Todd DuymI can appreciate that relations between Canada and the United States might be a bit strained today, following last night’s Olympic men’s hockey gold medal game – or at least between Canada and the dozen or so Americans who care about hockey – but perhaps this gesture of musical ambassadorship will help ease tensions a little bit.

When I head down to SxSW each year, going to see Canadian acts is usually near the bottom of my list of things to do. Not because it’s not worthy of my attention – far from it – but living in Toronto, I get more than my share of opportunities to see the best of Canadian talent so to fly all the way down to Texas to see those same acts seems… inefficient. But that in no way, shape or form means that I don’t heartily endorse those who aren’t so fortunate as to live in one of the major hubs of Canadian music to take the Sx opportunity to see said acts – so with that in mind, I’m very pleased to be co-presenting the official Paper Bag Records showcase at SxSW this year.

The show will kick off at 8PM with Montreal’s CFCF, though he’ll be handling DJ duties rather than performing pieces from his album Continent. Then it will be the one non-PBR act on the bill, Toronto’s choral-gospel blues choir Bruce Peninsula at 9PM, followed by Montreal electro-pop outfit Winter Gloves at 10PM. Toronto lo-fi rock outfit Little Girls showcases their debut Concepts at 11 and then it’s an all-out electro-rock dance party to wind things out, first with Woodhands and their latest Remorscapade at midnight and Vancouver’s disco-rock heroes You Say Party! We Say Die!, who are finally allowed back into the US following some immigration misunderstandings a few years ago, just in time for them to introduce their latest xxxx to America. Update: Well, my description on how the night will arc won’t be quite right – some set times have moved around, and it will now go: CFCF @ 8, BP @ 9, LG @ 10, WH @ 11, WG @ 12, YSPWSD @ 1. Everything else remains true.

To those headed to Austin in mid-March, the Paper Bag showcase will be taking place on Thursday, March 18 at Speakeasy, located at 412 South Congress Ave at West 5th St. And to those not, some/all of the acts on the bill may be coming to you. YSP!WSD! are making the most of their US visas with dates all over America through March before coming back to Canada including an April 2 date at the Horseshoe. Woodhands are crossing the continent through April, including a hometown show at the Opera House on March 13. Bruce Peninsula are making a couple of US stops en route to Austin and have a handful of Ontario dates in the Spring, including a March 25 show at The Garrison. YSP!WSD! are featured are Blogcritics and Sentimentalist. Uptown and See talk to Woodhands.

MP3: You Say Party! We Say Die! – “Laura Palmer’s Prom”
MP3: Woodhands – “Dissembler”
MP3: Little Girls – “Growing”
MP3: Winter Gloves – “Factories” (alternate)
MP3: Bruce Peninsula – “Crabapples”
MP3: CFCF – “Monolith”

Also noteworthy on the SxSW front is a day show taking place on Thursday, March 18 at the Flamingo Cantina on East 6th St at Red River and co-presented by Team Clermont and my associates at MBV Music. That show, which kicks off at noon, will feature Venice Is Sinking, Jeremy Jay, Collections Of Colonies Of Bees, Jookabox, Dengue Fever and Califone. Plus a special guest headliner whom, if it’s who I’ve heard it might be, will be a hell of a finish. So yeah, drop by. Have a drink. It’ll be a good time.

MP3: Califone – “Funeral Singers”
MP3: Dengue Fever – “Sober Driver”
MP3: Jookabox – “You Cried Me”
MP3: Collections Of Colonies Of Bees – “Flocks 1″
MP3: Jeremy Jay – “Breaking The Ice”
MP3: Venice Is Sinking – “Compass”

Okay, back to now and not Spring Break. There’s a new video available from Love Is All’s forthcoming Two Thousand and Ten Injuries, out March 23. They’re at the Horseshoe on April 3.

Video: Love Is All – “Kungen”

jj have a new video for the first single from No 3, due out March 9. They’re at the Phoenix on April 4.

Video: jj – “Let Go”

To anyone curious as to what Jonsi has in store for his two night stand at the Sound Academy on April 30 and May 1, check out this video about the making of his stage set. His solo debut Go is out March 23.

Ca Va Cool interviews Shout Out Louds. They play The Mod Club on May 8.

The Hamilton Spectator has a feature piece on Owen Pallett, who plays the Queen Elizabeth Theatre on April 8.

Volume 8 of The Line Of Best Fit’s Oh! Canada mixtape series is now up for grabs.

The Control GroupSadness is Sarah Assbring’s stock in trade, a point I’ve rather drilled home in my reviews of her output as El Perro Del Mar – the 2007 self-title and 2008’s From The Valley To The Stars. While both records were beautiful in their downbeat demeanor, you couldn’t help but hope that Assbring would find a way to cheer up, if only for her own emotional well-being.

Unfortunately for Assbring – but fortunately for her listeners – delectable heartache is still the order of the day, and her third album Love Is Not Pop is again chock full of it, but the record stands a good distance apart from its predecessors for other reasons. Rather than the spare, ’50s doo-wop stylings that defined her previous work, Pop draws on a distinctly different aural palette. The core songwriting style and Assbring’s signature forlorn vocals remain, but the introduction of electronic textures and rhythms and Shields-y glider guitar overtop the spare (but occasionally orchestrated) arrangements is unexpected and welcome. Of course, the fact that the album proper is only seven tracks long, and the rest is padded out with remixes adds to the impression that this is a fresher, more sonically adventurous and dance-friendlier El Perro Del Mar. Actually, danceable might be a bit of a reach, but the extra tracks do showcase Assbring with an extra spring in her shuffle.

El Perro Del Mar is at the Mod Club on February 21 as part of a co-headlining tour with fellow Swede Taken By Trees, with the latter closing out this particular show. This is exciting as Victoria Bergsman – she who is Taken By Trees – isn’t especially predisposed to life on the road and hasn’t been to Toronto since the last visit from The Concretes. Unfortunately, it’s meant that Anna Ternheim, previously slated to open for El Perro Del Mar, will no longer be appearing. But maybe it’s a bit of a consolation that another MP3 from Taken By Trees’ East Of Eden is now up for grabs and is, appropriately enough, entitled “Anna”.

MP3: El Perro Del Mar – “Change Of Heart”
MP3: El Perro Del Mar – “Change Of Heart” (Rakamonie Remix)
MP3: Taken By Trees – “Anna”
Video: El Perro Del Mar – “Change Of Heart”
MySpace: El Perro Del Mar

Also Swedish but totally not sad are Love Is All. Their new record Two Thousand and Ten Injuries is out MArch 23 and they’re at the Horseshoe on April 3. Check out another track from the new album.

MP3: Love Is All – “Repetition”

Danish orchestral post-rock outfit Under Byen will release a new album in Alt Er Tabt on April 6.

Magnet Q&As Los Campesinos!, whom they’ve made guest editors of their site this week. Hope they hid all the breakables. Spinner, Islington Tribune, CMJ and Wales Online also have conversations, but don’t hand over the keys to the car. Los Campesinos! are at the Phoenix on April 20.

Laura Marling talks to NOW, The Visalia Times Delta and The San Francisco Examiner about making her new album I Speak Because I Can, out April 6. She plays Lee’s Palace on Tuesday night.

Chart, The Georgia Straight, The National Post, The Aquarian, San Jose Mercury News and The San Francisco Examiner talk to various members of Editors, who play the Phoenix on February 16.

Spin asks Dev Hynes about the secret origin of Lightspeed Champion. His second album Life Is Sweet! Pleased To Meet You, out February 16.

State has a word with Massive Attack, who’ve released a new video from Heligoland, out next week.

Video: Massive Attack – “Splitting The Atom”

Ska fans prepare to skank: The Specials reunion tour will include a stop in Toronto – the two-tone pioneers play the Sound Academy on April 19 – tickets $36.50 for floors, $46.50 for VIP balcony and The English Beat have a date at Lee’s Palace on May 18, tickets $23.50.

Video: The Specials – “Message To You Rudy”
Video: The English Beat – “Mirror In The Bathroom”

Pitchfork talks to Phoenix’s Thomas Mars about how it feels to be a Grammy Award winner.

The Music Fix has details on the next batch of Nick Cave & The Bad Seeds reissues, which will arrive in 5.1 surround sound and with a plethora of bonus goodies, on April 5.

Aux.tv has assembled a guide to the many, many online video session sites out there in the wilds of the internet. Not comprehensive – five more started up while I was typing this sentence – but a good start.

Andrew WaitsIt doesn’t seem quite accurate to call this an “introduction” to Seattle’s The Dutchess & The Duke since I technically already wrote up the duo of Jesse Lortz and Kimberly Morrison when I saw them during CMJ 2008, but whatever. My blog, and I can do what I like, and rather than do a review of either their 2008 debut She’s The Dutchess, He’s The Duke or last year’s follow-up Sunset/Sunrise, I’ll mash observations on both together since, thankfully, they’re not too far apart from one another.

The where of it is the fertile juncture where folk, blues and pop intersect and the when is the late ’60s, when the aforementioned stylistic crossroads was occupied by the likes of Dylan and The Rolling Stones and they were arguably making their greatest records. This isn’t to put The Dutchess & The Duke in that same rarefied air, but sonically, those are really the best reference points. Both records are filled with dark, sometimes black, lyricism mitigated by tight harmonies and sweet melodies overtop spare, occasionally sweeping, primarily acoustic arrangements filtered through pleasingly grainy production. It’s a timeless recipe that’s either not used nearly enough or not done nearly well enough but which The Dutchess & The Duke are doing a fine job of keeping alive and vital.

The Dutchess & The Duke are currently on tour and will be at Sneaky Dee’s on January 12. The Arkansas Times has an interview with Jesse Lortz. Update: Luxury Wafers just posted a live session – video and audio – with the band.

MP3: The Dutchess & The Duke – “Living This Life”
MP3: The Dutchess & The Duke – “Hands”
MP3: The Dutchess & The Duke – “Reservoir Park”
Video: The Dutchess & The Duke – “Mary”
MySpace: The Dutchess & The Duke

10,000 Birds has an ornithology-oriented interview with Jonathan Meiburg of Shearwater. Their new record The Golden Archipelago is out February 23.

Stereogum has got a first MP3 from the new Rogue Wave album Permalight, due out March 2. They have a gig at the Mod Club on February 26.

Daytrotter serves up a session with Headlights.

Matador has announced that the forthcoming Pavement reunion will be accompanied by reissues of all their albums on LP and a new compilation album allowing all the youngn’s who don’t understand why all the oldsters are getting all worked up a crash course in Stockton, California’s finest. Quarantine The Past will be out March 9 and rather than announce the complete 23-song tracklist, they’re making a game of it and asking fans to submit their guesses of what the almost-two dozen selections will be and offering some pretty swank prizes in return. To get you started, these two are pretty much shoo-ins – the other 21 are up to you.

MP3: Pavement – “Gold Soundz”
MP3: Pavement – “Rattled By The Rush”

Paste talks to Flaming Lips frontman Wayne Coyne about their Dark Side Of The Moon cover album.

On Monday I linked to an interview with Love Is All about their at-the-time still largely ambiguous third record, then yesterday there was the concert announcement that puts the Swedes at the Horsesehoe on April 3 with Japandroids, implying that the record might be out sooner rather than later and now today – via Pitchfork – are the official details and first sample of Two Thousand And Ten Injuries, out March 23 on Polyvinyl. I feel reasonably confident that there will be no Love Is All content tomorrow. Unless there is.

MP3: Love Is All – “Kungen”

A Place To Bury Strangers have released a new video from Exploding Head while 4AD has got a couple of studio performances from The Big Pink to watch. Both acts are at the Mod Club on March 24.

Video: A Place To Bury Strangers – “Keep Slipping Away”

UK dancey-rocky outfit Hadouken! have a date at the El Mocambo on February 9 in support of their new album For The Masses, due out February 2.

MP3: Hadouken! – “M.A.D.”

Prefix interviews Owen Clarke of Hot Chip. Their new one One Life Stand is out February 9 and they play the Kool Haus on April 20.

TwentyFourBit has details on a Davide Bowie tribute/War Child benefit album due out later this year, and featuring contributions from the likes of Chairlift, Vivian Girls and Keren Ann.

BBC has revealed their long list of candidates for the title of “The Sound of 2010″. I ended up paying quite a bit of attention to much of the class of 2009 so I should probably start getting acquainted with their picks for this year.

Soren Solkaer StarbirdActually that’s not entirely true – it was indeed slow yesterday morning when I decided to lead with the Vampire Weekend tour info despite my general indifference and/or distaste for the band, but since then a number of notable concert announcements have shown up in the ol’ inbox and RSS feed. But since the release of their second album Contra next week is, arguably, the first big album release of 2010 – and I already had the picture cropped and uploaded – I’ll run with it.

And so here’s the 411 – the North American tour kicks off March 14 in Edmonton (!) and takes a leisurely route eastwards, eventually stopping in Toronto at the Sound Academy on March 30. That’s right, Vampire Weekend are playing a 3000-capacity venue, and they’re charging $27.50 a head to see them do so. Tickets go on sale this Friday.

Considerably less costly is the opportunity to hear their new record a week before release. It’s currently streaming on their MySpace and additionally, PitchforkTV has a “Juan’s Basement” live video session to watch. Also worth noting is that folks who buy Contra at their local indie store rather than, say, Wal-Mart, will receive the Vampire Weekend Meets Toy Selectah bonus CD for their conscientious consumerism. Details on the what and where here. Spinner talks to bassist Chris Baio about the new record.

MP3: Vampire Weekend – “Horchata”
Video: Vampire Weekend – “Cousins”
Stream: Vampire Weekend / Contra

Certainly the most intriguing announcement of the day yesterday was that Charlotte Gainsbourg would be coming to town. Gainsbourg has many claims to fame – daughter of Serge, actress (The Science Of Sleep, Antichrist), singer – and it’s as the last of these that she will be at the Phoenix on January 29. Her third album IRM, out January 26, was produced by Beck, who also duets on the first single, and it’s his band that will be backing Gainsbourg on this tour. Tickets for the Toronto show are $21.50.

Video: Charlotte Gainsbourg – “Heaven Can Wait”

Fans of the now-defunct Be Your Own Pet may be interested to know that a couple of spin-off acts (who are not Jemina Pearl) are hitting the road this Winter. JEFF The Brotherhood, featuring former BYOP guitar and drums Jake and Jamin Orrall, are out and about including a January 29 date at Sneaky Dee’s in support of their record Heavy Days while Turbo Fruits, which is led by the BYOP guitarist and drummer at the time of their dissolution, are hitting the road in support of Echo Kid with Surfer Blood and will be at Sneaky Dee’s on March 6.

MP3: Turbo Fruits – “Pocket Full Of Thistles”
MP3: Surfer Blood – “Swim”
Video: JEFF The Brotherhood – “The Tropics”
Video: JEFF The Brotherhood – “Bone Jam”

Fucked Up have a date at the Opera House on February 26 with Kurt Vile as support, as part of a North(eastern) America tour. Fucked Up’s new singles comp Couple Tracks is out January 26.

MP3: Fucked Up – “Neat Parts”
MP3: Fucked Up – “No Epiphany”
MP3: Kurt Vile – “Overnite Religion”
MP3: Kurt Vile – “Hunchback”

Cuff The Duke have a date at Lee’s Palace on March 20.

Video: Cuff The Duke – “Promises”

Nada Surf have yet to reveal full details of their forthcoming covers album but they have put a demo version of their redo of Depeche Mode’s “Enjoy The Silence” on their MySpace and announced some live dates, including a March 29 date at Lee’s Palace – tickets $16.50. Update: Some details revealed – if i had a hi-fi will initially be available only at shows starting March 25. Regular retail info still to come.

MP3: Nada Surf – “See These Bones”

Philadelphia dream-pop outfit A Sunny Day In Glasgow will make their Toronto debut on April 2 at the Garrison; tickets $10. I didn’t take to their 2007 debut Scribble Mural Comic Journal nearly as much as I thought I would/should, but am willing to give last year’s follow-up Ashes Grammar a shot, especially with a live date in the offing. Anyone care to comment on the live Sunny Day In Glasgow experience? I would imagine that reproducing the cut-and-paste sonics of the records verbatim isn’t on the agenda. There’s interviews with the band circa their US tour last month at The Village Voice, Express Night Out and Washington City Paper.

MP3: A Sunny Day In Glasgow – “Ashes Grammar/Ashes Math”
MP3: A Sunny Day In Glasgow – “Best Summer Ever”
MP3: A Sunny Day In Glasgow – “Watery (Drowning is Just Another Word for Being Buried Alive Under Water)”

Toronto’s Japandroids and Sweden’s Love Is All will make the Horseshoe loud and sweaty on April 3. Tickets $12.

MP3: Japandroids – “Young Hearts Spark Fire”
MP3: Love Is All – “Wishing Well”

With next Tuesday’s Mod Club show well and truly sold out, Owen Pallett has scheduled another hometown date for April 8 at the Queen Elizabeth Theatre – tickets $25. XTRA and Reuters have interviews with Pallett, whose Heartland is out next week.

And though there’s no Toronto date to announce right now, Pitchfork’s list of Joanna Newsom tour dates has a very conspicuous three-day gap between Grand Rapids and Montreal. It does not take three days to drive from Grand Rapids to Montreal.

Amelia ShawBrisbane is a long way from Toronto. So long that many Australian artists barely make it over here once in their careers, let alone as many times as An Horse have been here in just the last 10 months. The duo of Kate Cooper and Damon Cox brought their scrappy two-piece pop to town five – that’s FIVE – times in 2009 at venues of all sizes; in March at the Tranzac as part of Canadian Musicfest, at the Horseshoe in April and again in June supporting The Appleseed Cast and Telekinesis respectively, they had their own show at the Drake Underground in September and were again in the support slot in October at the massive Sound Academy with Silversun Pickups. Sufficed to say, if you didn’t see them live last year, it’s because you were actively trying not to.

And if you want to keep that An Horse-less streak alive – and I can’t imagine why you would, they’re a charming and entertaining band and their debut Rearrange Beds well worth a listen – you’d best avoid Massey Hall on January 19 and Criminal Records on January 20. That’s because the first night they’ll be at the grand old lady of Shuter Street opening up for Tegan & Sara and then they’ll go from one of the biggest stages in the city to one of the smallest – really, it’s a floor – when they play an in-store at Criminal Records the next night at 6PM.

Auto Straddle has an interview with Cooper, who now apparently resides in Montreal. So I suppose her commute is easier, at least.

MP3: An Horse – “Postcards”
MP3: An Horse – “Camp Out”
Video: An Horse – “Camp Out”

Quiet and lovely will be the watchwords on January 21 at the Garrison when the bill will feature The Wilderness Of Manitoba, Ghost Bees and Ohbijou’s Casey Mecija. Admission $8 at the door.

MP3: The Wilderness Of Manitoba – “Bluebirds”
MP3: Ghost Bees – “Vampires Of The West Coast”
MP3: Ohbijou – “Black Ice”

Patterson Hood of Drive-By Truckers talks to Spinner about their new album The Big To-Do, out March 16.

Guitar International talks guitars and songwriting with Joel Plaskett.

The Mountain Goats perform a Tiny Desk Concert for NPR.

Under The Radar talks to Love Is All’s Josephine Olausson about their just-completed third album, due out in the Spring.

The Brother Kite have completed their new album and while details like label and release date are still to be determined, it has a title – Isolation – and a companion EP entitled The Eye To Eye EP. As I make a point of saying every opportunity I get, their last effort Waiting For The Time To Be Right was one of my favourite albums of the last decade so expectations are high for this one. If you have a label and want to put out an awesome record, get in touch (with them, not me).

Spinner looks at the trend of uber-fancy CD packaging, as practiced recently by The Flaming Lips and Pixies. The Quietus has a conversation with one of the men responsible for the latter’s ridiculously fancy Minotaur box set (and the unique style of 4AD in general), Vaughan Oliver of 23 envelope/v23.