Ruth Swanson

So you won’t be finding me at The Horseshoe on May 12, as that’s the day that Segall and Tim Presley, who plays in Los Angeles’s Darker My Love but also operates solo as the mellow if trippy ’60s psych-rock act White Fence, roll into town. The show will be in support of their forthcoming California garage rock summit LP Hair, as well as their respective latest releases. Segall put out Goodbye Bread last Summer, White Fence will release the two-volume Family Perfume set in April and Hair is due out in late April.

Spin talks to Segall about the collaborative record. Tickets for the show – which also feature Austin’s Strange Boys on the bill – are $16.50 in advance, and do not cover first aid costs for if you get kicked in the head. Update: Full tour dates now up at Pitchfork.

MP3: Ty Segall – “You Make The Sun Fry”
MP3: White Fence – “It Will Never Be”
MP3: The Strange Boys – “Me And You”

And if the garage rock isn’t your speed, that same evening will find Justin Townes Earle at The Opera House to play songs from his new record Nothing’s Gonna Change The Way You Feel About Me Now, out March 27. It’s part of a massive world tour and will cost you $18.50 to get in.

MP3: Justin Townes Earle – “Nothing’s Gonna Change The Way You Feel About Me Now”

Good news! Portland’s Blouse, who were featured in the first post of this year, are coming to town on May 5 as support for Bear In Heaven at The Garrison. Bad news! It’s the same night as Spiritualized at The Phoenix. I will be making catching them at SXSW a priority, but if you’re free that evening I’d highly recommend this bill.

MP3: Blouse – “Into Black”

And speaking of Bear In Heaven, they released a regular-speed preview of their new record I Love You, It’s Cool a few weeks ago. It’s out April 3.

MP3: Bear In Heaven – “The Reflection Of You”

NPR has premiered the first video from The Magnetic Fields’ forthcoming long-player Love At The Bottom Of The Sea, due out March 6. They play The Sound Academy on March 30.

Video: The Magnetic Fields – “Andrew In Drag”

The first taste of M. Ward’s new one A Wasteland Companion comes by way of a video. The record is out April 10.

Video: M. Ward – “The First Time I Ran Away”

NOW, The Boston Globe, Metro, The Montreal Mirror and Washington Examiner interview The Kills, in town at The Kool Haus on February 7. And if you want a preview of it, NPR will have a stream of last night’s show in Washington DC up in the next few hours.

Spin has a video of Death Cab For Cutie playing “You Are A Tourist” on PBS’ Live from the Artists Den, the full episode of which is set to air February 17. Death Cab are at Massey Hall on April 19.

NPR welcomes Centro-Matic over for a World Cafe session. Pegasus News talks to Will Johnson about the Woody Guthrie tribute project with Anders Parker, Jay Farrar and Jim James called New Multitudes which will release an album of the same name on February 28.

NPR is streaming a KCRW session with Ryan Adams.

Jeremy Balderson

It’s not as though any of these songs couldn’t have easily been made into Hold Steady numbers; Finn’s character-driven songwriting style is still immediately recognizable. But the mood is more thoughtful and the musical accompaniments chosen are simpler and slower – though not acoustic and strummy, it should be made clear – and allow Finn to occupy enough of a different timbre and cadence to clearly distinguish him from the manic character who fronts The Hold Steady. It’s the sort of record that fans will enjoy for its own merits but also make them appreciate the next Hold Steady record even more.

Clash gets into the literary inspiration that goes into his work while Pitchfork and Hitfix talk to him about going solo and what’s next for The Hold Steady.

MP3: Craig Finn – “Honolulu Blues”
Stream: Craig Finn / Clear Heart Full Eyes

School Of Seven Bells have revealed details of a Spring tour in support of Ghostory, out February 28. The Toronto date is May 2 at The Hoxton.

MP3: School Of Seven Bells – “Lafaye”
MP3: School Of Seven Bells – “The Night”

Hospitality were just here last week but they’ve already scheduled a return date for February 29 when they’ll be supporting Tennis at The Horseshoe. Their self-titled debut is out January 31.

MP3: Hospitality – “Friends Of Friends”

Beirut have announced a July 19 date at The Sound Academy, part of a Canadian tour in support of last year’s The Rip Tide. Tickets are $35 general admission, $50 VIP.

Video: Beirut – “Santa Fe”

NPR has a World Cafe session with Real Estate, who play a sold-out show at Lee’s Palace this Friday. The Boston Globe and Montreal Mirror have interviews.

Nada Surf has made their new record The Stars Are Indifferent To Astronomy available to stream ahead of its release next week over at NPR. They play the Opera House on April 4.

MP3: Nada Surf – “When I Was Young”
Stream: Nada Surf / The Stars Are Indifferent To Astronomy

Stuff like iTunes sessions don’t typically get my attention, but one coming out on January 24 does – because a) it’s by Wilco and b) it’s all of eight songs long, picked from all throughout their existence and featuring a cover of “Cruel To Be Kind” with Nick Lowe. So yeah, maybe I’ll buy that. Details on the release at Consequence Of Sound, and there’s interviews with Jeff Tweedy at The Denver Post and Glenn Kotche at The Los Angeles Times.

The Stool Pigeon talks to Chairlift about their new record Something, out January 24 and followed by a show at The Horseshoe on March 28.

Stereogum checks in with Sharon Van Etten about the state of her new album Tramp, out February 7. She plays Lee’s Palace on February 21.

Opening up that show are Shearwater, who’ve offered up another track from their new one Animal Joy. It’s out February 14.

MP3: Shearwater – “You As You Were”

The first official preview of Sleigh Bells’ forthcoming Reign Of Terror is now available to hear. It’s out February 21 and they play The Phoenix February 18.

Stream: Sleigh Bells – “Comeback Kid”

Another tune from the new Lambchop record Mr. M is available to download ahead of its February 21 release date.

MP3: Lambchop – “Gone Tomorrow”

The Boston Herald, Boston Phoenix, and Metro talk to Joe Pernice about the Scud Mountain Boys reunion tour, which kicked off this week in Boston and hits Lee’s Palace on February 25.

The Decemberists will be entering their hiatus in grand fashion, with the released of their first live album, the double-disc We All Raise Our Voices To The Air (Live Songs 04.11-08.11). It will be out on March 13; Rolling Stone has specifics.

Rolling Stone has an MP3 from Threads, the new record for Minneapolis’ Now, Now. It’s out March 16 and they may or may not be opening for The Naked & Famous at The Sound Academy on April 5 – I’ve seen both that they are and aren’t.

MP3: Now, Now – “School Friends”

Rolling Stone has got an MP3 from the new Justin Townes Earle album Nothing’s Gonna Change The Way You Feel About Me Now available to download. The record is out March 27.

MP3: Justin Townes Earle – “Nothing’s Gonna Change The Way You Feel About Me Now”

DIY profiles Howler, who are at The Drake Underground on April 5. They’ve also released a live session video recorded at the Rough Trade store in London.

Video: Howler – “Back Of Your Neck” (live at Rough Trade)

Wayne Coyne talks to Rolling Stone about a new The Flaming Lips record that will be made up of collaborations with other artists such as Bon Iver (who, let’s be honest, would probably agree to collaborate with anyone who asked) and which may be out as soon as April.

Lower Dens have announced a new record – look for Nootropics on May 1 – and also released the first MP3 from it, which is kind of great.

MP3: Lower Dens – “Brains”

DIY has a feature piece on Guided By Voices, who aim to release their second reunion album Class Clown Spots A UFO in or around May.

Ryan Adams has released a new video from Ashes & Fire.

Video: Ryan Adams – “Chains Of Love”

There’s also a new video from Death Cab For Cutie’s Codes & Keys.

Video: Death Cab For Cutie – “Underneath The Sycamore”

aux.tv talks to Annie Clark of St. Vincent.

Dean Wareham gives an interview to Music Times Two and offers some thoughts on a Luna reunion (not likely, but not impossible).

Filter has a two-part feature piece on Tom Waits.

Amanda Leigh Smith

The trio collects their mail in Portland, Oregon but draw their inspiration from the great English art-rock labels of the ’80s; their sound is steeped in the catalogs of 4AD, Factory and Fiction Records. That means mechanical rhythms, echoed guitars, roaming basslines, sweeping synths, all of that good stuff. But most essentially it means icy vocals with just enough English-accented affectation courtesy of lead singer Charlie Hilton – she sounds detached where she needs to but is also emotive and in touch with her inner romantic.

There’s nothing particularly unfamiliar in any of this, but what sets them apart from other era revivalists is that rather sound as though they’re a meticulously crafted tableau unearthed from a time capsule, Blouse has enough looseness, warmth and energy woven into it to come across as a wholly fresh and living thing. Blouse was released back at the start of November, probably just late enough to get lost in the shuffle of year-end shenanigans. So before turning your eyes and ears straight on ahead to 2012, take a moment to try Blouse on.

Spinner, DIY and Bow Legs all have conversations with the band.

MP3: Blouse – “Into Black”
Video: Blouse – “Videotapes”
Video: Blouse – “Into Black”

NPR has a Weekend Edition interview and session with Ryan Adams.

NYC Taper has posted recordings of another two of Yo La Tengo’s Hannukah shows last month.

And reaching back into the archives, NYC Taper has posted a show by Stars from back in October.

Mark Hamilton of Woodpigeon writes at The Huffington Post about the art of the gay love song. The For Paolo EP is out January 24.

Loud & Quiet talks to Sandy Miranda and Mike Haliechuk of Fucked Up.

The Line Of Best Fit has a special year-end edition of Oh! Canada consisting not of downloads, but 2011 reminiscences from the likes of Woodpigeon, Great Lake Swimmers, and more.

Yeah that’s all for today. Hey, things don’t go from 0 to 100 at the drop of a hat.

Frank Yang

The call for backing players is a reasonable one as both her records – Neptune City and this year’s Mondo Amore – are pretty produced affairs, but it’s key to remember at her core Atkins is a folk/blues-rooted singer-songwriter and has had more than her share of experience performing with just her guitar, voice and songs. That’s all she brought with her on this evening and it was more than enough. Well, those and some hilarious anecdotes; for serious, the evening could have just been her sitting there – no guitar – and telling stories and it would have been worth the price of admission. But yes, she sang too.

Brassy set opener “Maybe Tonight” set the tone for the night, which is to say it wouldn’t be a quiet, navel-gazey affair. She promised that the set would mostly be country versions of her songs – and indeed, “Cry Cry Cry” was extra honky-tonky-ish – but most songs retained their basic stylistic personalities and there were a fair number of what she called the “sad bastard” songs, but even those were delivered with energy and conviction thanks to her room-filling voice. The set was all over the place as far as where it drew from, covering both albums, the rarely-heard title track of her debut Bleeding Diamonds EP, a new song entitled “Call Me The Witch”, and covers of Leadbelly, Benji Hughes and Cotton Mather (about whom she spilled the beans regarding an upcoming reunion at SXSW). After complimenting the audience on how quiet and attentive they were all night, she invited all to join in on “The Way It Is” and for the show closer and in what’s becoming a bit of a Drake tradition, came offstage to play “Neptune City” in the audience with everyone singing along.

Make no mistake, I loved both the widescreen, ornate presentation of Neptune City and the rawer, rockier Mondo Amore but if for her third record Nicole Atkins decides to peel things back to little more than what we saw on Saturday night, I’ve no doubt it’d be just as sublime.

Hater High was also in attendance and has the whole show recorded and available to download; it all sounds great but the banter prior to “Hotel Plaster” is especially worth hearing. The Free Lance-Star also has an interview.

Photos: Nicole Atkins @ The Drake Underground – December 3, 2011
MP3: Nicole Atkins – “Vultures”
MP3: Nicole Atkins – “Vitamin C”
Video: Nicole Atkins – “Vultures”
Video: Nicole Atkins – “Maybe Tonight”
Video: Nicole Atkins – “The Way It Is”
Video: Nicole Atkins – “Neptune City”

The Quietus talks to Janet Weiss of Wild Flag.

NPR has a Tiny Desk Concert with tUnE-yArDs.

The Quietus interviews both Erika Anderson of EMA and Nika Roza Danilova of Zola Jesus.

Kind of an odd bill, but together The Black Keys and Arctic Monkeys get to cross “go on an arena tour of North America” off their to-do lists. They’re at the Air Canada Centre on March 14 – presale goes December 6 at 10AM, public onsale on December 9. The Black Keys’ new album El Camino is out Tuesday.

Video: The Black Keys – “Tighten Up”
Video: Arctic Monkeys – “Suck It And See”

Austin 360 talks to Jeff Tweedy of Wilco.

The second Archers Of Loaf reissue – Vee Vee – has an official release date of February 21, and The AV Club has all the salient info. And they’ve also got Eric Bachmann doing a
One Track Mind performance and interview for “Web In Front”. Meanwhile, Bachmann puts his Crooked Fingers hat on to chat with Creative Loafing and The Phoenix New Times.

MP3: Archers Of Loaf – “Harnessed In Slums”

The first official single from Guided By Voices’ reunion record Let’s Go Eat The Factory is now available to download, all 1:44 of it. It will probably take you longer to read this interview with Bob Pollard at The AV Club than to listen to the song.

MP3: Guided By Voices – “Doughtnut For A Snowman”

Loud & Quiet interviews Ryan Adams, in town at the Winter Garden Theatre on December 10.

Blurt talks to Britta Phillips of Dean & Britta about being the voice of Jem (of Jem & The Holograms) back in the ’80s while Listgeeks chats with both her and Dean Wareham. And over at Captain’s Dead, they’ve got a downloadable recording of the “Plays Galaxie 500″ set they did at Primavera in Barcelona back in May.

The Daily Beast talks to Michael Stipe and Mike Mills about the end of R.E.M..

Charles Bradley has released a new MP3 from No Time For Dreaming. He and his Extraordinaires are at Lee’s Palace on February 11.

MP3: Charles Bradley – “Heartaches & Pain”

Wye Oak stops in by Berlin Sessions for a video session. They open up for The National at The Air Canada Centre on Thursday night.

NPR has a World Cafe session with Dum Dum Girls.

Spin points out that Sleigh Bells’ website has been highjacked by a trailer for what is presumed to be their new album. It’s called Reign of Terror and it’ll be out when it’s out.

Shervin Lainez

And we’ll kick it off with a couple of sessions to listen to, watch and download from The Antlers to mark the release this week of their (together) EP. It’s a companion to this year’s Burst Apart long-player, which contains the remixes and covers that are standard for these sorts of releases but also re-recordings of selections from the record with the assistance of artists such as Nicole Atkins and Neon Indian. It vacillates between interesting and meandering and if you’re trying to decide between hearing it or Burst Apart, by all means go with the full-length – it’s gorgeous – but if you’re needing an Antlers fix, this may do ya.

It also provides an occasion for Daytrotter and Paste to post up sessions with the band, the former downloadable and purchaseable and the latter watchable. And just because, here’s that xx cover that also appears on (together).

MP3: The Antlers – “VCR”

Pitchfork has premiered the first sample of Sharon Van Etten’s forthcoming Tramp, out February 7. She plays Lee’s Palace on February 21.

MP3: Sharon Van Etten – “Serpents”

Pennsylvanian punks Pissed Jeans have made a date at Sneaky Dee’s for January 20 of the new year, tickets $15 in advance.

MP3: Pissed Jeans – “Dream Smotherer”
MP3: Pissed Jeans – “False Jesii Part 2″

NPR has a World CafetUnE-yArDs.

Ivy have released a new video from this year’s All Hours.

Video: Ivy – “Fascinated”

Matthew Sweet talks about and performes his Girlfriend-era gem “I’ve Been Waiting” for The AV Club.

Paste has an extensive career-spanning retrospective piece on R.E.M..

The Jayhawks play a set for NPR’s World Cafe and give an interview to Country Standard Time.

For Folk’s Sake points to session at Abbey Road for Channel 4 (watchable only from the UK, unfortunately) wherein Laura Marling plays Emmylou to Ryan Adams on a performance of “Oh My Sweet Carolina”… and it’s very good. Marling is in town for two sold-out shows at Camera Bar on December 7 and Adams is at the Winter Garden Theatre on December 10.

NOW and The Victoria Times-Colonist talk to Kathryn Calder, in town for a free show at The Horseshoe on Tuesday night.

Uptown and The Winnipeg Free Press profile Austra, who is at The Phoenix on December 1.

Dreamland Apparel and The AV Club hang out with The Rural Alberta Advantage.

Clash enumerates ten things they think you didn’t know about Jarvis Cocker.

You know that fancy Elvis Costello The Return of the Spectacular Spinning Songbook!!! collector live set that was announced a little while back? Well Elvis doesn’t want you to buy it. Seriously.

Frank Yang

To begin with there was opener Strand Of Oaks, who definitely merit discussion. I’d been familiar with the project of Pennsylvania singer-songwriter Tim Showalter for a little while – his 2010 album Pope Killdragon coming highly recommended from a number of directions – but hadn’t caught him live on any of his previous visits to Toronto. And I almost didn’t catch this one as he started his set at least 15 minutes earlier than had been scheduled, but walking into the Underground to the sounds of Showalter and his two bandmates weaving some mesmerizing space-folk, I was extra thankful that traffic had been light.

Pope Killdragon was an impressive work – lyrically rich and emotionally resonant – but despite pushing beyond the voice-and-guitar template, was a pretty stark-sounding affair. Live, with two guitars, a bass and a small army of technology at their respective toes and fingers for triggering and controlling a multitude of backing tracks, it was a much richer and haunting sonic experience with the songs being lifted up on a bed of echoes and swells. I’ve heard some comparisons made between Strand Of Oaks and Bon Iver; they’re fair, though with less falsetto and vocoder. If you dig what Justin Vernon does, do yourself a favour and investigate Strand Of Oaks. And if you don’t, well, check them out anyways.

July’s Crooked Fingers felt special in the way that performances that take place outside the regular touring cycle for an album often do; more experimenting, more deep cuts, more unpredictability. What with the band consisting solely of Eric Bachmann and Liz Durrett at that point, it was necessarily simpler in arrangement but still a stirring showcase for Bachmann’s career so far. This time out they were formally touring in support of Breaks and added a rhythm section for the occasion but rather than show off benefits of the extra hands right off, Bachmann stepped offstage as soon as he got there and into the audience to open with a gorgeous, unamplified “Man O’ War”. Plugging in, the band would showcase much of the new record alongside selections from the entirety of the Crooked Fingers catalog, all tweaked and subtly adjusted to sit perfectly alongside each other despite the broad stylistic shifts between the albums from whence they came.

As memorable as the last show was, it was great to have the muscle of the rhythm section overtop the skeleton presented in the Summer this time out. Besides the obvious extra infusion of energy, the songs were able to loosen up and breathe more and Bachmann given the freedom to rock out more on guitar where he saw fit. The additional personnel also allowed them to explore more complex arrangements of songs – sure, it would/could have been simpler to arrange everything for two guitars, bass and drums and it probably would have sounded great, but you have to appreciate the creative choices such as Durrett’s more felt than heard keyboard contributions or the way that Bachmann started “The Counterfeiter” instrumentless and then jumped onto keyboards for the last verse while the bass carried the chords. Sure, that’s how it goes down on Armor, arrangements-wise, but watching it done live gives you a new appreciation for it all.

Just as they did mid-set in July, Bachmann and Durrett led off the encore with an intimate, unamplified “Your Control” and proved that there was an upside to a band as great as this playing criminally undersized rooms. On the other hand, the unscheduled guest appearance of a mouse running across the floor during “Lonesome Warrior” reminded that there’s something to be said for playing nicer venues as well. To close, Bachmann acquiesced to an earlier request and made the requisite Archers Of Loaf song in the set a beautiful “Chumming The Ocean”, a song I’d not heard before but won’t soon forget. It’s been a recurring theme through this year, what with the return of Archers Of Loaf and the new Crooked Fingers record, but man. Eric Bachmann. He should be on postage stamps.

The Milwaukee Journal-Sentinel has an interview with Eric Bachmann.

Photos: Crooked Fingers, Strand Of Oaks @ The Drake Underground – November 8, 2011
MP3: Crooked Fingers – “Typhoon”
MP3: Crooked Fingers – “Phony Revolutions”
MP3: Crooked Fingers – “Angelina”
MP3: Crooked Fingers – “Big Darkness”
MP3: Crooked Fingers – “Devil’s Train”
MP3: Crooked Fingers – “When You Were Mine”
MP3: Crooked Fingers – “New Drink For The Old Drunk”
MP3: Eric Bachmann – “Carrboro Woman”
MP3: Eric Bachmann – “Lonesome Warrior”
MP3: Strand Of Oaks – “Bonfire”
MP3: Strand Of Oaks – “End In Flames”
Video: Crooked Fingers – “Let’s Not Pretend (To Be New Men)”
Video: Crooked Fingers – “New Drink For The Old Drunk”
Video: Eric Bachmann – “Man ‘O War”
Video: Eric Bachmann – “Lonesome Warrior”
Video: Strand Of Oaks – “Last To Swim”

Tom Waits has released a video from his new record Bad As Me.

Video: Tom Waits – “Satisfied”

The Quietus has a final interview with Michael Stipe of R.E.M., whose career-capping/ending compilation Part Lies Part Heart Part Truth Part Garbage 1982-2011 is out next week. You can stream it in whole right now at NPR, including the two of three final new songs from the band. Over at Under The Radar, actress Kirsten Dunst explains how the screen test-like video for their last single, “We All Go Back To Where We Belong”, came about.

Stream: R.E.M. / Part Lies Part Heart Part Truth Part Garbage – 1982-2011

Wilco’s Jeff Tweedy tells The Sun that they have a sense of humour. Because putting a camel in a party hat on their last album cover didn’t make that clear.

NPR has a World Cafe session with Ryan Adams. He plays the Winter Garden Theatre on December 10.

The Mountain Goats have given away a free unreleased track, just because.

MP3: The Mountain Goats – “Thucydides II:58″

Colin Meloy of The Decemberists and sister Maile talk to Salon about the benefits of a creative childhood.

Hold Steady frontman Craig Finn will release his solo debut, Clear Heart Full Eyes on January 24. Details at Tiny Mix Tapes.

David Black

So while it’s his third release in under two years, Ashes & Fire is notable for being the first in some time to contain newly-written and recorded material without The Cardinals and get a wide release. And for anyone expecting Adams to make his return with a grand, rock’n'roll statement, Ashes may come as a bit of a puzzle – it’s slow, understated and primarily acoustic, sounding more of a denouement than a declaration, but most of all it sounds peaceful. An unexpected place for alt.country’s one-time enfant terrible and someone known for being creatively and personally mercurial, but considering that Adams has basically grown up in public – that first Whiskeytown record came out when he was 21 – it’s rather comforting to know that he’s feeling more settled and contented now.

If approached without the weight of expectation, without hoping for another Heartbreaker as I’ll admit I have for a decade now, Ashes has much to recommend it. Adams is in fine voice, his raspy croon having aged nicely and perfectly suiting the material, and though it initially sounds quite skeletally-arranged, there’s a full band in there playing with delicacy and restraint. It’s easy to wish that maybe there was a little more of the fire that the album’s title promises, but even a token rocker would probably detract more from the atmosphere of the album as a whole than it would add. And anyways, the guy just put out a metal album – maybe hit that up if you need some volume. Ashes & Fire comes with a very specific sound and purpose and it fulfills that most effectively.

Though Ashes & Fire came out digitally and on CD last month, the vinyl edition won’t be out until next week and courtesy of EMI Music Canada, I’ve got three copies of the LP edition to give away. To enter, email me at contests AT chromewaves.net with “I want Ashes & Fire” in the subject line and your full name and mailing address in the body, and have that to me by midnight, November 11. And sorry, contest only open to residents of Canada.

Adams plays the Winter Garden Theatre in Toronto on December 10. Paste, Adelaide Now and The Quietus have interviews and NPR an interview and session with WFUV.

Video: Ryan Adams – “Lucky Now”
Video: Ryan Adams – “Ashes & Fire”
Stream: Ryan Adams / Ashes & Fire

NPR welcomes Stephen Malkmus & The Jicks to the World Cafe for a session.

Rochester City Newspaper, The Portland Press Herald and Yes! Weekly talk to Joey Santiago of Pixies.

NPR has a six-song session with Wild Flag up to stream while The San Francisco Examiner talks to Carrie Brownstein.

Spin has posted a nice gallery that gets the likes of Justin Vernon and Johnny Marr to talk about their instruments.

Let’s play three – Tokyo Police Club have added a December 10 date to their run at The Phoenix in December, making it a three-night residency. As with the other two shows, Born Ruffians and Said The Whale will support. Tickets are $25.

MP3: Tokyo Police Club – “Party In The USA”
MP3: Born Ruffians – “Sole Brother”
MP3: Said The Whale – “Camilo (The Magician)”

Pitchfork are on board with Vancouver garage-soul outfit Chains Of Love, offering up the A-side of their new 7″, out December 13, and reporting that the band’s debut EP will be coming in early 2012. They’re at The Horseshoe on Tuesday night, November 8, for a free show. Go. Show appears to have been nixed. Sorry.

MP3: Chains Of Love – “Breaking My Heart”

The Edmonton Journal, Saskatoon Star Phoenix and Calgary Herald interview Dan Mangan.

Paste has a quick video session with Stars.

Toronto post-rockers Old World Vulture have released an MP3 as a teaser for their forthcoming album, due out in early 2012. Hear it live when they play Rancho Relaxo on November 12.

MP3: Old World Vulture – “Trophy Lovers”

Paste declares PS I Love You amongst the best of what’s next.

Frank Yang

Ryan Adams has done a pretty good job of making it his own as well. He included it on his 2003 Love Is Hell, Part 1 EP and it became a staple of live sets, both solo and with The Cardinals, for years to come. His reading didn’t differ wildly from the original – mainly a looser, more boozy phrasing and tempo – but it was enough to make it feel his own and influence Noel Gallagher to adjust his own performance style to mirror it, at least for a while. Two live Adams recordings – one in-studio at BBC Radio 1 in 2004 and one at the Telluride Blues Festival in Colorado with The Cardinals circa 2008 – demonstrate his take on the tune and a stream of a Noel Gallagher & Gem Archer performance in a 2005 radio session show how it affected the original.

Ryan Adams released Ashes & Fire earlier this month and will be at the Winter Garden Theatre on December 10. Noel Gallagher has two dates at Massey Hall next week on November 7 and 8 and though his solo debut Noel Gallagher’s High Flying Birds is ostensibly the reason for the visit, there’s pretty much no way you won’t be hearing the elder Gallagher play this song at the shows. No way at all.

MP3: Ryan Adams – “Wonderwall” (live at BBC Radio 1 Live Lounge, January 15, 2004)
MP3: Ryan Adams – “Wonderwall” (live at Telluride Bluegrass Festival, June 19, 2008)
Video: Oasis – “Wonderwall”
Stream: Noel Gallagher & Gem Archer – “Wonderwall” (Ryan Adams arrangement)

Jesse Dylan

I’m definitely glad to be coming around in time for the release of Bad As Me next Tuesday, his first album of all-new material in seven years. It’s available to stream right now at badasme.com if you’ve got an invite code and at first listen it sounds like a pretty good balance of out-there stompers and barstool laments. It’ll take some time but I can see myself getting into this. And if Waits elects to tour for this record and come to Toronto for the first time in what, at least a decade? Double bonus. I hear his performances are incomparable.

There’s interviews with Waits about the new record at Pitchfork, The Los Angeles Times, The Wall Street Journal and The New York Times, and if you want to give Bad Like Me an advance listen, I’ve got five invite codes to hand out. They’re meant for friends but hey – you guys are my friends. Whoever you are. And if none of these codes work for you, I guess you’re too late… or you’re not my friend. Either way.

3vb-rhuym | 3cb-w6v03 | 6ob-gd8lz | l4b-6340m | ozb-p31m4

Stream: Tom Waits – “Back In The Crowd”
Stream: Tom Waits – “Bad As Me”
Stream: Tom Waits / Bad As Me

Rolling Stone is streaming the final R.E.M. single, taken from their forthcoming career-ending best-of Part Lies Part Heart Part Truth Part Garbage 1982-2011, out November 15. For their part, Spin has dug up some video footage of the band playing Neil Young’s Bridge School benefit in 1998.

Stream: R.E.M. – “We All Go Back To Where We Belong”

NPR and CMT talk reunions with The Jayhawks.

NPR solicits a Tiny Desk Concert from Wilco.

JC Brooks & The Uptown Sound, who caught some ears last year with a swinging soul cover of Wilco’s “I Am Trying To Break Your Heart”, will be in Toronto on November 29 for a free show at The Horseshoe – that’s the same night as Kathryn Calder, so that’s double the reason to not stay home that night. Their new album Want More is out Tuesday but available to stream now at Paste.

MP3: JC Brooks & The Uptown Sound – “Everything Will Be Fine”
Video: JC Brooks Uptown Sound – “I Am Trying To Break Your Heart”
Stream: JC Brooks & The Uptown Sound / Want More

Stuff talks Galaxie 500 with Dean Wareham.

The AV Club and Edmonton Journal interview Ryan Adams, in town at the Winter Garden Theatre on December 10.

Blurt talks to Eric Bachmann of Crooked Fingers while The AV Club has one more rooftop performance video to share. They play The Drake Underground on November 8.

Dead Meadow will warm up for their show at Lee’s Palace later that evening with an acoustic in-store at the Annex location of Sonic Boom on October 24 at 4PM. The Pitch has an interview.

MP3: Dead Meadow – “Good Moanin”

Spinner, North County Times and Willamette Week talk to Stephen Malkmus, who has released a new video from Mirror Traffic.

Video: Stephen Malkmus – “Senator”

Matt Berninger of The National puts together a playlist of sad songs for dirty lovers for Rolling Stone.

The Alternate Side has an interview and session with Beirut.

The Georgia Straight profiles The Head & The Heart.

Pitchfork reports that Mazzy Star, after many years of saying they were back together, finally have something to show for it in the form of two new songs entitled “Common Burn” and “Lay Myself Down”, due to be released digitally on October 31.

The Washingtonian and DCist talks to Mary Timony PopMatters to Carrie Brownstein of Wild Flag while NPR has got a stream of last night’s show in Washington DC.

Ume have released a new video from their recently-released album Phantoms.

Video: Ume – “Captive”

CBS gets to know Savoir Adore, who are releasing a new 7″ single. Details can be found at Neon Gold and the A-side can be downloaded below.

MP3: Savoir Adore – “Dreamers”

Frank Yang

Baltimore duo Wye Oak have been no such strangers hereabouts, their supporting slot marking their third show in Town this calendar year with one still to come. This was less a case of market oversaturation than simply keeping up with demand, though; specifically the demand of larger acts who wanted them to open up for them. And when the likes of The Decemberists, Explosions and The National ask you to come along on tour with them, you say yes. Since playing this same stage in February opening up for The Decemberists, Wye Oak had released their second album Civilian and toured it heavily, so even just eight months later there were noticeable differences in the band’s live show. The moodier Civilian must call for a leaner approach to things, as Jenn Wasner took fewer guitar excursions and Andy Stack seemed to be called on less to handle keyboard duties simultaneously with drums. It was as though the two were feeling more confident in their ability render the songs with just the guitars, drums and vocals, and when the keys were brought in, such as for some gut-punch bass, their contributions were extra-effective. In any case, it was mope-rock on a grand scale.

One of the most magical things about Explosions In The Sky, either live or on record, is how from the moment they begin to play you’re instantly transported to a world writ on 70mm film but left wide open. There is a universality to their music that allows it to be the soundtrack to the movie of each listener’s life, for them to write their own script and direct their own scenes, using the emotions and dynamics created by the band as cues. So I suspect that the people sitting, eyes closed, out of line of sight of the band were getting just as much out of the performance as the people jammed up front watching them actually play – or at least I’d like to think so; it’s possible they were just asleep.

It’s this intangible that allows them to transcend their formula and continue to connect and be remarkable. Their sound hasn’t really changed much since 2000′s How Strange, Innocence – they’re more adept at the push and pull of evoking emotional responses but any stylistic shifts over their career have been relative to the EITS aesthetic – they’ve never redefined, only refined. So even though Friday’s show pulled from their entire decade-plus repertoire, with a little extra emphasis on Take Care, it felt like a single, unified feature-length piece with gentle lulls and soaring crescendos in all the right places. One major difference from their last time through was for touring, they’d expanded to a five-piece with a full-time bassist which allowed for an even bigger sound with either a three guitar-attack or double-guitar, double-bass, all the sounding even more massive without losing any of the intricacies of their arrangements. As the final notes of “The Moon Is Down” rang out and the band bid farewell, hopefully without as long a wait between visits, I wanted to tell those gathered at the front pleading for an encore that the band doesn’t do encores, and if they wanted more they’d have to wait for the sequel.

The Toronto Star alos has a review of the show while aux.tv and The Detroit News have interviews with Explosions.

Photos: Explosions In The Sky, Wye Oak @ The Sound Academy – October 7, 2011
MP3: Explosions In The Sky – “Trembling Hands”
MP3: Explosions In The Sky – “Welcome, Ghosts”
MP3: Explosions In The Sky – “Memorial”
MP3: Explosions In The Sky – “A Poor Man’s Memory”
MP3: Explosions In The Sky – “Greet Death”
MP3: Explosions In The Sky – “Look Into The Air”
MP3: Wye Oak – “Holy, Holy”
MP3: Wye Oak – “Civilian”
MP3: Wye Oak – “Take It In”
MP3: Wye Oak – “Warning”
Video: Explosions In The Sky – “Last Known Surroundings”
Video: Explosions In The Sky – “Be Comfortable, Creature”
Video: Wye Oak – “Holy, Holy”
Video: Wye Oak – “Fish”

Chicago post-rock instrumentalist Russian Circles will be at Lee’s Palace on November 12 in support of their new record Empros, due out October 25.

MP3: Russian Circles – “Mladek”

Nicole Atkins is giving away a free live EP entitled …Til Dawn over at her Bandcamp in exchange for an email address.

The Georgia Straight talks to Kristen Gundred – aka Dee Dee – of Dum Dum Girls. They’re at Lee’s Palace next Sunday night, October 16.

NPR is streaming the new My Brightest Diamond record All Things Will Unwind in advance of its release next week. There’s also a new video at Stereogum and some live video performances posted at Le Blogotheque.

MP3: My Brightest Diamond – “Reaching Through To The Other Side”
Video: My Brightest Diamond – “Be Brave”
Stream: My Brightest Diamond / All Things Will Unwind

Beatroute talks to Annie Clark of St. Vincent.

DIY interviews Wild Flag, in town to melt your faces at Lee’s Palace tonight.

NPR is streaming Days, the new album from Real Estate, out next week.

MP3: Real Estate – “It’s Real”
Stream: Real Estate / Days

Clash, The National Post, DIY, Drowned In Sound and The Los Angeles Times all have interviews with Ryan Adams about his new record Ashes & Fire and Exclaim has a list of RyRy trivia, but only LA Weekly manages to piss him off. Bravo. He plays The Winter Garden Theatre on December 10 and has released a live studio video and proper “if MTV still played videos” video from the new album.

Video: Ryan Adams – “Lucky Now”
Video: Ryan Adams – “Invisible Riverside”

The Vancouver Sun and The Republic interview Stephen Malkmus.

Blurt interviews Matthew Sweet.

DIY talks to Girls.

The New York Daily News chats with Mates Of State.

The Alternate Side has an interview and session with EMA.

NYC Taper is sharing a recording of The Antlers’ show in New York last week.