Dusdin Condren

That said, I’m still surprised at just how much press coverage Van Etten has been getting with this album, beyond just record reviews – those have been pretty uniformly glowing, by the way. My own thoughts will have to wait as I’m still processing; you can expect impressions sometime around the writeup for her show at Lee’s Palace on February 21 – but for now, wade through feature interviews with the New Jersey native at and and all of The Washington Post, Nylon, Billboard, New York Magazine, eMusic, Spinner, Beatroute, Blurt, The AV Club, NPR – who also have a conversation with her specifically about the track, “We Are Fine” – and Pitchfork solicits a guest list.

And if you’d rather listen than read, check out a sampler of live and studio tracks collected over at Largehearted Boy, a stream of the album and new to download as of yesterday is a demo version of Tramp highlight “Serpents”.

MP3: Sharon Van Etten – “Serpents” (demo)
MP3: Sharon Van Etten – “Serpents”
Stream: Sharon Van Etten / Tramp

Also on that February 21 bill at Lee’s is Shearwater and their new album Animal Joy is now streaming at NPR ahead of its release next Tuesday; there’s also a radio session with KDHX available to stream and an interview with Jonathan Meiburg at The Wesleyan Argus. And I’ll tell you this for free – you can file the show under, “gigs of the Winter” and the album under, “records of the year”.

MP3: Shearwater – “You As You Were”
MP3: Shearwater – “Breaking The Yearlings”
Stream: Shearwater / Animal Joy

Margot & The Nuclear So & So’s are prepping the March 20 release of their new record Rot Gut, Domestic and will be at The Garrison on April 5 to play some songs from it. Tickets are $11.50 in advance and you can preview the new material by way of the first video.

Video: Margot & The Nuclear So & So’s – “Prozac Rock”

Portland’s Horse Feathers – who were one of the unexpected highlights of NXNE 2011 – will be releasing a new album in Cynic’s New Year on April 17 and will be at The Horseshoe on April 29, tickets $10.50. If you like beautiful things, you should be there.

MP3: Horse Feathers – “Belly Of June”

Hospitality celebrated the release of their self-titled debut last week with a hometown show in Brooklyn and NYC Taper was there to record it. There’s also features on the band at The Village Voice and Capital, and a session and interview at The Alternate Side. They’re at The Horseshoe on February 29 opening up for Tennis.

And speaking of Tennis, their new record Young And Old is now available to stream at The Line Of Best Fit ahead of its official release next week.

Stream: Tennis / Young & Old

NYC Taper is sharing a recording of a recent show by Blouse, who’re at The Garrison on May 5 opening up for Bear In Heaven.

DIY chats with Chairlift, hitting the Horseshoe on March 28.

NPR has a World Cafe session with Girls.

IFC is showing off a clip of St. Vincent’s recent appearance on Portlandia and also a performance from her 4AD Session, while Prefix points out a video session she recorded for CBC’s Q, presumably when visiting last December. And oh, there’s a new video from Strange Mercy to grok at. And speaking of Portlandia, CBC Radio 3 has an interview with Carrie Brownstein about working both Wild Flag and the show.

Video: St. Vincent – “Cheerleader”

Drowned In Sound, The Kansas City Star and Chicago Reader meet Craig Finn.

The Line Of Best Fit, Clash, Consequence Of Sound, and eMusic profile Of Montreal and their new album Paralytic Stalks.

The Wilco episode of Austin City Limits is now available to stream in full.

A new installment of the Old Ideas With New Friends video series is now up, with Mountain Goats man John Darnielle covering Leonard Cohen’s “The Smokey Life” over at Consequence Of Sound.

Mick Rock

I do know, however, that it’s Atlas Sound that’s just announced a North American tour in support of last year’s Parallax that covers a lot of geography if not a lot of markets. It does, however, include a March 6 date at Lee’s Palace in Toronto, whereas the original announcement did not, so that’s something for local fans. Tickets are $16.50 in advance.

MP3: Atlas Sound – “Te Amo”
MP3: Atlas Sound – “Terra Incognita”

Also just announced is a date from Los Angeles indie-harpist Active Child, who will be at Lee’s Palace on May 15 as part of a tour in support of his debut full-length You Are All I See. Tickets for that are $15 in advance.

MP3: Active Child – “Diamond Heart”

If you weren’t able to catch Sleigh Bells at The Phoenix on February 14 or just wanted to see them in a much less enjoyable setting amidst a much less enjoyable crowd for a lot more money, they’re opening up both Red Hot Chili Peppers shows at the Air Canada Centre on April 27 and 28. Whoooo. Reign Of Terror is out February 21 and the first single is now available to download.

MP3: Sleigh Bells – “Comeback Kid”

A Place To Bury Strangers’ new EP Onwards To The Wall is available to stream over at Hype Machine ahead of its release next week. They’re at Lee’s Palace on April 2.

MP3: A Place To Bury Strangers – “So Far Away”
Stream: A Place To Bury Strangers / Onwards To The Wall

The Minneapolis Star-Tribune has an interview with Craig Finn and also solicits some annotations of three songs from Clear Heart Full Eyes; Minneapolis City Pages and The Macon Telegraph also have chats. And shifting gears to The Hold Steady, Paste digs up some footage of the band at SXSW 2009 and I’m kind of glad they shot the show from the back of Club DeVille because if they were up front, there’d probably be a lot of embarrassing footage of me rocking out. And no one needs to see that.

The Stool Pigeon talks to Kevin Barnes of Of Montreal about their new record Paralytic Stalks, out next week.

Also out next week is Sharon Van Etten’s new album Tramp, and you can hear the whole thing right now streaming over at NPR, perhaps while reading these interviews at The Line Of Best Fit and The L. She’s at Lee’s Palace on February 21.

MP3: Sharon Van Etten – “Serpents”
Stream: Sharon Van Etten / Tramp

February 14 is a big day for Shearwater as it marks the release of their excellent new record Animal Joy, but that day will also see the reissue of their 2004 album Winged Life on LP for the first time. That was the last album for the Shearwater that existed as a side-project for Jonathan Meiburg and Will Sheff compositions that didn’t fit in Okkervil River before becoming a more distinct creative entity driven wholly by Meiburg. But it’s also a gorgeous record, so that it’s going to find a home on some turntables is good news. Shearwater open up for Sharon Van Etten at Lee’s on February 21.

MP3: Shearwater – “Whipping Boy”

Pitchfork has premiered a second MP3 from the forthcoming Bowerbirds record The Clearing, ahead of its March 6 release date. They play The Garrison on March 27.

MP3: Bowerbirds – “In The Yard”

Mountain XPress talks to The Mountain Goats, but not about mountains.

Exclaim and Time interview Nada Surf, who’ve released a new video from The Stars Are Indifferent To Astronomy. They’re at The Opera House on April 4.

Video: Nada Surf – “When I Was Young”

If you enjoyed the Popeye-powered Wilco video that premiered last week, you may be pleased to know there’s an entire website at wilcospinach.com devoted to the production. And if you click around a bit, you may find a way to download a live version of “Dawned On Me” for keeps.

Drowned In Sound talks to Bryce Dessner about The National and his Long Count project.

PopMatters asks twenty questions of Phantogram.

Billy Pavone

And while a hometown NYC show still hasn’t been formalized, they’e just added Toronto to the list of cities who’ll get to spend “An evening with The Walkmen”, as the shows are being billed. That’ll be happening at The Phoenix on March 2, with tickets $25 in advance and going on sale today. There’s a feature interview with the band at The San Francisco Chronicle and a live video of one of the aforementioned new tunes has already surfaced.

MP3: The Walkmen – “Stranded”
MP3: The Walkmen – “Four Provinces”
Video: The Walkmen – “Heartbreaker”

DIY serves up a video session with Nada Surf. They’re at The Opera House on April 4.

Spinner and The Washington Post get to know Chairlift. They’re at The Horseshoe on March 28.

Craig Finn basically wins the zeitgeist this week as the press cycle for his new solo record Clear Heart Full Eyes gets him features in The AV Club, Prefix, Billboard, Dallas Observer, New York Magazine, Spinner, and Paste – but Clash wins if for no other reason than they sent Bob Mould to do the talking for them.

NPR has premiered the first video from White Rabbits’ forthcoming album Milk Famous, due out March 6.

MP3: White Rabbits – “Heavy Metal”
Video: White Rabbits – “Heavy Metal”

Austin’s White Denim have scheduled a show at The Horseshoe for April 16. DIY and College Times have chats with the band, who followed up last year’s D full-length with the Takes Place In Your Work Space LP late last year.

MP3: White Denim – “Anvil Everything”

Wilco have released an animated, Popeye-powered video from The Whole Love.

Video: Wilco – “Dawned On Me”

PopMatters has a sit-down with Wayne Coyne of The Flaming Lips. A video from the band’s New Year’s Eve 2011 gig of them playing a 17-minute version of The Beatles’ “I Want You” with Wilco’s Nels Cline on guitar has surfaced. Dig it.

Video: The Flaming Lips w Nels Cline – “I Want You (She’s So Heavy)”

The St. Augustine Record talks words with John Darnielle of The Mountain Goats while The Charlotte Observer asks him about moving to North Carolina.

Spin are offering a complete stream of the new Of Montreal album Paralytic Stalks as well as annotations for each song from Kevin Barnes. It’s out February 7.

MP3: Of Montreal – “Dour Percentage”
MP3: Of Montreal – “Wintered Debts”
Stream: Of Montreal / Paralytic Stalks

Sleigh Bells have released a first video from Reign Of Terror. They’re at The Phoenix on February 18 and the album is out February 21.

Video: Sleigh Bells – “Comeback Kid”

Also with a new video is The War On Drugs, taken from last year’s Slave Ambient.

Video: The War On Drugs – “Brothers”

David McCrindle

And if they do it all through the lens of the ’00s and in particular The Strokes, well that’s fair game as well. The band are absurdly young – frontman Jordan Gatesmith is all of 19 years old – and Julian Casablancas and his gang are probably as much a part of the classic rock canon to them as Elvis or The Ramones. This isn’t in any way to suggest that Howler will be taking their place amongst the aforementioned anytime soon, if ever. Though their debut album America Give Up has plenty of rough energy and enthusiasm and some immediately likeable tunes but loses some points for striving a bit too hard for some nebulous “authenticity”, particularly when Gatesmith tries to ape Casablancas’ more throat-shredding moments; they fare better when they sound more relaxed and like a bunch of kids having a good time. Still, they manage to stay on the right side of the ledger by keeping the tempos up, guitars loud, hooks sharp and running time short – under 32 minutes and they’re done.

Unsurpisingly, Howler are already critical darlings in the UK – The Guardian has a profile piece on the band. America Give Up is out next Tuesday and streaming in whole at NPR. They play The Drake Underground on April 5.

MP3: Howler – “Back Of Your Neck”
Video: Howler – “Back Of Your Neck”
Video: Howler – “Told You Once”
Stream: Howler / America Give Up

Not so long ago, Crocodiles were super-conspicuous for their absence from Toronto stages – now they’ve practically moved in as they’re back for their third show in eight months (sixth if you count all three NXNE gigs), playing Lee’s Palace on February 23. Tickets are $13.50.

MP3: Crocodiles – “Sleep Forever”

Chairlift’s new record Something will be out on January 24 and they’ll follow that up with a show at The Horseshoe on March 28 – tickets $12.

MP3: Chairlift – “Sidewalk Safari”

North Carolina’s Lost In The Trees continue to work 2010′s All Alone In An Empty House, returning to town again for another date at The Drake Underground on April 6, tickets $11.50. Update: Their new record A Church That Fits Our Needs is out March 20 and NPR is streaming the first song.

MP3: Lost In The Trees – “All Alone In An Empty House”
Stream: Lost In The Trees – “Red”

Amidst a lineup of some of the biggest – and loudest – names in indie rock of the past two decades, not many expected the delicate piano songs of Seattle’s Perfume Genius to stand out, but inexplicably, it did. Now with a second album in Put Your Back N 2 It ready for a February 21 release, Mike Hadreas will hit the road with it and stop in at the Drake Underground on April 8. Tickets for that are $13.50 in advance.

MP3: Perfume Genius – “All Waters”

Real Estate have rolled out a new Scharpling-directed video from Days. They’re at Lee’s Palace on January 20.

Video: Real Estate – “Easy”

Pitchfork has another MP3 from Of Montreal’s forthcoming Paralytic Stalks, out February 7.

MP3: Of Montreal – “Dour Percentage”

Clash talks to Eric Bachmann and Mark Price of Archers Of Loaf. The Vee Vee reissue is out February 21.

White Rabbits have announced a March 6 release date for their new record Milk Famous. You can grab the first MP3 at their website in exchange for an email address.

The Shins have released a stream of the first tune from their new record Port Of Morrow, out March 20.

Stream: The Shins – “Simple Song”

Memory Tapes have put out a new video from Player Piano.

Video: Memory Tapes – “Trance Sisters”

Village Voice interviews Jenn Wasner and Andy Stack of Wye Oak.

Billboard chats with Carrie Brownstein of Wild Flag and other stuff.

I don’t know if this video for Wilco’s “The Whole Love” is technically official, but seeing as how it was directed by Spencer Tweedy – son of Jeff – it’s at least officially acknowledged.

Video: Wilco – “The Whole Love”

PitchforkTV has a video documentary on The Flaming Lips’ masterpiece The Soft Bulletin.

Frank Yang

Rather than club you about the head with a bone, Caveman makes an impression with shimmering guitars, floaty synths and tight harmonies delivering genial, mid-tempo pop that’s reminiscent of a less annoying Vampire Weekend sans Afropop influences. Another reference point is Local Natives thanks to their vocal interplay and creative percussion though Caveman never gets nearly as frantic as that outfit when they’re in gear. Granted, atmosphere and mood are much more Caveman’s mandate than overt dynamicism but you can sense that they’ve got the goods to amp things up a bit if they wanted, they’ve simply opted not to. As a result, Coco Beware succeeds at being an interesting listen, but not a very exciting one. They can do better.

Caveman are in town at The Horseshoe on January 11 along with Oklahoma’s Hospitality, chattered about here. Tickets are $10 in advance but courtesy of Embrace I’ve got a pair of passes to give away to the show. To enter, email me at contests AT chromewaves.net with “I want to see Caveman” in the subject line and your full name in the body, contest closes at midnight, January 8.

MP3: Caveman – “Thankful”
MP3: Caveman – “Easy Water”
MP3: Caveman – “Old Friend”
MP3: Caveman – “Decide”
MP3: Caveman – “My Room”
Video: Caveman – “Easy Water”

Anyone hoping that the Cat Power Christmas Eve release would be a new song rather than a cover might be a little disappointed that it’s not – but to be fair, it’s a cover of herself. Her redo of “King Rides By” sounds very much like the confident Cat Power of today than rather than the one who originally recorded it for her third album What Would The Community Think in 1996 – great for those who have been waiting to hear her voice wrapped around anything new but not necessarily offering much insight into where her songwriting is as she prepares her first release of new material since 2006′s The Greatest. An MP3 of the track is available to download from Cat Power’s website in exchange for a charitable donation and the video, featuring boxer Manny Pacquiao and directed by actor/director Giovanni Ribisi, is available to watch below.

Video: Cat Power – “King Rides By”

Wilco are streaming the opening night of their “Incredible Shrinking Tour Of Chicago” from earlier this month at Roadcase.

One of this year’s Record Store Day releases was an EP consisting of Franz Ferdinand covers; a video for the selection by Peaches came out back in the Spring but now, three more for the contributions by LCD Soundsystem, Stephin Merritt and ESG have come out. Still nothing for the collaboration between Franz Ferdinand themselves and Deborah Harry yet, but these other vids came out of nowhere as well. So.

Video: LCD Soundsystem – “Live Alone”
Video: ESG – “What She Came For”
Video: Stephin Merritt – “Dream Again”
Video: Peaches – “Turn It On”

Spinner talks to Matthew Sweet about celebrating his 20th anniversary with his Girlfriend, Laundromatinee welcomes the popsmith to their studios for a session, and NPR has a Mountain Stage session.

The AV Club gets Craig Finn to go all One-Track Mind with one of the songs from his solo debut Clear Heart Full Eyes, due out January 24.

DIY checks in with Of Montreal as they put the finishing touches on Paralytic Stalks, out February 7.

The Alternate Side serves up a session with Mates Of State.

Spin has a Moog Sound Lab video session with The Antlers.

Loud & Quiet interviews Erika Anderson of EMA, who has a date at The Garrison on March 13.

Merrell Garbus talks to Blurt about what’s been a pretty good year for tUnE-yArDs. Relix also has a chat.

NYC Taper – who narrowly avoided being hacked into oblivion earlier this week – has posted recordings of a couple of this year’s Yo La Tengo Hannukah shows at Maxwell’s in Hoboken.

Paste looks into the enduring appeal of Neutral Milk Hotel’s not-nearly-as-reclusive-as-he-used-to-be leader Jeff Mangum.

NPR talks to Tom Waits.

Frank Yang

I couldn’t count myself amongst his devoted followers, though. While I appreciated both records well enough, they never reached that crucial frequency of emotional resonance with me that they clearly had with so many others – one perk of not having gone through any kind of traumatic breakup in the last while, I suppose. But having not seen him/them perform since catching a bit of one of his sets at SXSW 2008 and being genuinely curious as to what the live experience was like now – particularly in one of the city’s hallowed venue filled with his devotees – I made sure I was at the first evening of the two-night stand.

Support on this tour came from London’s Lianne La Havas; a new artist but not an unknown, having already garnered much attention in the UK and a spot on the BBC Sound Of 2012 long list despite having only a 4-song 10″ EP in Lost & Found to her name (plus a free-to-download live EP). While she came out on stage solo with just a guitar, she immediately made friends by flashing a megawatt smile and asking to take a photo of the audience before playing a note, then being charmed turned into being impressed when she began to play. Singing with a calm, conversational delivery, she mined a jazz-pop sound with an immediacy that belied its sophistication and showcased her intricate, rhythmic guitarwork and rich, soulful voice. Though she’d come from London at Vernon’s behest, it wasn’t hard to imagine her back on this stage before too long based entirely on her own merits.

To recreate the solitary vibe of the recorded works, Bon Iver wouldn’t need to be anything more than Justin Vernon, a guitar and maybe some snow. So that Bon Iver was, instead, a nine-piece band armed with an orchestra’s worth of horns, percussion and guitars was the first sign that those expecting the show to be a celebration of sadness might be in for a surprise. Intimacy was not to be the tone of the evening, with the introverted nature of the songs checked in favour of grand, extroverted arrangements with big, jammy breakdowns, choral vocals and a constant trilling of horns and strings, all accented by a pulsing, occasionally strobing light show. No, no log cabin atmosphere here.

The way that opener “Perth” segued smoothly via instrumental breakdown into “Minnesota, WI” set the tone for the evening, with few breaks between songs or even much in the way of silence. Perhaps that responsibility was assigned to the audience, because they were pin-drop quiet throughout the show, utterly respectful and even reverent. It was notable that the devoted didn’t seem to mind at all that the songs that they had connected so directly and deeply to weren’t nearly as open-hearted as they were on record, the constant flurry of instrumentation effectively keeping the listener from getting too close. Some of the interludes worked, like Colin Stetson’s circular breathing clinic as his saxophone bridged “Holocene” and “Blood Bank”, but a lot of it felt overdone and unnecessary.

This was made especially clear when his bandmates left Vernon alone on stage for a tender solo electric reading of “Re: Stacks”, which he dedicated to Kathleen Edwards and was head and shoulders the highlight of the night. Even though it only lasted the one song, the moment of vulnerability echoed through the rest of the show which felt more open, more plaintive. Set closer “Skinny Love” pulled two-thirds of the band from their instrumental duties and cast them as a gospel chorus complete with hand claps and foot stomps and the show finale of “The Wolves (Act I and II)” struck the perfect balance of beauty and violence thanks to the room-shaking efforts of the dual drummers.

It’s odd that the person who went into the show demanding the least left as one of the few who expected more, but I’d have preferred more starkness, more of the sadness that I thought was what gave the Bon Iver records their power. But perhaps, given that things seem to be going pretty damn well for Vernon these days, trying to tap into that emotional well or act as though he had might have felt dishonest to him. Or maybe he just wanted to do something different. In any case, it’s completely and objectively true that Bon Iver, the live experience, was an impressive one and left the vast majority satisfied. And that on the way home, it began to snow.

The Toronto Sun, Toronto Star, and NOW have reviews of the show, while Paste has a feature piece on the artist who made their album of the year. Lianne La Havas is profiled in NOW, The Fader, and The Guardian and performed sessions for Le Blogotheque and Black Cab Sessions.

Photos: Bon Iver, Lianne La Havas @ Massey Hall – December 6, 2011
MP3: Bon Iver – “Holocene”
MP3: Bon Iver – “Calgary”
MP3: Bon Iver – “Blood Bank”
MP3: Bon Iver – “Skinny Love”
Stream: Lianne La Havas – “Don’t Wake Me Up” (live)
Video: Bon Iver – “Holocene”
Video: Bon Iver – “Calgary”
Video: Bon Iver – “Wolves (Act I & II)”
Video: Lianne La Havas – “No Room For Doubt”

Californian ambient-electronica artist Tycho will be at Wrongbar on January 14 as part of a tour to showcase his album Dive.

MP3: Tycho – “Hours”
MP3: Tycho – “Coastal Brake”

The Heartless Bastards will be at The Horseshoe on February 20 in support of their new record Arrow, due out the week before on February 14, tickets $15.50 in advance. The first MP3 from the album comes courtesy of Rolling Stone.

MP3: The Heartless Bastards – “Parted Ways”

Just here in October, Neon Indian have set a return engagement for their latest Era Extraña at The Phoenix on May 8. Admission $20 in advance, full dates at Pitchfork.

Video: Neon Indian – “Polish Girl”

So apparently Toronto has a new outdoor venue up at Downsview Park, and it’s called The Meadows and may be an inland equivalent to Echo Beach at Ontario Place. In any case, it’ll be hosting at least one show next Summer – Foster The People on June 19. The Grid has a little more info on the space.

MP3: Foster The People – “Pumped Up Kicks”

Rolling Stone talks to Kevin Barnes of Of Montreal about their new record Paralytic Stalks, out February 7. Pitchfork has a track from the album available to download.

MP3: Of Montreal – “Wintered Debts”

Spin has posted the first MP3 from the new Shearwater record Animal Joy and it sounds a damn sight tougher than anything off their last three records. Quite keen to hear the rest. It’s out February 14 and they’re at Lee’s Palace on February 21.

MP3: Shearwater – “Breaking The Yearlings”

Also in preview mode is School Of Seven Bells, showing off the first track from their new record Ghostory, out February 28. Ben Curtis and Ally Deheza talk to NBC New York about the new record.

MP3: School Of Seven Bells – “The Night”

JAM checks in with Matt Berninger of The National, who’ve begun work on their next record but make no guarantees about when it might be done. They play the Air Canada Centre tonight.

The Toronto Star and NOW profile The War On Drugs in advance of their show at The Horseshoe on Friday night.

Spinner chats with Annie Clark of St. Vincent. She’s at The Phoenix on December 15.

The Quietus talks to Real Estate. They’re at Lee’s Palace on January 20.

The Wooden Birds have released a new video from Two Matchsticks.

Video: The Wooden Birds – “Criminals Win”

How do you make Mates Of State even cuter? Put them behind a Tiny Desk. NPR did.

Daytrotter has posted up a session with The Submarines.

Having just confirmed the existence of their new record Reign Of Terror last week, Pitchfork reports that Sleigh Bells have given it a release date of February 14.

Andrew Bird has announced a March 6 release for his new record Break It Yourself; details at Exclaim.

The AV Club reports that bassist Shonna Tucker has amicably left Drive-By Truckers.

Quite a scare for Guided By Voices fans yesterday when word came that they had cancelled their European festival commitments for 2012 and had supposedly split up again. A clarification from the band’s PR confirmed that all live dates had been pulled due to “personal problems”, but that in addition to the January 1 release of Let’s Go Eat The Factory, the band were already working on a second album of new material entitled Class Clown Spots A UFO with a targeted release date in May.

But the silver lining of that cancellation was that it allowed The Afghan Whigs to confirm that they had reunited for their first shows in 13 years and would be taking GBV’s place at the May All Tomorrow’s Parties festival in May as well as curating their own event in New Jersey in September. Details at Spin.

Merge

But with the passing of friend and collaborator Vic Chesnutt in 2009 and at the urging of guitarist Mark Nevers, Wagner got the band back together for at least one more go-around and the result is Mr. M, their eleventh studio album which will be out on February 21 of the new year.

Clash has details on the new record and some background from Wagner about its inception, and the leadoff track has been made available as a download – if you were hoping that Wagner had gotten in touch with his inner metalhead during the layoff, you may be disappointed. But if you want some lovely, languid string-laden soul, “If Not I’ll Just Die” is like manna.

MP3: Lambchop – “If Not I’ll Just Die”

Daytrotter has posted up a session with Crooked Fingers, and there’s some fresh and vintage Bachmann available to download via the just-released Merge Winter Sampler: a new MP3 from the exquisite new Crooked Fingers record Breaks In The Armor and one of Archers Of Loaf’s best tunes, from the forthcoming Vee Vee reissue due out sometime in the new year. Plus a pile of other stuff either recently out or coming soon from the label – so download already. And read this interview with Bachmann over at Denver Westword.

MP3: Crooked Fingers – “Bad Blood”
MP3: Archers Of Loaf – “Harnessed In Slums”
ZIP: Merge Winter Sampler 2011

Over at The AV Club, Mac McCaughan of Superchunk discusses and performs “Digging For Something” from their latest, Majesty Shredding.

Fleet Foxes have gotten around to releasing a new video from Helplessness Blues.

Video: Fleet Foxes – “The Shrine/An Argument”

Paste is streaming the new Calexico CD Selections From Road Atlas 1998-2011, which is not to be confused with their new vinyl box set Road Atlas 1998-2011. The former is a 16-track sampler of the latter, which is a compendium of all the band’s tour-only releases of the past 13 years – 12 LPs worth. The former is also out now, whereas the latter is out next week.

Stream: Calexico / Selections From Road Atlas 1998-2011

CNN talks to Jeff Tweedy and John Stirratt of Wilco.

Craig Finn discusses the Friday Night Lights connection in his debut solo album Clear Heart Full Eyes with Slate. It’s out January 24.

Having released his second album of the calendar year in Humour Risk at the start of the month, Cass McCombs will be back in town for a show at The Garrison on January 27, tickets $14.50 in advance. Pitchfork has an interview.

MP3: Cass McCombs – “The Same Thing”
Video: Cass McCombs – “The Same Thing”

The Fly interviews Girls.

PopMatters interviews The War On Drugs, in town for a show at the Horseshoe on December 9.

Of Montreal are streaming the first taste of their forthcoming Paralytic Stalks, due out next year.

Stream: Of Montreal – “Wintered Debts”

The Line Of Best Fit gets Okkervil River to play a video session from aboard a boat at End Of The Road in September while Spoonfed snags an interview with Will Sheff.

HearYa has a session with Mates Of State available to watch and/or download. On Milwaukee, Cleveland Scene and Minnesota Daily snag interviews as the duo tours through the midwest.

The Georgia Straight, Huffington Post, SF Weekly, The Weal, Victoria Times-Colonist and Calgary Herald talk to Merrell Garbus of tUnE-yArDs.

The Austin Chronicle profiles hometown heroes Ume.

The New Zealand Herald interviews Annie Clark of St. Vincent, who plays The Phoenix on December 15.

More R.E.M. exit interviews – there’s been a lot of them, yes, but once this round is done, that’s it. For always. Read the pieces at Spin, Spinner, The AV Club, NPR, Shortlist, and Pitchfork.

Laura Rotondo

Usually when “cinematic” is dropped as a descriptor, it implies for good or bad that the band aspires to a “big” sound that’s akin to a glitzy Hollywood Summer blockbuster; in the case of Deleted Scenes’ just-released second album Young People’s Church Of The Air, their ambitions are more modest and can perhaps predictably be likened to a contemporary independent film, reliant on a DIY aesthetic, quirky characters and a script that simultaneous seeks to bare its soul and remain obscured.

In musical terms, Deleted Scenes operate underneath sonics that are deliberately fuzzy and occasionally opaque, with Dan Scheuerman’s vocals – an instrument which other bands might seek to showcase front and centre – often pushed back in the mix so as to seem like he’s hollering from the back of the room while all manner of instrumentation cavort in the foreground. It’s an interesting balance and one that can either force the listener to pay closer attention than they normally might or tune out entirely; initial listens tended towards the latter, but persistence paid off with a record that was playfully psychedelic, yet possessed of a clear-eyed deliberateness where it counted. Rewarding stuff.

Deleted Scenes are currently on tour across North America in support of the new record and will be at Rancho Relaxo on September 22.

MP3: Deleted Scenes – “Bedbedbedbedbed”
Stream: Deleted Scenes – “The Demon & The Hurricane”
Stream: Deleted Scenes – “The Days Of Adderall”
Video: Deleted Scenes – “Bedbedbedbedbed”

NOW and Aquarium Drunkard have pieces of Olivia Tremor Control as the band rolls into Lee’s Palace tonight.

The Toronto Star, Exclaim and Montreal Gazette chat with Jeff Tweedy of Wilco as the band’s tour in advance of the September 27 release of The Whole Love stops in at Massey Hall tonight and tomorrow.

The Jayhawks’ first new record in forever, Mockingbird Time, is up for stream at Rolling Stone and the best thing you can say about it is it sounds like the classic Jayhawks lineup that made it – and that’s a good thing.

Stream: The Jayhawks / Mockingbird Time

Magnet – who are returning as a print publication in October and will thus be re-earning their italicized title – NOW and The Fly talk to Stephen Malkmus, who leads The Jicks into The Phoenix on September 23. The Portland Tribune talks to Jicks bassist Joanna Bolme.

MusicOmh has words with Merrell Garbus of tUnE-yArDs. She/they are at Lee’s Palace on September 24.

The Von Pip Musical Express talks to Dee Dee of Dum Dum Girls in advance of Only In Dreams, out September 27. They play Lee’s Palace on October 16.

Pitchfork and Prefix have feature interviews with Christopher Owens of Girls, who’re at The Mod Club on September 27.

Aquarium Drunkard has an interview with Matthew Sweet while Rolling Stone is streaming his new album Modern Art in advance of its September 27 release date.

MP3: Matthew Sweet – “She Walks The Night”
Stream: Matthew Sweet / Modern Art

Nerve talks mating with Mates Of State while The Hartford Courant opts to play it safe and talk about the music. Mates Of State are at The Phoenix on September 28.

Pitchfork interviews Kevin Barnes of Of Montreal, who reveals the band will release a cassette box set of all the band’s albums on October 25 and a new album entitled Paralytic Stalks early next year.

NPR and The AV Club have posted interviews with St. Vincent, while Anika In London has posted the full transcript of her chat with Annie Clark which became the Line Of Best Fit feature interview from earlier this week.

Rolling Stone talks to Wayne Coyne to get the lowdown on the “six hour song” that Wayne Coyne says the band are recording.

Leah Nash

And I guess we’ll start with Mr Stephen Malkmus, whose Mirror Traffic – his Beck-produced, recorded pre-Pavement reunion but mixed post-reunion record with The Jicks, is out today. There’s plenty of press surrounding its release, but this piece at Salon is particularly interesting to me, anyways, as it’s written by fellow 90s college rock icon Dean Wareham of the dearly, dearly departed Luna and Galaxie 500… though I can’t help noticing that one of the questions not asked was, “so should I get the old band back together?” though I suspect the answer from SM wouldn’t be the one the Luna fan in me would want to hear.

There’s other conversations with Malkmus about the new record – though by less esteemed interviewers – at Billboard, Clash, New York Magazine, Nerve, Exclaim, MTV Hive and Interview. And a new video from the record just premiered over at The New York Times. The album is still up to stream in whole at NPR.

Stephen Malkmus & The Jicks kick off their North American tour in support of Mirror Traffic in just under a month; the second date is in Toronto at The Phoenix on September 21.

MP3: Stephen Malkmus & The Jicks – “Tigers”
MP3: Stephen Malkmus & The Jicks – “Senator”
Video: Stephen Malkmus & The Jicks – “No One Is (As I Are Be)”
Stream: Stephen Malkmus & The Jicks / Mirror Traffic

Spin gets Wild Flag – whose Janet Weiss is not a Jick this time around – to list off some of their favourite things while The Vine talks to keyboardist Rebecca Cole. Their debut self-title will be more than few peoples’ favourite thing when it comes out on September 13. They play Lee’s Palace on October 11.

The Decemberists have premiered a new video from The King Is Dead over at NPR. The Georgia Straight has a chat with bassist Nate Query.

Video: The Decemberists – “Calamity Song”

Also with a new video straight out of the Pacific northwest is The Head & The Heart. You can also stream their set at the Newport Folk Festival from a few weeks back at NPR.

Video: The Head & The Heart – “Cats & Dogs”

Under The Radar and AltSonds have interviews with Blitzen Trapper. Their new one American Goldwing is out September 13 and they play The Opera House on October 30.

Spinner reports – in decidedly first-hand fashion – that The Flaming Lips and Death Cab For Cutie will be collaborating on a new EP sometime in the future.

Erika Anderson of EMA chats with Spinner and talks fashion with Spin.

Low have released a new video from C’Mon.

Video: Low – “Especially Me”

Head over to The Jayhawks’ official Facebook page where the band have been giving away free live MP3s en masse as a lead up to the September 20 release of their new album Mockingbird Time.

The new Bon Iver video practically doubles as a PSA for Tourism Iceland. Colour me convinced – see you in October!

Video: Bon Iver – “Holocene”

St. Louis Magazine has an extensive feature on Wilco, including some acoustic performances of new material from Jeff Tweedy. The Whole Love is out September 27 and they play Massey Hall on September 17 and 18.

NPR has a World Cafe session with My Morning Jacket while You Ain’t No Picasso and Citybeat have band interviews. Paste talks to guitarist Carl Broemel about not only MMJ, but his latest solo record All Birds Say.

Magnet Q&As Of Montreal before making them guest editors of their website for a week. They’re going to be picking glitter out of the office furniture for weeks to come.

NYC Taper is sharing a recording of Sonic Youth’s show at the Williamsburg Waterfront in Brooklyn last week.

They Shoot Music has a video session with The Pains Of Being Pure At Heart.

Details are coming out about the first new Tom Waits studio album in some seven years – Exclaim reports on the track listing of Bad As Me and indicates it will be out October 25. Expectations are also that a stream of the title track, which has appeared and disappeared online in the last little while, will be made officially available sometime today. As for the questions of will Waits tour behind it… well, Tom Waits does what Tom Waits wants to do, but the odds are certainly a lot better with a new album than without.

Frank Yang

But even for the Eric Bachmann faithful, the show had the stacked against it somewhat for what it wasn’t, and that’s an Archers Of Loaf show. Indeed, only the need to transport gear for the indie rock heroes’ reunion tour from New York to Chicago and the 4th of July long weekend created the opportunity for Bachmann to slip into his post-Archers guise and decompress for a few northeastern dates. And though the existence of a new Crooked Fingers record had been confirmed, October is still ages away and their last proper album Forfeit/Fortune was already three years old. So really, rather than pout that the Archers roadshow wasn’t yet finding its way north of the border, we should have felt fortunate that we were getting a visit at all – particularly since Crooked Fingers’ last two shows were supporting slots for Neko Case and Okkervil River; there was an Eric Bachmann-villed show in 2006 but the last time the words “Crooked Fingers” graced a Toronto sandwich board was over six years ago. Which is to say, far too long.

Opening things up was local singer-songwriter Megan Bonnell, showing off her brand new EP Maps. Performing on keyboard and backed only by a drummer, Bonnell was notable for her ability to invoke cabaret-like dramatics without slipping into easy melodrama and slightly unconventional voice and phrasing. Her set was different enough from what you might expect from a girl-and-piano setup to force you to suspend preconceptions and pay attention and for first impressions, that’s really all you can ask for.

Every time I’ve seen either Crooked Fingers or Eric Bachmann live, it’s been a different configuration of players and instruments from solo to six-piece; this time out, it was just as a duo – Eric Bachmann and Liz Durrett. Accordingly, the show had a stripped-down and intimate vibe, helped along by the fact that there weren’t but even a hundred people in attendance. But instead of being disappointed with the turnout, Bachmann seemed rather cheered by the attentiveness of the audience as he fully explored his extensive songbook. Unsurprisingly, the sparser sounds of the self-titled debut, Bring On The Snakes and Bachmann’s 2006 solo effort To The Races made up the bulk of the set, but the representatives from the more fully-arranged Crooked Fingers records served as set highlights. Though possessed of a softer voice than either Lara Meyerratken or Neko Case, her turns as duet partner to Bachmann’s big, gruff voice on Dignity & Shame‘s “Sleep All Summer” and Forfeit/Fortune‘s “Your Control” – the latter performed unamplified into the club – were stunning.

There was also some new material previewed, though not as much as I might have expected. Considering that the new record was recorded with just Bachmann and Durrett as the principals, what was heard probably wasn’t far off from what we can expect from Breaks In The Armor when it’s released on October 11 and as such, fans of the aesthetic of the early records will probably be pleased. One of the new songs, “Bad Blood”, was introduced as the breakthrough hit and when it brings in the big bank, Bachmann promised to buy everyone in attendance big dogs; I suspect that he was being sarcastic but I do hope it reaches the top of the charts – I want my Great Dane. Other promises made – and more likely to be fulfilled – were to return after the album was released and, most excitingly, to bring Archers Of Loaf to town in the new year sometime around March. As a teaser and as he’s done on past visits, he gave us a stripped-down version of “Web In Front” but if you need something to look forward to for next Spring – well there you go. And in the meantime, there’ll be the memory of this gorgeous and special show to hold us over.

Exclaim also took in the show and has some thoughts. Fairfield Weekly has a talk with Bachmann about how close he came to calling it quits, what he’s been up to the last few years and what the new record will bring and New York Magazine and Spinner talk to him about the return of Archers Of Loaf.

Photos: Crooked Fingers, Megan Bonnell @ The Horseshoe – July 3, 2011
MP3: Crooked Fingers – “Phony Revolutions”
MP3: Crooked Fingers – “Angelina”
MP3: Crooked Fingers – “Big Darkness”
MP3: Crooked Fingers – “Devil’s Train”
MP3: Crooked Fingers – “When You Were Mine”
MP3: Crooked Fingers – “New Drink For The Old Drunk”
MP3: Eric Bachmann – “Carrboro Woman”
MP3: Eric Bachmann – “Lonesome Warrior”
MP3: Megan Bonnell – “South Korea”
Video: Crooked Fingers – “Let’s Not Pretend (To Be New Men)”
Video: Crooked Fingers – “New Drink For The Old Drunk”
Video: Eric Bachmann – “Man ‘O War”
Video: Eric Bachmann – “Lonesome Warrior”
Video: Megan Bonnell – “South Korea”

SCPR talks to The Mountain Goats’ John Darnielle about growing up in Los Angeles’ suburban sprawl.

Crawdaddy interviews Old 97′s frontman Rhett Miller. Their new album The Grand Theatre, Vol. 2 is out today.

MP3: Old 97s – “Brown Haired Daughter”

NPR welcomes Steve Earle for a World Cafe session, while American Songwriter, Houston Press and The Vancouver Sun have feature pieces on the singer-songwriter. The Molson Amphitheatre welcomes Steve Earle as opener for Blue Rodeo on August 20.

Laundromatinee has posted a video session with Nicole Atkins, including downloadable MP3. The Courier-Journal has an interview.

Billboard has posted their cover story on The Head & The Heart.

Under The Radar and The Fly have feature pieces on Death Cab For Cutie, in town at the Molson Amphitheatre on July 29.

Of Montreal have released a video from their new EP thecontrollersphere.

Video: Of Montreal – “L’age d’or”

NPR has a World Cafe session with Low.

Dirty Laundry has a video session with EMA, in town at The Garrison on July 23.

Interview interviews Memory Tapes mastermind Dayve Hawk. Player Piano is out now and he/they play Wrongbar on August 13.

State interviews Explosions In The Sky; they’re at the Sound Academy on October 7.