Neil Thomas Douglas

Firstly, We Were Promised Jetpacks have finally scheduled a second North American tour in support of last year’s In The Pit Of The Stomach; they did a leg of touring Stateside in the later part of the year but routing didn’t bring them up through town that time. This time, they’ve got an April 27 date at Lee’s Palace, with advance tickets running you $15 in advance. I wasn’t quite bowled over with their 2009 debut These Four Walls, but am on record as saying that Stomach shows some pretty significant artistic growth. And their live shows have always been good, loud and intense so yeah. Mark this one down.

MP3: We Were Promised Jetpacks – “Act On Impulse”
Video: We Were Promised Jetpacks – “Human Error”

Meanwhile, labelmates and countrymen The Twilight Sad continue to ramp up to the February 7 release of their new record No One Can Ever Know. They’ve released a second video from the record and there’s also an interview with frontman James Graham and guitarist Andy MacFarlane at The Spill. They’ll be at Lee’s Palace on February 29.

Video: The Twilight Sad – “Another Bed”

Exclaim reports that Belle & Sebastian are will be curating a second Late Night Tales compilation which, in addition to including tracks selected by the band, will include a cover of the Scots covering The Primitives’ “Crash”. That’s one to file under, “worth the price of admission”. It’s out March 26 and will hopefully keep fans appeased while Stuart Murdoch continues to round up funding for his God Help The Girl film project.

No Ripcord interviews Allo Darlin’, whose second album Europe will be out in April.

Florence & The Machine has released another new video from Ceremonials. Florence Welch talked to MTV about her staging plans for their just-announced US tour, which doesn’t have a local date. I’m genuinely curious where she’ll play (and how much it’ll cost) when she eventually winds her way up to Canada – I’m guessing Air Canada Centre, even if just theatre mode, but wouldn’t be shocked if they went for the whole hog. Anyways.

Video: Florence & The Machine – “Lover To Lover”

There’s a new Laura Marling video taken from A Creature I Don’t Know, and a clip for a live reading of “Night After Night” has also surfaced.

Video: Laura Marling – “I Was Just A Card”
Video: Laura Marling – “Night After Night” (live)

They Shoot Music goes hunting for Wild Beasts and finally corner them in a Copenhagen freight elevator. Video ensues.

Drowned In Sound meets Metronomy, who have a date at The Hoxton on April 2.

DIY reports that Brighton’s Blood Red Shoes have set a March 26 release date for their new record In Time To Voices. Steve Ansell – the non-guitar half of the duo – penned a piece for Drowned In Sound about the state of guitar music in the UK right now.

If it seemed like Arctic Monkeys have been releasing a tonne of videos from Suck It And See, well they have. And now they’ve released a clip for the b-side from the forthcoming “Black Treacle” single, a tune which features vocals from the inimitable Richard Hawley.

Video: Arctic Monkeys – “You & I” (featuring Richard Hawley)

The Guardian reports that Saint Etienne are giving away a track from their first new album in seven years via their website in exchange for your personal details. Word is the album will be entitled Words and Music by Saint Etienne, no word on release date.

Stream: Saint Etienne – “Tonight”

Richard Thompson talks to Billboard about his plans for his next album, which will be electric, recorded in a trio format and probably be out before the end of the year.

Kate Bush has released a new animated video from 50 Words For Snow.

Video: Kate Bush – “Elder Falls At Lake Tahoe”

The Psychedelic Furs have made a date at Lee’s Palace for March 29, tickets $36.50 in advance.

Video: The Psychedelic Furs – “Love My Way”

Fanfarlo are paving the road to the February 28 release of Rooms Filled With Light with the release of a series of live session videos of songs from the record. The first is for the lead single from the record. They’re at The Mod Club on March 24.

Video: Fanfarlo – “Shiny Things” (live session)

The Line Of Best Fit has premiered a track from The Mary Onettes’ forthcoming Love Forever EP, due out February 28.

MP3: The Mary Onettes – “Love’s Taking Strange Ways”

Australians The Jezabels have made a headlining date for The Mod Club on April 18; tickets are $15.50 in advance.

MP3: The Jezabels – “Try Colour”

Just a week after wondering when that first single would show up, DIY points to a stream of the first taste of Ladyhawke’s Anxiety. The US release date for the record has now been pushed back a week to March 27.

Stream: Ladyhawke – “Black, White & Blue”

Frank Yang

Finding that entry was also notable because it reminded me that I hadn’t done a very good job of keeping up with Thompson’s work since then, missing both Front Parlour Ballads and last year’s Dream Attic; and while I do have 2007′s Sweet Warrior, I haven’t exactly worn it out. Similarly, I missed both of Thompson’s last visits – in 2008 at the Danforth Music Hall and 2005 at Trinity-St. Paul’s – my only live experience being back in 2003 at the Toronto Star Bluesfest at Exhibition Place, a jaw-dropping experience despite the less than auspicious setting. There would be no complaints about the venue last Thursday night, with Thompson being booked into the jaw-droppingly gorgeous – both visually and acoustically – Koerner Hall at the Royal Conservatory of Music – a fitting room for a recently-honoured Officer of the Order of the British Empire, methinks. This was to be a solo show in all regards, just Thompson with a single acoustic guitar – no band, no opener, not even an amplifier (though he was mic-ed – the acoustics of the room weren’t THAT good) – truly as simple as you could get, but also all that he’d need.

Well, that and his immense, almost 40-year deep songbook. For over an hour and a half, Thompson explored the breadth of his repertoire including a nod back to his early days with Fairport Convention by way of a cover of Sandy Denny’s “Who Knows Where The Time Goes” and a couple of selections from Shoot Out The Lights though not the title track, which I grudgingly accept as an electric song. Much of the set, however, focused on his ’90s material – well-documented on the Action Packed compilation – indicating that I wasn’t the only one who was most familiar with his works from that era. Highlights were plentiful, with any fears that an unplugged set would mean less guitar heroics put well to rest early on with astonishing excursions on Mock Tudor‘s “Crawl Back (Under My Stone)”, his one-man, six-string Zydeco band impersonation on “Valerie” or even how his down-tuning segued perfectly into the intro of his tour de force “Vincent Black Lightning 1952″.

If anything, playing acoustic didn’t mean fewer solos, only more astonishing ones. Understand that Thompson doesn’t solo like anyone else – for someone of his instrumental repute, he’s one of the least-copied because, well, it’s damn near impossible to ape his unique blend of folk, Celtic, and rock moves. And while you might reasonably question why a player would want to make his axe sound like bagpipes, hearing how Thompson works it into his music – making leads less about being showy as adding intense instrumental conversations to the topic at hand – you’d get it. The 1100 or so people on hand this night certainly did.

While it’s all well and good to focus on Thompson’s instrumental prowess, it’s crucial to note that on his songwriting scoreboard, each unearthly bend and riff is matched by a lyric of deliciously black English humour or a character either wronged or doing the wronging in love. Perhaps it was the setting and his having my undivided attention, but even songs that I didn’t like so much on record like Sweet Warrior‘s cruse ship comedy “Johnny’s Far Away” was considerably more entertaining live, thanks in no small part to the humorous intros Thompson prepended onto it and others. A bevy of charmingly corny jokes also got Thompson through a patch of having to change a string on his guitar; to reiterate – the man restrung his own guitar. He only brought the one.

It doesn’t seem right to register complaints for such a stunning show, but I was disappointed that neither of Mirror Blue‘s finest acoustic moments – “King Of Bohemia” and “Beeswing” – were left out. But for the encores we did get his cover of Britney Spears’ “Oops, I Did It Again” which engendered an audience singalong – hilarious if you consider the age demographic of most in attendance – as well as the wonderfully dark “I Misunderstood” and a gorgeous reading of “Walking On A Wire”. The standard line on Richard Thompson is that he’s one of the world’s most under-recognized and underappreciated musicians – which may well be true – but you wouldn’t have known it from this performance and the reception it got.

The Ottawa Citizen, The Toronto Star, NOW, Montreal Gazette and Morton Grove Champion have interviews with Richard Thompson.

Photos: Richard Thompson @ Koerner Hall – September 8, 2011
MP3: Richard Thompson – “Harlan’s Bounce”
MP3: Richard Thompson – “Treadwell No More”
MP3: Richard Thompson – “Uninhabited Man”
MP3: Richard Thompson – “Dear Janet Jackson”
MP3: Richard Thompson – “Banks Of The Nile”
MP3: Richard Thompson – “The Sights And Sounds Of London Town”
MP3: Richard Thompson – “I Agree With Pat Methany”
MP3: Richard Thompson – “Keep Your Distance”
MP3: Richard Thompson – “Vincent Black Lightning 1952″
MP3: Richard Thompson – “Hard On Me”

Zach Condon of Beirut is interviewed by NPR and given his run of Drowned In Sound to post whatever he and his bandmates like, but not before submitting to an interview. And oh, there’s a new video available from The Rip Tide.

Video: Beirut – “Santa Fe”

Drowned In Sound interviews Ringo Deathstarr about their new odds-and-sods album Sparkler, due out tomorrow.

The Line Of Best Fit has a feature interview and Billboard goes into St. Vincent’s Twitter PR strategy for Strange Mercy, out tomorrow.

Salon, New York Magazine and Slate have feature pieces on Wild Flag, whose self-titled debut is finally out tomorrow. They’re at Lee’s Palace on October 12.

Christopher Owens of Girls gets interviewed by The Guardian about their new record Father, Son, Holy Ghost, out tomorrow. They play The Mod Club on September 27.

Stereogum talks influences with The Drums, who are at The Mod Club on October 1 in support of new album Portamento, out tomorrow. There’s also an interview at Digital Spy.

Spin talks to Chris Taylor of CANT (and also Grizzly Bear, while Pitchfork has a stream of Dreams Come True, his solo debut in that identity. It’s out tomorrow and he plays The Garrison on October 21.

Stream: CANT / Dreams Come True

Explosions In The Sky have released another video from Take Care, Take Care, Take Care and are profiled in The Georgia Straight, Boise Weekly and LAist. They’re at the Sound Academy on October 7.

Video: Explosions In The Sky – “Be Comfortable, Creature”

Exclaim has details on the She & Him Christmas album A Very She & Him Christmas, which is due out October 25 and will exist whether you like it to or not.

Maria Taylor returns to town in support of her new record Overlook with a show at The Drake Underground on November 13.

MP3: Maria Taylor – “Matador”
MP3: Maria Taylor – “Bad Idea?”

Mastodon have made a date at the Kool Haus for November 25, tickets $29.50. Their new album The Hunter is out September 27; I’m gonna go ahead and guess that it’s heavy.

Video: Mastodon – “Black Tongue”

The Big Takeover has posted the second part of their interview with Jonathan Donahue of Mercury Rev.

Musicstack

Though at the time the Athens, Georgia quartet were neck-deep in re-establishing their rock’n'roll credentials via Monster, they opted to dial back to a distinctly Out Of Time acoustic style for their bright and strummy take on the closing track from Thompson’s arguably most famous record (with then-wife Linda Thompson) Shoot Out The Lights. And if you’re wondering what the Wall Of Death is – as I did for a long time – Wikipedia has the answer; it’s a carnival attraction wherein a motorcyclist rides horizontally and performs stunts on the inside of a large wooden drum. Let it never be said you never learned anything here.

R.E.M. released their fifteenth studio album in Collapse Into Now earlier this year. Thompson’s last album of original material Dream Attic was released last year but can’t rightly be called a studio album – it was recorded live on tour. Thompson will be in Toronto for a solo show at Koerner Hall at the Royal Conservatory of Music this Thursday evening. The Hartford Courant has an interview with the man, who was made an Officer of the Order of the British Empire earlier this year – okay, maybe he is getting some respect.

MP3: R.E.M. – “Wall Of Death”
Video: Richard Thompson – “Wall Of Death” (live in Toronto 1991)
Video: Richard Thompson – “Wall Of Death” (live)

Frank Yang

These were the sorts of concerns I had leading up to the Toronto debut of Allo Darlin’ – in all the way from London – at the El Mocambo on Saturday night. None of the band, tour or show seemed to be particularly well-promoted (though I did my part) and even if they were, the timing was tough as the indie/Brit-pop contingent also had Gruff Rhys and Architecture In Helsinki shows that evening to choose from. I had fallen quite in love with the band’s self-titled debut, but had fears of walking into the El Mo and finding a near-empty room.

Happily, such was not the case and by the time the foursome took the stage at half-eleven, I guesstimated just shy of eighty or so people in attendance. Not a packed house by any means, but certainly a respectable one and one that got treated to about as adorable and entertaining a show as anyone could have hoped for. Their hour-long set was a study in fun, with frontwoman Elizabeth Morris proving that the ukulele was as headbanging an instrument as anything else, dancing and pogoing around the stage. And really, for a band that’s rather instantly and mostly fairly pigeonholed as twee-pop, they brought some seriously punk rock energy to the proceedings, Morris’ sweet voice and phrasing taking an unexpected but entirely welcome Louise Wener-ish edge in the live setting.

In between some colourful banter – apparently the show in Montreal the night before was interrupted when someone smashed the club doors with a sledge hammer – they melted hearts with a selection of songs from their debut, a few new tunes from their second album – entitled Europe and presumably finished though apparently not out anytime too soon – and a cover of The French’s “The Wu Tang Clan” to close the main set out. By this point a call for an encore was assured and they obliged with their hilarious single “Henry Rollins Don’t Dance”, wrapping a wonderful little set. Morris mentioned earlier in the show that she heard Toronto doesn’t get much in the way of indie-pop coming through town, and that’s probably true enough. If they want to up our regular dosage of Allo Darlin’, I won’t complain a bit.

Allo Darlin’s North American tour has less than a week to go (though they’ve sworn to reschedule the week of west coast shows cancelled on account of late vias) – if you’re in one of the cities remaining on the itinerary, go. Just go.

Photos: Allo Darlin’ @ The El Mocambo – June 11, 2011
MP3: Allo Darlin’ – “My Heart Is A Drummer”
MP3: Allo Darlin’ – “Dreaming”
Video: Allo Darlin’ – “My Heart Is A Drummer”
Video: Allo Darlin’ – “If Loneliness Was Art”
Video: Allo Darlin’ – “Dreaming”
Video: Allo Darlin’ – “The Polaroid Song”

A couple big British concert announcements over the last couple days; The Horrors will follow up the July 26 release of Skying with a Fall North American tour that includes a September 27 date at Lee’s Palace. Tickets $20 in advance.

MP3: The Horrors – “Sea Within A Sea”

And at long last, Elbow are coming back to Toronto for their own, non-Chris Martin-tainted show as part of a Fall tour. Not even the fact that the September 28 show is at The Sound Academy can dampen my happiness about this. Tickets are $38.50, on sale Saturday.

Video: Elbow – “Open Arms”

White Lies have a new video. They’re at The Phoenix on August 3.

Video: White Lies – “Holy Ghost”

Spin puts Arctic Monkeys on their latest cover. Well, one of their latest covers.

Emmy The Great has posted an unabridged version of the feature that ran in The Guardian last week, making a worthy read even better. The Stool Pigeon has also posted a mixtape from Emmy as relates to her new album Virtue.

Nouse have an interview with Slow Club, whoe are gearing up for the release of their second album with a new website and a new video for their new single “Two Cousins”, though you have to sign up to their mailing list to watch the thing.

Belle & Sebastian have rolled out a new video from Write About Love and are teasing the release of another one coming later today – I’ll update when it’s up. And while we wait for the future to arrive, Magnet takes us back to the past by posting their cover feature on the band circa 2006, back when they were a magazine and had covers.

Video: Belle & Sebastian – “Come On Sister”
Video: Belle & Sebastian – “I Didn’t See It Coming”

Sons & Daughters are streaming their new record Mirror Mirror at The Guardian. It’s out now in the UK but not until July 12 in North America.

Stream: Sons & Daughters / Mirror Mirror

The Irish Independent, Star-Observer, Irish Times and SX News have feature pieces on Patrick Wolf, whose new album Lupercalia is out next wek.

NME talks to Stornoway about what they might have planned for album number two.

The Guardian declares that Pulp are more important, culturally speaking, than ever.

NPR has posted a World Cafe session with a couple of songwriting legends currently on tour together, Richard Thompson and Loudon Wainwright III. Thompson is here solo on September 8 for a show at Koerner Hall.

Danish post-punk teen act Iceage will be at Parts & Labour on August 17 in support of their debut album New Brigade, out next Tuesday. Pitchfork has full tour dates.

MP3: Iceage – “Broken Bone”
MP3: Iceage – “White Rune”

Spin and NPR have video and audio sessions, respectively, with Peter Bjorn & John, while The Huffington Post talks food with John Erikkson. They’ve got a two-night stand scheduled for Lee’s Palace on September 2 and 3.

allodarlin.com

You can draw a pretty straight line from Heavenly’s archetypal indie pop to what Allo Darlin’ are doing, making adjustments for Morris’ Australian accent and favouring of the ukulele as rhythm instrument. But rather than go retro and try to recapture the youthful innocence of the movement circa the ’80s, Allo Darlin’ picks up in present day with the song’s protagonists perhaps in their late twenties, coloured by the anxiety, disappointment and melancholy that comes with age and experience. It’s also peppered with pop cultural references – when was the last time you heard “Max Von Sydow” as a lyric – that are less about being clever and more about trying to express reel feelings with the only frames of reference available.

I realize this sounds kind of grim and maybe unappealing, but Allo Darlin’ wraps these sentiments up in some of the most buoyant and catchy melodies you’ll hear this side of, well, a Heavenly record. It’s indie pop of the most irresistible variety with a real emotional weight to it that adds just the right amount of heartache to go with the sugar buzz. Recommended on so many levels.

I wouldn’t have thought that the band had enough profile to stage a North American tour but after having to cancel a handful of dates due to visa issues aside, they got underway last night in New York City and will roll through Toronto this Saturday night at the El Mocambo. Tickets just $10 in advance; you should go.

MP3: Allo Darlin’ – “My Heart Is A Drummer”
MP3: Allo Darlin’ – “Dreaming”
Video: Allo Darlin’ – “My Heart Is A Drummer”
Video: Allo Darlin’ – “If Loneliness Was Art”
Video: Allo Darlin’ – “Dreaming”
Video: Allo Darlin’ – “The Polaroid Song”

The Guardian gets Emma-Lee Moss – aka Emmy The Great – to annotate her second album Virtue, which is due for release next week but available to stream in whole right now. The Guardian and I Like Music both have interviews with Moss.

Stream: Emmy The Great / Virtue

The Alternate Side has an interview and session and The Dumbing Of America, The Vine, Shortlist, City Weekly, The Georgia Straight and Soundspike have interviews with Noah & The Whale.

The Globe & Mail, National Post, Georgia Straight, Canada.com and San Francisco Examiner get to know Anna Calvi.

Florence & The Machine has released a video for their contribution to the Rave On Buddy Holly tribute album, due to be released on June 28. Gigwise reports that her second album will be done by the end of next month.

Video: Florence & The Machine – “Not Fade Away”

File this one under “can’t be anything but wonderful” – English folk-rock legend Richard Thompson is coming to town for a solo show at Koerner Hall in the Royal Conservatory Of Music on Thursday, September 8. Ticket information is still forthcoming but having seen him at Toronto’s Bluesfest back in 2003 – way back when we had a Bluesfest – I can attest that whatever they charge will be worth it. The man is unbelievable.

Video: Richard Thompson – “Shoot Out The Lights” (live)
Video: Richard Thompson – “1952 Vincent Black Lightning” (live)

The San Francisco Examiner and Los Angeles Times have interviews with James Allan of Glasvegas.

The Grid chats with Arctic Monkeys drummer Matt Helders.

Baeble Music is streaming video of a complete show by The Go! Team in Brooklyn from earlier this Spring.

Guy Garvey of Elbow ruminates on the British music scene for Shortlist.

NPR is streaming a WFUV session with Ellie Goulding, who will be at The Kool Haus on August 1.

Spin gets a notion of what Anthony Gonzalez has in store for the next M83 album. No release date or title, but apparently it will be an epic-scale double-disc set. So glad that Gonzalez is finally letting loose; all those previous M83 records being so introverted.

Seamus Murphy

Just posted to stream in its entirety at NPR, it’s a strange yet immediately compelling collection built around themes of nationalism and war. While has echoes of her past works – the urgency of her early records, the melody of her middle-period works and the stark beauty of recent recordings – it sounds completely fresh, with Harvey favouring the higher registers of her voice in a way that I, at least, haven’t heard before. I’m only a few listens in and already I’m finding myself connecting with it in way that I haven’t with her stuff before. This is an exciting development.

She’s only got three North American tour dates scheduled right now (Los Angeles, Coachella and New York) but considering she’s not toured over here properly in forever – her last Toronto date was in 2004 – I have to think or at least hope that more will be coming.

MP3: PJ Harvey – “Written On The Forehead”
Stream: PJ Harvey / Let England Shake

The Guardian and State interview Anna Calvi, whose self-titled debut is due out on March 1 and who will be at Wrongbar on March 11 as part of Canadian Musicfest.

The Quietus goes over their debut Violet Cries track by track with Esben & The Witch while Drowned In Sound gave them the keys to their whole website last week. Paste just interviews them. They’re also at Wrongbar on March 11 for Canadian Musicfest.

Billboard has a cover story on Adele in advance of the February 22 release of 21. NPR is streaming the album in its entirety as well as a half-hour live performance from the singer, who’s just announced a North American tour in suport of album number two, including a May 18 date at The Kool Haus in Toronto.

Stream: Adele / 21

NPR has a World Cafe session with Duffy.

PopMatters interviews Kate Nash.

Spinner talks to Mira Aroyo of Ladytron about their forthcoming Best of Ladytron: 00-10 compilation, due out March 29.

Micachu & The Shapes are still working on the follow-up to 2009′s left-field gem Jewellery, but in the interim will be releasing Chopped & Screwed, a collaboration with The London Sinfonetta that will be coming out on March 22. What’s it sound like? Click below and read this piece on the collaboration at Clash.

MP3: Micachu – “Everything”

Pitchfork talks to Jamie Smith of The xx about stuff both xx and not xx.

The Fly checks in with Friendly Fires, who are finishing up their second record Pala, due out in the Spring – certainly before their May 30 date at The Phoenix.

The Fly and The Scotsman profile The Joy Formidable, who follow up the North American release of The Big Roar with a date at The Horseshoe on April 2.

Magnet handed over the editorial chair of their website to White Lies last week. The Mirror has an interview.

The Boxer Rebellion have made a date at The Horseshoe for April 18 in support of their new record The Cold Still; tickets $13.50.

Video: The Boxer Rebellion – “Step Out Of The Car”

State, Exclaim and Clash interview The Go! Team, who bring their new record Rolling Blackouts to The Opera House on April 10. They’ve released a couple new videos and an MP3 from said record.

MP3: The Go! Team – “T.O.R.N.A.D.O.”
Video: The Go! Team – “Super Triangle”
Video: The Go! Team – “Secretary Song”

Guy Garvey discusses Elbow’s forthcoming new record build a rocket boys!, out March 8, with The Quietus.

Toronto fans disappointed there’s no official stop here for the upcoming Trash Can Sinatras tour would do well to look at their itinerary, email the address noted on the right and ask themselves just how much seeing them play an intimate house show is worth to them.

Liam Gallagher of Beady Eye discusses his new band’s debut Different Gear, Still Speeding with Spin. The record is out March 1.

Spinner reports that Manic Street Preachers bassist Nicky Wire is disappointed that their last single didn’t chart in the UK; perhaps they overestimated the appeal of an Ian McCulloch duet? Time to dig up Nina Persson’s phone number again, methinks.

The Quietus contemplates the legacy of Teenage Fanclub while The Line Of Best Fit has an acoustic session with Fanny side-project Jonny. Their self-titled debut is out April 12.

Billboard profiles Mumford & Sons.

NPR puts folk-rock legend Richard Thompson behind a Tiny Desk and makes him play a concert. The indignity.

Steve Gullick

One expects they’ll have the state of their gear checked and double-checked before their return engagement on April 30 at the Phoenix (tickets $16.50), though. And that’s fine because as memorable as that last show was, it’ll be nice to hear them showcase their Mercury Prize-shortlisted record Total Life Forever with two fully functioning guitars.

The date is part of a Spring tour that is presumably built around a Coachella appearance and will feature a rather odd bill of Foals, Brooklyn twee-poppers Freelance Whales, still touring last year’s Weathervanes, and hotly-tipped New Zealanders The Naked & Famous, whose debut Passive Me, Aggressive You will be out on March 15.

MP3: Foals – “Spanish Sahara”
MP3: Freelance Whales – “Generator Second Floor”
Video: The Naked & Famous – “Young Blood”

Other Mercury Prize alumni coming back to town are Friendly Fires, who’ve made a May 30 date at The Phoenix, tickets $20. There’s been no official announcement about the release of their second album but one assumes that it will be out before they head over here. Update: Full North American dates are up, album has working title of Pala.

MP3: Friendly Fires – “Jump In The Pool”

Australia’s Cut Copy have slated a North American tour in support of their new record Zonoscope, due out February 8. Look for them at The Sound Academy on April 7 and download a track from the new record over here.

MP3: Cut Copy – “Lights & Music”

Last week they announced the April 4 release of their new record Blood Pressures and now, via NME are this Spring’s world tour dates for The Kills; Toronto gets them May 1 at the Sound Academy. That’s right, groan away. I’ll wait.

MP3: The Kills – “URA Fever”

Milo Cordell of The Big Pink tells NME they’re considering a hip-hop direction for their second album.

The Scotland Herald talks to Stuart Braithwaite ofMogwai in Japan. Their new record Hardcore Will Never Die, But You Will arrives February 15 and there’s a new MP3 and video from said record available to download. Mogwai play The Phoenix on April 26.

MP3: Mogwai – “San Pedro”
Video: Mogwai – “Pano Rano”

The Guardian has a feature piece on British Sea Power. They play Lee’s Palace on March 30.

“The World Is Yours”, the lead track from Glasvegas’ Euphoric Heartbreak, is currently available to stream – the record is out April 4.

Music For Kids Who Can’t Read Good wins today’s Patrick Wolf news prize – they’ve got the name of Wolf’s new record – Lupercalia – and a download of the first single from the record, “Time Of My Life”. A quick look on the Twitter indicates that said album has been given a May 23 release date in the UK and a stream of the second single, “The City”, is available on Soundcloud. I daresay that if these songs are indicative of what the album will be like, Mr. Wolf has managed to outdo himself yet again.

Baeble Music has a Guest Apartment session and The Herald-Sun an interview with Kate Nash.

The Fly has an acoustic video session with The Joy Formidable, whose debut The Big Roar is out in the UK next week and in North America March 15.

Elly Jackson of La Roux discusses collaboration plans for album number two with NME.

Clash interviews Adele, whose second record 21 arrives February 22.

MusicOMH talks to Anna Calvi, whose self-titled debut arrives March 1 and who plays Wrongbar on March 11.

NPR has a second video from PJ Harvey’s forthcoming Let England Shake, due out February 15.

Video: PJ Harvey – “The Words That Maketh Murder”

In talking to Gigwise, Blur’s Dave Rowntree confirms the band will do “something” this year, but offers no more information than that. And yes, as I was typing that out I realized how pointless a news item this was but whatever.

MusicOmh has words with Richard Thompson.

And do swing by the recently-launched Aggregation Magazine, whose mandate is simple but too long for me to recap here but whose latest issue includes contributions from yours truly on topics that have nothing to do with music. And the latest issue of Under The Radar – the Sufjan cover – has an interview with myself and other music bloggers on the topic of blog hype; the issue has been out since December but I only just got a copy so I made sure I didn’t sound like a total ass before mentioning it. Only a partial ass, as per usual. End self-promo/flagellation.

Dean Chalkey

Manic Street Preachers threw that out the window before even their first album, declaring their intention to sell 20 million copies of their debut and then break up at the height of their powers. And while this didn’t happen, their narrative did end up considerably twistier than most – release successful debut, endure mandatory difficult second record, rebound with critically acclaimed effort, lose chief songwriter to mysterious circumstances, regroup for their biggest commercial and critical success, release follow-ups of diminishing quality before respectively levelling out and then surprise everyone by deliberately trying to recreate the spirit of album three using lyrics left behind by the departed songwriter and have the results, rather than exploitative, be phenomenal.

This is where the Manics found themselves with last year’s Journal For Plague Lovers, a deliberate revisit to The Holy Bible built around the words of their lost member Richey Edwards. And just as that record deliberately paralleled their third record, its follow-up Postcards From A Young Man looks to album four, the massive in every sense Everything Must Go as a reference. The dry, Albini production values of Journal are traded in for grandiose anthems laden with strings and choirs that offer no apologies for reaching for the stars. It’s a reminder that as good as the Manics were at being emphatically, viciously angry, they were arguably better at being starry-eyed romantics, and it’s that side of them that is on display with this effort. But unlike Everything, which for its widescreen staging was still downcast in tone, what with dealing with Edwards’ disappearance, Postcards casts far fewer shadows. Granted, this also gives it less emotional heft, but it’s far from empty calories. There’s still plenty of dense lyricism, huge choruses, fiery guitar solos, a guest spot/croak from Ian McCulloch and an affirmation that while the Manics took a mid-career breather, they’re once again at the top of their game.

Even though the release of Journal and accompanying tour were supposed to mark the Manics’ return to the North American marketplace, Postcards has yet to receive a domestic release. Until that happens, any hope that the further Stateside shows the band promised last year will materialize remain just wishful thinking. Or maybe they’ll wait for the next record – for all the hubbub surrounding the “last attempt at mass communication” rhetoric that accompanied Postcards and whether it meant it would be the Manics’ final record, according to this interview with Nicky Wire at NME, the band are already writing their next record, have given it a working title of 70 Songs Of Hatred And Failure and are calling it an exercise in “pure indulgence”. So it’s a revisit to Know Your Enemy, then? Bring it on.

Note that the below MP3 does not appear on Postcards, but is a period-correct and was given away in conjunction with the promotion of Postcards.

MP3: Manic Street Preachers – “I’m Leaving You For Solitude”
Video: Manic Street Preachers – “Some Kind Of Nothingness”
Video: Manic Street Preachers – “(It’s Not War) It’s Just The End Of Love”

Digging A Hole, The Bangkok Post and CNNgo check in with Tim Burgess of The Charlatans.

The long wait for a new record from PJ Harvey is almost over – NME reports that Polly Jean’s next record Let England Shake will be out on February 14.

Trip-hop survivors Morcheeba, with original vocalist Sky Edwards back in the fold, will be touring North America next year in support of their latest Blood Like Lemonade and will be at The Phoenix on February 20. Tickets $32.50 in advance.

Video: Morcheeba – “Blood Like Lemonade”

VBS has a video interview with Emmy The Great and producer Gareth Jones, who is working with her on album number two. It’s targeted for a February 2011 release.

Laura Marling has released a video for her Neil Young cover, taken from her recent 7″ release.

Video: Laura Marling – “The Needle & The Damage Done”

NME reports that Noah & The Whale have given their third album a name – Last Night On Earth – and that it’ll be out in March of next year. Presumably before they roll into town for a show at the Mod Club on March 24, tickets $17.50 in advance.

Richard Thompson lists off his favourite covers of his own songs for Spinner and otherwise chats with The Los Angeles Times and The Kansas City Star

Mogwai are offering a free download of “Pano Rano”, the first single from their forthcoming Hardcore Will Never Die, But You Will. The album is out February 15 and they play The Phoenix on April 26.

Exclaim reports on the super-fancy and then some 20th anniversary edition of Primal Scream’s Screamadelica, due out on March 7 of next year. For those who want to be free to do what they want to do, who want to be free to ride, and want to be free to ride their machines without being hassled by The Man, and who want to get loaded, and who want to have a good time. And that’s what they’re gonna do. They’re gonna have a good time. They’re gonna have a party!

The Arts Desk and The Quietus converse with Jim Reid of The Jesus And Mary Chain.

State welcomes ex-pat Gemma Hayes back to Ireland; she’s due for a new album sometime in 2011.

Frank Yang

This was their first time back in town in a decade – a fact I found remarkable because it meant they’d been DOING what they do for 10 years plus – and while I’m a double-dose of Peelander would have been doubly entertaining, I opted to go to the second of the shows at The Silver Dollar simply because it was closer to home and seemed like a more climbable venue than The Velvet Underground and with better human bowling lanes. Besides making up for an extended absence from Canada, they were previewing their new record P-TV-Z, due out September 28, and really – do you need an excuse to dress up and engage in the sort of bedlam that Peelander do? No, I don’t think you do.

As far as the performance went, it was pretty much everything you could hope for. For the hour that they were on stage (and off the stage), there was the giant squid costume, nose picking, human bowling, replacing the band with audience members, singalongs, limbo, jump rope, conga lines, so many Mikes, and while the Silver Dollar isn’t nearly as conducive to scaling and surfing as The Mohawk, Peelander Red still managed to crowd surf upright onto the bar and back to the stage. Very impressive. And while there’s a temptation to assume the music comes secondary to the antics, just a little attention reveals that they’re capable and versatile musicians. I mean, YOU try playing bass while dressed as a giant squid guitar. Not that easy, is it. But most importantly, Peelander-Z are fun beyond words and utterly unique. And this show was better than the last one at the Mohawk in that Peelander Green didn’t feel compelled to chuck a drumstick at me this time.

Photos: Peelander-Z @ The Silver Dollar – September 2, 2010
MP3: Peelander-Z – “E-I-E-I-O”
MP3: Peelander-Z – “S.T.E.A.K.”
MP3: Peelander-Z – “Rocket Gold Star”
MP3: Peelander-Z – “Champion”
MP3: Peelander-Z – “Panda Punk”
Video: Peelander-Z – “E-I-E-I-O”
Video: Peelander-Z – “Ninja High Schooool”
Video: Peelander-Z – “S.T.E.A.K.”
Video: Peelander-Z – “Mad Tiger”
MySpace: Peelander-Z

Belle & Sebastian are previewing two songs from their new record Write About Love via a 30-minute talk show webisode; sounds like it’s going to be a winner, folks. The album is out October 12 and they play Massey Hall the same evening. The first MP3 from the album is supposed to be made available today as well. Update: The track is now available email-widget-swapsies-style.

The Telegraph and The Guardian talked to Laura Marling about being nominated a second time for the Mercury Prize, which is being awarded tonight.

Clash interviews Richard Thompson about his new album Dream Attic.

Billy Bragg talks to Billboard about teaming up with Roseanne Cash and Joe Henry for a new album due out in late 2011.

Unbelievably, The Charlatans’ North American tour in support of Who We Touch, out next Tuesday, is due to begin tonight in Atlanta and they still haven’t cancelled it. They might even already be on this side of the Atlantic! Perhaps flush with confidence that the apocalypse isn’t imminent, they’ve scheduled an in-store at Sunrise Records on Yonge St at 7PM next Friday, September 17, before their show at Lee’s Palace later that evening. And they’ve just released a new video from said record, which is apparently quite decent.

Video: The Charlatans – “My Foolish Pride”

Beatroute interviews The Dø, in town at the Mod Club this coming Sunday night, September 11.

The Guardian interviews Nick Cave of Grinderman. Grinderman 2 is out next Tuesday and they’re at The Phoenix on November 11.

I didn’t pay much attention to Pitchfork’s Top 200 Tracks of The ’90s series last week, save for skipping to the end on Friday and going, “huh”, but their just-posted ’90s In Lists piece was equal parts hilarious, nostalgic, depressing and terrifying – the last one mostly because that, right there, is my high school and university years and it was so so so so long away. The only thing that’s going to be more depressing today – god willing – is biking to work past the hordes of 17-year old frosh starting at the University Of Toronto who have no clue about 90% of the stuff in those lists. Hello, kids! I’m twice your age! Get off my lawn!

D.L. Anderson

Even if stripped down to just main composer Ari Picker, Lost In The Trees would be a worthy of note – his songwriting is lyrically evocative and his voice capable of ranging from an introspective grumble to a plaintive yelp – but his ambitions go far beyond folk or singer-songwriter. Their third album All Alone In An Empty House – originally released in 2008 but re-recorded and set to be re-released on August 10 – wraps him and his songs in gorgeous tapestries of strings and chorals that are clearly informed by Picker’s Berklee training in classical composition, with the vocal pieces giving way on multiple occasions to full-on insturmental suites. Mixing those in with the more austere numbers and occasional electrified rockers could – and probably should – make for a jarring listening experience but Picker and company – seven in total in the touring configuration but numbering more than a dozen in the studio – make it all blend beautifully. Those other bands can keep calling themselves orchestral – Lost In The Trees are symphonic.

Lost In The Trees are currently on tour and will be in Toronto this coming Tuesday, June 15, for a free show at the El Mocambo. That’s right – the price of admission is the effort it takes to show up. There’s interviews with Ari Picker at The Washington Examiner and hour.ca.

MP3: Lost In The Trees – “Fireplace”
MP3: Lost In The Trees – “All Alone In An Empty House”
MP3: Lost In The Trees – “Time Taunts Me”
MySpace: Lost In The Trees

QRD talks guitars with Anna-Lynne Wiliams of Trespassers William.

Author Michael Chabon offers an eloquent tribute to power pop in general and Big Star in particular.

Drive-By Truckers have a new video from The Big To-Do.

Video: Drive-By Truckers – “After The Scene Dies”

Spinner talks to Tift Merritt about her new record See You On The Moon.

eye‘s cover feature this week welcomes the Pavement reunion to town next Saturday on Toronto Island without actually talking to anyone in the band. It was just announced that the reunion is having a reunion of its own – the band’s June 24 show in their former hometown of Stockton, California will feature their original drummer Gary Young behind the kit. Stockton fans got excited, until they remembered that Young wasn’t a very good drummer.

James Murphy of LCD Soundsystem talks to Spinner.

Phantogram check in at Daytrotter for studio session and with The Visalia Times Delta for an interview; they’ll be at Wrongbar on July 8.

Spin checks in with Of Montreal, presently in the studio recording a new record.

The Drums talk to Spinner and BBC about their self-titled debut, out digitally now, and on vinyl come August 10 and on CD in September.

Sky Larkin have nailed down the release date for their second album Kaleide – it will be available in the UK on August 9.

PopMatters chats with Gareth Campesinos! of Los Campesinos!.

Exclaim reports that The Vaselines will release their first new album in some 20 years on September 14 with Sex With An X, the first MP3 of which you can get from their website.

The Telegraph interviews Richard Thompson, whose new recorded-live-in-front-of-an-audience album Dream Attic is out August 31.

New fatherhood may have kept bassist Ted Malmros from participating in the Shout Out Louds’ recent North American tour, but he kept busy producing a new video from Work. Blast and The Days Of Yore also have interviews with Shout Out Loud-ers.

Video: Shout Out Louds – “Show Me Something New”

Drowned In Sound meets Love Is All.