Elizabeth Weiberg

And we’ll kick off with a new batch of fully realized, produced and presented songs from the inimitable John Vanderslice, collected under the title of Green Grow The Rushes. It’s being given away for exactly zero dollars in both high-quality MP3 and uncompressed WAV format over at his website. Why? Because he’s got these songs he wants you to hear and because he’s great. But if you want to thank the ‘Slice in some monetary way, perhaps pick up a copy of his last full-length Romanian Names? It’s not quite as free but still a great record.

MP3: John Vanderslice – “Thule Fog”
MP3: John Vanderslice – “I’ll Never Live Up To You”
ZIP: John Vanderslice / Green Grow The Rushes

Exclaim has some details on the new Iron & Wine album, entitled Kiss Each Other Clean and due out in early 2011.

Michael Benjamin Lerner of Telekinesis chats with The Washington Post.

The Thermals have released a new single from Personal Life which, in the parlance of our time, means that there’s a new MP3 to download.

MP3: The Thermals – “Never Listen To Me”

The Line Of Best Fit and Spinner talk to Ken Stringfellow and Jon Auer of The Posies. Their new record Blood/Candy is out September 28.

The Boston Herald talks to drummer Bob Nastanovich of Pavement. NYC Taper has also got a recording of their Williamsburg show to share.

Clash interviews Local Natives, in town at the Mod Club on October 19.

Spin declares Lissie to be “breaking out”. She’s at the El Mocambo on October 19.

Spin gets to the root of Margot & The Nuclear So And So’s name, while Filter has a track from their new record Buzzard available to download.

MP3: Margot & The Nuclear So And So’s – “Lunatic, Lunatic, Lunatic”

Spinner serves up an Interface session with Drive-By Truckers.

R.E.M. has completed work on album number 15 and are targeting a Spring 2011 release for it.

Drowned In Sound talks to Will Sheff of Okkervil River about working with Roky Erikson on this year’s True Love Casts Out All Evil.

NYC Taper is sharing a recording of Spoon’s show in the teeny tiny Cake Shop last week.

The new Deerhunter record Halcyon Digest is streaming at NPR in advance of its release next week. They’re at Lee’s Palace the Opera House on October 19.

Stream: Deerhunter / Halcyon Digest

The AV Club, American Songwriter, The Boston Herald, Pinnastorm, The Awl and NPR have interviews with Superchunk. NPR is also streaming their show in Washington DC last week and NYC Taper offering downloads of the Brooklyn show, giving you a taste of what to expect when they return to Toronto to play the Sound Academy on December 9 opening up for Broken Social Scene; you’ll just have to imagine the pogoing.

The Sydney Morning Herald talks to Interpol.

PitchforkTV has posted a POV session with The Hold Steady.

Clash declares Holly Miranda “One To Watch”.

New York Magazine talks to Yeah Yeah Yeahs guitarist Nick Zinner.

Spin gets a live preview of Nicole Atkins’ new record Mondo Amore, due out on January 25 of next year, and you can download a new track from the record over at Nicole’s website.

Daytrotter has posted a session with Ra Ra Riot, who have made good on their promise to come back to town in December – they’ll be at the Mod Club on the first of that month, tickets $16.

MP3: Ra Ra Riot – “Boy”

Pieter van Hattem

San Francisco’s Morning Benders are no strangers to Toronto this year, having already come through town twice – once in April for their own show just after their latest album Big Echo was released, and again in June opening up for Broken Bells. They’re back in a couple weeks supporting both Black Keys dates at the Kool Haus on August 3 and 4, but in addition to those performances, they’ve announced they’ll be playing a free acoustic show at the corner of College and Manning in Little Italy on August 4 at 5:30PM in what probably would have been a Soundscapes in-store had the weather not been so nice (or so everyone is hoping). There are rumours that there will be free BBQ and ice cream, but even without refreshments it’ll be a fine, free afternoon of pop music.

MP3: The Morning Benders – “Promises”
Video: The Morning Benders – “Promises”

At long last, after watching her Lilith Fair, Of Montreal and own dates skip us over, Toronto has a date with soul/r&b superstar-in-waiting Janelle Monáe – she is joining The Sadies in supporting Arcade Fire on the Toronto Islands on August 14. Why yes, that is a wacky-ass bill, how good of you to notice. But also an excellent one. Watch this video and tell me that Arcade Fire doesn’t run a real risk of being upstaged by her.

Video: Janelle Monáe – “Tightrope”

Unpronouncable Californian dance-punk outfit !!! (chk chk chk to their friends) have slated a North America tour in support of their forthcoming album Strange Weather Isn’t It?, due out on August 24. Grab an MP3 from their website and look for them at Lee’s Palace on September 26, tickets $16.50 in advance.

MP3: !!! – “Must Be The Moon”
Video: !!! – “AM/FM”

The Dears look to be about done with the follow up to 2008′s Missiles as they’ve scheduled a three-night stand at the Garrison from October 13 to 15 where they’ll surely be previewing new material; tickets on sale Friday (via Singing Lamb). Update: Their label reports that they’ll play the entire new album at the shows and the record isn’t due out till early 2011.

MP3: The Dears – “Disclaimer”

Only in town last month, Swedish sister act First Aid Kit are coming back to North America and will be at the El Mocambo in Toronto on October 15.

MP3: First Aid Kit – “I Met Up With The King”

Blonde Redhead have plotted a North American tour in support of their forthcoming album Penny Sparkle, due September 14. They’ll be at the Phoenix on October 17 with Pantha Du Prince as support; tickets $24.

MP3: Blonde Redhead – “Here Sometimes”
MP3: Pantha Du Prince – “The Splendour”

Helmet are still around and will be at Lee’s Palace on October 17 in support of a new album, Seeing Eye Dog, out September 7.

Video: Helmet – “Unsung”

There are apparently still enough people who want to see The Dandy Warhols live that they can not only book The Phoenix for them, but charge $30 a head. They’re there November 1.

Video: The Dandy Warhols – “Bohemian Like You”

Delorean are back on November 18 for a date at the Mod Club with Lemonade as support.

MP3: Delorean – “Real Love”
Video: Lemonade – “Big Weekend”

Blitzen Trapper tell Spinner that even though Destroyer Of The Void only came out last month, they’re already writing its follow-up. Look for them at the Opera House on August 3.

If it ever looks like Ben Curtis of School Of Seven Bells is sleepwalking through a show, it’s because he may very well be. Hopefully their new live drummer will keep him on his toes when they play the Mod Club on September 15. He also chats with New York Magazine.

Chart has a chat with Beach House; they’re at the Molson Amphitheatre on September 27.

Spinner serves up an Interface session with Stars. They play Massey Hall on October 23.

NPR has a World Cafe session with The National.

Jeff Tweedy talks to Billboard about Wilco’s future as an independent band.

Their own major label experiment come to an ignoble end, Margot & The Nuclear So And So’s will release Buzzard on September 21 on their own.

Paste catches up with John Roderick of The Long Winters, who are so overdue for a new album it’s not funny.

Interview talks to She & Him’s Matt Ward and Zooey Deschanel.

Spinner interviews Holly Miranda.

Rest in peace, Andy Hummel of Big Star.

The final volume of Scott Pilgrim came out this week – The Toronto Star and National Post look at the comic book phenomenon and the film that will be released on August 13, while Exclaim looks at the movie’s soundtrack.

Sergio Huidor

My education started with the Portable Galaxie 500 compilation, which was then replaced with all three of their albums in their expanded editions, which were in turn again replaced by the Galaxie 500 box set, which added the Uncollected compilation to those albums in a fancy package. I actually remember the record store owner refusing to buy those individual CDs from me until I assured him that it was okay, I still had the music. Factor in additional purchases of the Copenhagen live album and the Peel Sessions collection, and I think I’ve done my fair share for keeping the G500 flame alive (fiscally speaking) – but that doesn’t mean I can’t encourage anyone who hasn’t bought On Fire at least a few times to do so… so do so. The double CD-editions, pairing the three studio records with Copenhagen, Uncollected and Peel Sessions are a tremendous value and the studio albums were also all put out on heavy vinyl for the analog-inclined.

The point of all this rambling is to lead into this terrific Pitchfork feature that compiles the story of Galaxie 500 as told by those who lived it, from the humble beginnings in a Harvard dorm through the sudden departure of singer/guitarist Dean Wareham and subsequent end of the band. It’s ground that’s been covered a fair bit already – in the press that accompanied the Don’t Let Our Youth Go To Waste DVD in 2004 and then with the publication of Wareham’s memoirs Black Postcards in 2008 – but it remains a fascinating story, particularly as time passes and acrimony between the parties fades. Not that the three of them have been in the same room together in almost 20 years, but they seem capable of speaking honestly, respectfully and even fondly of what they created.

And while it seems that most everything Galaxie 500 ever recorded has been released (and re-released), there’s at least a few more bits and bobs lying about – a few years ago, MP3s of what was labeled as one of their earliest demo tapes were circulating and while three of those tracks did show up on Uncollected… the others didn’t. Here’s one of them, along with a Joy Division cover that appeared as a b-side to “Blue Thunder” and most of their videos. And here in the present, Dean & Britta are preparing to release their soundtrack to 13 Most Beautiful… Songs for Andy Warhol’s Screen Tests sometime this Summer and Damon & Naomi’s latest release was last year’s Sup Pop Years which, as the title implies, collects the best of their work for the SubPop label.

MP3: Galaxie 500 – “Pride”
MP3: Galaxie 500 – “Ceremony”
Video: Galaxie 500 – “When Will You Come Home?”
Video: Galaxie 500 – “Blue Thunder”
Video: Galaxie 500 – “Fourth Of July”

Athens, Georgia’s Venice Is Sinking also pays tribute to G500 on their new album Sand & Lines: The Georgia Theatre Sessions with a cover of “Tugboat”. The live-off-the-floor album is out June 15.

MP3: Venice Is Sinking – “Tugboat”

Billboard, NPR and San Francisco Chronicle profie The Hold Steady, who just released their latest record Heaven Is Whenever. They’re at the Kool Haus on July 17.

Spinner has got a couple of new tracks from Margot & The Nuclear So And Sos, who’re working on album number three, entitled Buzzard and targeted for a Fall release.

MP3: Margot & The Nuclear So And So’s – “New York City Hotel Blues”
MP3: Margot & The Nuclear So And So’s – “Birds”

The National are in the spotlight at PitchforkTV this week, with video performances of the band playing tracks from High Violet – out next Tuesday – in a castle overlooking the Hudson River. So far they’ve got “Terrible Love”, “Anyone’s Ghost” and “Little Faith”. And on May 15, The National will be webcasting a live performance of High Violet from the Brooklyn Academy of Music via YouTube. It’ll be directed by legendary filmmaker D.A. Pennebaker and they’ll be soliciting donations for the Red Hot Organization; details at Pitchfork. The National have two dates at Massey Hall on June 8 and 9; Spinner talks to the band about selling out the Royal Albert Hall in London.

JAM talks to LCD Soundsystem main man James Murphy. This Is Happening is out on May 18 and they play the Kool Haus on May 25.

New York Magazine gets an update on the next Strokes record from Fabrizio Moretti.

Having trouble keeping track of all the preview goods that have been coming out for the new Band Of Horses record Infinite Arms? Yeah, me too. But this is a new video. And the record is out May 18. And they play the Toronto Islands on June 19. These things, I know for sure.

Video: Band Of Horses – “NW Apt”

The Sydney Morning Herald talks to Spoon frontman Britt Daniel. They’re at the Molson Amphitheatre on July 8 with The Flaming Lips.

Katelyn Roof

That would be The Depreciation Guild, also from Brooklyn, and talking points around the band generally center around the fact that they’re giving their debut album, In Her Gentle Jaws away for free on their website and also that their band’s sound is built off of an old 8-bit Nintendo gaming system. Which, as far as angles for getting noticed go, are pretty good. But putting those aside and focusing on the music, there’s still plenty to comment on.

Like how they take those tones and textures that evoke memories of pixelated plumbers amongst those of a certain generation and build soaring, shoegazing soundscapes of pop wonder out of them. And while the 8-bit aesthetic is fundamental to their sound, they’re not beholden to it – they also use more conventional instruments like guitars and drums to get where they’re going and the songs would more than stand up even without the Nintendo backbone – it just might not be quite as much fun.

Exclaim and Gothamist talk to The Depreciation Guild about, um, their Nintendo-fi sounds and their free album. And you can also get their EP Nautilus for free at 8-Bit Peoples. Update: This show has been moved to Lee’s Palace.

MP3: The Depreciation Guild – “Darklooming”
MP3: The Depreciation Guild – “Butterfly Kisses”
MP3: The Depreciation Guild – “Nautilus”
Video: The Depreciation Guild – “Nautilus”
MySpace: The Depreciation Guild

Rolf Klausener talks to The National Post about the utter bizarreness of The Acorn’s world right now, where just before setting out on an arena tour of the UK in support of Elbow, they get the Kanye West seal of approval for their video for “Crooked Legs”.

Video: The Acorn – “Crooked Legs”

The Village Voice and Exclaim talk to Matt & Kim, though it’s really just Matt.

Spinner interfaces with Of Montreal, feels vaguely dirty about it the next morning.

It’s a kiwi invasion! First, Cut Off Your Hands will make their Toronto debut at the Horseshoe on March 30 – tickets $10 in advance.

And then Flight Of The Conchords will play not one but two nights at Massey Hall on April 21 and 22. Presale goes today at 10AM, tickets $49.50. That’s… a lot.

Cloud Cult and Margot & The Nuclear So And So’s are at the El Mocambo on April 3, tickets $10.

Super Furry Animals have a new album in the can, if not a name for it, and will release it digitally via their website on March 16 and give it a physical release on April 21. Details at Beggars blog.

This Is Fake DIY interviews The Airborne Toxic Event, playing the El Mocambo on March 3.

Stereogum gets a progress report on the new Wrens record.

Spin gets the backstory on the AC Newman song “Submarines Of Stockholm”.

White Lies’ chart-topping (in the UK) debut To Lose My Life will get a North American release on March 17 – none of this, “wait a year before jumping across the pond” nonsense. Tickets for their March 31 show at Lee’s Palace with Friendly Fires and The Soft Pack will run you $15.

Knotan

But I do have the follow-up, Silence Is Wild, and it does reaffirm those impressions. This time out, she chooses to frame her compositions in richer and at points, more theatrical trappings which suit her quite well – better, in my estimation, than the simpler presentation of the debut. The focal point is still her voice – huge yet fragile – and piano, but the grander arrangements lift everything up and offer a broader emotional and musical range that Death simply didn’t have.

Considering my favourite tracks from the album – “Dirty Dancing” and “London” – are also the biggest, I obviously like this change in tact for Hyvonen. The vivid imagery of her lyrics combined with the exuberance of their delivery strike just the right chord in me, and offer a stronger contrast to the smaller, more intimate moments of the album. But even with what some may consider to be a more conventional musical approach, Hyvonen’s innate eccentricity still shines through and sets her apart.

Ms Hyvonen did some solo dates on the east coast in October, so I don’t know if there’s any further North American touring in the cards. But if so I do hope there’s a band involved, even though it’s probably cost-prohibitive. As charming and engaging as she was in the solo context last time, I couldn’t imagine a lot of the new material being done proper justice without all the proper sonic accouterments.

Hyvonen picks her favourite song of the year for Line Of Best fit, gives Aquarium Drunkard a guided tour of her hometown of Flarken and subjects to herself to an interview at RCRDLBL, where you can also download an MP3 of “Birds” from the new album. And check out a live performance of “Dirty Dancing” at PSL.

MP3: Frida Hyvonen – “The Enemy Within”
MySpace: Frida Hyvonen

Clash talks to Lykke Li about her really big 2008. She’s at the Phoenix on February 6.

The video for the first single from A Camp’s forthcoming Colonia is now up. The album is out February 2.

Video: A Camp – “Stronger Than Jesus”

If you were one of those bummed about the cancellation of Noah & The Whale’s North American tour, maybe this Basement Tapes session with the band, recorded their last time through the continent and featuring downloadable live tracks, will ease the pain a bit.

MP3: Noah & The Whale – “5 Years Time” (Basement Tapes session)

The Courier-Mail discusses the art of songwriting with Mountain Goat John Darnielle.

LAist interviews John Dragonetti of The Submarines. They’re at the Drake Underground on February 15 and The Morning Benders have been added as co-headliners on the whole tour.

New York City’s Virgins have a date at the El Mocambo on February 5, tickets $12.50.

MP3: The Virgins – “Rich Girls”
Video: The Virgins – “Rich Girls”

Dose.ca, The Montreal Gazette and The McGill Tribune spend time with Stars, gearing up for a three-night stand at the Queen Elizabeth Theatre December 11 through 13.

Gentleman Reg, who is opening up the middle of those Stars shows (the 12th) as well as playing his own gig at the Drake Underground tonight, will release his new album Jet Black on February 24.

Le Blogotheque takes away a show with Margot & The Nuclear So And So’s.

Prefix talks to Mark Lanegan about working with Isobel Campbell.

JAM interviews Richard Thompson.

Christina Hensley

But they’re not letting me get away with any such shortcuts with the follow-up, Black Forest (Tra La La), released last month. Though the same elements are at work, or even moreso in the case of their expanded string section, Black Forest has a much greater sense of purpose and determination about it. The debut seemed quite content to spend the evening at the cabaret getting debauched in grand fashion, not that there’s anything wrong with that, but while the sophomore effort starts off in that same setting with the grandiose “Coal/Ivory”, it then opts to step outside and go for a walk, exploring the dark nooks and crannies of existence.

As such, it’s a less immediate and raucous affair. On the first few listens, I was asking myself, “didn’t this band used to be fun?”, but repeated listens served the record well. Michael Reisenauer’s croon is as dramatic as ever and the orchestrated backdrops even richer than before, but the overall delivery is much more nuanced and less reliant on the big, sweeping gestures. That may not play as well to those in the cheap seats, but for those up front and paying attention, it’s much more rewarding.

Fingertips, The Bat Segundo Show and Culture Bully all have interviews with Reisenauer about the new record.

MP3: Pale Young Gentlemen – “Coal/Ivory”
MP3: Pale Young Gentlemen – “The Crook Of My Good Arm”
MySpace: Pale Young Gentlemen

Drowned In Sound solicits a mix tape from Emmy The Great. She also gives Clash a list of the meats currently comprising up her cultural stew. Her debut First Love is out in the UK on February 2.

Laura Marling is the subject of interviews at Clash and For Folk’s Sake. I feel compelled to mention that the LP versions of Alas, I Cannot Swim are worth seeking out, not only because it’s a nice heavy pressing but because it also comes with a bonus live CD that features the backing band that played with her on the recent “Fe Fie Fo Fum” North American tour, and as such, sounds absolutely splendid. I don’t know if there’s any other (legal) way to get Verses From The Union Chapel, but it’s worth having. And the players that largely comprised said band, Mumford & Sons, are also interviewed at For Folk’s Sake.

Colin Meloy describes the new Decemberists record, Hazards Of Love, to Rolling Stone. Key takeaways? Musical theatre, rock opera, more of the same.

Jonathan Meiburg annotates Rook, track by track, for Drowned In Sound.

The Broken West stop in for a session at Daytrotter. Stereogum asks frontman Ross Flournoy about his day job.

eye features M83 while Limewire, The Georgia Straight and NOW interview School Of Seven Bells. Both are in town tonight for a show at the Opera House.

Laundromatinee welcomes Margot & The Nuclear So And So’s to their studios for a video session.

Frank Yang

While I expect the tour itself will be decidedly more put-together and probably feature full backing bands, I would hope for the sake of their audiences that Edwards and Doe continue to eschew the traditional opener/closer roles and play as they did Monday night to a packed house, alternately playing together and separately. This format allowed them to display their obvious musical and personal chemistry, backing each other up and harmonizing on a choice selection of covers and songs of their own, including “The Golden State” off of Doe’s latest A Year In The Wilderness on which the two duet marvelously. They apologized in advance for being a bit under-rehearsed, and while they definitely were that, they were also quite relaxed and having a great time of it. The tightness will come – the rapport was already there.

I’m not as well-versed in Doe’s repertoire as I probably should be – I know some X material and had a couple of his solo records in university, but that’s about the extent of it. That lack of familiarity didn’t keep me from thoroughly enjoying his songs, though – the man has been at it for some 30 years and is damned good at what he does. I had expected from the company he was keeping that he’d be operating in a more country-rock vein, but I guess he saves that for The Knitters – his solo material was thoughtful, melodic and direct singer-songwriter fare, seasoned with charming and witty banter. And the mention that he was in the process of cutting an album with The Sadies was particularly exciting to hear.

But it was Edwards who really impressed. I’ve counted myself a fan since her debut Failer, but my interest had drifted since then and I’m on record as having found her latest effort Asking For Flowers, Polaris-nominated as it may have been, decidedly underwhelming. I had, however, never seen her live. Came close a number of times but it’d just never happened. And based on this performance, I have to wonder if I might have been even more favourably inclined to her stuff than I am because she was really terrific. It’s difficult to say exactly what’s different about hearing her live than on record because production-wise, her albums have always been pretty straightforward, but for whatever reason her songs – and in particular the characters contained within – really came alive. I think I now more fully appreciate her more intangible qualities, that certain resonance that she has beyond just her songs and her voice. It really was an eye- and ear-opener.

Though there’s no local – or even Canadian – dates on the formal tour, Edwards has already started planning her 2009 and it includes a date on February 13 at Trinity-St Paul’s Centre, a venue that – as lovely as it is – couldn’t be further in vibe from the Dakota. I guarantee you they don’t serve fried chicken.

The Richmond Times-Dispatch has an interview with Kathleen Edwards.

Photos: Kathleen Edwards & John Doe @ The Dakota Tavern – November 3, 2008
MP3: Kathleen Edwards – “In State”
MP3: Kathleen Edwards – “Back To Me”
MP3: Kathleen Edwards – “Copied Keys”
MP3: Kathleen Edwards – “One More Song The Radio Won’t Like”
MP3: Kathleen Edwards – “National Steel”
MP3: Kathleen Edwards – “Six O’Clock News”
MP3: John Doe – “The Golden State”
Video: Kathleen Edwards – “The Cheapest Key”
Video: Kathleen Edwards – “I Make The Dough, You Get The Glory”
Video: Kathleen Edwards – “In State”
Video: Kathleen Edwards – “Back To Me”
Video: Kathleen Edwards – “Hockey Skates”
MySpace: Kathleen Edwards
MySpace: John Doe

Beirut mastermind Zach Condon will be releasing two new EPs of material next year on February 17 – March of the Zapotec under the Beirut banner and Holland under the Realpeople nom de plume. Details at Paste.

Okkervil River’s Will Sheff makes a mixtape for Drowned In Sound, makes conversation with Filter.

JAM talks to Emily Haines and James Shaw of Metric about the process of getting their heads together to create album number four, currently looking for an early 2009 release. They’re headlining that big Canuck-rock shin-dig at Sound Academy on December 13.

Spinner’s Interface welcomes Margot & The Nuclear So And So’s to their studios.

Daytrotter offers up a Born Ruffians session for download. And congratulations to Andrew, who won the tote bag and stuff.

In addition to headlining the Make Some Noise concert at the North York Central Library on November 15, Gentleman Reg has got a show scheduled at the Drake Underground for December 4, tickets $12. The release date for his new album Jet Black is still a moving target (though you can hear new material at his MySpace) but there’s a new 7″ single out now and an EP intended to introduce Reg to US audiences entitled Little Buildings is set for release south of the border on November 11.

And speaking of things south of the border… congratulations America. You did a hell of a thing. Though between you and me, I think I was more choked up when Jimmy Smits won the White House on The West Wing. Yeah, sometimes I’m weird like that. But still, bravo.

“There’s a new album from The New Year” is all the review that longtime fans need. Those less familiar with the works of the brothers Kadane may need a little more to go on. They began as Bedhead, a mid-90s Texan band known for their slow, languid songs built on a nest of intricately intertwined and unfailingly melodic guitar lines, and when that outfit dissolved in 1999 the principals went on to start a new band – The New Year – who quickly became known for their slow, languid songs built on a nest of intricately intertwined and unfailingly melodic guitar lines. And for also stepping up the tempo just a bit and working some piano into things as well.

Their third album under the New Year brand is a self-titled affair and contains another batch of songs that, much like the band’s career path, takes its own slow, sweet time getting where its going but makes the trip there so relaxing, you wouldn’t mind if it took forever. In the past, each successive record has seen Bedhead and The New Year push the boundaries of what defined their sound by shifting tempos or incorporating a new sound or two but most always favouring evolution over revolution. And while that’s not fundamentally changed with The New Year, it does seem to find them in a more exploratory mood than you might have expected. There’s a definite spring in their step and they sound almost anthemic at points. There’d have been no complaints from this end if they’d done the expected and kept things low-key, but this more sprightly New Year? This works too.

Though Matt and Bubba Kadane’s visit in July – which I believe was their first time in Toronto at least this century if not longer – was special in its own way (hit up Bradley’s Almanac for audio of their show in Boston on the same tour), the arrival of The New Year as a complete band at Lee’s Palace next Wednesday night, with Angela Desveaux as support, is going to be something special in every way. Matt Kadane talks to The Los Angeles Times about their secret connection to the Dixie Chicks, to The Colorado Springs Independent about the flexibility of the “-core” suffix and to Stereogum about his day job as a college history professor.

Update: There’s a new MP3 from the album available as of now and according to this, Will Johnson of Centro-Matic is filling in on guitar for Peter Schmidt on the current tour – sweet!

MP3: The New Year – “The Company I Can Get”
MP3: The New Year – “X Off Days”
MySpace: The New Year

Daytrotter welcomes Baltimore noiseniks Wye Oak to their studios for a session. The duo also just recently released their first video.

Video: Wye Oak – “Please Concrete”

Pitchfork reports that The Decemberists have completed their fourth album and given it a name – Hazards Of Love will almost certainly not see the light of day until 2009.

Rachael Yamagata gives Paste a guide to Chicago for dating and breaking up. She also talks to The Kansas City Star about the delay behind her new double-album, Elephants … Teeth Sinking Into Heart. The album is finally out and streaming at Spinner and there’s also a couple videos.

Video: Rachael Yamagata – “Elephants”
Video: Rachael Yamagata – “Sidedish Friend”
Stream: Rachael Yamagata / Elephants … Teeth Sinking Into Heart

Also currently streaming at Spinner is one of the new albums from Margot & The Nuclear So And Sos, the band-approved Animal!. The Arizona Daily Star reports on the unique arrangement between the band and their label that yielded it and the companion Not Animal, and also reviews the pair.

Stream: Margot & The Nuclear So And So’s / Animal!

State interviews Bon Iver.