Frank YangThere’s a point in the arc of the breakout band where long-time fans who’ve supported and encouraged the artist through those early days find themselves in the odd position of rubbing elbows not with the faithful but newbs and tourists, interested not in hearing the songs that soundtracked crucial points in their life but that one tune they heard on the radio. For fans of Vancouver duo Japandroids, that time has come and for those in Toronto, that specific moment was Saturday night where on the strength of their second album Celebration Rock, they not only proved they could play clubs the size of Lee’s Palace, but jam it to the gills. And I report on this not as one of those die-hards but one of the newbs.

It wasn’t quite the top-40 scenario sketched out above, but it is true that while I didn’t care for the duo’s 2009 debut Post-Nothing, I was wholly and unexpectedly taken with Celebration Rock and its righteous classic rockism. And I was hardly the only one as the band’s story has turned from having almost called it quits prior to making this record into being one of the most talked-about rock bands of the moment, to say nothing of a spot on the 2012 Polaris Prize longlist with more than reasonable chances of making the short. Yeah, they’re having a pretty good year.

And if they needed someone to discuss the spotlight with, then they could do worse than their tourmate Rollie Pemberton, aka Cadence Weapon, who had himself made the Polaris long list with his third album Hope In Dirt City and who had previously shortlisted with his 2005 debut Breaking Kayfabe. The bill had just completed tours together in the UK and US and as Japandroids guitarist explained as he took the mic before their set, he’d taken to introducing Cadence Weapon to their audience as a way of explaining why a crowd who’d come to see a white noise rock band was about to be warmed up by a hip-hop artist. He did, however, also acknowledge that this was their first show together in Canada and that Cadence Weapon probably didn’t need any hype man in his home country; indeed, to hear Pemberton tell it on Dirt City, he “don’t need a fuckin’ hype man” at all.

In any case, Pemberton performed as though he was thrilled to be playing to audiences where he didn’t necessarily have to justify his presence. His set was part performance, part conversation where he would offer some backstory, some anecdote or otherwise just chat between songs – good for engagement, not so great for pacing or keeping the momentum going. It did get going though, thanks to the crowd getting more and more into it as the show progressed, and while the spartan beats that work well on the Dirt City recordings sounded a bit thin in the live setting, that was more than offset by the amount of energy and expression that Pemberton threw into the performance.

Building momentum wasn’t any kind of problem for Japandroids’ set. Though some have cited Celebration Rock‘s unrelenting pace as a shortcoming – not unreasonably – it was nothing but a positive for their live show, as after another short introduction by King, he and drummer David Prowse – not David Prowse – burst out of the gates with “The Boys Are Leaving Town” and basically didn’t let up with the fist pumping adrenaline or hand clapping anthemicism for the next 80 minutes or so. This was my first Japandroids show ever – see above about newbiness – and even though I’d seen two-piece acts before, the massiveness of their sound was really impressive. The dual Fender Twins/Marshall full stack/Ampeg SVT backline that King plugs his Telecaster into sound massive and also looks it – perfect for doing guitar hero poses in front of, particularly when you’ve got a fan situated sidestage providing windswept hair effects (and cooling things off, of course) to go with the Springsteen-approved white button-down and blue jeans look.

You couldn’t escape the Springsteen-ness of the music, either. Though the older material still sounded a bit generic to my ears, the Celebration Rock stuff translated as well from record to stage as impressively as you could hope, particularly with hundreds of fans singing along. Sweaty and rank fans, certainly – I had to flee their churning mosh pit after four songs – but absolutely devout and unquestionably enthusiastic. And young. Their new record may be a celebration of rock but it’s also a celebration of youth, and I can appreciate how while it just sounds like a great rock record to me, it can connect on a much deeper level to their demographic. It was quite something see; I just didn’t need to be in the middle of it anymore.

If his emcee role earlier in the evening wasn’t a hint, Brian King made it clear pretty quickly he liked to talk to the audience when he wasn’t rocking their faces off, explaining the songs, recounting tour stories, and thanking the fans. You definitely got the sense that he wasn’t taking their recent successes for granted and was genuinely grateful for it all; I’ve little doubt that this is going to be a momentous couple years for the duo as the record propels them forward – it’s good to see that they’re going into this with the right attitude.

It was amusing to hear him call album closer, “Continuous Thunder” a “slow jam” but I suppose that relative to most everything else in their repertoire, it was the thoughtful, contemplative mid-tempo number. They closed with their cover of The Gun Club’s “For The Love Of Ivy”, warning in advance that there would be no encore as they intended to give it their all. The same could have been said about their entire show and no, they weren’t kidding. Intense.

The National Post was also on hand for a review. The double bill has rightfully been leaving quite a trail of press clippings in their wake. There’s Japandroids features at The Phoenix, Denver Westword, Post City, Vulture, The Montreal Mirror, Cleveland.com, and The New York Times while Pemberton talks to The AV Club, The Grid, The Winnipeg Free Press, The National Post (who also take him shopping in Toronto), The Montreal Gazette, and The Edmonton Journal.

Photos: Japandroids, Cadence Weapon @ Lee’s Palace – June 23, 2012
MP3: Japandroids – “The House That Heaven Built”
MP3: Japandroids – “Young Hearts Spark Fire”
MP3: Japandroids – “Wet Hair”
MP3: Japandroids – “Heavenward Grand Prix”
MP3: Cadence Weapon – “Conditioning”
MP3: Cadence Weapon – “Real Estate”
Video: Cadence Weapon – “Get On Down”
Video: Cadence Weapon – “Conditioning”
Video: Cadence Weapon – “Real Estate”
Video: Cadence Weapon – “Sharks”

Billboard talks to Neil Young and director Jonathan Demme about the Neil Young: Journeys documentary that’s coming out June 29. Young leads Crazy Horse into the ACC on November 24.

And just announced as openers for that Neil Young show and others on the tour – ladies and gentlemen, The Sadies.

MP3: The Sadies – “Another Year Again”

Over at The National Post, Nils Edenloff of The Rural Alberta Advantage explains why opening up for The Tragically Hip at Burl’s Creek on Canada Day next weekend is such a big deal for him. He also talks to The Barrie Advance about the show.

Ragged Gold, the debut album from Guelph disco-pop brother act The Magic is out this week and available to stream in its entirety, along with track-by-track band annotations at DIY. They’re opening up for Hot Chip at The Sound Academy on July 15 and will play their own show at The Theatre Centre on August 10 as part of Summerworks.

MP3: The Magic – “Door To Door”
Stream: The Magic / Ragged Gold

Edmonton’s Purity Ring have released another taste of their forthcoming debut Shrines. They’re at The Music Hall on July 6 supporting Dirty Projectors and are featured by The National Post and Spinner.

MP3: Purity Ring – “Fineshrine”

Macleans has posted the full Q&A of their interview with Don Pyle of Shadowy Men On A Shadowy Planet, whose reunion hits Lee’s Palace on July 14, and Exclaim has a video of one of their comeback gigs at St. Alban’s Boys and Girls Club.

MP3: Shadowy Men On A Shadowy Planet – “13”

DIY has a video session with and aux.tv some video commentary from Al Spx of Cold Specks. She leads her band into The Great Hall on August 8.

Opening up that show is Snowblink and they’ll be previewing material from their just-confirmed new album Inner Classics. It’s due out September 11 and details on the release can be found at Exclaim, and a first track can be downloaded below.

MP3: Snowblink – “Black & White Mountain”

Each Note Secure chats with Great Lake Swimmers, opening up for Blue Rodeo at The Molson Amphitheatre on August 20.

Stars have revealed details of their next album – it will be called The North, be out September 4, and at least one song will sound like this. As for details of their next tour…

MP3: Stars – “The Theory Of Relativity”

…They will be hooking up with Metric for a cross-Canada tour that brings them to the Air Canada Centre on November 24. Not quite stadium love, but arena ain’t bad. The Globe & Mail and eMusic have feature pieces on the band and DIY and The Line Of Best Fit chip in video sessions. And another track from Synthetica has been made available to download.

MP3: Metric – “Clone”
MP3: Metric – “Artificial Nocturne”

Spinner gets a preview on the visual and audio direction that Diamond Rings will be taking with his second album; a video for the first single from it was just released.

Video: Diamond Rings – “I’m Just Me”

The Grid chatted with Dan Bejar of Destroyer ahead of last weekend’s show at The Opera House.

Chains Of Love have released a new video from Strange Grey Days and if you head over to Nylon, you can grab another track from the album to download. Note that it’s uncompressed so have some disk space open…

AIFF: Chains Of Love – “Mistake Lover”
Video: Chains Of Love – “He’s Leaving With Me”

Daytrotter has a session with Kathryn Calder.

CBC Music solicits PS I Love You frontman Paul Saulnier’s five favourite songs of the last 20 years.

The Take chats with The Elwins.

Derrick BelchamIt figures that the first year that I would have been able to actually attend the long-list unveiling for the Polaris Music Prize, they up and move it from its usual home atop the Drake clear across the country to give Vancouver a taste of what the grand unveiling of the 40 albums selected as the top musical achievements in Canada over the past 12 months is like. But that’s alright because as it turns out, this was also the first year that I don’t need to make any changes to my ballot as all five of the records I submitted have made it onto the long list so unless I have some massive change of heart about which record is more artistically achieving than another, my role in this year’s Polaris is done.

Which is a surprise because at the start of this year’s eligibility period, I’d have only been able to predict one – maybe two – of my nominations. One of them I’d have sworn I’d never get behind and one I’d never even heard of. And yet. That said, the long list itself is simultaneously one of the most varied in recent memory, from a stylistic and profile point of view, and also one of the most predictable if you’ve been privy to the internal discussions of the 200+ jurors (or at least the ones who participate in the Google group). In any case, nows the time for forty artists to enjoy their time in the large-ish spotlight, send out press releases and update their Wikipedia pages; the short list is announced on July 17 and that, I’m far less confident in my ability to predict. Then, come September 24, there will only be one.

And as I do every year, here are what made my final ballot and why. There was more indecision and last-minute jockeying than there usually is, but I’m pretty comfortable with my picks and also with the fact that two of my three runners-up also made the long list. What can I say, this was just the year that I was wholly in sync with the zeitgeist or something.

1. Fucked Up / David Comes To Life
As with Arcade Fire’s eventual champion The Suburbs last year, this one felt like a no-brainer for the number one slot if for no other reason than it aspired to more, artistically, than most of its peers and arguably succeeded far more than it fell short. Certainly, questions abound: Does the rock opera narrative hold up? Is it hardcore anymore? Will this be the year an artist finally repeats as Polaris champ? To these questions, I have no answer, but I do know this: those guitar riffs friggin’ shoot for the moon.
MP3: Fucked Up – “The Other Shoe”
MP3: Fucked Up – “Ship Of Fools”
MP3: Fucked Up – “A Little Death”
MP3: Fucked Up – “Queen Of Hearts”
Video: Fucked Up – “Turn The Season”
Video: Fucked Up – “The Other Shoe”
Video: Fucked Up – “Queen Of Hearts”

2. Yamantaka//Sonic Titan / YT//ST
I fully expected to hate this band and this record. I mean, how much more pretentious can you get than a bio like, “the pan-Asian cultural collective, Yamantaka // Sonic Titan has crafted a debut LP that sets new standards for the creative heights and satisfactions of genre fusion. They call it Noh-Wave”. And yet that may very well be what they’ve done. Within it’s barely-qualifying seven tracks (really six) and 30 minutes, there’s incredibly deft moves through rock, metal, no-wave, and jazz, all with a genuine Eastern flavour that’s more than just affectation; by rights, it should collapse under the weight of its conceit but instead it soars. It’s operatic, metallic, exotic, and fantastic.
Video: Yamantaka // Sonic Titan – “Hoshi Neko”
Stream: Yamantaka // Sonic Titan / YT//ST

3. Bry Webb / Provider
Never the biggest Constantines fan, I didn’t have much in the way of expectations of their frontman’s solo career, and with its low-key production and ruminations on age and family and life, Provider doesn’t seem like it’s necessarily expecting you to expect much from it. And yet it’s an unquestionably powerful and resonant work, with Webb’s rich, rasp of a voice proving to be just as effective – if not more – in a conversational tone as it was as a defiant bark.
MP3: Bry Webb – “Rivers Of Gold”

4. Patrick Watson / Adventures In Your Own Backyard
I will refer you back to this post in order to fully appreciate how remarkable I must think Adventures is for it to be on my ballot. And really, he’s not doing anything substantially different than he’s done on his earlier records – elegantly arranged and executed art-pop that’s content to just be lovely. And that he’s dialed down the fussiness a bit and dialed up the beauty a lot has apparently been enough to win me right over.
MP3: Patrick Watson – “Words In The Fire”
MP3: Patrick Watson – “Into Giants”
Video: Patrick Watson – “Into Giants”

5. Kathryn Calder / Bright & Vivid
I liked Calder’s first record a lot and loved her second, and yet was reluctant for a long while to put it on my ballot. Why? Because it’s pop music – pure and simple – without any particular stylistic angle or backstory, and pure pop is frequently dismissed or denigrated for aspiring to nothing more than creating indelible, earwormy melodies. Well you know what? That’s an incredibly hard thing to do, and to do it as well as Calder does on just her second time out? That deserves recognition.
MP3: Kathryn Calder – “Who Are You”
Video: Kathryn Calder – “Turn A Light On”
Video: Kathryn Calder – “Who Are You”

Plants & Animals have released a new video from The End Of That. Their NXNE schedule puts them at Yonge-Dundas Square tonight at 8:30PM for a free show.

Video: Plants & Animals – “H.C.”

NOW and The Ottawa Citizen talk to Yamantaka//Sonic Titan as they gear up for NXNE; they’ll be at The Garrison tonight at 12AM, will play an in-store at Sonic Boom on Saturday at 3PM and if you’re still up and about late Saturday night, maybe you’ll need a soundtrack for some nachos…

Toronto’s METZ – who have been fixtures around the city seemingly forever – have finally announced details of their debut full-length, which is still untitled but will be out on October 9 via Sub Pop. They talk to Exclaim about it, and will be at Wrongbar tonight and The Phoenix opening for Archers Of Loaf tomorrow.

The San Francisco Bay Guardian, City Arts, Denver Westword, Washington City Paper, Willamette Weekly, The Phoenix New Times, and Vice discover Destroyer’s Dan Bejar isn’t so media-averse after all. He’s at The Opera House on June 23.

Consequence Of Sound and Spin have features on Japandroids, in town at Lee’s Palace on June 23.

Reg Vermue has been pretty busy in the guise of Regina The Gentlelady in Light Fires, but Gentleman Reg is not being neglected; Exclaim reports that Reg will be releasing a new album entitled Leisure Life as a series of three digital EPs, the first arriving July 3 and all of which will be collected in physical form in the Fall. The first track from the collection has been made available to stream.

Stream: Gentleman Reg – “Waiting Around For Gold”

Basia Bulat will be opening up for Andrew Bird at Echo Beach on July 19.

MP3: Basia Bulat – “Gold Rush”

CBC Music asks Bry Webb to name his five favourite records of the last 20 years; The Saskatoon Star-Phoenix, Uptown, and Regina Leader-Post. Webb plays The Theatre Centre on August 18 as part of the Summerworks festival, the lineup of which was just announced this week and also features the likes of Evening Hymns and Buck 65 in special performances that promise to better integrate the theatrical side of the festival; should be interesting. Dates and performer information can be had at Exclaim.

The National Post talks to Tony Dekker of Great Lake Swimmers; they’re opening up for Blue Rodeo at The Molson Amphitheatre on August 18.

Exclaim, eMusic, National Post, and Spinner have features on Metric and The Alternate Side a video session to mark the release of Synthetica. The band have a new video from it as well.

Video: Metric – “Youth Without Youth”

PS I Love You have released another video in their Paper Bag Sessions series. The Halifax Chronicle-Herald and McMaster Silhouette have interviews.

Video: PS I Love You – “Death Dreams Pt 1 & 2”

Spin talks to Spencer Krug about the new Moonface record With Siinai: Heartbreaking Bravery, from which a new video has just been released.

Video: Moonface – “Faraway Lightning”

Macleans investigates why John K Samson is so popular in Germany. Check the Hasselhoff jokes, people. Just don’t.

Maoya BassiouniHaving made up my mind about the whole wave of garage-bred, white-noise, guitar-drum duos that seemed to saturate the scene a few years ago before even hearing Japandroids – three guesses what I decided about said wave, first two don’t count – they didn’t stand much chance of winning me over. And while I won’t deny their debut Post-Nothing had a certain charm within all the fuzz, it wasn’t enough to make a lasting impression. Which is why on first hearing their new one Celebration Rock, out today, I needed to ask someone – anyone – if they’d always sounded like this.

And by “this”, I mean like Hüsker Dü covering The Hold Steady. It’s a reductive description, sure, but the more I listen to Celebration Rock the more accurate I feel it is. To the former reference point, it’s a compact, intense, and driving nine songs over 35 minutes that’s intent on shredding drum skins, guitar strings, and vocal cords in a manner that the legendary hardcore trio would surely approve. To the latter, they may still rehearse in a garage but with the fist pump-friendly choruses, odes to partying, and singalong “oh oh oh oh” lyrics, they’re aiming to bring the roof down at the local bar. Or arena. The duo may hail from Vancouver but their hearts belong to the Twin Cities.

Celebration Rock is big, unapologetic rock that manages to feel both vitally youthful and nostalgic at the same time while more than succeeding at its titular mission statement of making the kids freak out. It’s hard to say exactly what kind of shelf life it will have – records that rely on full-on intensity from start to finish have a tendency to exhaust after a while – but the only way to find out is to keep it turned up loud and set to repeat. No problem there.

Japandroids play Lee’s Palace on June 23. DIY, Spinner, and Pitchfork have interviews with the band and NPR is streaming the album in whole right now – the US release is next week, it was only released today in Canada to make it Polaris Prize-eligible. It may prove to be a wise move.

MP3: Japandroids – “The House That Heaven Built”
Stream: Japandroids / Celebration Rock

The Line Of Best Fit has a video session with PS I Love You, who’ve released a new video from Death Dreams.

Video: PS I Love You – “Princess Towers”

Coeur de Pirate warms up for hsr show at The Opera House on June 1 with an in-store at Sonic Boom the night before, that’s May 31, at 7PM. The Georgia Straight also has an interview with Beatrice Martin.

Video: Coeur de Pirate – “Golden Baby”

With her June 2 date at The Music Hall supporting Great Lake Swimmers just about here, Cold Specks has announced her own headlining date on August 8 at The Great Hall with Snowblink supporting; tickets are $15 in advance. The National Post and Shaw Connect have interviews with Al Spx while CBC Radio 3 talks to her about her songwriting process.

Neil Young & Crazy Horse have another two videos out for Americana, out next week but streaming in whole at Rolling Stone right now. Meanwhile, Exclaim has details on some forthcoming retrospective releases that aren’t music – the Jonathan Demme-directed documentary Neil Young Journeys will get a theatrical release on June 29 and Neil’s memoirs Waging Heavy Peace will be released on October 2.

Video: Neil Young & Crazy Horse – “God Save The Queen”
Video: Neil Young & Crazy Horse – “Clementine”
Stream: Neil Young & Crazy Horse / Americana

A new song from Metric’s forthcoming Synthetica has been made available to stream. The album is out June 12.

Stream: Metric – “Speed The Collapse”

Like The Wooden Sky but hate their songs? Well you may be a freak, but your ship has come in – the band are playing an all-covers show at The Burroghes Building on June 15 as part of a benefit for Dream.Love.Cure; tickets are $10 in advance, details at Facebook. And Paste has premiered the final installment of their “Grace On A Hill” video series – forewarned, they’re playing their own songs.

Dan Snaith talks to Under The Radar about how things are progressing on the next Caribou record. They open for Radiohead at Downsview Park on June 16.

No Joy will release a new EP entitled Negaverse on June 19, from which you can stream a track right now. They’ve also been announced as support for Lower Dens’ July 17 date at Lee’s Palace.

Stream: No Joy – “Junior”

Daytrotter has a session with The Darcys, whose next hometown show is July 12 at Downsview Park as part of Edgefest.

The Quietus interviews Grimes, rolling into town (on a train) at Fort York on July 13.

Liam MaloneyThe Canadian music scene got a little/lot less rock last night when word got out that Handsome Furs – the Wolf Parade spin-off that arguably equalled or bettered that project – had hung it up. Word came via a blog post without much in the way of explanation, and considering the previous post was in reference to cancelling European tour dates in March due to an “urgent health issues”, one can only hope that this is a decision that Dan Boeckner and Alexei Perry are choosing to make rather than having it forced upon them.

Boeckner’s fans are surely reeling considering this is two of his bands retired in the past eighteen months, but according to the The Victoria Times-Colonist, he’s already got a new project in the pipe – based out of his new apparent homebase of Los Angeles – so maybe people won’t have to wait to hear his distinctive yelp coming out of their speakers again. Maybe he’s just trying to keep up with former bandmate Spencer Krug in terms of bands on their CV?

In any case, this announcement makes last year’s fist-clenchingly synth-soaked Sound Kapital the final word from the band. Not a bad note to go out on. And, of course, the fact that Canadian journos will go into the long weekend with Handsome Furs on the brain and a little over a week to assemble our Polaris Prize ballots may give the already favoured Sound Kapital a little extra push… not to mention if they make the short list, maybe they could be persuaded to play one, final gig for the gala in September. Hey, I’m just spitballing here.

MP3: Handsome Furs – “Repatriated”
MP3: Handsome Furs – “What About Us”
MP3: Handsome Furs – “Radio Kaliningrad”
MP3: Handsome Furs – “I’m Confused”
MP3: Handsome Furs – “Cannot Get, Started”
MP3: Handsome Furs – “What We Had”
Video: Handsome Furs – “Serve The People”
Video: Handsome Furs – “What About Us”
Video: Handsome Furs – “I’m Confused”
Video: Handsome Furs – “Cannot Get Started”
Video: Handsome Furs – “Dumb Animals”

Blurt gets to know Patrick Watson. He’s at the Music Hall on May 29.

Denver Westword and The San Francisco Chronicle profile Plants & Animals; they play Yonge-Dundas Square the evening of June 15 for NXNE.

The AV Club interviews Paul Saulnier of PS I Love You.

Feist hits the street for the latest video from Metals.

Video: Feist – “Cicadas & Gulls”

Yeah that’s all for today. I need to slink into the long weekend and get away for a bit.

Paper Bag RecordsIn writing up PS I Love You’s new album Death Dreams earlier this month, I made reference to the record’s more overt prog-rock influence which had only been hinted at on their debut Meet Me At The Muster Station.

And while you might assume that growing up in southern Ontario that Toronto’s own Rush would have been a logical assumption as influence, that’s not the case. As Paul Saulnier told Rolling Stone, he hated the band – as many do – until his mid-teens and it was “Subdivisions”, from the band’s 1982 album Signals, that turned him around – now he’s a self-proclaimed, “mega Rush fan” – as many are. I don’t count myself among them, but those early ’80s Rush albums do hold a special place in my heart. For serious.

Their cover of the Damascene tune appeared on last year’s Figure It Out, a stop-gap compilation of singles and EPs released to satiate fans while they worked on Death Dreams, and while it doesn’t get as fret-shredding as you’d expect a tribute to Alex Lifeson by a player as accomplished as Saulnier might be, remember that he’s also gotta pretend to be Geddy Lee with his feet. Cut the guy some slack.

PS I Love You kick of their Spring tour in support of Death Dreams at The Garrison in Toronto on Tuesday. Rush release their millionth (approximately) album in Clockwork Angels on June 12 and play the Air Canada Centre on June 12.

MP3: PS I Love You – “Subdivisions”
Video: Rush – “Subdivisions”