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The Joy Formidable and The Lonely Forest at The Horseshoe in Toronto

Frank Yang — Tue, 05 Apr 2011 12:22:53 +0000

Frank YangI wasn’t even intending to be at this show. The plan had been to catch The Joy Formidable at one of their many SxSW shows and thus free up this evening for something else or nothing else. A good plan, on paper, but one scuppered by the fact that the Welsh trio, who released their debut album The Big Roar Stateside on the eve of the festival, would turn out to be one of the buzz bands of the fest and any of the showcases I tried to get into were jammed to the point that getting a decent line of sight, let alone a good vantage point to shoot from, was nigh impossible. I guess what with the band having come through Toronto twice already in the past year and a third visit on the horizon, I was taking them a bit for granted. Lesson learned.

And so it was a third go-around for The Joy Formidable at The Horseshoe on Saturday night, though at least this time The Dig, who’d opened up the last two shows, had been swapped for labelmates The Lonely Forest. Clearly this quartet from the Pacific northwest, who just released their debut Arrows, is getting some attention from the powers that be, what with their being attached both to this tour and the upcoming Death Cab For Cutie jaunt later in the Spring. And that latter pairing makes a lot of sense, considering The Lonely Forest’s facility with energetic if slightly generic post-emo punk-pop. Still, what they lacked in originality they made up for in energy and on-stage pogoing and as one fellow in the audience called out, “I came for The Joy Formidable but you guys rock!”. That’s pretty much all they could ask for.

The Joy Formidable’s independently-released A Balloon Called Moaning was a nearly perfect introduction to the band’s fiery arena rock-meets-shoegaze sound, long enough to confirm that they were for real and short enough to leave you hungry for more. So when it came out that the band was re-recording half the EP for inclusion on their major label debut, there were some concerns that they might polish out some of its more delightful roughness in favour of a more radio-friendly sound. Concerns that proved to be unfounded as if anything, the new versions were even bigger, louder and spikier than before – almost the point of excess. And really, that applies to The Big Roar as a whole – it’s an utterly massive-sounding record and almost exhausting to get through, but the key word is almost. Unless you’re simply not in the mood for rock action on this scale, it’s an invigorating listen.

The principle of “more is better” also applied to their live show, though in this case it meant bigger, not longer. Despite having a pretty good wealth of material to draw on at this point, The Joy Formidable kept their set lean and mean, and still very very similar to the ones they brought through previously. It really only differed in a couple of song selections and the fact that they’d somehow gotten even more explosive as a live act. Frontwoman Ritzy Bryan has further perfected her psycho guitar-pixie persona and added in a dose of crazy eye, bassist Rhydian Dafydd now takes on more vocal duties and has added a Hulk Hogan ear-cup to his stage moves and drummer Matt Thomas, well he kept up which basically means he beat the shit out of his kit. The Joy Formidable ethos seems to be to make each song its own standalone epic and so while the show only ran ten songs with two-song encore and maybe an hour in length, it had more musical detonations than other bands pack into shows twice the length. All that said, I do hope that the next time they come through town which may well be sooner rather than later based on past history, they’ve mixed the set up a bit. Just a little.

Inland SoCal and Wall Street Journal have interviews with The Joy Formidable while Chart also has a review of the show.

PJ Harvey has released another couple videos from Let England Shake. She said one for each song on the record, and she meant it. The Sydney Morning Herald has an interview with Harvey.

Video: PJ Harvey – “Written On The Forehead”
Video: PJ Harvey – “Hanging In The Wire”

The Independent interviews Anna Calvi, who will be at The El Mocambo on May 27. I shan’t be there.

Clientele/Pipas side-project Amor de Días will team up with Damon & Naomi for a Spring tour that hits The Horseshoe on May 25. Yup, missing that one too. Both bands have new albums – Amore de Días’ debut Street Of The Love Of Days and Damon & Naomi’s False Beats and True Hearts – out on May 17.

MP3: Damon & Naomi – “Cruel Queen”
MP3: Amor de Días – “Bunhill Fields”

Pulp – who are the reason I’m missing the aforementioned shows – has relaunched their website, loading it with videos of people – both famous and not – covering their songs. Many of them terribly.

Paste catches up with the boys of Noah & The Whale.

With their best-of compilation out and out of the way, Ladytron have announced their next studio album will be entitled Gravity The Seducer and out September 13. Details at Pitchfork.

6 Day Riot have crafted a video for their cover of Fleetwood Mac’s “Tusk”.

Video: 6 Day Riot – “Tusk”

DIY talks to Roddy Woomble about his new solo record Impossible Song & Other Songs and the fate of Idlewild.

The Daily Record talks to James Allan of Glasvegas, who are streaming their new album Euphoric Heartbreak for those who opt to “Like” it on their Facebook. Everyone else gets the first three songs. The album is out now.

Stream: Glasvegas / Euphoric Heartbreak

Clash talks to Mica Levi of Micachu.

Daytrotter has served up a session with Junip, who will be at Lee’s Palace on April 20.

Karkwa, Esben & The Witch, Adam & The Amethysts and more at Canadian Musicfest

Frank Yang — Tue, 15 Mar 2011 11:49:44 +0000

Frank YangThe Friday night of Canadian Musicfest saw the only bit of club-hopping that I’d be engaging in over the weekend, but even that was just across a couple of blocks in Parkdale, and I took a streetcar. No, not so much with the spirit of the club-level festival.

Stop one was the Drake Underground for Olenka & The Autumn Lovers. I’d seen them just a few weeks prior, but while that show had been as a stripped-down four-piece, advance billing promised a full lineup for this one. But instead of the stage-filling configuration that played The Garrison in October 2009, this show was again Olenka Krakus with Sara Froese on violin, Kelly Wallraff on cello and Tyler Belluz on upright bass. And if there’s any trace of disappointment in that, it’s just because it meant that some of the songs from And Now We Sing that required a fuller presentation would again be left out of the set. And yes, this show was similar if not identical in structure to the Horseshoe show but actually probably better overall thanks to the more intimate setting encouraging a more conversational tone between Krakus and the attentive audience. Don’t get me wrong – I still love these songs and am happy to hear them however they’re presented, but if next time out they bring a drummer along… I won’t be upset.

Spinner has an interview with Olenka Krakus.

Photos: Olenka & The Autumn Lovers @ The Drake Underground – March 11, 2011
MP3: Olenka & The Autumn Lovers – “Odessa”

Montreal’s Adam & The Amethysts made a positive impression with their debut Amethyst Amulet back in 2008, but kind of fell off the radar since I saw them live that Summer. That looks to change with the impending release of their second album Flickering Flashlight, and while details of that release are still forthcoming their showcase did a good job of reminding why they were worth paying attention to in the first place. Their appreciation and affinity for classically-styled, music in the vein of The Zombies is still as sharp as ever, their songs all understated hooks and sneaky sophistication. I wasn’t able to stick around for the whole of their set but was there long enough to whet my appetite for the new record. Hope it gets out sooner rather than later.

Chart has thoughts on their set.

Photos: Adam & The Amethysts @ The Drake Underground – March 11, 2011
MP3: Adam & The Amethysts – “Prophecy”
Video: Adam & The Amethysts – “Gitche Gumee Yeah Yeah”

Then it was further into the dark heart of Parkdale to Wrongbar, where 2/3 of what would have been the best bill of the festival were ready to make an argument that it still was. Leading their case was reigning Polaris Music Prize winners Karkwa, who’d been spending no small amount of time since the win last September introducing themselves and the winning record Le chemins de verre to English Canada. And making those introductions by way of live performance was really putting their best foot forward as their show was nothing less than electrifying. I’d seen them play at the Polaris gala and while I didn’t know it at the time, that was Karkwa at their most subdued what with frontman Louis-Jean Cormier on piano – and while that was fine, having him brandish guitars as he did this night made for a very different sort of show.

My French hasn’t gotten any better since September so I still didn’t understand any of what they were singing, but the collective musicianship of the band and melodic and visceral impact of their songs needed no translation. Not even Le chemins de verre properly captured the intense dynamics and surprising amount of brutalism (a good thing) that was on display here. I know that there was a fair bit of head-scratching when Karkwa won the Polaris, both with respect to who they were and whether they deserved it. The former shouldn’t be an issue anymore and the latter? Just go see them live. And make sure the guitars are out.

Spinner and Chart were also on hand at the show while The Globe & Mail has a feature piece.

It took a while to tear down after Karkwa’s set – to say they’ve got a lot of gear is an understatement – it didn’t take long to get Brighton’s Esben & The Witch, who don’t need a whole lot in the way of equipment to build their dark, atmospheric sound, to get ready to go. This show was considerably different from their local debut supporting Foals back in September; whereas that one came across as decidedly primal and amorphous with its heavy percussion and free-form vocals, this performance had much more structure, dynamics and overall intent – as though the building blocks that had been present but strewn about in the Fall had now been assembled into something using their debut Violet Cries as a blueprint. But even though it was more controlled, there was still plenty of intensity on offer be it from Daniel Copeman’s hair-whipping guitarwork, Rachel Davies’ plaintive vocals or any or all of the band beating the bejesus out of a single floor tom. Though Esben in general isn’t really my thing, I think I still prefer the album to the live show – it offers up their songs in their most fully-formed state – but neither form is boring.

Chart also has a review of the show.

Photos: Esben & The Witch @ Wrongbar – March 11, 2011
MP3: Esben & The Witch – “Warpath”
Video: Esben & The Witch – “Warpath”
Video: Esben & The Witch – “Marching Song”

Spin chats with Noah & The Whale before soliciting a video performance from the band. Their new record Last Night On Earth is out today and they play The Mod Club on March 24.

British Sea Power have released a new video from Valhalla Dancehall, just in time for their North American tour, which starts next week and hits Lee’s Palace on March 24.

Video: British Sea Power – “Who’s In Control”

Clash has an interview with Ritzy Bryan of The Joy Formidable, whose The Big Roar is now officially out in North America. They’re at The Horseshoe on April 2.

Another video from Mogwai’s latest Hardcore Will Never Die But You Will has been released. The band are at The Phoenix on April 26.

Video: Mogwai – “San Pedro”

Drowned In Sound meets Yuck, who’re giving away their single to download. They’re at The Phoenix on May 1.

MP3: Yuck – “Get Away”

NPR has a World Cafe session and JAM an interview with chart-topper Adele. Her May 18 show at the Kool Haus is looking mighty undersized and intimate right about now, eh?

With the April 12 release of their self-titled debut just about here, Jonny – aka Teenage Fanclub’s Norman Blake and Gorky’s Zygotic Mynci’s Euros Childs – have announced a North American tour that kicks off with two nights at the Drake Underground in Toronto on June 3 and 4.

Video: Jonny – “Candyfloss”

Elvis Costello’s tour in support of last year’s National Ransom brings him to the Sony Centre on June 23.

The Quietus has details on the extensive series of Suede remasters and reissues that will be getting rolled out starting May 30 and ending June 22. I am loathe to re-buy these albums, particularly on CD, but man I can’t imagine not having the “definitive” Dog Man Star. Damn you, Suede.

PopMatters and Under The Radar talk to Elbow’s Pete Turner and Guy Garvey respectively about the band’s stunning new record build a rocket boys!.

The title track from PJ Harvey’s latest Let England Shake is now available to download.

MP3: PJ Harvey – “Let England Shake”

Mumford & Sons tells Rolling Stone they’re intending to record album number two this year.

DIY talks to Ladytron’s Reuben Wu. Their Best of Ladytron: 00-10 is out March 29.

The Creators Project Q&As Mica Levi of Micachu.

PJ Harvey Shakes out preview of new record

Frank Yang — Tue, 08 Feb 2011 08:31:10 +0000

Seamus MurphyThroughout her career, Polly Jean Harvey has managed the difficult feat of being artistically chameleon-like from one to the next, each often stylistically miles removed from that which came before it, while remaining consistently interesting and by and large excellent throughout. Her last effort, 2007′s fragile piano-led White Chalk, certainly didn’t hint at what Let England Shake – out next week – has to offer.

Just posted to stream in its entirety at NPR, it’s a strange yet immediately compelling collection built around themes of nationalism and war. While has echoes of her past works – the urgency of her early records, the melody of her middle-period works and the stark beauty of recent recordings – it sounds completely fresh, with Harvey favouring the higher registers of her voice in a way that I, at least, haven’t heard before. I’m only a few listens in and already I’m finding myself connecting with it in way that I haven’t with her stuff before. This is an exciting development.

She’s only got three North American tour dates scheduled right now (Los Angeles, Coachella and New York) but considering she’s not toured over here properly in forever – her last Toronto date was in 2004 – I have to think or at least hope that more will be coming.

MP3: PJ Harvey – “Written On The Forehead”
Stream: PJ Harvey / Let England Shake

The Guardian and State interview Anna Calvi, whose self-titled debut is due out on March 1 and who will be at Wrongbar on March 11 as part of Canadian Musicfest.

The Quietus goes over their debut Violet Cries track by track with Esben & The Witch while Drowned In Sound gave them the keys to their whole website last week. Paste just interviews them. They’re also at Wrongbar on March 11 for Canadian Musicfest.

Billboard has a cover story on Adele in advance of the February 22 release of 21. NPR is streaming the album in its entirety as well as a half-hour live performance from the singer, who’s just announced a North American tour in suport of album number two, including a May 18 date at The Kool Haus in Toronto.

Stream: Adele / 21

NPR has a World Cafe session with Duffy.

PopMatters interviews Kate Nash.

Spinner talks to Mira Aroyo of Ladytron about their forthcoming Best of Ladytron: 00-10 compilation, due out March 29.

Micachu & The Shapes are still working on the follow-up to 2009′s left-field gem Jewellery, but in the interim will be releasing Chopped & Screwed, a collaboration with The London Sinfonetta that will be coming out on March 22. What’s it sound like? Click below and read this piece on the collaboration at Clash.

MP3: Micachu – “Everything”

Pitchfork talks to Jamie Smith of The xx about stuff both xx and not xx.

The Fly checks in with Friendly Fires, who are finishing up their second record Pala, due out in the Spring – certainly before their May 30 date at The Phoenix.

The Fly and The Scotsman profile The Joy Formidable, who follow up the North American release of The Big Roar with a date at The Horseshoe on April 2.

Magnet handed over the editorial chair of their website to White Lies last week. The Mirror has an interview.

The Boxer Rebellion have made a date at The Horseshoe for April 18 in support of their new record The Cold Still; tickets $13.50.

Video: The Boxer Rebellion – “Step Out Of The Car”

State, Exclaim and Clash interview The Go! Team, who bring their new record Rolling Blackouts to The Opera House on April 10. They’ve released a couple new videos and an MP3 from said record.

MP3: The Go! Team – “T.O.R.N.A.D.O.”
Video: The Go! Team – “Super Triangle”
Video: The Go! Team – “Secretary Song”

Guy Garvey discusses Elbow’s forthcoming new record build a rocket boys!, out March 8, with The Quietus.

Toronto fans disappointed there’s no official stop here for the upcoming Trash Can Sinatras tour would do well to look at their itinerary, email the address noted on the right and ask themselves just how much seeing them play an intimate house show is worth to them.

Liam Gallagher of Beady Eye discusses his new band’s debut Different Gear, Still Speeding with Spin. The record is out March 1.

Spinner reports that Manic Street Preachers bassist Nicky Wire is disappointed that their last single didn’t chart in the UK; perhaps they overestimated the appeal of an Ian McCulloch duet? Time to dig up Nina Persson’s phone number again, methinks.

The Quietus contemplates the legacy of Teenage Fanclub while The Line Of Best Fit has an acoustic session with Fanny side-project Jonny. Their self-titled debut is out April 12.

Billboard profiles Mumford & Sons.

NPR puts folk-rock legend Richard Thompson behind a Tiny Desk and makes him play a concert. The indignity.

Things to sit and watch, featuring The Mountain Goats

Frank Yang — Mon, 28 Dec 2009 14:01:19 +0000

Grand CrewSo everybody’s holidays going well? Been catching up with friends and family, perhaps indulging in a little post-holiday retail therapy? That’s largely been my last few days, and in between all that, watching lots and Lost and lots of television. So in the spirit of that sloth, here’s some stuff for y’all to watch – particularly if you, like me, are stuck at work this week.

Grand Crew is a site based out of France that I hadn’t heard of until last week, when they began spreading the word that they had a beautifully-shot, wonderfully recorded and intelligently-presented – check out the timeline/song-selector at the bottom – multi-camera concert of a solo Mountain Goats show in Paris from October of this year. John Darnielle and company have yet to tour The Life Of The World To Come up this way – hopefully in the new year – so until then, this recording will have to suffice. And wholly impressed by this show, some digging through the archives revealed similarly high-quality performances from The Big Pink, The xx and Micachu, amongst others. Worth taking some time out to enjoy, and that club looks beautiful to shot in – tasteful smoke machine, front-lighting… my shutter button-finger is getting twitchy.

The Big Pink are at the Mod Club on March 24. The xx are at the Kool Haus on April 20.

Video: The Mountain Goats @ Point Ephémère, Paris – October 13, 2009
Video: The xx @ Point Ephémère, Paris – April 29, 2009
Video: The Big Pink @ Point Ephémère, Paris – April 29, 2009
Video: Micachu & The Shapes @ Point Ephémère, Paris – April 21, 2009

Also coming out of Paris are a couple more noteworthy performance courtesy of La Blogotheque – a Take-Away Show from The Antlers and a Soiree de poche (pocket evening?) from The Dodos.

A bit closer to home, Southern Souls have posted a new performance from Diamond Rings, who you have no shortage of opportunities to see live over the next while – he’s performing at the big Tranzac New Year’s Eve throwdown happening, um, New Year’s Eve at the Tranzac, then opening up for Owen Pallett at the Mod Club on January 12 then at the Roundhouse on February 11 as part of Wavelength 500. And now’s as good a time as any to remind you that The D’Urbervilles, aka Diamond Rings’ rock’n'roll outfit, are playing The Drake Underground tonight as part of What’s In The Box. Spinner talks to John O’Regan about how things are coming with The D’Urbs’ next record.

And finally, Ohbijou stopped in at Toro Magazine’s studios for a video performance of “Jailbird Blues”.

Billy Bragg and Ron Hawkins at The Phoenix in Toronto

Frank Yang — Thu, 19 Nov 2009 13:36:23 +0000

Frank YangQ: Without a new record to promote – Mr. Love & Justice has been out for close to two years – what reason did Billy Bragg have for staging an ambitious cross-Canada tour?

A: Who cares? Any time you get the opportunity to see Billy Bragg live, you take it, no questions asked.

Of course, I say that having missed his last three appearances in Toronto – the September 2006 show at the Music Hall for not one but two weddings, the June 2008 in-store at HMV because I was working and the show that same night at Harbourfront for no reason I can recall. So Tuesday night’s show at the Phoenix marked the first occasion I’d see him perform since March 2006; in other words, far too long. The fact that this tour was somewhat without context was extra exciting, because the two proper shows of his I’d seen before were great but a little too rich with context – the 2006 show was to promote his Volume 1 box set and as such, only included material from that era and the July 2003 show at the El Mocambo was part of his “Talkin’ Woody” tour and as such, was almost 100% Woody. So it goes without saying that there was a LOT of material I’d been waiting a long, long time to hear live.

Support for the tour was perfectly chosen, with none other than hometowner Ron Hawkins – former frontman for my beloved Lowest Of The Low – kicking things off. It was an eminently logical choice as The Low and Bragg had played together back in the ’90s and Hawkins’ sharp folk-punk songwriting owes Bragg more than a few debts. Performing solo and acoustic, Hawkins showcased material from his new album 10 Kinds Of Lonely amidst some great banter, a tune from his other old outfit The Rusty Nails and a gorgeous and unexpected cover of Ryan Adams’ “Oh My Sweet Carolina”. Damn, Adams had the goods before he lost his mind. And Hawkins, happily, still does. He plays a show at the Dakota Tavern tonight before hitting the road out west with Bragg.

I’ve never seen Billy Bragg play with a band, but having heard live recordings of he with The Blokes, I’m perfectly fine with that. Not that they sound bad – not at all – but when it comes down to it, all Bragg needs is an electric guitar. And a cup of tea. Kicking things off with the oldest of the old school “World Turned Upside Down” before leaping ahead to a sublime pair of those aforementioned never-heard-live tunes from Don’t Try This At Home – “Accident Waiting to Happen” and “Cindy of A Thousand Lives”. Yeah, this was going to be a good night. At first, however, it seemed that Billy might disagree. Though sounding fine, he seemed a bit distracted or even perturbed at first – at least not the gregarious rabble-rouser he usually was.

A few songs in, when he got chattier, he revealed one of the reasons for his mood – just a couple days prior, it was announced that the execrable leader of the ultra-right British National Party, Nick Griffin, was going to be running for Parliament in Bragg’s very own home riding of Barking – the sort of news would drive any sensible person up the wall, let alone one as politically-minded and leftist as Bragg. He quickly got into proper form, however, and that along with myriad other injustices in the world – politicians, bankers, the military, North American football (or “runny runny catchy”, as he called it) – were called out and used as fuel for his performance.

As always, his between-song banter was as essential a part of the show as the songs themselves, and while we didn’t get a Morrissey story this time out, but there were fine tales about Woody Guthrie’s tumescence (with regards to “Ingrid Bergman”), his reaction to the misreported death of Margaret Thatcher, guitar quotes of “Seven Nation Army” and “Smoke On The Water” during the implied trumpet solo in “The Saturday Boy” and a profanity-riddled reading of poet John Cooper Clarke’s “Evidently Chickentown” to name but a few high points.

For all the funning, though, Bragg never travels without a message or two and those were well conveyed through anthems like “NPWA” and “O Freedom”, the latter introduced with a pointed comment about Canada’s handling of the Omar Khdar affair. But rather than accuse and criticize, Bragg was aware that he was largely preaching to the converted with the mostly-packed Phoenix audience and devoted most of his efforts to inspiring and mobilizing, decrying cynicism as the real enemy. To punctuate the point, the main set wrapped with a rousing run of “All You Fascists”, “I Keep Faith” and “There Is Power In A Union”. Heady stuff, indeed.

And it wasn’t done. Coming back out for the encore almost as soon as he stepped off stage, Bragg would do his own version of the “Don’t Look Back” movement of playing complete albums live, running through his debut mini-album Life’s A Riot With Spy Vs Spy almost in sequence, saving “A New England” for the grand, singalong finale to two glorious hours of Bragg. The absence of “St. Swithin’s Day” or anything from Worker’s Playtime was a bit disappointing, but for someone with a catalog as deep as Bragg’s there’s just no way to satisfy everyone. The only answer, I suppose, is for him to keep coming back – no excuse needed.

JAM and Panic Manual were also in attendance at the show. The Scope, Vue, FFWD, Canada.com, See, JAM and The Coast have all been conducting interviews with Bragg as he travels the country. Ron Hawkins gets some attention from Vue and Buffalo News.

The Telegraph and The Sheaf talk to Dan Mangan.

Rolling Stone talks to Jay Farrar and Ben Gibbard about their Jack Kerouac project One Fast Move or I’m Gone.

Drowned In Sound meets We Were Promised Jetpacks.

Matablog has a video teaser trailer for Shearwater’s new album The Golden Archipelago, due out February 23 in North America, a week later than the rest of the world.

Rogue Wave have set a March 2 release date for their new record Permalight.

Mumford & Sons have released a new video from Sigh No More, which will be getting a North American release in the early part of 2010.

Video: Mumford & Sons – “Winter Winds”

Bandstand Busking has session with Micachu & The Shapes.

Self-Titled talks about Bonfires On The Heath’s non-musical inspirations with The Clientele’s Alasdair MacLean.

Review of Little Boots' Hands

Frank Yang — Wed, 09 Sep 2009 12:19:09 +0000

MySpaceSo Speech Debelle’s Speech Therapy won the Mercury Prize. Guess that shows all the predictors, pundits and bookies who were all Florence this and Bat For that what’s what. After all, before the nominations were even announced back in July, one of the odds-on favourites to win was Little Boots, and she wasn’t even nominated. That’s sort of how 2009 has seemed to go for Blackpool’s Victoria Hesketh – filled with immense expectations that were probably impossible to meet, and thus she was destined to be considered a disappointment no matter what she actually delivered.

And that’s really not fair. Taken entirely on its own merits, without any of the attendant buzz, her debut album Hands is a deliciously catchy collection of slick synth-pop that’s not especially deep, but is also never as vacuous as it could probably get away with considering its primary purpose is encouraging butt moving, not chin scratching. And perhaps that’s where the disappointment comes into it. I suspect that at the start, when Hesketh was making her name with cute and quirky bedroom performances of covers and originals on her YouTube channel, there were some expectations that she could be the thinking indie kid’s diva, crafting soundtracks for the skinny jean set to move awkwardly to.

Even though the initial singles that went onto her Arecibo EP were hardly lo-fi, they had a certain quality – like the slightly lurching, off-balanced throb to the beat in “Stuck On Repeat” – that seemed to imply that was a promise that she could deliver on. So for Hands to be as big and bold as it is could well have been something of a shock. I was certainly surprised at how unabashedly glammy and glossy it is – even after seeing her in full-on dance diva mode at SxSW – but it certainly hits my sugar tooth just right and has been in heavy rotation through most of the Summer. It may be a rather conventional dance-pop record but the hooks are still huge. Occasionally I wonder if I should be feeling guilty about enjoying it so much but if loving “Symmetry”, the duet with The Human League’s Philip Oakey, or the gorgeous shimmer of “Tune Into My Heart” is wrong then I don’t want to be right.

That said, it’s with the final, hidden track of Hands – the title track, no less – that you get a taste of what Hesketh sounds like away from the dance floor, and maybe what the album could have been. It’s a simple track, just voice and piano that contains more genuine personality than much of the rest of the album. It seems like a trifle, a little bit of Kate Nash flair, but somehow sticks long after the album is done. Don’t get me wrong – I have no complaints about Hands at all, but if the next record finds Hesketh stepping out of the disco and going for a contemplative wander through the quiet streets of the city, that might not be a bad thing at all.

In addition to Arecibo, Little Boots’ North American discography contains the Illuminations EP but not the full-length – it’s been given a vague “Fall 2009″ target release date but the fact that it hasn’t hit the streets on the even of her first North American tour may be more evidence that some aren’t finding her to be the massive success they were expecting. Savages. Regardless, the jaunt begins this coming Monday night here in Toronto at Wrongbar and I am pretty certain that show will not disappoint in any way.

I Like Music and Portsmouth Today have interviews with Hesketh.

MP3: Little Boots – “Love Kills” (Buffetlibre vs Sidechains remix)
MP3: Little Boots – “Meddle” (remix)
Video: Little Boots – “Remedy”
Video: Little Boots – “New In Town”
MySpace: Little Boots

The Guardian talks to Natasha Khan of Bat For Lashes, who I still maintain has the best of all the Mercury-nominated albums this year.

La Roux, who also didn’t win the Mercury, has a new video from the nominated self-titled album. Elly Jackson talks to The Daily Star and BBC and have a date at the Guvernment on October 23.

Video: La Roux – “I’m Not Your Toy”

Spinner talks to Manic Street Preachers’ James Dean Bradfield about the problems that beset their last North American tour in 1999. Here’s hoping things go much better this time around, when they bring the ought-to-have-been-Mercury-nominated Journal For Plague Lovers, getting a domestic release come September 15, across the pond. They’re at the Phoenix on October 4.

Former Mercury nominee Richard Hawley will release his newest Truelove’s Gutter on September 22. There’s a video for the first single and the whole record is like a long, sustained swoon. Which is to say it’s lovely. Hawley chats with The Huddersfield Daily Examiner about the new record.

Video: Richard Hawley – “For Your Lover, Give Some Time”

Micachu & The Shapes have a new video. Look for them at the El Mocambo on September 29.

Video: Micachu & The Shapes – “Turn Me Well”

The Twilight Sad goes through Forget The Night Ahead track by track for The Skinny. The record is out September 22 and they play The El Mocambo on October 10.

The Sunday Mail has a quick chat with We Were Promised Jetpacks, also on that Twilight Sad tour and at the ElMo that night.

Noah & The Whale, whose new one First Days Of Spring is getting some solid praise, will be returning to North America including a Hallowe’en date at the Horseshoe in Toronto on October 31, tickets $15. Come dressed as your favourite Wes Anderson character! Actually, don’t – I am envisioning attending this gig surrounded by Richie and Margot Tenenbaum wannabes and it terrifies me. The album is out domestically on October 6.

Video: Noah & The Whale – “Blue Skies”

6 Day Riot have rolled out a new video from 6 Day Riot Have A Plan. I have an interview conducted with the band back in March I still have to finish transcribing. I so suck.

Video: 6 Day Riot – “O, Those Kids”

Los Campesinos are giving away a free track. Just because.

MP3: Los Campesinos! – “The Sea Is A Good Place To Think Of The Future”
Video: Los Campesinos! – “The Sea Is A Good Place To Think Of The Future”

Massive Attack prepare for the release of a new EP entitled Splitting The Atom, out October 6, by talking to Spin, Under The Radar and Spinner, the last of whom also have a stream of a new song. There’s also streams of new stuff at Stereogum and The Guardian.

Clash interviews Milo Cordell of The Big Pink. A Brief History Of Love is out September 22, they’re at Lee’s Palace on November 29.

The Quietus and Drowned In Sound chat with Bob Stanley of Saint Etienne about the deluxe reissues of Foxbase Alpha and Continental and the Britpop days of yore.

Chuck Klosterman examines the Beatles reissues – out today, in case you hadn’t noticed the media saturation – for the AV Club.

The Clientele stokes Bonfire

Frank Yang — Fri, 04 Sep 2009 10:14:09 +0000

MySpaceI should be packing for my trip to New York City instead of blogging, so I’m just a-gonna clear out a pile of stuff that had been gathering over the last little while. Y’understand.

And what better way to begin than with a second taste of what is one of my most-anticipated new records of the Autumn – Bonfires On The Heath from The Clientele. It was exciting enough that Stereogum premiered the new MP3 yesterday, but I was over the moon later in the day when a digital promo of the album – not out till October 6 – showed up in my inbox. I’m not gloating, honest.

“Harvest Time” is a slow, sepia swoon bidding farewell to the Summer with the band’s signature tremolo-ed arpeggios and is a fine counterpoint to the jauntier first-released MP3, “I Wonder Who We Are”. Together they’re a good representation of the loveliness that resides behind this also-lovely album cover. Expect further gushing as I immerse myself in the record with further listens, but know that if it’s true this record will be the band’s last, they go out on a true high note.

There will be touring to support, but don’t expect the band on these shores before mid-Winter. Or so I’ve been told.

MP3: The Clientele – “Harvest Time”
MP3: The Clientele – “I Wonder Who We Are”

The Daily Mail gets to know Florence Welch of Florence & The Machine. Her debut Lungs is out in North America on October 13.

Spinner and The Wrexham Chronicle talk to Noah & The Whale frontman about the heartache that inspired their second album First Days Of Spring, set for a North American release on October 6. For Folk’s Sake also reports that the band’s drummer and Fink’s brother Doug has left the band to attend medical school.

They Shoot Music filmed an acoustic session with Micachu in Berlin recently. They will be at the El Mocambo on September 29.

LiveDaily has a rather gorgeous black-and-white video session with Fanfarlo.

The Skinny talks to The Twilight Sad. Their second album Forget The Night Ahead is out September 22 and they play The El Mocambo on October 10.

PitchforkTV has been running a Cemetery Gates video session with Camera Obscura all week. See them in the slightly livelier environs of the Phoenix on November 26.

Out chats with Patrick Wolf.

Echo & The Bunnymen’s Ian McCulloch discusses the band’s new record The Fountain, out October 12, with Rolling Stone. They play the Queen Elizabeth Theatre on October 20 with an orchestral rendition of Ocean Rain and presumably a few more tunes – because that record isn’t all that long. And sad news – former Bunnyman keyboardist Jake Brockman was killed in a traffic accident.

Johnny Marr gives an extensive interview to The Daily Mail about his current projects, his love of guitars and the polite answer to the question of whether there’ll ever be a Smiths reunion. Marr is currently playing with The Cribs, whose new record Ignore The Ignorant, is only going to be available digitally in North America starting next Tuesday. If you want the CD, you’ll have to do the import thing.

Video: The Cribs – “Cheat On Me”

Filter solicits a list of her favourite things from Ladyhawke’s Pip Brown. They also point out that a deluxe edition of her self-titled debut has just been released, featuring five bonus tracks. She’s at the Opera House on September 17.

Entertainment Weekly has premiered a new track from The Raveonettes, whose new album In And Out Of Control is due out on October 6. They play The Phoenix on October 22.

MP3: The Raveonettes – “Last Dance”

Letter To Jane has an interview with Peter Moren of Peter Bjorn & John. They’re at the Phoenix on November 11.

Chartattack chats with the boys of Two Hours Traffic, whose new album Territory is out next Tuesday and who play Lee’s Palace on October 16.

Soundproof talks to Ohbijou’s James Bunton about the Friends In Bellwoods project and community.

Shout Out Out Out Out have scheduled two dates at Wrongbar on October 16 and 17.

MP3: Shout Out Out Out Out – “Bad Choices”

American Songwriter talks to the American songwriters who comprise the Monsters Of Folk while Black Book solicits some of their favourite traveling tunes. Their self-titled debut is out September 22 and they play Massey Hall on November 2.

Soundproof and American Songwriter profile St. Vincent’s Annie Clark.

The Daily Texan talks to Lauren Larson of Ume.

Venice Is Sinking are sharing an MP3 from their forthcoming Okay EP, out September 22 and accurately named as it features the track of that name from their AZAR album and two covers of San Francisco band Okay and rounded out by two more alternate versions of AZAR songs that are better than okay. They band have also raised sufficient funds via Kickstarter to finance their third album.

MP3: Venice Is Sinking – “Compass”
Stream: Venice Is Sinking / Okay

The Bird & The Bee have released a new DLR-saluting video from Ray Guns Are Not Just For The Future.

Video: The Bird & The Bee – “Diamond Dave”

Paste catches up with Flaming Lips frontman Wayne Coyne. Their new album Embryonic is out October 13.

R.E.M.’s forthcoming live record Live At The Olympia In Dublin, out October 27, will come with a bonus live DVD entitled This Is Not A Show and comprised of footage from those same shows. There’s a trailer and performance clip from the film now available to watch.

Video: R.E.M. – “Drive” (live in Dublin)
Trailer: This Is Not A Show

Magnet plays over/under with the Husker Du catalog. And speaking of the Du, The Guardian reports that Grant Hart will release his first solo album in a decade in Hot Wax, out October 6. Bob Mould kicks off his tour in support of last year’s Life And Times next month, starting here in Toronto with a date at the Mod Club on October 5. Support for the first few dates of that tour comes from Miles Anthony Benjamin Robinson, whose new album Summer Of Fear is out October 20.

Rolling Stone talks to Black Francis of Pixies about gearing up for their Doolittle tour.

Oasis split

Frank Yang — Sat, 29 Aug 2009 14:09:55 +0000

Frank YangSo here we are on the first day of Virgin Festival 2009 and what’s everyone talking about? The headliners of Virgin Festival 2008 – Oasis – and the fact that Noel Gallagher has quit. Illness was blamed when the band cancelled their headlining slot at the UK’s V Fest last Sunday, but this time the official word is there was “an altercation” between Noel and brother Liam and that Noel walked out on the band on the eve of a show in Paris, with all subsequent European dates cancelled.

Now normally when 1/5 of a band leaves, it doesn’t necessarily mean the band is done but when that individual is the primary songwriter, it doesn’t bode well. But on the other hand, Noel has quit the band at least twice before – or was it thrice? – so there’s as much reason to think that it’ll be temporary as not. But until word comes that the Gallagher brother have reconciled or at least realized that they have no marketable skills besides being in Oasis, let’s reflect on happier times for the band like the one depicted in the photo – taken shortly after Noel was attacked onstage in Toronto last year.

Video: Oasis – “Don’t Look Back In Anger”

In more positive superstar British frontman news, Exclaim reports that Radiohead’s Thom Yorke will be releasing a super limited-edition solo 12″ single on September 22. And when they say super-limited, the mean it. Word is there will be only 4000 copies allotted to North America and only 300 in Canada.

Check out the first track from Bad Lieutenant, the new outfit let by former New Order frontman Bernard Sumner and backed up by Harvey Keitel and Nicolas Cage. Wait, what?

MP3: Bad Lieutenant – “Sink Or Swim”

Billboard talks to James Dean Bradfield of Manic Street Preachers about their new record Journal For Plague Lovers, which has a September 15 North American release date and will bring the band back to this side of the Atlantic for the first time in a decade (not counting that gig for Castro in Cuba in 2001), including a date at the Phoenix in Toronto on October 4.

The Manics’ Nicky Wire, along with Emmy The Great, Micachu’s Mica Levi and a host of others awash in indie cred talk to The Guardian about their favourite top-40 pop songs.

Yo La Tengo’s Ira Kaplan talks to Spinner about jamming with Wilco during their show together in Brooklyn earlier this Summer. Yo La are in town on October 3 in support of Popular Songs, out September 8, and are Wilco here for two nights at Massey Hall not a fortnight later on October 14 and 15.

Spinner has an Interface session with The Dodos. The Time To Die is out September 15 and they are at Lee’s Palace on October 17.

And apparently Pixies played a warm-up club gig in Hamilton last night at the Casbah, to around 150 lucky folks, thus ensuring they are properly warmed-up for their oughta-be-headlining-but-not slot at V Fest tonight.

Review of Maximo Park's Quicken The Heart

Frank Yang — Tue, 25 Aug 2009 12:07:44 +0000

BeboThough it came out back in May, I had intended to hold off on reviewing Maximo Park’s latest Quicken The Heart until next month when they were scheduled to play Lee’s Palace, but seeing as how they’ve just cancelled the whole North American tour – first The Charlatans, now Maximo, it’s been a bad week for Anglophiles over here – that seems a bit pointless. The other reason I was procrastinating on putting thoughts to paper (such as it were) was that I wanted to give it time to grow on me. Because if I’d tossed off a review when I first got a copy of the album back in the Spring, it probably wouldn’t have been too kind.

Here was an album that I’d been quite looking forward to from a band that had a pretty decent track record – though I was one of the few who preferred the follow-up Our Earthly Pleasures over their debut A Certain Trigger, both were undeniably solid records and even the b-sides compilation Missing Songs was better than many bands’ proper albums. So why did Quicken seem to drift by without leaving much impression at all? Best I can come up with is this.

Maximo Park made their name with wonderfully hyperactive and angular post-punk tunes served up with a healthy dose of melodicism and literate, heartfelt lyricism. Though the sharp edges were smoothed out a bit for the second record, they could still cut and the hooks and anthemic delivery more than compensated. On Quicken, however, the balance tilts too heavily towards articulating singer-songwriter Paul Smith’s emotional issues and the finished product just sags under the weight. Rather than lean and nimble as they are at their best, the songs feel like they’re distended to accommodate the words and while there’s still some solid melodies and hooks, they’re just not big enough this time out. Extended listens over the Summer have softened my opinion of the record as there’s certainly decent songs on offer, but the absence of an irresistible single or two to prop the whole thing up is keenly felt.

Even so, there wasn’t any doubt that they’d put on a good show – their last visit in 2007 was killer – so the fact that they’ve nixed this jaunt is a bummer, regardless of how good the last record is. Here’s hoping they’re good to their word and make it up in 2010.

MP3: Maximo Park – “Wraithlike”
MP3: Maximo Park – “Let’s Get Clinical”
Video: Maximo Park – “Questing, Not Coasting”
MySpace: Maximo Park

Speaking of cancellations, here’s one that apparently was and then wasn’t. For The Records pointed out that a September visit from Micachu had appeared briefly on their MySpace and then disappeared – and some digging revealed this piece at the Phoenix New Times which seemed to confirm that a tour had been planned and then canned. But apparently not the whole thing – Micachu & The Shapes will indeed be in town on September 29 for a show at the El Mocambo, where they totally impressed back in July. Tickets are $13 in advance.

MP3: Micachu – “Lips”

The Times talks to members of The xx about the possibility of the school that they and numerous other current UK artists attended closing its doors while Tourdates.co.uk asks them about their taste in covers. The xx will release their debut XX on October 20 and play the Phoenix on December 2.

That gig is in support of Friendly Fires, who are the subject of interviews with The Advertiser and The Guardian.

Charlie Fink of Noah & The Whale tells The Guardian about the heartbreak that informs the whole of their new album First Days Of Spring, out domestically on October 6. He also contributes a piece about creating the film component of the record and there’s another interview at I Like Music. Fall North American tour dates are forthcoming – in the meantime, check out the first video and grab the title track courtesy of The Times.

MP3: Noah & The Whale – “The First Days Of Spring” (.zip)
Video: Noah & The Whale – “Blue Skies”

Bat For Lashes will be releasing a deluxe edition of Two Suns that comes with a documentary DVD and eight bonus tracks. Well, I suppose if you’re going to milk the fan for every penny they’re worth, you may as well offer some value. The new package is out September 7 in the UK with North American and worldwide release dates forthcoming – assuming the DVD will have various video formats and regions, fans are recommended to wait for their own domestic release before buying. The Georgia Straight has an interview with Natasha Khan.

JAM, Canada.com Billboard talk to Arctic Monkeys about their new album Humbug, out today. They’re at the Kool Haus on September 29.

Elvis Costello may be in town this Friday night at stately Massey Hall, but Exclaim reports that an upcoming series of live bootleg reissues – I guess they’ve finally given up on re-re-re-re-releasing his studio albums – will kick off with Elvis’ oft-bootlegged 1978 appearance at T.O.’s El Mocambo. Live at the El Mocambo was previously released as part of the 2-1/2 Years box set but will finally see a wide release on its own as of September 29. What do you think the odds of Declan snarling, “these guys got the right idea they’re standing UP” on Friday are? Yeah, not great. And oh yeah, happy 55th birthday Dec.

MP3: Elvis Costello & The Attractions – “Radio Radio” (live at the El Mocambo)

The National Post talks to Alex Kapranos of Franz Ferdinand, who will be playing day one of V Fest this Saturday at the Molson Amphitheatre.

And playing day two will be Mew, whose new album No More Stories is out today and who are featured in a Daytrotter.

And speaking of V Fest this weekend, the schedule is up and everyone who was anxious about possibly losing their seats in running between stages can relax – pretty much everyone is playing the main stage. Set lengths have surely been truncated a bit relative to what they’d have been with a proper two-stage setup at Burl’s Creek, but they’re still pretty reasonable. And I have to say I’m pleased to see that both Nine Inch Nails and Pet Shop Boys are playing back to back because if there are two fanbases that need to be mashed together, its theirs. And if anyone is wondering, the forecast currently calls for 10 to 15 mm of rain on Saturday and 5 mm on Sunday, though the Saturday forecast dropped from 40mm in the last 15 minutes so it’s probably not too reliable. However if it proves true, everyone moaning about the move to the Amphitheatre may find themselves thankful for the canopy. Those on the lawns will still find themselves wet.

Finally, The Dumbing Of America has posted a little interview conducted with yours truly a couple weeks back. It’s gripping stuff, really.

Micachu & The Shapes at the El Mocambo in Toronto

Frank Yang — Thu, 16 Jul 2009 13:03:18 +0000

Frank YangTo this point, whenever I’ve mentioned London’s Micachu, I’ve been sure to mention my ambivalence towards their debut album Jewellery and my inability to discern if it’s great or, well, not so great. But I think the fact that I keep going back to it rather than just discard it and move onto any of the countless other records within arm’s reach says a lot about what my gut says, as does the fact that this past Tuesday night, an evening with no shortage of entertainment options that were pretty much guaranteed to be great, I opted to head to the El Mocambo to see Micachu & The Shapes make their Toronto debut – a decidedly less safe bet, but one that could potentially pay off immensely.

For reasons unknown, opener Anni Rossi dropped off the bill at the last minute – I’d seen her just a few weeks prior so I wasn’t too disappointed – and a local act by name of Animal Monster was tagged to open. And if it were the sort of show where people might have been inclined to dance, then he and his setup of sequencers and samplers might have fit, but with people seated comfortably at tables, his repetitive dance beats with keyboard melodies overtop were just monotonous. At first, some heads were bobbing but before long, they were just hanging in resignation.

Things perked up once Animal Monster shuffled off, with the respectably-sized crowd gathering at the front of the stage to examine Micachu’s unusual stage setup – after all, its not often you see upturned wine bottles mounted on cymbal stands or empty paint cans as part of a percussion kit, and that doesn’t even include the homemade instruments that they kept with them backstage. So given the kitchen sink clatter aesthetic of the record and the similarly random nature of the band’s gear, it would have been understandable to assume that Micachu’s show would be more about making a gleeful cacophony than anything else, and while their performance was indeed gleeful, it was far from chaotic.

Actually what was most impressive about their show – and pretty much all of it was enjoyable and impressive – was how precise and meticulous they were about crafting what, on the surface, seemed to be so random. They were like a musical junk shop transformed into an elaborate sonic Rube Goldberg contraption, the payoff being completely left-field compositions that were still undeniably pop. Mica Levy and her bandmates, in matching white t-shirts, had their hands full recreating much of the fuzzy textures, details and cul de sacs of the recorded versions – far more than I’d expected – and seemed to be having a great time, appreciative of the enthusiastic crowd, when they weren’t utterly intent on the work at hand. With only one record’s worth of material to draw from, the show was understandably short, clocking in at well under an hour, but they did deliver everything they had and that was plenty. No more hedging. Micachu is great.

eye was also at the show, was also impressed.

Photos: Micachu & The Shapes @ The El Mocambo – July 14, 2009
MP3: Micachu – “Lips”
Video: Micachu – “Golden Phone”
Video: Micachu – “Lips”
MySpace: Micachu

Micachu has also teamed up with Alessi’s Ark, Sinead O’Connor and Roisin Murphy and Chaka Khan’s to cover Khan’s “I Am Every Woman” in support of ActionAid UK’s 6 Degrees project for womens rights. There’s also a remix of the track by Ladytron, a free Bat For Lashes live MP3 if you invite some friends to the site and a video of Micachu performing “Waste” at the Six Degrees launch party at the ICA in London. Go, download, listen, read and spread the word.

MP3: 6 Degrees – “I’m Every Woman” (Ladytron remix)
Video: Micachu – “Waste” (live at the ICA)

Filter tracks the working relationship of PJ Harvey and John Parish through the years, up to this year’s A Woman A Man Walked By.

Art Brut’s Eddie Argos declares his love of the Scott Pilgrim comics at Playback:StL – imagine how excited he’ll be when he learns that the Lee’s Palace stage they’ll be playing on August 12 just recently hosted the filming of the Clash At Demonhead scene for the Scott Pilgrim movie!

Two Hours Traffic have released the title track from their next album Territory, out September 8, as a free download.

MP3: Two Hours Traffic – “Territory”

Part four of the Reverie Sound Revue blog tour is now up at The Tape Is Not Sticky, featuring “You Don’t Exist If I Don’t See You” from their self-titled debut.

Spinner has published the second part of their feature series on the past, present and future of Canadian independent music – this chapter focuses on the world of Broken Social Scene.

Thanks to Slowcoustic for pointing out this Camera Music video featuring The Rural Alberta Advantage performing in a bus shelter on Queen St and the Drake Hotel’s patio. New video blog Morning Noon Night also digs up some live footage of the band in a basement at a Canadian Musicfest after-party back in March, and also check out their primo placement in the trailer for the new Alicia Silverstone/Alanis Morissette comedy – man, that film is going to be so quirky! There’s also an interview with the band at the Omaha World-Herald – their next local gig is at the Horseshoe on July 30 and then they’ll be at V Fest on August 29.

And tangentially, eye talks to the folks at aux.tv, who are responsible for hosting the above video series and a wealth of other terrific Canadian music video (but not “music video”) content.

Two more acts playing V Fest – Scandinavians both – have just released new MP3s. Denmark’s Mew have a new one from No More Stories, out August 25, via NME and Norway’s Datarock are sharing a track from their new one Red through Spinner.

MP3: Mew – “Introducing Palace Players”
MP3: Datarock – “True Stories”

Flavorwire checks in with The Raveonettes, who are working on their new record In and Out of Control in hopes of an October release.

NPR has a studio session with Loney Dear – they’re at the Horseshoe on October 13.

And also on that bill is Anna Ternheim, who has released a first MP3 from her new album Leaving On A Mayday, out August 11. Also check out the video of an acoustic performance of the same song.

MP3: Anna Ternheim – “What Have I Done”
Video: Anna Ternheim – “What Have I Done” (acoustic)

Interview talks to Phoenix.