Big HassleBoth Wales’ The Joy Formidable and New York’s A Place To Bury Strangers know a thing or two about the merits of turning one’s amplifiers up as far as they’ll go, destroying their instruments, and making their audience wish that it were possible to wear more than one pair of earplugs at a time. So with the announcement yesterday that the two acts were teaming up for a trans-Atlantic summit on (inflicting) hearing loss, those who like it loud responded with excitement. And fear.

A Place To Bury Strangers have a legitimate reason to be hitting the road – they’re releasing the Onwards To The Wall EP on February 7, and have just put out an MP3 and video from said release to build anticipation. The Joy Formidable are still working last year’s debut The Big Roar, and though they’ve said they’re working on the follow-up and want to have it out this year, it’s hard to imagine how they’ll find the time as it seems they’ve been touring non-stop for years now – they were here thrice in the span of a year and the April 2 stop at Lee’s Palace will make it four times in under two years. Tickets for that are $16.50.

And rounding out the bill will be New York’s Exitmusic, who aren’t all that loud – their 2011 EP was called From Silence, after all – but whose frontwoman Aleksa Palladino might be familiar if you watch Boardwalk Empire (and if you do, you know she’s got a lot of time to devote to her music now).

The Vinyl District has an interview with The Joy Formidable and, as a bonus, over the holidays the band shared a cover of their tune “I Don’t Want To See You Like This” as done by long-time Elvis Costello keyboardist Steve Nieve. Random, but nice. And not loud.

MP3: The Joy Formidable – “Whirring”
MP3: A Place To Bury Strangers – “So Far Away”
MP3: Exitmusic – “The Sea”
MP3: Steve Nieve – “I Don’t Want To See You Like This”
Video: The Joy Formidable – “Whirring”
Video: A Place To Bury Strangers – “So Far Away”
Video: Exitmusic – “The Hours”

The Twilight Sad – themselves no strangers to the joys of noise – have made a second MP3 from their forthcoming No One Can Ever Know – out February 7 – available via Spin. They’re at Lee’s Palace on February 29 and there’s interviews with the band at The Skinny and Delusions Of Adequacy.

MP3: The Twilight Sad – “Another Bed”

The Big Pink give Spin a track-by-track tour of their new record Future This, and you can follow along at NME as they’re streaming the whole thing ahead of its release next Tuesday, January 17. Drowned In Sound also has an interview with the band.

Stream: The Big Pink / Future This

The Stool Pigeon talks to David Lewis Gedge of The Wedding Present; they’re at The Horseshoe on March 25.

Laundromatinee has got a video session with Yuck for the sharing.

While I’m beyond disappointed that Allo Darlin’s Spring American tour isn’t a NORTH American tour – which is to say there’s no Canadian dates – that sting is lessened just a bit by the fact that the first proper single from Europe is now available to stream. The record is due out sometime in May.

Stream: Allo Darlin’ – “Capricornia”

Fanfarlo have premiered a new video from Rooms Filled With Light over at NPR. The record is out February 28 and they play The Mod Club as part of Canadian Musicfest on March 24.

Video: Fanfarlo – “Shiny Things”

Arctic Monkeys have put out another new video from Suck It And See; they’re at The Air Canada Centre on March 14 supporting The Black Keys.

Video: Arctic Monkeys – “Black Treacle”

BBC6 talks to Richard Hawley about his next record, which will be much more “guitar-centric”. Can. Not. Wait.

New Jersey Underground reports that British Sea Power’s New Year’s resolution appears to have been to release a shit-tonne of new music. Starting now – BSP EP1 is already available – the band will release an EP every month for the next six months, each featuring in-progress new material that may surface in different forms in future albums.

Loud & Quiet talks to Greg Hughes of Still Corners.

Australian dance-rock outfit The Temper Trap have made a March 25 date at The Phoenix. They’ve still yet to follow up 2009′s Conditions, but planning shows on the other side of the world could be a sign that that’s going to change. Or maybe they just want to do some shopping.

Video: The Temper Trap – “Sweet Disposition”

Snow Patrol will be at Massey Hall on April 17. Their latest album Fallen Empires came out in Europe last year but only just came out in North America yesterday – Billboard has a track-by-track tour of the record from frontman Gary Lightbody.

Video: Snow Patrol – “This Is Everything You Are”

Spin talks family bands with First Aid Kit. They’ve released a new video from their forthcoming The Lion’s Roar, out January 24, and will play The Great Hall on April 4.

Video: First Aid Kit – “Emmylou”

Swedish singer-songwriter Amanda Mair has set a February 15 release date for her self-titled debut.

MP3: Amanda Mair – “Doubt”

The AV Club interviews Anthony Gonzalez of M83. They play The Sound Academy on May 6.

Frank YangIt’s a little bit of bragging when I point out that our blogger posse had Lykke Li close out the second day of our Hot Freaks! party at SXSW 2008 before her star became ascendant. But the fact is that it was almost entirely Gorilla Vs Bear’s doing, with most of the rest of us having no idea who Li Lykke Timotej Zachrisson was at the time. And not too many did, as only a modest number of people came out to Club DeVille to see play that afternoon. So you’d think that it would have been the perfect opportunity to get ahead of the curve on her, but the fact was I didn’t love her stuff and that opinion extended to her debut album Youth Novels; it was fine and all but hardly stopped me in my tracks. Which is why despite her having come through town a number of times between now and then, I’d not seen Lykke Li live since.

So if you choose to interpret my trekking down to the Sound Academy on Tuesday night to see her as meaning that I was stopped in my tracks by her second album Wounded Rhymes, well that might be a little hyperbolic but it’s not far off. I understand how Lykke Li’s breathy vocals and the coquettish tone of the lyrics were the source of Youth Novels‘ appeal for many, but to me they were the main points of complaint – the record felt slight, like it was all surface. Rhymes, on the other hand, with its combination of girl-group/doo-wop touchpoints, a dash of gospel and altogether rawer and heavier themes tapped into something much deeper both sonically and emotionally. Novels was flirtatious; Rhymes was lustful. Yeah I was going to see this record performed live.

Opening up this tour were fellow Swedes and sister folk act First Aid Kit – combined with Sunday night’s all-Icelandic bill, this was turning into quite the Scandinavian revue week. I’d seen them last Summer when they stopped in at the comfy and cozy Rivoli – about as diametrically opposed a venue from the cavernous Sound Academy as you can get. And yet without changing up their simple presentation – the Söderberg sisters switching up on guitar, keys and autoharp and harmonies and Mattias Bergqvist on drums – were more than able to step up to the occasion, sounding confident and punchy. In addition to drawing from their 2010 debut The Big Black & The Blue, they previewed material from their forthcoming second album The Lion’s Roar – out January 24 – and when heard side-by-side with the older material, it was remarkable how far they’ve come as songwriters, the new songs being both more melodic and dramatic at the same time. Though there was some headbanging, you couldn’t say they rocked – that’s not their game – but the did impress.

Lykke Li’s arrival was heralded by an extended strobe light and smoke machine intro which highlighted the sweeping black and white stage dressing for this tour, an aesthetic mirrored in her outfit for the night – a black robe/gown and dark eye make-up. “Witchy” and/or “goth” are not adjectives one would have typically thought to apply to Lykke Li, but there it was. Opening with “Jerome”, the depth and dramatics of the new record were clearly going to be translated to the stage with Lykke Li an exceptionally expressive and dynamic presence from the get-go.

Danciness is a key element of Lykke Li’s sound, but what sets her apart from others operating in that space is her reliance on live and acoustic instruments, particularly drums and percussion, and it was easy to get caught up in the pounding, rhythmic grooves she and her band created and her voice would ride upon. Though she’s not what you’d call a powerhouse singer, her delivery has a strength and soulfulness that’s irresistible and thankfully shuns your standard diva moves; on her cover of “Unchained Melody”, whereas other singers might have gone for a solo moment at its peak, Lykke Li instead turned to her band for multi-part harmonies that were unexpected and beautiful.

The set was split about evenly between the two albums but with the older material sonically beefed up to match the current aesthetic and all the better for it. And while I clearly favoured the new material, the sea of cellphones raised aloft during “Little Bit” was ample evidence that many of the fans there were old school. Excepting a couple moments of feedback, the sound throughout the night had been pretty good but as things moved towards the finale – perhaps in an attempt to make things even heavier – the bass began turning to mud on “Youth Knows No Pain” and sadly robbed it of its impact, only being salvaged by the extended percussion, chanting and megaphone-powered (and Kanye “Power”-quoting) coda. But things recovered enough that set closer “Get Some” satisfied and one-song encore of “Unrequited Love” the perfect, bruised cap on the evening. I now regret somewhat not keeping up with Lykke Li following that SXSW show and missing out on her more intimately-scaled performances, but if she keeps putting out records as strong as Wounded Rhymes, then this won’t be the last time I’ll be making up for lost time.

The National Post was also on hand for the show and have a review. And with this show done, First Aid Kit have announced their own headlining gig at The Great Hall on April 4 of next year.

Photos: Lykke Li, First Aid Kit @ The Sound Academy – November 15, 2011
MP3: Lykke Li – “Youth Knows No Pain”
MP3: Lykke Li – “Get Some”
MP3: First Aid Kit – “I Met Up With The King”
Video: Lykke Li – “Sadness Is A Blessing”
Video: Lykke Li – “I Follow Rivers”
Video: Lykke Li – “Get Some”
Video: Lykke Li – “Little Bit”
Video: Lykke Li – “I’m Good I’m Gone”
Video: Lykke Li – “Breaking It Up”
Video: First Aid Kit – “The Lion’s Roar”
Video: First Aid Kit – “Hard Believer”
Video: First Aid Kit – “I Met Up With The King”

The Quietus explores the sad and beautiful world of Loney Dear.

DIY chats with Alec Olenius of Serenades.

The Raveonettes have released a video for the new single from their latest album Raven In The Grave.

Video: The Raveonettes – “Let Me On Out”

Rolling Stone talks to Ritzy Bryan of The Joy Formidable, who have begun work on album number two and hope to have it out in the new year.

Paste has a feature piece on Los Campesinos! and over at Nerve, bassist Ellen Campesinos! dishes on what it’s like to be a female musician looking to get some while on the road.

Fact talks to Kate Jackson about her nascent but promising solo career.

NME has details on the second album from The Big Pink; it will be entitled Future This and come out on January 16 of next year. This is the first single and video.

Video: The Big Pink – “Hit The Ground (Superman)”

Though just here a few weeks ago, Metronomy have scheduled a Spring North American tour that brings them back to town on April 2 for a show at The Hoxton.

Video: Metronomy – “Everything Goes My Way”

Exclaim reports that New Order will release an album of studio outtakes from Waiting For The Sirens Call as Lost Sirens sometime in December.

Similarly, Pet Shop Boys will collect 13 years of b-sides as the double-disc collection Format and put that out on February 7; Slicing Up Eyeballs has specifics.

Q talks to Dev Hynes of Blood Orange.

Paste, The Phoenix and PopMatters interview Anthony Gonzalez of M83, in town for a sold-out show at Lee’s Palace tomorrow night.

Proving that Toronto’s appetite for things naked and famous shows no signs of abating, Kiwis The Naked & Famous will be back for their fourth show in less than a year, returning for an engagement at The Sound Academy on April 5 of next year; tickets $22.50 in advance.

Video: The Naked & Famous – “Girls Like You”

Frank YangIn discussing Ladytron’s latest effort Gravity The Seducer, I mentioned how the Liverpool band had managed to pull off the difficult move of shifting creative course sufficiently to earn a fresh listen from those who figured they knew what to expect without abandoning their signature sound and alienating those who were perfectly happy to get what they were expecting from a new Ladytron record. Whether they’d manage to do the same with regards to their live show would be seen this past Wednesday night, when they came back to Toronto for the first time since either the release of Gravity or their decade-marking Best Of.

This isn’t to suggest their live reputation required any reputation. Granted, the idea that live, they just stand stock still and play keyboards has followed them around since their inception – I’m as guilty of perpetuating the perception as anyone despite knowing better from having seen them on their last two visits in 2008 and 2009 – but the truth is they actually put on very good live shows, offering impressive lightshows and great sound in lieu of on-stage antics. And of course they stand there. They play keyboards. Do you really want to see them strap on keytars? No you do not.

Warming up for them on this leg of the tour was New York dance veterans VHS OR Beta, who themselves have been at it long enough that once upon a time their name had some retro cleverness rather than just being meaningless to today’s youth (maybe they should consider switching to BluRay or HDDVD. Or not). In any case, their bass-heavy, straightforward synth-rock didn’t make a lot of arguments that you’d want to be remembering their name for long after the show. It wasn’t that they were bad by any means, just unremarkable. But perhaps it’s unfair to criticize them for being lyrically vague or bland when their mandate isn’t to offer deep insights into the human condition but simply to get people moving. And that they did.

Another point in my review of Gravity The Seducer was how it seemed that Helen Marnie was assuming more the de facto frontwoman role, with fewer lead contributions than Mira Aroyo; I don’t necessarily have quantitative proof that that was the case but it also certainly seemed that the live dynamic had shifted that way, if not moreso. While her bandmates were dressed in trademark black (and Reuben Wu in a Ladytron t-shirt though I’ll give him the benefit of the doubt that it was laundry day), Marnie stood out in a shiny white top and giant bow in her hair – it would be hard not to be the centre of attention looking like that, never mind her dancing and swaying throughout the show. And while Aroyo’s lead contributions were fewer – she only took lead on two songs, the first almost halfway into the set – they seemed extra effective in accenting the darker side of their sound, compared to Marnie’s more wide-eyed vocal stylings.

Though the pyramid-referencing stage dressing implied this was the Gravity The Seducer tour, the setlist felt more appropriate to the singles collection with the new material not receiving any greater focus than the old with Witching Hour being drawn from the most. And while I quite like Gravity, I readily admit that its gentler textures wouldn’t have made for nearly as impactful a live set as their back catalog. Thankfully free of the sound issues that marred their last show, Ladytron sounded heavier and more determined than I’ve seen them. I don’t know that you could say their fanbase has necessarily grown over their long run – they’ve been playing The Phoenix as long as I can recall – they’ve remained steady and devoted and based on the sample group in my immediate vicinity, are still energized enough by the band to be able to jump up and down for over an hour straight. Any band at it for over a decade should be so lucky.

The Toronto Star and BlogTO also have reviews of the show while Spinner and The Boston Herald have interviews with the band.

Photos: Ladytron, VHS Or Beta @ The Phoenix – October 5, 2011
MP3: Ladytron – “White Elephant”
MP3: Ladytron – “Ace Of Hz”
MP3: Ladytron – “Black Cat”
MP3: Ladytron – “Open Your Heart”
MP3: Ladytron – “Play Girl”
MP3: Ladytron – “Seventeen”
MP3: VHS Or Beta – “I Found A Reason”
MP3: VHS Or Beta – “I Found A Reason”
Video: Ladytron – “White Elephant”
Video: Ladytron – “Ace Of Hz”
Video: Ladytron – “Runaway”
Video: Ladytron – “Ghosts”
Video: Ladytron – “Destroy Everything You Touch”
Video: Ladytron – “Sugar”
Video: Ladytron – “Evil”
Video: Ladytron – “Blue Jeans”
Video: Ladytron – “Seventeen”
Video: Ladytron – “Play Girl”
Video: VHS Or Beta – “Breaking Bones”
Video: VHS Or Beta – “You Got Me”
Video: VHS Or Beta – “Night On Fire”
Video: VHS Or Beta – “Can’t Believe A Single Word”

JAM talks to Portishead in advance of their two-night stand at The Sound Academy this coming Sunday and Monday while Stereogum finds out how advance work on album number four is coming. They also just announced they’ll be releasing 2009′s “Chase The Tear” as a 12″ single with proceeds going to Amnesty International on November 14.

Paste s streaming Still Corners’ debut Creatures Of An Hour ahead of its release next Tuesday. They play The Drake Underground on October 25 and The Stool Pigeon has an interview.

MP3: Still Corners – “Into The Trees”
MP3: Still Corners – “Cuckoo”
Stream: Still Corners / Creatures Of An Hour

Billboard talks fashion with Florence Welch of Florence & The Machine. Ceremonials is out November 1.

The 405 are streaming The Joy Formidable’s new EP The Big More, out October 17 in limited quantities.

Stream: The Joy Formidable / The Big More

The Vaccines have released a new video from What Did You Expect From The Vaccines, powered by the Instagram iPhone app.

Video: The Vaccines – “Wetsuit”

NPR is streaming Laura Marling’s recent show in Washington, DC.

The Line Of Best Fit has an acoustic video session – well, one song – Veronica Falls.

Also in session at The Line Of Best Fit – Lanterns On The Lake, captured out in the wilderness at End Of The Road in September.

Noel Gallagher takes Spin for a guided tour of Noel Gallagher’s High Flying Birds, out November 8, and talks to The Quietus about going solo. He has two nights slated at Massey Hall, November 7 and 8. And oh new video.

Video: Noel Gallagher – “AKA… What A Life”

Both Rolling Stone and Paste have premiered tracks from The Hours, who will be opening up those shows for Noel Gallagher.

MP3: The Hours – “I Want More”
Stream: The Hours – “I Just Wanna Be Happy”

The Twilight Sad are offering the first official single from album number three, No One Can Ever Know, well before it’s released in February.

Stream: The Twilight Sad – “Sick”

PopMatters talks to Joshua Third and Philly Burbs to Tom Cowan of The Horrors while NPR is streaming their set from last week’s All Tomorrow’s Parties.

Brett Anderson lists off his favourite albums for The Quietus and tells BBC that while they’re working on a new Suede record, that doesn’t necessarily mean there’s going to be a new Suede record.

Peter Hook bitches to Spinner about New Order getting back together without him.

Pitchfork interviews Anthony Gonzalez of M83. Hurry Up, We’re Dreaming is out October 18 and they’ve already sold out Lee’s Palace for their November 18 visit.

Though originally targeted for a domestic release in 2012, The Jezabels have announced a November 8 Canadian release for their debut Prisoner, which only makes sense – they’re opening up for Hey Rosetta! across the country this Fall including November 23 and 24 at The Phoenix. Really ought to have something to sell.

MP3: The Jezabels – “Endless Summer”

NOW has put Bjork on this week’s cover on the occasion of Biophilia‘s release next week, but Drowned in Sound has topped them with a week-long, five-part feature on the Icelandic icon. And NPR wins because they’re streaming the whole album.

MP3: Bjork – “Cosmogony”
Stream: Bjork / Biophilia

Frank YangIf you have a look over the last couple weeks of posts, you may notice that I’ve been to a number of shows lately; certainly the busiest stretch in some months. So when I say that to get me out of the house for a late Sunday night show on the other side of town would require something pretty dang special, I mean it. Fortunately or unfortunately, I’m not sure which, The Shop at Parts & Labour was hosting just that.

I’d have probably gone if it was just Veronica Falls on the bill. Their debut album, also called Veronica Falls, has been in very heavy rotation hereabouts since its release a couple of weeks ago. Now I knew from seeing them at SXSW that I would like the record – by blending the lyrical and musical darkness of The Velvet Underground with the irresistible melodicism of ’60s girl-group pop and C86 charm, how could I not? – but the sheer addictiveness of the record still took me by surprise. The songwriting is top-notch, the performances scrappy in all the right places but still boast note-perfect harmonies from Roxanne Clifford and James Hoare and runs the exact right length to want to hit repeat on as soon as it ends. If you’re in a certain mood, it’s just about a perfect record. So yeah, when I heard they had added their own show to an off-day whilst on tour in support of The Drums, I pretty much had to be there, school nights be damned.

So yes, the headliners were the draw but the local support was more than gravy. Okay, I didn’t know who Persian Rugs were at first, but when they got up to play and were revealed to be three-fifths of The Airfields – whom I can only assume are either defunct or deeply in mothballs right now – then I figured I knew what I should expect. And yes, the songs led by guitarist Ian Jackson didn’t fall far from the jangly indie-pop sound that made The Airfields a treat, even though he wasn’t the principal songwriter, but it was keyboardist Kaye Hamilton’s songs that really made you take notice. More classically-styled pop and certainly less specific in influence, her songs had sophistication and verve and while the band is clearly still finding its voice, it could well be one worth hearing in the near future.

That’s approximately what I’ve been saying about Carmen Elle over the last few years based on shows in 2006 and last year, and if that sounds like a long time for an artist to develop, note that at that first show she was just 17 and already clearly prodigiously talented. Now, at 22 and fronting the two-piece Army Girls, she’s arrived. On both their debut EP Close To The Bone and live, Army Girls impressed with a lean and incisive guitar-and-drum attack that showcased Elle’s balance of attitude and tunefulness. What I’m most reminded of is the earliest incarnations of Land Of Talk and their urgent, aching rawness and folks, that’s a great thing. Already so assured in what they’re doing, I’m sure the day will come wherein their recipe calls for more – more production, more players, more whatever – and what ensues will probably be wonderful. But for now, just getting started, let us enjoy the moment of being on the cusp of great things and hope they don’t grow up too too fast.

Not that emerging fully-formed on your debut is a bad thing; see my earlier notes on Veronica Falls’ debut album. That degree of polish extended to their live show and even though the basement of Parts & Labour is decidedly less fancy than the stages they’d been playing with The Drums, they still sounded great, taking the opportunity to stretch out beyond their standard opening set and throwing in some new songs and a cover of Roky Erickson’s “Starry Eyes”. It took a few songs to get the mix right but they performed with the perfect balance of cool aloofness and earnest appreciation for the few dozen people who’d come out. It certainly wasn’t enough to fill the place, but was still enough to justify the show and many in attendance had copies of the LP in hand, so there was also that. One hopes that the response on this tour is strong enough to encourage a return, headlining tour because if it doesn’t, well the issue is clearly with us because it’s certainly not with them. They’re simply grand.

DIY has a video session with Veronica Falls and OTM a feature interview with Army Girls.

Photos: Veronica Falls, Army Girls @ The Shop at Parts & Labour – October 2, 2011
MP3: Veronica Falls – “Come On Over”
MP3: Veronica Falls – “Found Love In A Graveyard”
MP3: Persian Rugs – “Always All”
Video: Veronica Falls – “Bad Feeling”
Video: Veronica Falls – “Come On Over”
Video: Veronica Falls – “Beachy Head”
Video: Veronica Falls – “Found Love In A Graveyard”
Stream: Army Girls / Close To The Bone

Esben & The Witch will be releasing a new EP entitled Hexagons come November 7, which you can read about at Matablog and download a track from below.

MP3: Esben & The Witch – “Hexagons II (The Flight)”

Filter and Wales Online interview The Joy Formidable.

The first video from Florence & The Machine’s forthcoming Ceremonials is now out. The album will be released on November 1.

Video: Florence & The Machine – “Shake It Out”

The Line Of Best Fit, The Phoenix, The Vancouver Sun, and The Georgia Straight interview members of Ladytron, in town at The Phoenix tomorrow night.

It’s release day for Feist’s new record Metals! Hence the full slate of features at The Toronto Star, National Post, Vancouver Sun, Winnipeg Free Press, Toronto Sun, and The Wall Street Journal. She’s at Massey Hall on December 1.

aux.tv has an interview with Tasseomancy, who play The Great Hall on October 20 and then The Phoenix on December 1 opening for Austra.

When is a new Fucked Up video not a new Fucked Up video? When it’s for a song from their fake Record Store Day compilation David’s Town. Fucked Up (as Fucked Up) play The Mod Club on October 11.

MP3: Fucked Up (as Animal Man) – “Do You Feed?”
Video: Fucked Up (as Animal Man) – “Do You Feed?”

It looks like the complete, first video from Coeur de Pirate’s forthcoming Blonde is out. The record itself comes out November 8 and she plays The Mod Club on November 11.

Video: Coeur de Pirate – “Adieu”

Forest City Lovers have released a new video from last year’s wonderful Carriage.

Video: Forest City Lovers – “Keep The Kids Inside”

Adam & The Amethysts’ new record Flickering Flashlight has a new download and video to mark its official release today. They play a record release show at The Piston tomorrow night.

MP3: Adam & The Amethysts – “Dreaming”
Video: Adam & The Amethysts – “Dreaming”

Their album release show for Metal Meets in the books as a success, Ohbijou have announced they’ll be playing an in-store at Soundscapes on Friday, October 7, starting at 7PM.

MP3: Ohbijou – “Niagara”

Emily Haines gives Spin an update on how progress is coming on the new Metric album.

Kevin Drew tells The Huffington Post that this time the Broken Social Scene breakup/extended hiatus rumours are quite possibly true this time. Really. He means it.

The Line Of Best Fit has posted their eighteenth “Oh! Canada” download compilation for you to download, share and enjoy. So go download, share and enjoy.

And finally, all the whining about the Bon Iver show at The Sound Academy in August – even though it was completely and utterly sold out – appears to have paid off because everyone’s favourite sensitive autotuned falsetto has scheduled a return engagement for December 6 in the infinitely more appropriate environs of Massey Hall. Tickets are $44.50 to $49.50 plus fees and the presale begins on Wednesday at 10AM; hit up collectiveconcerts.com at 10PM tonight for the link and password, and if you strike out on getting seats, the public onsale is Saturday morning.

MP3: Bon Iver – “Calgary”
MP3: Bon Iver – “Holocene”

Fat CatThere’s been a few pieces recently about the growth of anti-marketing in music, with artists hiding behind disguises or pseudonyms and refusing to engage the media by giving interviews or offering a backstory. Scotland’s Twilight Sad can’t undo the profile they’ve gained in the past four or five years of making deafening, gloriously miserable rock music but on their just-announced third record, they’re at least trying to get folks to avert their eyes – or at least that’s what one surmises from their decision to name it No One Can Ever Know.

Or maybe it’s just a reference to the dark and gloomy secrets that vocalist James Graham has dredged up as lyrical fodder… which is funny because if you were to follow him on Twitter you’d know that he’s actually pretty funny, mostly occupying his thoughts with comic books, movies and retweeting people who hate his band. Either way, the album will be out in February – precise date still to be determined – and the first single, “Sick”, will be made available in mid-November. In the meantime, they’ve released a different song from the record as a preview and those expecting a wall of guitars as per their earlier works might be surprised in the shift in direction as it starts out sounding like Portishead and ends off going all New Wave. I approve.

MP3: The Twilight Sad – “Kill It In The Morning”
Trailer: The Twilight Sad / No One Can Ever Know

The National Post, Los Angeles Times, San Francisco Examiner, Montreal Gazette and Magnet have interviews with Laura Marling, who plays The Great Hall tonight.

The Grid, Montreal Gazette, Chicago Sun-Times and Interview check in with Peter hook, in town with The Light at The Phoenix on September 24.

Room 205 has the second instalment in their video session series with Yuck. They’re at The Horseshoe on Sunday night, September 25.

Folks outside the UK won’t be able to hear but 30-second clips of NME‘s stream of Brett Anderson’s new solo record Black Rainbows, but they can read the whole of his song-by-song annotations on the record, which is out September 26. He also offers The Guardian a “How I wrote” lesson for his song “Brittle Heart”.

NOW interviews Horrors guitarist Joshua Hayward. He and his band are at Lee’s Palace on September 27.

Wild Beasts are giving away a new non-album track just because. They’re at The Mod Club on September 29 and submit to a Q&A by The Daily Texan.

MP3: Wild Beasts – “Thankless Thing”

BBC6 talks to James Blake about his plans for album number two. He’s at The Phoenix on September 30.

A double-shot of good news from Veronica Falls; not only is their excellent just-released self-titled debut available to stream in whole at Stereogum, they’ve added a headlining show at Parts & Labour on October 2, the night after they open up for The Drums at The Mod Club; tickets $7 in advance.

MP3: Veronica Falls – “Come On Over”
Stream: Veronica Falls / Veronica Falls

Geoff Barrow tells Rolling Stone that work will begin on Portishead’s fourth album in January of the new year. They’ve got two nights at The Sound Academy on October 9 and 10.

Spinner has an extended sit-down with the always chatty Noel Gallagher. His solo debut Noel Gallagher’s High Flying Birds is out November 7 and he plays Massey Hall that evening and the one after.

The Oracle With Jessica And Elizabeth – which is a blog run by Emma-Lee Moss of Emmy The Great and Elizabeth Sankey of Summer Camp – have an interview with Charlie Fink of Noah & The Whale. They’re at The Phoenix on November 8.

Speaking of Jessica and Elizabeth’s alter-egos, Pitchfork has a track from Summer Camp’s debut Welcome To Condale which was previously only available to stream; the album is out November 8.

MP3: Summer Camp – “Better Off Without You”

And Artrocker and Clash talk to Emmy The Great about her sartorial sense and taste in books, respectively, while For Folk’s Sake settles for talking about her music.

Lanterns On The Lake have their tour guide hats on, taking Clash on a track-by-track tour of their just-released debut album Gracious Tide, Take Me Home and Drowned In Sound on a guided tour of their hometown, Newcastle-Upon-Tyne.

James Dean Bradfield reflects on the years covered by the forthcoming Manic Street Preachers compilation National Treasures with XFM. The collection is out October 31.

Kele Okereke tells NME that the Bloc Party hiatus is indeed over – but the rest of the band appears to have forgotten to invite him to rehearsals. And perhaps with a notion that his solo project could be become his sole project, he’s released a new video from his forthcoming EP The Hunter, out November 7. Though with Lucy Taylor taking lead vocals on the track, it’s possible he’s also been fired as singer for himself. But seriously, Bloc Party fans, don’t worry – this blog post implies that he was, as they say, taking the piss in that interview.

Video: Kele – “What Did I Do”

Blurt chats with Ritzy Bryan of The Joy Formidable.

Peter Brewis of Field Music tells BBC6 that their new record should be out in January of next year.

Male Bonding have released a new video from Endless Now.

Video: Male Bonding – “Tame The Sun”

For a limited time, 4AD is giving away a download of their limited-edition 4AD Sessions 2008-2011 compilation, which will only be available physically on a limited edition of 1000 vinyl pieces. It features performances from the likes of Iron & Wine, Stornoway and Blonde Redhead. Needless to say, it’s worth the price of your email address.