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Posts Tagged ‘Ken Stringfellow’

Wednesday, December 18th, 2013

And In Truth

Colin Stetson leads lineup for Wavelength 14

Photo By Scott IrvineScott IrvineWhen I listed off a couple of Colin Stetson shows slated for February last week, it was a bit reluctantly as I had a hunch that I was missing some crucial information about the context of the performance – the unconventional venue and absence of formal press release or ticket information, in particular, were flags. But I went with it anyways and now, a week later, I’m amending the info with lots of context – which I should have guessed, given the timing. The twice-Polaris-shortlisted saxophone maestro will be performing as part of Wavelength’s 14th anniversary festival, taking place around Toronto from February 13 to 16 of next year with his show – just one, now – happening February 15 at the Polish Combatants Hall on a bill that includes US Girls amongst others, tickets $20 in advance.

Other festival showcases include Hooded Fang spin-off Phedre and friends at The Silver Dollar on February 13 ($10), American guitar goddess Marnie Stern with local synth-pop heroes Diana and post-punkers Odonis Odonis at The Adelaide Music Hall on February 14 ($17), and Haligonian two-headed rock machine Cousins bring things to a close with an eclectic bill at The Garrison on February 16 ($10). Plus, there’s some in-store talks and events happening at local record stores through the weekend. Wavelength the music series and especially the anniversary festivals have always done a great job of showcasing new and established talent from at home and abroad, and this year’s lineup is no exception.

Tickets are available for individual shows or a four-day festival pass can be had for just $49.

MP3: Colin Stetson – “High Above A Grey Green Sea”
MP3: Marnie Stern – “Transparency Is The New Mystery”
MP3: Diana – “Born Again”
Video: U.S. Girls – “Work From Home”
Video: Odonis Odonis – “Better”
Stream: Cousins – “River”

Even though they were just here in November, New York’s Holy Ghost! are pretty sure people want more of their new album Dynamics and so they’re coming back for another show at The Hoxton on February 14.

Video: Holy Ghost! – “Okay”

When she announced her Toronto debut back in August, I had to ask, “who is Lorde?” Not asking that anymore. The Kiwi teen is bringing her massively massive debut Pure Heroine back to town for a show at Sound Academy on March 15 as part of a North American tour, tickets the appropriately massive $44.50 to $55.

Video: Lorde – “Royals”

Synth/New Wave legend Gary Numan has announced a North American tour in support of his latest album Splinter (Songs From A Broken Mind). He’ll be at The Phoenix on March 27, tickets $29.50. The National Student has an interview.

Video: Gary Numan – “Cars”

Another of José González’s contributions to the Secret Life Of Walter Mitty soundtrack has been released, this time with a video. The film is out December 25, aka Christmas Day.

Video: José González – “Stay Alive”

The Quietus has an interview with TOY, who will be in town at The Horseshoe on January 14.

Black Francis discusses the departure of Kim Shattuck from Pixies with Yahooo!. He really sounds torn up about it; hopefully he’ll be able to pull it together for their show at Massey Hall on January 15.

DIY talks to Yuck, who’ve rolled out a new video from their latest Glow & Behold. They’re in town at The Garrison on January 17.

Video: Yuck – “Lose My Breath”

Clash talks to Efrim Menuck of Thee Silver Mount Zion and Godspeed You! Black Emperor about the new Mount Zion record Fuck Off Get Free We Pour Light On Everything, due out January 21.

The Line Of Best Fit has a video session with Warpaint, who will release their second full-length Warpaint on January 21 and play The Danforth Music Hall on March 25.

The New Mendicants – that’s Joe Pernice, Norman Blake, and Mike Belitsky if you’ve not been keeping up – have made a few tracks from their debut album Into The Lime available to stream. It’s out January 28.

Stream: The New Mendicants – “A Very Sorry Christmas”
Stream: The New Mendicants – “Sarasota”
Stream: The New Mendicants – “If You Only Knew Her”

The Fly talks to Dee Dee of Dum Dum Girls about their new record Too True, out January 28. They’re at Lee’s Palace on March 29.

The Fly talks to Joe Jonas of Metronomy, who release their new album Love Letters on March 10. Watch the just-released first video from it below.

Video: Metronomy – “I’m Aquarius”

NPR has posted a KCRW video session and Filter an Ernie Ball session with The Head & The Heart; they’re at The Kool Haus on March 30.

Pretty Much Amazing have an interview with London Grammar have released a stream of an old, unreleased track via Rolling Stone. They’ll be back in Toronto at The Phoenix on April 7.

Stream: London Grammar – “Everywhere You Go”

Noisey has premiered the latest video from The Vaccines, taken from last year’s Come Of Age.

Video: The Vaccines – “If I Was A Girl”

Interview talks to Dev Hynes of Blood Orange, whose apartment in New York tragically burned down Monday night, taking with it all his belonging and his new puppy. Fundraising efforts are underway to help Dev get back on his feet and while they’ve already well past their original modest goal of $5000, every bit will help.

Kate Nash has released a new video from her seasonal EP Have Faith This Christmas.

Video: Kate Nash – “I Hate You This Christmas”

Under The Radar has an interview with Summer Camp.

Esquire and The Huffington Post chat with Elvis Costello.

Islands have made a brand-new song available to stream. Islands. Stream. Hmm.

Stream: Islands – “Hawaii”

Filter gets to know Braids.

Noisey talks sex and politics with Austra.

Tone Deaf has an interview with Born Ruffians.

Majical Cloudz have released a video for the non-album track made available to stream last month.

Video: Majical Cloudz – “Savage”

The Line Of Best Fit just beat the Christmas shipping deadline with the release of their fifth holiday-themed Ho! Ho! Ho! compilation of Canadian indie artists, along with a promise to be more frequent in the new year.

Tone Deaf chats with Ken Stringfellow.

NYC Taper is sharing a recording of one of Yo La Tengo’s shows at Brooklyn’s Bell House last week.

Under The Radar talks to Cameron Mesirow of Glasser.

The Life Of Best Fit has an interview with Midlake.

Stereogum spends some time with Titus Andronicus‘ Patrick Stickles.

And that, I guess, will just about do it.

Thursday, February 21st, 2013

You're The Gold

Ken Stringfellow at The Drake Underground in Toronto

Photo By Frank YangFrank YangIt seems ages ago, but early 2002 was still an era where the magazine was still a vital medium for music reviews and general discovery; I still clearly recall a live writeup in issue 49 of The Big Takeover wherein editor Jack Rabid gave Ken Stringfellow a glowing review for a show at New York’s Mercury Lounge on September 20, 2001, and how it served as a powerful musical anodyne for those in need of some healing just a week after the World Trade Center attacks. It was just a few paragraphs long but still stuck with me a good long time, and also led me to pick up Stringfellow’s second solo record Touched – an album that, had I been in the habit of publishing year-end lists at the time, almost certainly would have secured a spot.

Since then, I’d been waiting for a chance to experience the live show that had been described so vividly, but while Stringfellow has been through town a number of times over the past decade – either with R.E.M., The Posies, or The Disciplines – he never toured here behind either Touched or 2004’s Soft Commands. It was only with last year’s Danzig In The Moonlight did he plot out a comprehensive enough North American tour to make it to Toronto for his first ever solo show in the city, stopping in at The Drake Underground this past Tuesday evening.

The long wait didn’t translate into a lot of pent-up demand, unfortunately, with only a few dozen people making it out on a cold and snowy night to see a man with arguably one the most impressive indie-rock resumes of the past quarter-century. The small turnout turned out to be something of a benefit, however, as Stringfellow took advantage of the intimacy to create a genuine rapport with the audience and craft a truly memorable show. Had it been a fuller show, he might not have opened with anecdotes instead of songs, starting off by entertainingly describing his morning in Montreal and his weather-delayed trip down the 401, but turning more personal in mentioning that his son had just that morning been released from prison; indeed, as friendly and genial as Stringfellow was, he was clearly having a rare and intense day and was going to be working through some stuff with song.

He opened the musical portion of the show by stepping off the stage and playing un-miked in the round, his loud and clear tenor filling the room unaided, before eventually setting down the guitar and getting back on stage behind the keyboard, though still eschewing vocal amplification. He wasn’t above asking for a little company, though, moving some benches from the floor up onto the stage and inviting audience members to flank him whilst he performed. And oh yes, the performance.

While I’m sure many would have liked to have had a Posies song or two in the mix, the set was surprisingly satisfying for sticking to his solo material and Danzig in particular – as richly-produced and arranged as that album is, it was still somehow done justice by just Stringfellow alone (although he did locally-source a duet partner for “Doesn’t It Remind You Of Something”. “Superwise” was riveting, “Shittalkers!” searing, and an audience request for “History Buffs” fulfilled in jaw-droppingly gorgeous fashion. While the word usually connotes violence and/or screaming, Stringfellow was instead experiencing a catharsis through melody – culminating with Touched‘s “Lover’s Hymn”, and it was truly something to behold. A show I’d waited nigh on ten years for, and still worth it.

Daytrotter has posted a session with Stringfellow and American Songwriter has the new record available to stream.

Photos: Ken Stringfellow @ The Drake Underground – February 19, 2013
MP3: Ken Stringfellow – “Doesn’t It Remind You Of Something”
Video: Ken Stringfellow – “Doesn’t It Remind You Of Something”
Video: Ken Stringfellow – “Superwise”
Stream: Ken Stringfellow / Danzig In The Moonlight

NOW gears up for tomorrow night’s Solange show at the Danforth Music Hall by putting Ms Knowles on this week’s cover.

Chelsea Light Moving – aka Thurston Moore’s new band – is streaming their self-titled debut at NPR ahead of its March 5 release. They play Lee’s Palace on March 31.

MP3: Chelsea Light Moving – “Burroughs”
MP3: Chelsea Light Moving – “Frank O’Hara Hit”
MP3: Chelsea Light Moving – “Empire Of Time”
MP3: Chelsea Light Moving – “Groovy & Linda”
Stream: Chelsea Light Moving / Chelsea Light Moving

Nashville’s Caitlin Rose is streaming her new record The Stand-In at The Independent ahead of its March 5 release date. The Telegraph also has an interview with the country singer-songwriter, who plays The Garrison on April 5.

Stream: Caitlin Rose / The Stand-In

Entertainment Weekly have premiered another new song from New Moon, the new record from The Men. It’s out March 5.

Stream: The Men – “I Saw Her Face”

Pitchfork solicits a video session from Local Natives. They play The Phoenix on March 28.

Spin has a stream of the first sample from the forthcoming Rilo Kiley rarities compilation RKives, targeted for an April 2 release.

Stream: Rilo Kiley – “Let Me Back In”

How To Destroy Angels – aka Trent Reznor’s new post-Nine Inch Nails project – will release their debut Welcome Oblivion on March 5, but are streaming it right now at Pitchfork and have announced their Spring tour itinerary; the venue is still TBA but they’ll be in Toronto on April 25. Update: Spin says Sound Academy.

Stream: How To Destroy Angels / Welcome Oblivion

Exclaim has details on what’s next from John Vanderslice – a Kickstarter-ed new album called Dagger Beach which should be out this Summer, and a complete album cover of Bowie’s Diamond Dogs for those who help fund it.

Backstage Rider finds out what Dean & Britta have been up to, and that’s solo records. Dean has two coming out, one produced by Jim James of My Morning Jacket and the other by Jason Quever of Papercuts, and Britta has one of her own in the works. So there’s no Dean & Britta on the horizon, but lots of Dean and Britta.

NYC Taper is sharing a recording of Retribution Gospel Choir’s Nels Cline-assisted show in New York last week.

Spinner and The Quietus get James McNew of Yo La Tengo on the horn to talk about their latest, Fade.

State engages in some straight talk with Mark Eitzel.

The 405 talks to Paul Banks.

Thursday, February 14th, 2013

All The Time

The Strokes are all, “relax you guys, we still know how to sound like The Strokes”

Photo By Justin JayJustin JayThe Strokes has got themselves a nice little racket going. Most bands who’ve been at it for over a decade would be critically if not commercially pilloried for not changing up their style, but The Strokes get drubbed when they do. Luckily for them, they’re very good at doing what they do and they’re smart enough to know their business model as a band relies on actually doing just that while releasing a new album (or solo record that doesn’t fall too far from the tree) and some fitful, big paycheque touring.

But that doesn’t mean they don’t like to have a little fun with their fans, who are curiously anxious for such a consistent and predictable band. Case in point, the lead-up to their fifth album Comedown Machine. Considering they let five years elapse between their previous two albums, it’s a bit of a surprise that they’d have a follow-up to 2011’s Angles together so quickly. More surprising was their choice for a first preview, though, the synth- and falsetto-powered, to say nothing of a-ha-cribbing, “One Way Trigger”, which impressed some with its un-Strokes-iness but terrified other for the same reason.

The latter camp are probably feeling a lot more settled now, however, with yesterday’s release of a second preview of and first official single from the new record. “All The Time” is almost unremarkable in its boilerplate Strokes qualities, all insouciant vocals, precisely downstroked guitars, and unmistakable air of leather and denim, but while it’s not a song that’ll feature on any career-summing compilations, to those whose faith was shaken it probably sounded like hearing “The Modern Age” for the first time. Cue excitement, declarations that The Strokes are back and better than ever, etc, etc. Somewhere in New York, The Strokes are high-fiving each other or, at least, smirking.

Comedown Machine is set for a March 26 release.

MP3: The Strokes – “One Way Trigger”
Stream: The Strokes – “All The Time”

NOW and The Waterloo Record have interviews with Ken Stringfellow, who has released a new video from Danzig In The Moonlight, with Margaret Cho filling in for The Head & The Heart’s Charity Rose Thielen, who duets on the album. Stringfellow is at The Drake Underground on February 19; it’s unlikely either Cho or Thielen will join him.

Video: Ken Stringfellow – “Doesn’t It Remind You Of Something”

Black Cab Sessions takes Solange and Dev Hynes for a ride in exchange for a song. They drop her off (figuratively) at the Danforth Music Hall on February 22.

Stereogum talks to Alan Sparhawk of Low, whose new album The Invisible Way is out March 19. They play The Great Hall on March 16.

Pitchfork and aux.tv have interviews with Local Natives, who’ve just released a new video from Hummingbird. They play The Phoenix on March 28.

Video: Local Natives – “Heavy Feet”

New Orleans pop duo Generationals have put together an extensive tour behind their new record Haze, in stores April 2. They play The Garrison on May 2.

MP3: Generationals – “Greenleaf”

The Postal Service are streaming one of the unreleased tracks that will make the 10th anniversary edition of Give Up a must-buy for many when it comes out April 9.

Stream: The Postal Service – “A Tattered Piece Of String”

Spin has a chat with Hutch Harris about the first track from the new Thermals record Desperate Ground, out April 16. Watch the lyric video or trade your email for a download.

Lyric Video: The Thermals – “Born To Kill”

The Line Of Best Fit, Salon, and Spin talk to Jim James, who has a new video from Regions Of Light And Sound Of God to share. He’s at The Phoenix on April 24.

Video: Jim James – “A New Life”

New York singer-songwriter Jamie Seerman – aka Jaymay – pretty much fell off my radar completely following the release of her debut album Autumn Fallin’ some five years ago. And a pity, too, as her lyrically dense, emotionally overcast, yet melodically light folk-pop really caught my ear at the time. But to my surprise, she’s not only still active – she’s released a series of EPs since that first full-length – but she’s touring. She’ll be at The Drake Underground on April 28, tickets $10.50. And I just revisited Autumn Fallin’ – holds up quite nicely.

MP3: Jaymay – “Blue Skies”

If you thought rock artists assuming new identities for their synth-pop endeavours was a strictly Toronto phenomenon… you’re wrong. Jenn Wasner of Wye Oak will answer to Dungeonesse when discussing her solo debut of the same name when it comes out May 14. Exclaim has details, and you can stream one new song and watch a video for another.

Stream: Dungeonesse – “Shucks”
Video: Dungeonesse – “Drive You Crazy”

NPR has a video session with Wild Nothing, who’ve put out a new video from Nocturne.

Video: Wild Nothing – “Only Heather”

NOW talked to Yo La Tengo ahead of last weekend’s show at The Phoenix, from which Mechanical Forest Sound is sharing some recordings. NPR also welcomed the band for a World Cafe session and NorthJersey.com had a chat.

Those catching Mark Eitzel on tour in Europe this Winter may notice an album of new material entitled Glory for sale at the merch table. It won’t be made available in stores but remaining copies will be available online starting in April.

The 405 talks to Dinosaur Jr.

Vogue welcomes Widowspeak for a Valentine-themed video session.

Wednesday, February 6th, 2013

You're A Sign

Review of Ken Stringfellow’s Danzig In The Moonlight and giveaway

Photo By Cecil MathieuCecil MathieuThere are few musicians out there with a more impressive alt.rock resume than Ken Stringfellow. Starting out as co-frontman of the criminally under-appreciated Bellingham power-pop outfit The Posies, he was part of the final incarnation of the legendary Big Star, he was an unofficial member of R.E.M. both on stage and in the studio for a number of years in the post-Berry era, is part of the massive rotating cast of The Minus 5, he fronts a Norwegian garage rock band called The Disciplines, and oh yeah when he’s not doing all of that, he puts out gorgeous solo records.

Danzig In The Moonlight, out last Fall, is the latest of which and the first since 2004’s Soft Commands. And while that record was commendable for its stylistic ranginess, it lacked the coherence of the gorgeous, country-tinged Touched, which when all is said and done with Stringfellow’s impressive career may well stand as his masterpiece. Danzig does not even attempt to recapture that degree of aesthetic focus, but its forays into jangle-rock, prog, country, and R&B – to name but a few of the flavours that surface – don’t so much strive for authenticity than a reasonably convincing, “in the style of”. This allows Stringfellow’s sweet tenor and melodic gifts to tie it all together, which combined with the rich arrangements let Danzig sometimes feel more like the score to some ambitious musical production than a conventional album. In less deft hands, juggling this many ideas may have resulted in a grandly ambitious failure, but Stringfellow not only knows what he’s doing, he makes it look easy.

MyNorthwest.com and The Santa Barbara Independent have interviews with Stringfellow, who makes a rare Toronto appearance at The Drake Underground on February 19. Tickets are $15 in advance but courtesy of Collective Concerts, I’ve got two pairs of passes to give away to the show. To enter, email me at contests@chromewaves.net with “I want to see Ken Stringfellow” in the subject line and your full name in the body, and have that to me by midnight, February 14.

MP3: Ken Stringfellow – “Doesn’t It Remind You Of Something”
Video: Ken Stringfellow – “Superwise”

Because the ’90s are back and you know you love it, The Breeders have expanded their reunion tour in support of the 20th anniversary of Last Splash and will be playing the whole of the album at the Danforth Music Hall on May 11, tickets $22.50 for balconies and $25 for floors.

Video: The Breeders – “Divine Hammer”

Bon Appetit has an interview with Yo La Tengo’s Ira Kaplan, which is fitting considering the culinary theme of the new video from Fade. They’re at The Phoenix this Saturday, February 9.

Video: Yo La Tengo – “I’ll Be Around”

Ra Ra Riot have released a video for the title track of Beta Love and Jambands has an interview with violinist Rebecca Zeller. They’re at Lee’s Palace on March 6 and are back again for the Arts & Crafts Field Trip fest at Fort York on June 8.

Video: Ra Ra Riot – “Beta Love”

The Strokes have confirmed a March 26 release date for their fifth album, Comedown Machine. Advance word is that despite everyone complaining it sounds nothing like The Strokes, it will indeed sound like The Strokes.

DIY and Interview talk to Thao Nguyen, who leads The Get Down Stay Down into Lee’s Palace on March 27.

Rilo Kiley have come clean on their forthcoming rarities compilation, cleverly entitled RKives and due out on April 2. Further information on that release can be found at TwentyFourBit.

Pitchfork talks to Steve Drozdt about The Flaming Lips’ forthcoming full-length The Terror – out April 2 – while Exclaim uncovers evidence that the real terror may be the fact that the band are endeavouring to record their own version of The Stone Roses’ first album, which it goes without saying would be a TERRIBLE IDEA.

Steve Earle has announced a new album entitled The Low Highway for release on April 16, and it’ll be the first one since 1990’s The Hard Way to be credited to him and The Dukes, though this one also credits The Duchesses, albeit in parentheses. All of which is to say this ain’t no solo record.

Pitchfork has details on the new record from Iron & Wine, entitled Ghost On Ghost and out April 16. You can stream a new song from it below.

Stream: Iron & Wine – “Lovers Revolution”

The Thermals have also settled on April 16 as the release date for their first record for Saddle Creek, Desperate Ground. Pitchfork has specifics.

Consequence Of Sound, Pitchfork, The Fader, and The Quietus all talk to Jim James about going solo. He’s in town at The Phoenix on April 24.

Spinner talks about hair with Widowspeak, who’ve made another track from their latest Almanac available to download.

MP3: Widowspeak – “Sore Eyes”

Beach House have released their long-promised short film Forever Still, featuring a number of live performances of tracks off Bloom.

Video: Beach House: Forever Still

Trespassers William have released a video from one of the songs off their farewell rarities compilation, Cast.

Video: Trespassers William – “Believe Me”

Interview talks to School Of Seven Bells.

The Alternate Side has posted a video session with Wild Nothing.

Le Blogotheque has posted a Take-Away Show with Titus Andronicus, and PopMatters an interview.

Friday, December 7th, 2012

Zumm Zumm

Django Django are are coming coming to to town town

Photo By Pavla KopecnaPavla KopecnaIn mentioning yesterday that winning the Mercury Prize allowed Alt-J to graduate from playing Wrongbar in September to playing The Phoenix in March, we can also scientifically see what only getting nominated to the shortlist gets you. Django Django, who were shortlisted on the strength of their self-titled debut, also played Wrongbar in late September and have also just scheduled a Spring tour that brings them back to town in March – March 12, specifically, and at The Opera House. So based on the capacities of these two rooms, what can we discern? Winning the Mercury lets you play to about 200 more people. QED. Tickets are $17.50.

DIY has an interview with Django Django, who’ve just released a new video from the aforementioned Mercury-nominated album. There’s also a World Cafe session up at NPR.

MP3: Django Django – “Default”
Video: Django Django – “Life’s A Beach”

Also just announced – Ken Stringfellow of The Posies, R.E.M., and Big Star will be in town as just Ken Stringfellow – solo artist who released Danzig In The Moonlight in October – for a date at The Drake Underground on February 19. Tickets for that are $15, and God Is In The TV has an interview.

MP3: Ken Stringfellow – “Doesn’t It Remind You Of Something”

Chapel Hill’s rootsy Mount Moriah – recently signed to Merge and getting a lot of good press – will release their second album Miracle Temple on February 26 and be in town at The Drake on March 20 to celebrate; that’ll be part of Canadian Music Week, if you were wondering.

Stream: Mount Moriah – “Lament”

The Get Down Stay Down are at Lee’s Palace on March 27 in support of their new album We The Common, due out February 5. Sallie Ford & The Sound Outside support, tickets are $17.50 in advance. Full tour dates at Exclaim.

MP3: Thao & The Get Down Stay Down – “Know Better Learn Faster”

And if you hadn’t heard and were interested, the reunited but still Christine McVie-less Fleetwod Mac will be at the Air Canada Centre on April 16. Stevie Nicks talks to The Los Angeles Times about the upcoming tour, while Rolling Stone also loops in Lindsey Buckingham for a Q&A.

Video: Fleetwood Mac – “Go Your Own Way”

Pitchfork and Rolling Stone talk to ex-Girls frontman Christopher Owens about his solo debut Lysandre, out January 15. He plays The Mod Club on January 18.

DIY has an interview and The Alternate Side a session with The Antlers.

The AV Club have premiered a new video from Crooked Fingers’ 2011 effort Breaks In The Armor and The Line Of Best Fit also has a video session on offer.

Video: Crooked Fingers – “Bad Blood”

DIY talks to Mike Hadreas of Perfume Genius.

Stereogum has an interview with Dayve Hawk of Memory Tapes.

DIY talks to Wild Nothing’s Jack Tatum.

The Austin Chronicle, Phoenix New Times, and Dallas Observer interview John Darnielle of The Mountain Goats.

NPR has a World Cafe session with Stars.

Spin, ABC News, The New Zealand Herald, DIY, and The Daily Swarm talk to Claire Boucher of Grimes.

The Grid and NOW preview Joel Plaskett’s upcoming five-night stand at The Horseshoe next week. That’s December 12 to 16.

Spinner finds out why a Raveonettes-mixed new No Joy album won’t be winding its way to you anytime soon. Or ever.

Modern Superstitions talk to aux.tv about their self-titled debut.

DIY has a quick chat with Wild Beasts.

The Fly has a video session with 2:54.

TOY are interviewed as part of DIY‘s year-end wrap.

Pitchfork reports that Phoenix are planning to rise again with a new album in or around April. That there’s the sound of Two Door Cinema Club’s business model collapsing.

M83 have released the fourth video from Hurry Up, We’re Dreaming.

Video: M83 – “Wait”

DIY interviews Tame Impala, in town at The Kool Haus on March 9.

Sigur Rós have released the final installment of their Valtari Mystery Film Experiment – just in time for the screenings happening worldwide and at The Bloor Cinema on Saturday. This one’s another short film rather than conventional video, and is directed by Floria Sigismondi and stars Elle Fanning and John Hawkes. Save the best – or at least biggest-named – for last, yeah? Sigur Rós are at The Air Canada Centre on March 30.

Video: Sigur Rós – “Leaning Towards Solace”

And with that, everything I’ve had in my blog drafts hopper is gone. It’s empty! There’s nothing left! You know what that means? Me neither. I’m scared.