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Guided By Voices cover The Rolling Stones

Frank Yang — Sun, 01 Jan 2012 14:56:46 +0000

Frank YangWhen Guided By Voices hung it up with a final show in Chicago on New Year’s Eve, 2004, I rang in 2005 with a farewell post. Well not a post, reading back over it, but a (salty) salute. This followed a covers post from the Summer of 2004 when they announced they were calling it a day, and then another in October 2010 when they were gearing up for their reunion show at Matador 21 (the MP3s for the second one are still up).

All of which is to say that it felt right to welcome 2012 with another GBV cover post on the occasion of the release of their comeback LP Let’s Go Eat The Factory, which was formally released today to die-hards who’d pre-ordered it (though it either arrived on Friday or will arrive on Tuesday since there’s no mail delivery today or tomorrow, but I digress). But rather than post other bands covering Bob Pollard and company – I’m kind of running out of those – I’ve got one of them covering a band that’s hoary in comparison with GBV – and most active bands, really – The Rolling Stones. I’m not sure exactly when and where it comes from, but the GBVDB points out it’s probably circa 2000, so not the “classic” lineup that’s back together today, but that’s still Bob up front, forgetting the lyrics and not giving a damn.

2012 is also an important year for The Rolling Stones as it’s their 50th anniversary. Congratulations! Please don’t tour.

MP3: Guided By Voices – “Sympathy For The Devil”
Video: The Rolling Stones – “Sympathy For The Devil” (live at Hyde Park, 1969)
Video: The Rolling Stones – “Sympathy For The Devil” (live at Altamont, 1969)

Bjork & PJ Harvey cover The Rolling Stones

Frank Yang — Sun, 13 Feb 2011 15:08:23 +0000

YouTubeSeventeen years. Seven. Teen. Now don’t get me wrong, I knew that this performance by Bjork and PJ Harvey was old – I’ve had it as long as I can remember – but I didn’t realize it was that old. I’d thought it came from around the turn of the century and that having the two of them perform together at the Brit Awards was meant to be a summit of two of the premiere artists of the day, but instead it comes from 1994 and was a showcase for two of the music world’s most promising new acts – Bjork was only one record into her solo career with 1993′s Debut and Harvey had just turned PJ Harvey from a trio into a solo act following 1993′s Rid Of Me.

Of course both of them would turn out to have stellar careers and remain vital artists. Anyone who thought that Debut was out in left field had no idea just how far out there Bjork could and would go and Harvey has reinvented herself and her sound with pretty much every record impressing all the while. So it’s probably a good thing that a recording of the two of them performing a Rolling Stones cover together – Harvey handling the slow-building blues seethe while Bjork gets all unhinged overtop – was captured for posterity because I don’t think it’ll ever happen again.

Harvey’s new record Let England Shake is out this week and her live webcast performance of the record takes place tomorrow afternoon at 3PM EST at deezer.com. Bjork hasn’t released a new studio album since 2007′s Volta, every indication is that she’ll have something new out before the year is out. The Rolling Stones are releasing a massive box set entitled The Rolling Stones Singles (1971-2006) on April 11 and may or may not tour for the millionth time this year. This year’s edition of The Brit Awards takes place in London on Tuesday.

Seventeen years. Damnation.

MP3: Bjork & PJ Harvey – “Satisfaction”
Video: Bjork & PJ Harvey – “Satisfaction”
Video: The Rolling Stones – “Satisfaction” (live on The Ed Sullivan Show)

Uncle Tupelo covers The Rolling Stones

Frank Yang — Sun, 12 Jul 2009 13:33:57 +0000

Gumbo PagesI know it’s not by design – at least I hope it’s not – but both Jeff Tweedy and Jay Farrar seem to have gotten on synchronized creative schedules the last few years, with both Wilco and Son Volt’s releasing new records not only within the same calendar year, but even with months or even weeks of each other. It’s not entirely a recent phenomenon – both their debuts came out within six months of each other way back in 1995 – but after that they seemed to begin deliberately avoiding each other in the record stores and media cycles, probably hoping to avoid the endless comparisons and Uncle Tupelo connections, kind of like I’m doing now.

These days, however, both acts seem to have established their respective identities and stories – Tweedy the sonic adventurer with a fondness for polished ’70s pop and Farrar the dusty country troubadour – and the threat or promise of a Tupelo reunion is so implausible that their last records – Sky Blue Sky and The Search – came out within a couple months of each other and their latests, Wilco (The Album) and American Central Dust, a fortnight and week ago respectively, and few give it a second thought.

Except the likes of me, who use it as an opportunity to revisit their old band and revel in its ragged glory. This Rolling Stones cover was a staple of their live sets early on in their career. I’m not sure where or when it dates to, specifically, but signs point to the Summer of 1988. It comes from the Covers & Oddities ’88-’93 bootleg which has been circulating forever. And while you don’t really hear much Stones influence in either act these days, it’s worth noting that “Cocaine and Ashes” off the new Son Volt record was inspired by the story of Keith Richards snorting his father’s ashes. So there’s that.

The Arizona Republic has an interview with Jay Farrar.

MP3: Uncle Tupelo – “Dead Flowers”
Video: The Rolling Stones – “Dead Flowers” (live in Houston 1972)
Video: The Rolling Stones – “Dead Flowers” (live in Amsterdam 1995)

In praise of Pulp

Frank Yang — Wed, 31 Dec 2008 15:27:48 +0000

WikipediaThis whole year has been marked with a strong resurgence in my musical Anglophilia, but for no particular reason I can articulate, the closing weeks in particular have been marked with a heavy, heavy dose of Pulp.

Britpop debates usually start with the old Blur versus Oasis arguments, but for me, Pulp rise above them both by a considerable distance. Yes, I’ve got a big ‘ol man-crush on Jarvis Cocker and don’t care who knows it. There’s not many artists out there that I’m still desperate to see live, but he’s definitely one – in fact, if the opportunity arises to see him anywhere, I’ll be checking flights (note to Jarv – please play somewhere interesting that I can plan a vacation around). Considering he shunned us on at least a couple of tours this year, waiting for him to come to Toronto would seem to be an exercise in futility.

Seeing as how I’ve been playing to death all the albums I’ve got (reaching back as far as His’N'Hers as well as the John Peel Sessions set I got in London back in May), my main musical purchases on Boxing Day were copies of the deluxe editions of This Is Hardcore and Different Class, released a couple of years ago. His’N'Hers was also fancied up at that time, but isn’t on the shopping list yet, mainly because I’ve read that the bonus material on the second disc isn’t really essential. And while you could argue that the demos and b-sides collected on the other two also aren’t absolutely crucial, but to my ears there’s enough a-side-worthy stuff amongst those odds and sods to warrant a place in my collection and, dammit, I just needed some new material, even if it’s old. The remastering (and in the case of Hardcore – which I’m more convinced is an absolute classic with every listen – slightly different mix) of the albums proper is also nice, as are the liner notes from Cocker.

And since this post has actually even more pointless than usual, I’ll toss up a massive YouTube mix of all their videos dating back to His’N'Hers, most of which I’ve surprisingly never seen. And seeing as how the Pulp: Hits video anthology isn’t available in region 1 or NTSC, this is probably as good as it’s going to get.

Dig For Fire has video of former Pulp sideman and all-around awesome guy Richard Hawley last December.

Blurt talks to Stuart Staples about the reconstituted Tindersticks, playing the Opera House on March 10.

NPR is streaming a World Cafe session with The Cure.

Incendiary has an interview with Brett Anderson.

Magnet breaks new ground in wondering who was better, The Beatles or The Stones.

The Line Of Best Fit interviews Kieron Gillen, author of the excellent comic series Phonogram, the second series of which appears to be more focused on contemporary indie rather than the Britpop retro-ness of the first, Rue Britannia. It’s still shaping up to be excellent, though, and I’m not the only one to think though – the first printing sold out almost immediately.