my immediate impression of their lanky, piano-heavy and slightly funky rock was that they sounded like Spoon, but those comparisons became less valid as the set progressed. The ingredients were similar, but their recipe drew more from laid-back, ’70s pop-rock than the tense, ’80s post-punk influences of the Austinites. This didn’t make their set any less enjoyable, but I can’t say I wasn’t a bit disappointed that they weren’t a more adventurous outfit. Still, their sound was a crowd-pleasing one and when frontman Zachary Gray left the stage to sing the final song from the audience, it felt like he had been invited rather than invaded.

Photos: The Zolas @ The Horseshoe – March 22, 2013
Video: The Zolas – “Escape Artist”
Video: The Zolas – “Cab Driver”
Video: The Zolas – “Knot In My Heart”
Video: The Zolas – “No Talking”
Video: The Zolas – “The Great Collapse”

There’s almost no chance I’d have ever seen Dustin Bentall & The Smokes perform if not for the inherent eclecticism of club festival lineups. Not because I’d have gone out of my to avoid them, but because their brand of unaffected roots-rock ceased being the sort of thing that piqued my curiosity some time ago. But that doesn’t mean it can’t be entertaining, because it absolutely was – Bentall has an easy charm and his songs a friendly familiarity that helps compensate for the rather pedestrian songwriting, to say nothing of the live show – Kendel Carson’s aggressively virtuosic lead fiddle playing could make anything sound amazing.

Photos: Dustin Bentall & The Smokes @ The Horseshoe – March 22, 2013
MP3: Dustin Bentall & The Smokes – “Railroad”
Video: Dustin Bentall & The Smokes – “Streets With No Name”

Hamilton’s Young Rival have been kicking around for a while now – six years and two albums, says Wikipedia – but our paths had yet to cross, or at least until last month when one of their clips was shortlisted for the Prism Prize. In any case, I was advised just before their set to expect something between garage rock and power pop, and while this was true, their set tilted much more towards the former. They offered great guitarwork and a solid rhythm section and songwriting which while not the most memorable, was more than serviceable for rock’n'roll. I would have expected more showmanship from a power trio as tight as they were, but while they weren’t disinterested, they also didn’t seem especially fussed about wowing the audience.

Photos: Young Rival @ The Horseshoe – March 22, 2013
Video: Young Rival – “Two Reasons”
Video: Young Rival – “Nothing You Know Well”
Video: Young Rival – “The Ocean”
Video: Young Rival – “Authentic”
Video: Young Rival – “Your Island”

It was good to see that each of the acts on the bill had their own fanbase turn out, based on the enthusiasm of varying percentages of the audience and the constant turnover of the folks gathered up front, but for me it was London four-piece Savages who were the reason for being here this night. Not because I’m a huge fan, but because I’m not. Or more accurately, I was curious to see if the hype around a band with hardly any recorded output and yet just signed to one of the most respected labels around was justified. And for the record, their “they’re amazing live” reputation actually counted as something of a strike in my books, since talking about the performance before establishing the songs are there raises flags with me.

In any case, Savages took the stage certainly looking as you’d expect – lights dimmed, faces stern, and dressed all in black save for frontwoman Jehny Beth, who in addition to looking an uncanny hybrid of Ian Curtis and Sinead O’Connor, also wore a pair of bright red heels. And for the next 40 minutes, it was all business – that business being a relentless, sonic pummeling of the post-punk variety, all hard edges and not so much interested in hooks as stabs. Each song had a distinct musical angle to distinguish it from the others without compromising their aesthetic consistency, but this wasn’t always enough to make them memorable, particularly measured against the standard of their two best songs and set closers, “She Will” – which was highlighted by drummer Fay Milton absolutely destroying her splash cymbal – and “Husbands”. No question Savages put on a good show, but I will still reserve judgement until the May 7 release of Silence Yourself when I can hear if they’ve got the songs to back up the performance.

Photos: Savages @ The Horseshoe – March 22, 2013
Stream: Savages – “She Will”

There’s probably a rule somewhere that you can’t call it a festival without some ’90s-vintage reunion act, and that’s where the night’s ostensible headliners Limblifter came in. I wouldn’t say I had any particular affection or enmity towards the Vancouver band, having liked some of their hits back in the day and been indifferent to others, but I could think of worse things than to hear “Vicious” live. It’s worth noting that just as frontman Ryan Dahle has aged remarkably well over the past 15 years, Limblifter’s sound has also held up pretty well. Their slightly strangled, angsty grunge-pop is still very much of an era – on hearing “Screwed Up” I half-expected a space-time wormhole to open up and drag me back to my sophomore year (this would not have been a good thing) – but enough of their repertoire is strong enough melodically to still impress so many years hence; to wit, “Tinfoil” still sounded great. And as evidence that Limblifter was still a going concern in 2013, they introduced some new material that didn’t feel out of place with the old. Whether the folks in attendance were actually interested in adding to their Limblifter collection rather than just hearing the old tunes remains to be seen, but for this night, at least, they were loving it.

The KW Record has an interview with Limblifter.

Photos: Limblifter @ The Horseshoe – March 22, 2013
Video: Limblifter – “Perfect Day To Disappear”
Video: Limblifter – “Wake Up To The Sun”
Video: Limblifter – “Cordova”
Video: Limblifter – “Vicious”
Video: Limblifter – “On The Moon”
Video: Limblifter – “Ariel Vs Lotus”
Video: Limblifter – “Tinfoil”

NOW and The Montreal Gazette talk to The Besnard Lakes about their new album Until In Excess, Imperceptible UFO, out April 2. And if you were thinking that it was about time an advance stream of the album surfaced, you would be correct – CBC Music has it (for Canadians).

Stream: The Besnard Lakes / Until In Excess, Imperceptible UFO

Beatroute, The Leader-Post, The Province, Metro, and The Times-Colonist chat with Born Ruffians about their new album Birthmarks, out April 16.

Exclaim has premiered the first video from Gentleman Reg’s latest album Leisure Life. He’ll play songs from it at an in-store at Sunrise Records on Yonge St on April 19.

Video: Gentleman Reg – “Waiting Around For Gold”

Consequence Of Sound reports that Caribou will celebrate Record Store Day with vinyl reissues of his first three albums. That’s April 20 for those not keeping track.

Portals talks to Stephen Ramsay of Young Galaxy about the story behind their new single “Pretty Boy”. Their new album Ultramarine is out April 23 and another track from it is available to stream:

Stream: Young Galaxy – “New Summer”

Exclaim talks to Rachel Zeffira, who is in town for a rare show at The Drake on May 2.

NPR has video of one of METZ’s performances at SXSW this year. They play Lee’s Palace on May 17 and then Downsview Park opening up for Weezer on July 12.

The Toronto Sun, Black Book, and amNY chat with Stars, BlogTO with The Darcys, and The Georgia Straight, Vue, Playback, and FFWD with Hayden – all of whom are part of the Field Trip festival at Garrison Common on June 8.

A Heart Is A Spade and Noisey grabbed interviews with Diamond Rings at SXSW; he opens up both of OMD’s shows at the Danforth Music Hall on July 11 and 19.

Exclaim rounds up some details on Shad’s next album, Flying Colours.

Kestrels have released a new video from A Ghost History.

Video: Kestrels – “Drowning Girl”

Suuns answers questions from Spinner, Noisey, The 405, All The Write Notes, and Ca Va Cool.

Colin MedleyThis here is another of those posts that, were it a category on Jeopardy, would be called “Potpourri” on account of it being a whole lot of this and that with only the passports of the artists mentioned in common.

And I’ll start with Toronto’s METZ because, well, I haven’t used one of their photos yet and my posting process is really that random. The trio has been making a lot of noise – literally and figuratively – on the back of their self-titled debut, and while it wouldn’t normally be my particular sack of hammers, there’s a clarity to their attack and just enough underlying melody for me to get behind. I’d like to experience one of their legendarily… energetic live shows, but we’ll probably have to wait until at least the Spring as they’re taking their show through Europe for pretty all of the first quarter of 2013. In the meantime, there’s a recording of their show at the Knitting Factory in New York last month over at NYC Taper, NPR has just posted video of a KEXP radio session, and the a-side of their new, non-album single is available to stream.

Stream: METZ – “Dirty Shirt”

Exclaim gets a look inside Yamataka//Sonic Titan’s home studio/headquarters and also asks them what they’ve got in mind for their second album. They play 1st Thursday at the Art Gallery Of Ontario this Thursday night, December 6.

The Line Of Best Fit, The Lantern, and The Marquette Tribune interview Patrick Watson, headlining Massey Hall on December 6.

The Line Of Best Fit and The 405 have interviews with Do Make Say Think, who’ve made a track from their live soundtrack to the 1924 film Greed available to download via CBC Music. They’re at The Opera House on December 7.

MP3: Do Make Say Think – “Greed Waltz”

Fucked Up have announced the lineup for the second installment of their Long Winter series, taking place December 14 at The Great Hall. They will again headline the event, and be joined by Dusted, Laura Barrett, and many more. Admission is pay what you can.

MP3: Fucked Up – “I Hate Summer”
MP3: Dusted – “(Into The) Atmosphere”

The Wooden Sky have announced details of their third annual Holiday Revue charity show, scheduled for December 17 at The Music Gallery. Tickets for the show are $20 and all proceeds from the event will go to the Daily Bread Food Bank. Support will be announced later this week. Metro talks to frontman Gavin Gardiner.

MP3: The Wooden Sky – “Child Of The Valley”

If you were wondering why it’s not been possible to get tickets for the Evening Hymns show at the Church Of The Redeemer on December 15 announced in October, it’s because that show is no longer happening. It has been replaced by one at The Music Gallery on December 20, tickets $17 and available right now via Kelp Records. So the room is still appropriately church-y but it’s also smaller, so if you wanted to go, best get on that. Neil Haverty of Bruce Peninsula will open up.

MP3: Evening Hymns – “Arrows”

Julie Doiron has scheduled a show at The Horseshoe for January 25 in support of her new album So Many Days. Tickets are $15 in advance. The Vancouver Sun and The Province have profiles.

MP3: Julie Doiron – “By The Lake”

The lead single from Suuns’ new album Images Du Futur is now available to download. It’s out March 5.

MP3: Suuns – “Edie’s Dream”

AC Newman has a new video from his latest solo record Shut Down The Streets.

Video: AC Newman – “I’m Not Talking”

The Toronto Star, Montreal Gazette, and MTV have feature pieces on Diamond Rings, who’s released a live route for an alternate version video from Free Dimensional.

Video: Diamond Rings – “I’m Just Me”

Martin Tielli has taken to Facebook to explain his withdrawal from the Rheostatics reunion shows which were to have taken place this week; Radio Free Canuckistan has reposted the message for those who are just fans but maybe not friends of Tielli.

The National Post has an interview with The Dears.

CBC Music gets to know Shad. Again. Some more.

Exclaim has some videos from Bry Webb’s recent Toronto Public Library performance available to watch.

Hooded Fang stops in at DIY for a video session.

Spin interviews Alice Glass of Crystal Castles.

Exclaim asks Chains Of Love about their plans for album number two.

BlogTO chats with Gentleman Reg.

Spinner talks to Neil Young about last night’s Hurricane Sandy benefit in New York.

Andréa de KeijzerShaking out the “Made in Canada” box to kick off the week.

L Con is the sort-of but not-really pseudonym for Lisa Conway, perhaps better known as the voice of Toronto’s moody, art-orch ensemble Del Bel, who’ve been wholly endorsed in these parts. Conway just released her solo debut as L Con in The Ballad Project and while it doesn’t necessarily put a lot of sonic distance between itself and Del Bel’s Oneiric, as the name implies it’s less atmospheric and more song-centric, specifically with string- and horn-laden, torchy ballads that are perfectly suited to Conway’s smoky, forlorn, and strategically soaring vocals.

CBC Music talks to Conway about the new record, which is available to stream in whole, and aux.tv premiered the first video from the release a little while ago. A set of tour dates was just announced and includes a November 24 date at Cinecycle in Toronto.

Video: L Con – “Oh How Love”
Stream: L CON / The Ballad Project

BlogTO talks to emergent disco-pop outfit Diana, whose impressive collective resume includes Army Girls, Destroyer, The Hidden Cameras, and Bonjay. They play the first installment of Fucked Up’s Long Winter series at The Great Hall on November 9.

The Magic, who count Evening Hymns’ Sylvie Smith amongst their members, have released a new video from their debut Ragged Gold. OTM has an interview with the bandleading Gordon brothers.

Video: The Magic – “Call Me Up”

Little bit of trivia – once upon a time, Smith played in a band with John O’Regan of The D’Urbervilles called Habitat; I saw them back in in 2007. That project didn’t last too long but O’Regan has found a little more success with a new non-D’Urbs project he calls Diamond Rings. NOW talks to him about being voted “Toronto’s best male vocalist” in this year’s reader’s poll. He shows off those pipes at The Mod Club on November 29. The Horn also has an interview previewing this past weekend’s appearance at Fun Fun Fun Fest in Austin.

The Quietus talks to Dan Snaith about what separates his Daphni project from his Caribou project.

Evening Hymns have a new video from Spectral Dusk, directed by Bruce Peninsula’s Neil Haverty. Evening Hymns play the Church Of The Redeemer on December 15.

Video: Evening Hymns – “Spirit In The Sky”

Consequence Of Sound has premiered the latest video from Shad’s ’90s-saluting Melancholy & The Infinite Shadness mixtape.

Video: Shad – “It Ain’t Over”

CBC Music has premiered the new video from Cold Specks’ I Predict A Graceful Expulsion, and the b-side from the single release of the song is also available to stream. And if that’s not enough, DIY has a video session with Al Spx and The Coast a short interview. Cold Specks support Conor Oberst at Massey Hall on December 8.

Video: Cold Specks – “Hector”
Stream: Cold Specks – “Post-Operative #8″

Feist has squeezed another video out of Metals.

Video: Feist – “Graveyard”

The Wilderness Of Manitoba have put out a second video from their new record Island Of Echoes.

Video: The Wilderness Of Manitoba – “Echoes”

The 1st Thursday monthly series at The Art Gallery of Ontario will have Yamantaka//Sonic Titan as their musical performer at next month’s edition, happening December 6. The Coast also has an interview.

Video: Yamantaka // Sonic Titan – “Hoshi Neko”

Stereogum interviews Damian Abraham of Fucked Up. They’re also playing the aforementioned Long Winter at The Great Hall on Friday night.

Crystal Castles weren’t able to get their new album III ready for release this Tuesday as originally intended, but they have made another song from it available to stream before its officially out next Tuesday, November 13.

Stream: Crystal Castles – “Affection”

Woodpigeon has announced a February 25 release date for his new record Thumbtacks & Glue, and to hold you over until then, this Fall’s Diamonds tour-only album is now available to mail order.

DIY interviews Grimes.

A.C. Newman chats with DIY.

DIY has written up their visit to the Polaris Music Prize gala in September and in a bit of fun, have rated the respective winners of the Polaris and Mercury Prizes over the last seven years head-to-head.

Norman WongOkay, since I am posting this from the north of Quebec – okay, not really that north, but considerably further north than Bloor St. in Rouyn-Noranda for this year’s Festival de musique émergente – I figure this is as good a time as any to run a pretty sweet giveaway for – wait for it – The North. As in the new record from Stars, out this coming Tuesday.

Thanks to the folks at Universal Music Canada, I have numerous copies of The North to give away in both analog and digital formats – the the former, a pair of LPs on blue vinyl, and to the latter, five silver CDs. To enter, leave a comment below with your email (it will be hidden from prying eyes), album format in order of preference, and tell me the furthest north point in Canada you’ve ever been. If you want to be precise, Google will tell you the latitude of anywhere if you ask nicely. Interestingly, Rouyn-Noranda is one degree further south than Vancouver, making that my northernmost sojourn in our fine country. Anyways, the contest is open to residents of Canada only and winners will be chosen on September 15.

The North was made available to preview via NPR stream at the start of this week, but The National Post has made their hosted stream worth checking out by adding track-by-track commentary from Torq Campbell. Consequence Of Sound also talks to Campbell about the new record.

Stars open up for Metric at The Air Canada Centre on November 24.

MP3: Stars – “Hold On When You Get Love And Let Go When You Give It”
MP3: Stars – “The Theory Of Relativity”
Stream: Stars / The North

The Wilderness Of Manitoba’s second album Island Of Echoes will be coming out on September 18 and they’ve booked a hometown record release show at Trinity-St. Paul’s for October 26. Fancy!

MP3: The Wilderness Of Manitoba – “Morning Sun”

The Wooden Sky have been touring their latest Every Child A Daughter, Every Moon A Sun over hill and through the dale since its release back in February, and they’re bringing it back home for a show at The Phoenix on December 1, tickets $17.50.

MP3: The Wooden Sky – “Child Of The Valley”

Andrew Scott of Sloan lists his five favourite records of the past two decades for CBC Music. Their super-deluxe Twice Removed reissue arrives September 4.

Exclaim has some details on the next album/project/thing from Yamantaka/Sonic Titan. The 33 // 渦 rock opera will debut at Pop Montreal on September 21; no details on encore performances more local to here or a recording release, but we can hope. Their YT//ST gets a re-release on September 11.

Pitchfork talks to Grimes about the making of her latest video for “Genesis”. She plays two nights at Lee’s Palace, September 21 and 22.

How excited is Woodpigeon to be opening for Patrick Wolf on his upcoming North American tour, including September 25 at the Music Gallery? So excited that there’ll be a new, tour-only album entitled Diamonds for sale throughout the journey and they’re giving away a cover of Michael Jackson and Paul McCartney’s “Say Say Say”. That’s pretty excited.

MP3: Woodpigeon – “Say Say Say”

Talk Rock To Me chats with Paul Saulnier of PS I Love You. They play the Friday night of the Paper Bag Records 10th anniversary shows at The Great Hall, September 28.

Toronto Life has an extensive feature piece on Diamond Rings, and Macleans solicits some scholastic advice from John O for those just starting school. The new album Free Dimensional will be out on October 23 and to support that release, he will be on Letterman on October 26. That is bananas. B-a-n-a-n-a-s.

Modern Superstitions’ self-titled debut album finally has a release date – it’ll be out and about on October 23.

Shad has released a video from his recent Melancholy & The Infinite Shadness mixtape.

Video: Shad – “A Milli Vanilli”

MTV lists off some things you may not have known about Coeur de Pirate.

Moonface have a new video from With Siinai: Heartbreaking Bravery.

Video: Moonface – “I’m Not The Phoenix Yet”

They Shoot Music has a video session with Memoryhouse.

Sebastian MlynarskiI expect there’s a lot of interest in drawing parallels between the success of Purity Ring with that of Grimes what with both being based out of Montreal – although Purity Ring’s Corin Roddick and Megan James originally hail from Edmonton – and releasing albums of electronic pop that seem to be the perfect soundtracks for the zeitgeist circa 2012, and on the same label outside of Canada, no less – the legendary 4AD.

But whereas Claire Boucher’s work is rather defined by its technicolor ADD-ness and her pixie-like vocals, Purity Ring’s debut Shrines is quite content to work within decidedly narrow aesthetic parameters. Beats are slow and with their reverse-decay treatment, seem to exist somewhere between a stutter and a throb, giving the record a very steady if uneasy pace. At the other end of the spectrum and separated by layers of thickly reverbed ’80s-vintage synth tones, you have James’ bright, clear, and girlish vocals – and only occasionally electronically sliced and diced – delivering major-key, singalong melodies and lyrics that are often playfully nonsensical, yet still somehow foreboding.

This contrast essentially sums up Purity Ring – a friendly yet fearful intersection of dreampop and R&B. The consistency of their style reminds me of The xx, who were also able to turn a seemingly limited palette of sounds and ideas into a unique sonic world all their own. They aren’t quite as able to avoid the nagging sense of sameness that’s the downside of such an approach – by the end of Shrines, there’s a distinct sense that you’ve heard these songs already – but the record possesses enough distinctiveness and ideas to largely justify all the attention being given to it.

What attention? Well, consider that the week of the record’s release – that’s this week – has yielded feature pieces in Exclaim, Billboard, Rolling Stone, Interview, Canada.com, The Edmonton Journal, The Montreal Gazette, and Stereogum. I’d say that counts as people paying attention.

MP3: Purity Ring – “Belispeak”
MP3: Purity Ring – “Fineshrine”
MP3: Purity Ring – “Obedear”
Video: Purity Ring – “Fineshrine”
Video: Purity Ring – “Belispeak”

Claire Boucher talks to MTV Hive about some creative directions she may want to take in the future, whether as Grimes or as something else. It’s as Grimes that she’ll be at Lee’s Palace on September 21.

Crystal Castles are putting the finishing touches on their third album – still untitled but due out late September, and with the first sample available to download and accompanying North American tour announced. Full dates plus some words from Ethan Kath about the new record are available at Exclaim. The hometown date on the itinerary is November 4 at the Kool Haus; Los Angeles’ HEALTH supports.

MP3: Crystal Castles – “Plague”

Dan Snaith’s multiple personality disorder appears to have reared its head again. After being forced to stop being Manitoba and become Caribou some years ago – occasionally transforming into the Caribou Vibration Ensemble – he’s announced his next release will be under the name Daphni, and be decidedly more electronic/dancey than his past efforts which were decidedly electronic/dancey to begin with. The album JIAOLONG will be out on October 16 – Pitchfork has details, the first video is below.

Video: Daphni – “Ye Ye”

Also at Pitchfork, Dan Bejar reviews some of the musical milestones of his life that turned him into Destroyer. He also talks to The Vancouver Sun and Victoria Times-Colonist about attempting to get Destroyer onto the jazz festival circuit this Summer.

That new Stars tune from North that was made available to stream earlier this week is now downloadable. The album is out on September 4 and they open up for Metric at the Air Canada Centre on November 14.

MP3: Stars – “Hold On When You Get Love And Let Go When You Give It”

Shad talks to CBC Music about the ’90s-era samples and influences that went into his Melancholy & The Infinite Shadness mixtape.

Those who like their Can-rock bearded and retro-styled will like the looks of the lineup rolling into Echo Beach on September 15 – that’ll bring The Sheepdogs, The Sadies, Zeus, and Yukon Blonde to the waterfront stage. Tickets for that are $29.50 general admission and $45 VIP.

MP3: The Sadies – “Another Year Again”
MP3: Zeus – “Anything You Want Dear”>
MP3: Yukon Blonde – “Fire”
Video: The Sheepdogs – “I Don’t Know”

The Acorn have taken a moment to update the world on what The Acorn has been up to and to share an unreleased tune. A new record is in the works and they’re playing the Paper Bag Records 10th anniversary show at The Great Hall on September 27.

Stream: The Acorn – “Shoot The Moon”

Daytrotter has a session and The Calgary Herald an interview with Cold Specks. She’s at The Great Hall on August 8.

Beatroute talks to Little Scream.

Exclaim has some details on the deluxe reissue of Sloan’s seminal Twice Removed, which will come as a triple-LP set with the album proper on one slab of vinyl, a demo version of the album on another, and a batch of era-correct outtakes on the third. Street date and complete recital tour dates are still to come – the already announced dates only get them as far as the midwest by late September… they gotta come home sometime.

Those of you who like free shows – I see you enter my contests, I know that’s pretty much all of you – should take note of a couple things going down next week courtesy of Scion Sessions. They’ve got their fingers in a few things including the Mad Decent Block Party taking over Yonge-Dundas Square on Sunday, but there’s also a couple of shows – one headlined by Nosaj Thing at The Hoxton on August 2 and one led by Young Widows at Parts & Labour on August 3 that you can be at for just the cost of an RSVP. Follow the links above for details.