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Posts Tagged ‘Lightning Dust’

Thursday, December 5th, 2013

Before Us

The Dog Day(s) of December are here

Photo By Seth SmithSeth SmithI’m not entirely sure when or why Halifax’s Dog Day fell off my radar; I was very much on board circa their 2007 debut Night Group and the 2009 follow-up Concentration, but missed out on 2011’s Deformer – which saw the quartet reconfigure themselves as just the duo of Seth Smith and Nancy Urich – completely.

But I’m on the ball with their new album Fade Out – which incidentally finds themselves a quartet again – and it’s nice to know that despite the personnel shuffles, out of the speakers not a lot has changed. Their roughly-hewn and downcast yet unfailingly melodic still evokes the spirit of their ’90s Maritime Can-rock forebears but those ingredients have also underpinned great rock music from many eras and locales. Dog Day sound very much like where they’re from but don’t confuse that with having only a regional appeal.

Fade Out is out December 10 and their eastern Canadian tour brings them to Toronto’s Cinecycle on December 14. Exclaim, The Halifax Chronicle Herald, and The Coast have interviews with Smith about the new album, which you can stream below.

MP3: Dog Day – “Wasted”
Stream: Dog Day / Fade Out

NOW gets to know No Joy, in town at The Garrison tomorrow night, December 5.

Rolling Stone has an advance stream of the new Neil Young archival release Live At The Cellar Door, which captures two acoustic shows in 1970. The album is out December 10.

Stream: Neil Young / Live At The Cellar Door

Pitchfork has surfaced a new song from Doldrums, currently without context but perhaps pointing towards a new release in 2014. Doldrums is at The Great Hall on December 13 for the second Long Winter.

Stream: Doldrums – “Dive Deep Pt 1”

The Drake Hotel has announced the lineup for this year’s What’s In The Box? mini-fest, which fills the Underground with the sounds of local bands and DJs for the five nights following Christmas at the non-inflationary price of $5. As always, there’s all sorts of up-and-coming talent on the bill, but readers of this site will want to circle December 27, when Alvvays take the stage, and December 30, when Rich Aucoin does his thing in a room he’s far too big to play in anymore.

MP3: Alvvays – “Adult Diversion”
MP3: Rich Aucoin – “It”

And speaking of musical holiday traditions, The Wooden Sky have announced details of their fourth annual holiday revue fundraiser to benefit the Toronto Daily Bread Food Bank. It goes December 29 at 918 Bathurst and tickets will run $20, plus a donation of a canned good.

MP3: The Wooden Sky – “Angelina”

Stars are helping local radio station Indie88 celebrate their increased signal strength – which means I can now finally hear them in my car in downtown Toronto – with a rare club show at Lee’s Palace on January 18. Tickets are $8.81 and go on sale Friday.

MP3: Stars – “The Theory Of Relativity”

After touring their self-titled debut around North America straight though to the year’s final days, local punks PUP will take a little breather and come right back for a hometown show at The Garrison on January 31.

MP3: PUP – “Reservoir”

Toronto synth-goth artist Trust has announced a March 4 release date for his second album Joyland. Exclaim has details, inevitable trailer is below.

Trailer: Trust / Joyland

If you were holding off on going to see Arcade Fire at the Air Canada Centre on March 13 because the only costumes or formalwear you have are for warm weather, then rejoice – the band have announced a return engagement as part of some late Summer tour dates at the Molson Amphitheatre on August 29. Tickets range from $30.50 to $70.50 and go on sale December 13 at noon.

Video: Arcade Fire – “Afterlife”

Young Galaxy look set to run away with the record for most videos from an album that’s not really an album, namely the bonus disc of the Ultramarine Deluxe edition. They premiered the latest clip via Stereogum.

Video: Young Galaxy – “Hard To Tell”

Tone Deaf and The New Zealand Herald interview Metric, who’ve released another new video from Synthetica.

Video: Metric – “Lost Kitten”

A Music Blog, Yea has an interview with The Darcys while The Toronto Star finds out why their recent gigs have been at area high schools.

Beatroute, The Montreal Gazette, Seattle Weekly, The Georgia Straight, and Victoria News talk to Basia Bulat.

Dan Bejar of Destroyer tells The Line Of Best Fit why he decided to make a record in Spanish. There’s also a video session with Destroyer at Dutch radio station 3voor12.

Beatroute checks in with Amber Webber of Lightning Dust.

CBC Music has video of Fucked Up’s tribute to the legendary Teenage Head show known as The Last Pogo, recorded at a very punk rock 9AM on a Saturday morning at The Horseshoe Tavern, scene of the original show in 1978.

Monday, July 22nd, 2013

Memoriam

Ohbijou says “au revoir”, throws going-away party

Photo via FacebookFacebookThere was some sad news last week announcement last week that local stalwarts Ohbijou were going on an indefinite hiatus. Sad because not only was the city losing one of its finest orch-folk bands after three lovely albums – 2006’s Swift Feet For Troubling Times, 2009’s Beacons, and 2011’s Metal Meets – but it felt like the closing of a chapter in the story of Toronto’s independent music scene, one of particular resonance for me.

After making their acquaintance when they opened the very first V Fest in September 2006, I went on to see the band many many many many times over the years and delighted in seeing them grow in leaps and bounds as a live band. Further, their debut Swift Feet topped my 2007 Polaris ballot and I felt Beacons was even better; I don’t recall why it didn’t make my 2010 Polaris ballot though coming out on the very first day of the eligibility period may have caused to get lost in the shuffle. All of which is to say that Ohbijou have been a very rewarding band to be a fan of over the years.

Further, it’s not without significance that they were the very first band to open that inaugural V Fest as Broken Social Scene closed the fest the next night; that was about the time that the initial Can-indie rock explosion was beginning to settle and if you were to draw a rough circle around the artists that represented Toronto across Canada and abroad in the post-Broken era, it could well be the Bellwoods musical community led largely and hosted literally by Ohbijou. You can’t look at the lineup of artists that they drew together for the two Friends In Bellwoods compilations in support of the Daily Bread Food Bank and not be impressed by the names involved: The Acorn, Basia Bulat, The Rural Alberta Advantage, the Diamond Rings-begetting D’Urbervilles, Forest City Lovers, Bruce Peninsula, Evening Hymns, Hooded Fang, the pre-Austra Katie Stelmanis, Snowblink, Timber Timbre, and The Wooden Sky, to name but a few. These are many of the bands that over the run of this blog, I’ve had the pleasure of seeing arise from playing tiny clubs or gallery spaces to much larger stages and acclaim, and have been proud to share an area code with.

And so even with so many of those acts soldiering on, with Ohbijou hanging it up for the foreseeable future it really does feel like the end of an era. But going out on a down note just wouldn’t be their style, so with this lovely video message from frontwoman Casey Mecija as an invitation, the band have announced a final show – with many of the aforementioned Bellwoods artists as guests – on September 7 at The Great Hall; tickets for the show are $20 in advance. I know everyone looked at the Arts & Crafts Field Trip fest as the year’s big celebration of Toronto’s emergence as a musical heavyweight; in its way, I think this matters as much.

MP3: Ohbijou – “Anser”
MP3: Ohbijou – “Mossy Lungs”
Video: Ohbijou – “Niagara”
Video: Ohbijou – “New Years”
Video: Ohbijou – “The Woods”

Braids have premiered a new video from their forthcoming Flourish//Perish; it’s out August 20.

Video: Braids – “In Kind”

The Weeknd appears to be totally over his camera-shyness, as evidenced by Abel Tesfaye plastering his face on the cover of the forthcoming Kiss Land, which can be seen at The Line Of Best Fit. And more relevantly, the release date for said record appears to be August 27 September 10; well ahead of his three-night stand at Massey Hall on October 17, 19, and 20.

Exclaim talks to Colin Stetson about getting another Polaris nod for his New History Warfare Vol. 3: To See More Light and his contributions to the forthcoming Arcade Fire record. Stetson plays The Great Hall on September 5 as part of the Constellation Records touring caravan.

Lightning Dust have released another video from their latest Fantasy. They play The Drake Underground on September 10.

Video: Lightning Dust – “Loaded Gun”

Kathleen Edwards talks festival life from the artist’s perspective with CBC Music.

Loud & Quiet has an interview with METZ.

Indie88 talks with Young Galaxy.

Wednesday, July 17th, 2013

Wet Blanket

METZ add dose of loud and all-caps to 2013 Polaris short list

Photo By Colin MedleyColin MedleyThe prevailing trend that I saw amongst Polaris Music Prize-spotters as yesterday’s short list announcement drew close was that there was hardly any consensus as to which of the 40 long list albums would make the cut. This wasn’t especially surprising since as I observed last month when the long list was revealed, the nominees were all over the place without a lot of big names or obvious picks; with absolutely nothing to back this up, I would speculate that this year’s ballots were the most diverse in the history of the prize.

But whether one point or a thousand separate first place from last, the math is the math and we now have the 2013 Polaris Prize short list. And it looks like this:

A Tribe Called Red / Nation II Nation (Pirate’s Blend)
Video: A Tribe Called Red – “Electric Pow Wow Drum”

Godspeed You! Black Emperor / ‘Allelujah! Don’t Bend! Ascend! (Constellation)
Stream: Godspeed You! Black Emperor – “Mladic”

Zaki Ibrahim / Every Opposite (Motif)
Video: Zaki Ibrahim – “Go Widdit”

Metric / Synthetica (Metric Music International)
MP3: Metric – “Clone”

METZ / METZ (Sub Pop)
MP3: METZ – “Wet Blanket”

Purity Ring / Shrines (Last Gang)
MP3: Purity Ring – “Obedear”

Colin Stetson / New History Warfare Vol. 3: To See More Light (Constellation)
MP3: Colin Stetson – “High Above A Grey Green Sea”

Tegan and Sara / Heartthrob (Warner Music)
Video: Tegan & Sara – “Closer”

Whitehorse / The Fate of the World Depends On This Kiss (Six Shooter)
Video: Whitehorse – “Achilles’ Desire”

Young Galaxy / Ultramarine (Paper Bag)
Video: Young Galaxy – “New Summer”

Even though three of my five picks made the short list, I’m personally disappointed that my numbers one and two, Evening Hymns and Jim Guthrie, didn’t make the cut. I genuinely thought they’d make it and in my more fanciful moments, could even envision a win if the stars aligned. Shows how much I know. Well, I know enough to not speculate on who’ll win come September 23 at The Carlu in Toronto. Even in a year with strong/obvious frontrunners, the prize has been predictably unpredictable and while at the moment I’d like to see METZ, whom I swapped for Rachel Zeffira on my second ballot, take it, I’m also really curious if and how Godspeed would respond to a win. What I do know that with two two-time almost-winners in Shad and Kathleen Edwards hosting the gala – did Susan Lucci ever host the Daytime Emmys? Martin Scorcese ever hand out the Best Director Oscar? – it’ll be entertaining. And for the first time, they’ll be selling tickets to the gala, if you want to see it in person – they’ll be $50 and go on sale July 22.

The Fly talks to Raphaelle Standel-Preston of Braids, whose new full-length Flourish//Perish is out August 20.

The Line Of Best Fit talks to Diana drummer Kieran Adams about their debut album their debut album Perpetual Surrender, out August 20. They play The Great Hall on September 26.

Beatroute talks to Lightning Dust about their new album Fantasy. They play The Drake Underground on September 10.

Dazed & Confused has an interview with Daniel Woodhead of Moon King, who’ve announced their series of Obsession EPs will be released in the UK as a single volume on September 16. I would hope that a similar edition is made available domestically, for those of us who’re a little more space-conscious with their record collections.

Austra have released the second video from their second album, Olympia. They play The Phoenix on September 27.

Video: Austra – “Painful Like”

Arcade Fire have announced, via Twitter, that their fourth album will be out October 29. I like to think that somewhere in Montreal, as soon as they hit the send button on that tweet, quietly said, “boom”.

Complex has posted a cover story interview with Abel Tesfaye of The Weeknd, whose album Kiss Land is due out this Fall, probably around the time he plays three nights at Massey Hall – October 17, 19, and 20. He also released a new video from the album, the sample of which was not cleared by Portishead, and Geoff Barrow’s not happy about it.

Video: The Weeknd – “Belong To The World”

KEXP welcomes METZ for a video session.

Beatroute talks briefly with Al Spx of Cold Specks.

CBC Music asks the likes of The National’s Matt Berninger, amongst others, why On The Beach is their favourite Neil Young album. It’s mine as well, but no one asked me why.

Monday, July 8th, 2013

Toronto Urban Roots Fest Day One

She & Him, Camera Obscura, Joel Plaskett, and more at TURF 2013

Photo By Frank YangFrank YangI don’t know if the troops who manned Fort York in the 18th and 19th centuries necessarily knew that they were potentially laying their lives on the line so that future generations could wander the grounds, tall boy in hand and Ray-Bans on head whilst listening to live music, but if they did, they’d be proud. After serving intermittent duty as an outdoor venue over the past few years, Fort York and Garrison Commons has become the go-to site for music festivals in downtown Toronto, effectively replacing the picturesque but logistically problematic Olympic Island. And while it’s not large enough to host something on the scale of Lollapalooza or Osheaga, or even necessarily our own late and qualifiedly-lamented V Fest, it’s a convenient, scenic, and effective space for events like the inaugural Toronto Urban Roots Fest this past weekend.

Unlike the Arts & Crafts anniversary Field Trip in June, the Lolla-Osheagea-drafting Grove Fest in early August, or the Replacements-reuniting Riot Fest later that month, TURF comes out of the gate homegrown – put on by local promoters Collective Concerts – and extra-ambitious, stretching over four nights and two full days plus club shows at The Horseshoe and Lee’s Palace, and with a definite eye towards becoming an annual Summer tradition in the city, filling a glaring need in a town that’s otherwise pretty generous for its live music-going patrons (for more background on the festival, check out interviews with founder Jeff Cohen at The Toronto Standard, The Grid, The National Post, The Toronto Star, and The Toronto Sun).

And it all got underway last Thursday evening, under sunny and sweltering skies, with Barr Brothers, the multi-instrumentalised, harp-enhanced quartet from Montreal ably represented the “roots” end of things. Being largely unfamiliar with the band, their musical personality felt somewhat broad, but as the set progressed, settled into an enjoyable range, dwelling largely in the intricate and lovely folk end of things but with confident forays into rougher, bluesy territory, all of it elegantly and impeccably executed.

Photos: The Barr Brothers @ Garrison Commons, West Stage – July 4, 2013
MP3: The Barr Brothers – “Beggar In The Morning”
Video: The Barr Brothers – “Old Mythologies”
Video: The Barr Brothers – “Beggar In The Morning”

No such stylistic figuring out was needed for Scotland’s Camera Obscura, up next at the other end of the park. I’d seen them what seems like a million times – most recently their second-last visit in June 2009 behind My Maudlin Career (they circled back for another show that November) – but it had still been far too long. But now they were back with a charming new record in Desire Lines and back on the road. And, had there been any doubt, they confirmed that in addition to being top-class purveyors of indie-pop tunes, they could still look unsmiling and dour even on a beautiful Summer’s evening. That’s just them, though, and with a couple touring players utility filling things out on percussion, horns, and steel guitar, they were able to string together all the bright and jaunty pop numbers in their catalog – with a few of the slow burners dropped in for variety – for an ideal smile-inducing, hand-clapping festival show.

The Philadelphia Inquirer and Boston Globe have features on the band.

Photos: Camera Obscura @ Garrison Commons, East Stage – July 4, 2013
MP3: Camera Obscura – “Fifth In Line To The Throne”
MP3: Camera Obscura – “My Maudlin Career”
MP3: Camera Obscura – “If Looks Could Kill”
MP3: Camera Obscura – “Lloyd, I’m Ready To Be Heartbroken”
MP3: Camera Obscura – “Suspended From Class”
MP3: Camera Obscura – “Come Back Margaret”
Video: Camera Obscura – “The Sweetest Thing”
Video: Camera Obscura – “Honey In The Sun”
Video: Camera Obscura – “French Navy”
Video: Camera Obscura – “Lloyd, I’m Ready To Be Heartbroken”
Video: Camera Obscura – “If Looks Could Kill”
Video: Camera Obscura – “Let’s Get Out Of This Country”
Video: Camera Obscura – “Tears For Affairs”
Video: Camera Obscura – “Teenager”
Video: Camera Obscura – “Keep It Clean”
Video: Camera Obscura – “Eighties Fan”

It stands to reason that if you open up something of local importance, like say a shopping mall, you’d have the mayor on hand to cut the ribbon (maybe not Toronto’s mayor, but I digress). So if you’re inaugurating a new music festival in Canada, you bring out the de facto mayor of Canadian music, which is to say Joel Plaskett. Following an introduction from fellow sort-of Canuck icon, sportscaster Dave Hodge, Plaskett and the Emergency got to work with a set not too different from the one I saw at The Horseshoe in December, with a solo acoustic set sandwiched between classic rock-outs, but angled more for broad crowd-pleasing than just the die-hards. It’s pretty safe to say there’s no size stage that Plaskett doesn’t feel right at home at, whether playing the rocker or troubadour. And it seemed fitting that having largely missed Canada Day earlier this week because I was in the US, I was now marking Independence Day with as concentrated a dose of Canadiana as you could hope to find.

The Gate has an interview with Plaskett.

Photos: Joel Plaskett Emergency @ Garrison Commons, East Stage – July 4, 2013
MP3: Joel Plaskett – “When I Go”
MP3: Joel Plaskett – “Deny Deny Deny”
Video: Joel Plaskett Emergency – “Somewhere Else”
Video: Joel Plaskett – “Through & Through & Through”
Video: Joel Plaskett – “You Let Me Down”
Video: Joel Plaskett Emergency – “Fashionable People”
Video: Joel Plaskett – “Happen Now”
Video: Joel Plaskett – “Natural Disaster”
Video: Joel Plaskett – “Paralyzed”
Video: Joel Plaskett Emergency – “Work Out Fine”
Video: Joel Plaskett Emergency – “Come On Teacher”
Video: Joel Plaskett Emergency – “True Patriot Love”
Video: Joel Plaskett Emergency – “Maybe We Should Just Go Home”
Video: Joel Plaskett Emergency – “Clueless Wonder”
Video: Joel Plaskett – “She Made A Wreck Outta Me”
Video: Joel Plaskett – “News Of Your Son”

On an evening of TURF firsts, She & Him had the distinction of not only being the first headliner, but the first ones to reveal the very existence of the festival to the world when it was listed in their tour itinerary in support of Volume 3 back in January. It was a personal first for me, as well, seeing them for the first time outside of SXSW where I caught one of their earliest shows in 2008 and again in more seasoned form in 2010. It looked to be Matt Ward and Zooey Deschanel’s same six-piece backing band in place as at that second show – nice to see they’ve kept the unit together over the years – and also in place was their strict “no photos” policy, applied to the entire audience and most of the media. This was a source of some grousing from those hoping to leverage the star power on display into more Instagram likes, but for those who accepted it and watched the show with their eyeballs, it was a pretty enjoyable show.

It may be an overstatement to say that had She & Him been exactly what they are musically but without the principals being who they are, they wouldn’t be where they are now – okay, any outfit with someone of Matt Ward’s guitar and arrangement skills would demand to be heard – but you can’t argue that having someone of Deschanel’s profile fronting them offered a pretty big leg up. She’s not an astonishing talent as a singer or a songwriter, but she’s certainly good enough to pull off the uncomplex but endearing retro-pop songs that she writes, particularly when surrounded with the players that she is. And considering that between the release of their first record in 2008 and now, she’s gone from an indie film darling to legit network sitcom star, the her commitment to She & Him remains as strong as it is actually pretty impressive.

Also impressive is how much she’s grown as a frontperson and performer. She’s not Juliette Lewis, by any measure, but considering how deer-in-the-headlights terrified she was at that first SXSW show, the assuredness she’s got on stage now if nice to see. Ward, also, was more engaged with being the titular Him in the band, stepping out of the shadows for some showy guitar moves and to elicit swoons with his gravelly vocals on the duets. Together, Ward and Deschanel have a charming if decidedly PG sort of chemistry, perfectly suited to the chaste, sock hop-esque concepts of romance that they specialize in. High points were the Chapin Sisters-harmonized rendition of the Righteous Brothers’ “Unchained Melody” against a backdrop of stars, a sweet version of Ward’s own “Magic Trick”, and a fiery guitar duel between Ward and Mike Coykendall to close out “In The Sun” and the main set. And also that the first day of the first TURF ever went off beautifully.

Photos: She & Him @ Garrison Commons, East Stage – July 4, 2013
MP3: She & Him – “Why Do You Let Me Stay Here?”
Video: She & Him – “I Could’ve Been Your Girl”
Video: She & Him – “Don’t Look Back”
Video: She & Him – “Thieves”
Video: She & Him – “In The Sun”
Video: She & Him – “Why Do You Let Me Stay Here?”

Exclaim has a conversation with Louise Burns about her new album The Midnight Mass as well as an advance stream of said record ahead of its July 9 release date.

Stream: Louise Burns / Midnight Mass

Exclaim gets Diamond Rings to play an acoustic video session. He’ll be fully plugged-in when opening up for OMD at the Danforth Music Hall on July 11 and 19.

Exclaim talk changes in direction with Lightning Dust, in town at The Drake on September 10.

The Grid checks in with Dallas Good of The Sadies, whose new album Internal Sounds will be made external on September 17.

Exclaim has the first batch of live dates from Rae Spoon in support of his new record My Prairie Home, coming August 13, and they include a September 18 date at The Gladstone in Toronto.

MP3: Rae Spoon – “Crash Landing”

The Montreal Gazette and Spin have feature pieces on Austra, who play a hometown show at The Phoenix on September 27.

The Grid talks to Joel Gibb of The Hidden Cameras about their new 7″ “Gay Goth Scene” and the new album, Age, that it precedes. That is due out sometime this Fall.

Evening Hymns have released a new video from their Polaris-longlisted album Spectral Dusk.

Video: Evening Hymns – “Song To Sleep To”

Stars have premiered the newest video from The North at The Huffington Post.

Video: Stars – “Hold On When You Get Love And Let Go When You Give It”

Huffington Post talks to Al Spx of Cold Specks about collaborating with Moby on his new record and where she’s going with her own next album.

The Guardian has a video session with Rachel Zeffira, wherein she performs her version of The Beatles’ “Because”; she plays one of her own songs in session for Chart.

aux.tv has an interview with Odonis Odonis.

Tuesday, June 25th, 2013

The First 5 Minutes

The Sadies have a new record and all is right with the world

Photo By Rick WhiteRick WhiteGiven that if you live in the Toronto area, it may seem like The Sadies never go away – they’re gigging machines whether they’re on a touring cycle or not, playing any number of festivals, one-offs, support slots, backing gigs – it’s actually been over three years since their last studio album, 2010’s Polaris shortlisted Darker Circles, was released. Sure, in the interim they’ve also put out Night & Day backing Chicago blues-R&B veteran Andre Williams and Dallas and Travis helped make The Good Family Album with their parents, but responding to the announcement that they’ve got a new album done and en route with anything less than great enthusiasm is unacceptable.

The new long-player is called Internal Sounds and will be out September 17, with a first track available to stream now. From note one it sounds exactly like what you expect The Sadies to sound like – psychedelically twangy rock highlighted by tight harmonies and ridiculous musicianship – but the songwriting is stronger than its ever been. It’s an aspect of the band that probably doesn’t get the respect it deserves, overshadowed by all the bands’ other strengths, but compare anything off their last few records with their earliest and marvel at how good they’ve gotten compositionally without ceding any ground in the performance. Go on, marvel.

Exclaim has details on the new release and a brace of Fall tour dates; their hometown commitments are currently limited to two Toronto Urban Roots Fest appearances – July 5 at Lee’s Palace and July 7 at Garrison Common – but sure as the sun rises in the east, they’ll have more to come this Fall and I’ll leak this one right now – they’ll be at The Horseshoe on New Year’s Eve. A-yup.

Stream: The Sadies – “The First 5 Minutes”

With the release today of Fantasy, the new album from Vancouver’s Lightning Dust, the band has just announced another batch of Fall tour dates which include a stop at The Drake Underground on September 10; tickets for that are $12.50 in advance.

MP3: Lightning Dust – “Diamond”

It’s a double-dose of new METZ – a new Chad VanGaalen-animated video from their self-titled debut and a new song from the Adult Swim singles series which you can stream at Consequence Of Sound. Their next local show is July 12 at Downsview Park opening for Weezer.

Video: METZ – “Get Off”
Stream: METZ – “Can’t Understand”

Rae Spoon has announced the August 13 release of his new record My Prairie Home. Hit Exclaim for specifics and stream one of the new songs below.

Stream: Rae Spoon – “I Will Be A Wall”

Kieran Adams and Joseph Shabason of Diana discuss their debut album Perpetual Surrender with Under The Radar. It comes out August 20.

Tone Deaf talks to Devon Welsh of Majical Cloudz, who also talks a bit about the cockroach-heavy new video from Impersonator with NPR. He brings his hopefully roach-free show to Wrongbar on September 17.

Video: Majical Cloudz – “Bugs Don’t Buzz”

Jenn Grant is the latest Canadian artist to assume a new synth-rock persona; she talks to CBC Music talks to about her new project Aqua Alta, a few songs from which you can stream at their website. Grant performs as Grant previewing new material at Lee’s Palace on September 21.

Exclaim has posted online this month’s cover story on Austra; Tone Deaf and The Guardian also have interviews with bandleader Katie Stelmanis. They play The Phoenix on September 27.

We’re still waiting on details of Basia Bulat’s third album, but that she’s added some Fall dates to a smattering of Summer commitments implies that it’ll be here soon enough – perhaps in time to make her October 17 date at The Polish Combatants Hall a record release show?

MP3: Basia Bulat – “Gold Rush”

Consequence Of Sound talks to Colin Stetson, who also talks about the new video from New History Warfare Vol 3: To See More Light at The New York Times.

Video: Colin Stetson – “Who The Waves Are Roaring For”

DIY and NBC San Diego have interviews and NYC Taper a recording of Hooded Fang’s show at The Mercury Lounge in New York at the start of the month.

The Calgary Herald interviews The Besnard Lakes.