Frank YangCalling this “day one” of Iceland Airwaves isn’t strictly correct. Though the festival did really start in earnest on the Thursday, there was a fair bit of programming on the Wednesday night and though I was on the fence about leaving the comfort of the apartment late at night, I fell on the side of heading to NASA, one of the festival’s main venues, facing onto Austurvöllur square a couple blocks away.

The attraction were Iceland’s own Of Monsters & Men, whom although a new band – their debut album My Head Is An Animal only came out in September – were clearly already a hot commodity locally as the venue was jammed to the rafters. And watching them perform, it wasn’t hard to understand why; their sound fell somewhere between Arcade Fire and Fanfarlo with not a little Stars to be found in the vocal interplay between Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson – in other words, eminently likeable. They were neither as dramatic or twee as those reference points might imply, nestled comfortably in the middle, but still big-sounding and making the most of their 10-piece lineup. Normally they numbered six, but this was a special occasion after all and so there were plenty of handclaps, gang vocals and a brief cover of Kool & The Gang’s “Celebrate”. I don’t know that the songs are quite up to the level of the delivery, but they were fun – no question. And word is they’ll be bringing their show to Toronto next month… details will be forthcoming.

Photos: Of Monsters & Men @ NASA – October 13, 2011
MP3: Of Monsters & Men – “Little Talks”

Slipping back into travelogue mode for a moment, Thursday saw another attempt to get out of the city and though it was hardly a nice day, the elements didn’t stop us from getting out to Þingvellir national park and Þingvallavatn. On the way, there were stops at Mosfell to check out one of those churches that just pops up out of nowhere and befriend a couple of extraordinarily friendly and pretty Icelandic ponies as well as some stunning fields of volcanic rock. As the park was situated across the continental divide between the North American and European tectonic plates, chasms and cliffs were the norm and landmarks were the thousand year-old, man-made waterfall called Öxaráfoss and the site of the first Icelandic parliament – Alþing – dating back to 930 AD. Yes, it just looked like a mound near a cliff face but still. HISTORY. Flickr has been updated with visuals and oh, on the way back into town, I completely forgot how roundabouts work just for a moment and hit an SUV for some hot Hyundai on Hyundai action. At Icelandic roundabouts, the inner lane has the right of way; that’s one to grow on, kids. While the other car was undamaged, the front end of mine was kind of mashed – but no one was hurt except my Visa card in covering the insurance deductible. Le sigh.

Back in town, we attempted to cheer the home team in seeing Owen Pallett play an afternoon off-venue – the Airwaves name for day shows – but it turned out that our support wasn’t needed; Kaffibarinn was beyond jammed and while I could hear him and Les Mouches, I didn’t lay an eye on them the whole time there. Pallett and company had been in the country for a couple of weeks leading up to the festival recording, and accordingly their set was split between old favourites, albeit somewhat reconfigured to be more keyboard-heavy, and new songs which further imply a synthier direction for the new record. The crush of humanity kept me from staying to the very end and anyways, I had a banged-up car to return.

MP3: Owen Pallett – “A Man With No Ankles”
MP3: Owen Pallett – “Lewis Takes Off His Shirt”
MP3: Final Fantasy – “The Butcher”
MP3: Final Fantasy – “Ultimatum”
Video: Owen Pallett – “The Great Elsewhere”
Video: Owen Pallett – “Lewis Takes Off His Shirt”
Video: Final Fantasy – “Horsetail Feathers”
Video: Final Fantasy – “The Butcher”
Video: Final Fantasy – “He Poos Clouds”
Video: Final Fantasy – “This Lamb Sells Condos”

The evening program began literally two doors down from our apartment – didn’t I mention it was conveniently located? – at the Tjarnarbíó theatre for Danish septet Raised Among Wolves. As you might expect from a band with that many players, they traded in orchestrally-inclined pop not far removed from what Of Monsters & Men were serving up the night before though Wolves were more stereotypically Scandinavian, being more elegantly polished in performance and romantically melancholic in tone. They were also better-dressed, with a decidedly northlander-ish marching band dress code in effect. It doesn’t appear that they’ve got any proper releases yet, but while their catalog is lean their ambitions are extensive – there’s no doubt they’ll be looking to replace those synth patches with a proper orchestra and the toy piano with a full grand. Though they’ll probably still paint their name on the side. Charming and brimming with promise.

Photos: Raised By Wolves @ Tjarnarbíó – October 13, 2011
MP3: Raised By Wolves – “Boys Will Be Kings” (demo)
MP3: Raised By Wolves – “Tin Foil Empire” (demo)
MP3: Raised By Wolves – “The Bear” (demo)

By the time I got to the gorgeous Kaldalón room in the Harpa opera house to see Iceland’s Nóra, I was thinking that I’d have to fit some black metal into my itinerary to offset all the orch-pop that was making up my Airwaves experience so far. But I like what I like, I suppose. Cheekily introducing themselves as “celebrated Icelandic rock band Nóra”, the brother-and-sister-led fivesome initially seemed to have some trouble with the clean acoustics of the room, with their vocals turned up considerably louder than their instruments and consequently sounding detached from the music though inviting a three-piece horn section out for a portion of the set helped fill out the mix. Singing in Icelandic and drawing from their debut Er einhver aö hlusta?, they were largely upbeat and peppy though a couple numbers at the end of the set proved they could get tense and angsty when called for and they were sonically ambitious throughout. A reliance on keyboards kept their stage presence rather static, but some dry stage banter helped endear them nonetheless.

Photos: Nóra @ Harpa Kaldalón – October 13, 2011
MP3: Nóra – “Opin fyrir morói”
Stream: Nóra / Er einhver aö hlusta?

Any fears of the festival getting too “all twee, all the time” were stopped dead with Retro Stefson at Listasafn, the Reykjavik Art Museum and another major venue. They were many things – disco, funk, hip-hop, rock, electro – but certainly not twee. And definitely a party. Though there’s something like seven of them in the band, it was hard to pay any attention to anyone besides singer/guitarist Unnsteinn Manuel Stefánsson and percussionist/dancer Haraldur Ari Stefánsson, and not just because the rest of the band was completely obscured in smoke and strobes. The former Stefánsson was more than a little Prince-like with his virtuostic guitar-playing and singing even he seemed restrained compared to the latter Stefánsson’s gyrating, thrusting and audience-invading/crowd-surfing antics. I think it’s safe to say they were one of the strangest lead-in acts that Beach House has ever had.

Photos: Retro Stefson @ Listasafn – October 13, 2011
Video: Retro Stefson – “Kimba”
Video: Retro Stefson – “Medallion”

I don’t think it’s a real slight to say that Beach House aren’t a conventionally great live act. Both Alex Scally and Victoria Legrand are generally content to sit or stand stock still with their instruments and let their hypnotic songs and maybe the light show do the work. In the case of the Listasafn show, billed as one of the festival’s headlining slots and marking the band’s first time in the country, they maybe let the light show get away from them as the combination of blinding backlights and smoke made it so that both were little more than stationary silhouettes for the show. It was frustrating to watch (and photograph) but did work from time to time, most notably for “Norway” when the lights went white and the entire stage lit up in tiny LEDs, presenting Legrand as a disembodied voice in a field of stars. Whatever they looked like, though, they sounded grand with the tinny canned beats segueing into huge live drums and Legrand’s smoky vocals filling the hall along with thousands of Icelanders, dancing and swaying in a giant collective swoon.

Photos: Beach House @ Listasafn – October 13, 2011
MP3: Beach House – “I Do Not Care For The Winter Sun”
MP3: Beach House – “Zebra”
MP3: Beach House – “Norway”
MP3: Beach House – “Gila”
MP3: Beach House – “Heart Of Chamber”
MP3: Beach House – “Master Of None”
Video: Beach House – “Walk In The Park”
Video: Beach House – “Silver Soul”
Video: Beach House – “Used To Be”
Video: Beach House – “You Came To Me”
Video: Beach House – “Heart Of Chambers”

Having already released a couple of videos, Fanfarlo have finally revealed details of their second album – Rooms Filled With Light will be available on February 28, details at Under The Radar.

Video: Fanfarlo – “Replicate”
Video: Fanfarlo – “De.Con.Struc.Tion”

DIY gets to know Amanda Mair, the teenage singer-songwriter who’s the latest addition to the Labrador Records roster. She’s released two singles in advance of a debut album due in late 2011 or more likely early 2012.

MP3: Amanda Mair – “Doubt”
MP3: Amanda Mair – “House”

Studio360 and The Los Angeles Times talk Biophilia with Bjork.

Sigur Rós have made another track from the Inni live set available to download. The audio/video document is available as of November 8, but is currently screening at the TIFF Lightbox in Toronto.

MP3: Sigur Rós – “Ný Batteri”

Interview and Billboard talk to Anthony Gonzalez of M83 on the occasion of the release of Hurry Up, We’re Dreaming this week. They’ve also just released a new video from said record. Look for them at Lee’s Palace on November 18.

Video: M83 – “Midnight City”

The hour-long Phoenix documentary From A Mess To The Masses is now available to watch in full online.

Video: Wolfgang Amadeus Phoenix – From A Mess To The Masses

Richard DumasA number of words serve as accurate descriptors of Nottingham’s Tindersticks – “smoky”, “noirish”, “soulful” all work – but if you had to narrow it down to just one, then “cinematic” would be as good as any. Their ability to create, define and enhance an atmosphere or mood makes them an ideal choice to provide the sounds to moving pictures, and for French director Claire Denis, that’s what they’ve done. Tindersticks, either as a group or as individuals, have scored six of Denis’ films and now those soundtracks have been collected in a box set entitled, most descriptively, Claire Denis Film Scores 1996-2009 and was released this week.

The lavishly appointed box consists of five discs (shiny plastic or black vinyl), some of the contents of which have never been released. And while I’ve not heard the whole set, the selections that I have heard are largely instrumental, though Stuart Staples’ distinctive croon does make some appearances, and lush, dark and gorgeous throughout; in other words, vintage Tindersticks. For most bands, a collection of film scores might seem like a fans-only curiosity but this set feels like as necessary a part of their discography as any studio record.

Filter and The Quietus talk to Stuart Staples about the art of scoring.

MP3: Tindersticks – “The Black Mountain” (from Lintrus)
MP3: Tindersticks – “The Children’s Theme” (from White Material)
MP3: Tindersticks – “La Rallye” (from Vendredi Soir)
MP3: Tindersticks – “Opening 35″ (from Rhums)
Video: Tindersticks – scenes from Lintrus
Video: Tindersticks – scenes from White Material
Video: Tindersticks – scenes from Nénette et Boni
Video: Tindersticks – scenes from Rhums

The Aquarian and The AV Club talk to Stuart Braithwaite of Mogwai.

The Fly reports that the Franz Ferdinand covers 10″ EP, wherein the Scots were reinterpreted by the likes of LCD Soundsystem and The Magnetic Fields and was one of the hot items for Record Store Day in the UK, will be getting a proper CD release on May 2. Probably still only in the UK but people can at least hear the whole thing, regardless of where they live, via Soundcloud.

Stream: various artists / Franz Ferdinand Covers

Clash interviews Roddy Woomble.

Interview talks to Guy Garvey and Music Radar to Mark Potter of Elbow.

The Music Magazine reports that former Oasis songwriter/guitarist Noel Gallagher is finished his solo debut and is targeting an October release. Meanwhile, The Irish Times talks to little brother Liam about his new outfit Beady Eye, which is at The Sound Academy on June 20.

NPR has got PJ Harvey’s pre-Coachella show in San Francisco available to stream or download while The Guardian has an extensive feature piece and video session. Two more video from Let England Shake has been released, with Spinner talking to director Seamus Murphy about the “Bitter Branches” clip.

Video: PJ Harvey – “Bitter Branches”
Video: PJ Harvey – “In The Dark Places”

Clash talks to Noah & The Whale.

Notion has one of those annoying Flash-based “ooh look it’s like a real magazine” interfaces but their feature on Patrick Wolf makes it kind of worth enduring. Wolf’s new record Lupercalia is due out June 20.

NYC Taper is sharing a recording of the finale of British Sea Power’s recent North American tour while For No One has got a video session with the band up.

DIY converses with Those Dancing Days.

Ever wonder how long Daytrotter keeps sessions in the can? They just posted one with A Camp, who haven’t toured in almost two years.

PopMatters interviews the members of Junip.

Mashable has a video documentary and interview with Peter Bjorn & John, who’ve got a show at Lee’s Palace on May 6 and an in-store at Sonic Boom earlier that same evening.

Magnet Q&As The Soundtrack Of Our Lives, who are running roughshod over their website this week. They will do the same to Lee’s Palace on June 4.

NPR serves up a World Cafe session with Phoenix.

Tiny Mix Tapes contemplates the theological aspects of Nick Cave.

Frank YangWho: Phoenix
What: Arguably the biggest French rock band on the planet right now and in years, scoring copious critical praise and record sales with their nonsensical but hugely catchy dance-pop
Why: Though this is their third show in Toronto for this record, when you score with album as massively as Wolfgang Amadeus Phoenix has, you milk it. MILK IT.
When: Friday, October 22, 2010
Where: The Ricoh Coliseum in Toronto
Who else: They’re making the show a true international affair, bringing along Americans Wavves and inviting locals Tokyo Police Club to open things up.
How: Tickets range from $39.50 to $45.00 in advance – plus fees – but courtesy of LiveNation, I’ve got three pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want the Phoenix” in the subject line and your full name in the body. Contest closes at midnight, October 14.
What else: Phoenix have posted up the multitrack audio stems of Wolfgang Amadeus Phoenix for fans to download and remix to their heart’s content. Haven’t you always wanted to remix a Frenchman? Sure you have!

MP3: Phoenix – “1901″
Video: Phoenix – “1901″
Video: Phoenix – “Lisztomania”

Adam CK VollickWhen it was announced that Neil Young was working with Daniel Lanois on a new record, you couldn’t help but pay attention. Not only did you have two Canadian musical icons working together for the first time, but Lanois was behind records that rejuvenated more than a few legendary careers, including those of Bob Dylan and Emmylou Harris. Whether Young’s career – 40 years old and defined by numerous artistic swerves – needed rejuvenation is another matter but the fruits of his collaboration with Lanois, entitled Le Noise and out next Tuesday, will certainly stand as an interesting addition to his catalog.

It’s a solo record in the purest sense, featuring Young and Young alone on acoustic and electric guitar and perhaps due to the stripped down aesthetic and recording in his own home, it finds him sounding particularly introspective and vulnerable. Lanois mainly makes his presence felt in the post-production, looping Young’s parts over themselves, adding delays and reverbs and generally adding his sonic signature. Initial listens might leave even long-time Young fans used to his twists and turns a bit disoriented – “Angry World” is the most bent track on the record and was, of course, the first released taste – but it doesn’t take long to find one’s footing and appreciate one of the more interesting and revealing works he’s turned out in recent years.

NPR is streaming Le Noise right now, and over the past week, there’s been a number of fittingly lo-fi videos released for some of the songs; I suspect we can expect more before they’re done. The Los Angeles Times has a photo gallery of Neil Young through the years.

Video: Neil Young – “Walk With Me”
Video: Neil Young – “Hitchhiker”
Video: Neil Young – “Angry World”
Stream: Neil Young / Le Noise

Look at What the Light Did Now is a documentary about the making of Feist’s last record The Reminder. It will premiere at Pop Montreal in a couple weeks and then make a circuit of festivals and special screenings; nothing in Toronto yet but you can’t believe that something’s not in the works to run it somewhere hereabouts eventually.

Trailer: Look At What The Light Did Now

NPR is streaming a session with Sarah Harmer; she plays Massey Hall on November 20.

For those still asking “who?” with regards to new Polaris champs Karkwa, aux.tv has assembled a primer on the Montreal quintet.

After a few delays, Woodpigeon’s Balladeer: To All The Guys I’ve Loved Before, released earlier this year as a bonus CD with Die Stadt Muzikanten, should be available on its own in both digital and vinyl editions. Also new for Woodpigeon completists (a futile quest if ever there was one) is a digital EP for “Our Love Is As Tall As The Calgary Tower” and accompanying video. Woodpigeon will play a free noon-hour show at Yonge-Dundas Square on October 6.

Video: Woodpigeon – “Our Love Is As Tall As The Calgary Tower”

Also playing a free show a little sooner than that – as in tonight – are Sloan, Bedouin Soundclash and Great Lake Swimmers as part of a CBC-sponsored event. The live music gets underway around 7:30 PM and goes until 9. A few more details over at Exclaim.

Pitchfork reports that the two-thirds of Sleater-Kinney who are not Corin Tucker have teamed with Mary Timony, ex of Helium, to form a new band called Wild Flag. There’s no fruits of their labours to hear yet but they’ve already signed to Merge and are looking to have a record out in early 2011.

Los Angeles’ Glasser has a date at the Drake Underground on November 11 in support of her debut Ring, out next Tuesday.

MP3: Glasser – “Home”

Following a dust-up in Indianapolis, No Depression reports that Justin Townes Earle has suspended his Fall tour to enter rehab – this includes the October 15 date at the Horseshoe.

Spinner continues to milk an interview with Nick Cave of Grinderman (that link is a two-fer) while Pitchfork talks to Cave and drummer Jim Sclavunos. They play the Phoenix on November 11.

First Aid Kit has a new video from their debut The Big Black & The Blue. They are at The El Mocambo on October 15.

Video: First Aid Kit – “Ghost Town”

Clash talks cultural differences with Phoenix.

Miyuki SamataA whole pile of concert announcements big and small came down the wire yesterday, but none more exciting – personally, at least – than this one. Self-proclaimed Japanese action comic punk band Peelander-Z – hands down highlights of our Hot Freaks! showcases at SxSW in 2008 and in 2009 – are finally bringing their absurd (and entertaining) beyond words show to Canada… well, southern Ontario and Montreal, at least. And that includes two nights in Toronto – September 1 at the Velvet Underground and September 2 at the Silver Dollar, tickets $8 in advance for each show.

Describing the Peelander experience isn’t so easy, particularly when their videos say so much, but punk rock power rangers is really about the size of it. Now neither of these venues offers either the open space or climbing apparatus to stage the kind of sheer insanity that they brought to the Mohawk in ’08 and ’09, but I have the utmost faith that Peelanders Red, Green and Yellow will find a way to make it memorable… and now that I think about it, the width of the Silver Dollar would make a great human bowling lane. They’ll ostensibly be touring behind their new record P-TV-Z, due out on September 28, but let’s be honst – the music is secondary to the antics. Which I’m not usually so fond of, but when the antics are as ridonk as theirs, it’s a-ok with me.

And photogs, you won’t want to miss this. It’s a good time. Mad Tiger!

MP3: Peelander-Z – “S.T.E.A.K.”
MP3: Peelander-Z – “Rocket Gold Star”
MP3: Peelander-Z – “Champion”
MP3: Peelander-Z – “Panda Punk”

Yesterday’s poorest-kept secret goes to the fact that Metric will be doing a free show outside of Union Station at 7PM tonight as part of the launch of a new cell phone. Odds that it will be a mad house and that Emily Haines will ramble nonsensically between songs are pretty much even.

Video: Metric – “Stadium Love”

Boston’s Caspian will be hitting the road this Fall and set up at the Soybomb space in Toronto (Bathurst south of Queen) on September 17.

MP3: Caspian – “Of Foam And Wave”

Obviously intending to be around town in time for the Polaris Prize gala the following Monday, Caribou have scheduled a show at the Phoenix for September 17. Tickets are $15 in advance.

MP3: Caribou – “Odessa”

The midwest rises as Indianapolic gothic country-rockers Murder By Death team up with Oklahoma’s Samantha Crain for a Fall tour that stops in at the Horseshoe on September 26.

MP3: Murder By Death – “Foxglove”
MP3: Samantha Crain – “Traipsing Through The Aisles”

Holy Fuck are at the Phoenix on September 29.

MP3: Holy Fuck – “Latin America”

Scout Niblett has slated a Fall tour in support of her latest, The Calcination Of Scout Niblett. She’s at The Garrison on October 2.

MP3: Scout Niblett – “Kiss”

Perfume Genius, the pseudonym of singer-songwriter Mike Hadreas, will undertake a short Learning that includes an October 7 date at the Drake Underground. Check out the video session he did for Matador Records, a short interview with him conducted by Huh

MP3: Perfume Genius – “Learning”

Basia Bulat will be joining Josh Ritter on his Autumn cross-Canada tour that includes an October 26 date at The Phoenix. Paste debuted Ritter’s latest video from And So The World Runs Away.

MP3: Basia Bulat – “Gold Rush”
Video: Josh Ritter – “Rattling Locks”

I guess calling it the “None More Black” tour would have been overly obvious, not to mention probably karmically putting their drummers at risk, but The Black Angels are teaming up with Black Mountain for a Fall tour that they’ve dubbed “Dropout Boogie” that will stop in at the Phoenix on October 31, tickets $20.50. Even odds that everyone in attendance will be dressed up as stoners for Hallowe’en and will be fully committed to the role. Both acts have new albums out on September 14 – Mountain with Wilderness Heart and Angels with Phosphene Dream. Spin has a chat with singer Alex Maas about the new record as well as a song to download, while Pitchfork has a tour-previewing download of Black Angels covering Black Mountain.

MP3: Black Mountain – “Hair Song”
MP3: The Black Angels – “Telephone Blues”
MP3: The Black Angels – “No Satisfaction” (Black Mountain cover)

With the magic eight ball apparently having come up, “keep milking Wolfgang Amadeus Phoenix for all it’s worth”, Phoenix are doing North America again and this leg includes a Toronto date – October 22 at the Ricoh Coliseum with Tokyo Police Club and Wavves as support, tickets $40 to $45.

MP3: Wavves – “Cool Jumper”
Video: Phoenix – “Lisztomania”
Video: Tokyo Police Club – “Wait Up (Boots Of Danger)”