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Well refreshingly quietly, details of their debut album came to light at the very end of last year by way of an iTunes preorder link, and really all you need to know is that it’s called Ways To Forget and will be out – in the UK at least – on April 9. Going for a soft launch with that info may prove to be wise as I expect things will get exceptionally fast-paced for this quartet as word of their electro-anthemic rock – think a younger Elbow armed with sequencers – and attendant excellent live shows gets out.

And the first shot in that metaphorical attack came yesterday with the release of a second video for the song “Once And For All”, which already had a perfectly good clip for the original single release but seeing as how it was re-recorded for the album, a new, heartstring-tugging vid was clearly in order. And so here it is, along with what I would consider to be sufficient argument that Ways To Forget will be one of the highlight releases of, well, early 2012.

MP3: Clock Opera – “Once And For All”
MP3: Clock Opera – “Belongings” (live at Maida Vale)
Video: Clock Opera – “Once And For All” (2012)
Video: Clock Opera – “Lesson No. 7″
Video: Clock Opera – “Belongings”
Video: Clock Opera – “Once And For All”
Video: Clock Opera – “White Noise”

The Ting Tings – whom I am convinced are part of a larger sociological experiment to discern exactly what the shelf life of formerly buzzy but ultimately vapid pop bands is – hope that enough people still remember who they are to buy their second album Sounds From Nowheresville, out February 27 in the UK and shortly thereafter in North America, and to go see them when they play The Phoenix on April 6. To say nothing of paying $26 to do so. Spin has a conversation with the duo about the new record.

Video: The Ting Tings – “Hang It Up”

I can’t say I was too interested in the previously-announced return of Cults to town – happening April 25 at The Phoenix, but the fact that Spectrals – aka London-based retro-pop revivalist Louis Jones – would be opening makes me a bit more keen. His debut Bad Penny came out last Fall.

MP3: Spectrals – “7th Date”
MP3: Spectrals – “Peppermint”
Video: Spectrals – “Bad Penny”

The Arctic Monkeys talk evolution with The Sydney Morning Herald. They open up for The Black Keys at The Air Canada Centre on March 14.

The Alternate Side has a session to watch with We Were Promised Jetpacks.

Gold Flake Paint talks to James Graham about the third Twilight Sad album No One Can Ever Know. It’s out February 21 and they band are at Lee’s Palace on February 29.

Loud & Quiet plays go-between in facilitating a Q&A between Veronica Falls and Johnny Marr. Veronica Falls are at The Garrison on February 14.

Is This Music chats with David Gedge of The Wedding Present. They bring Seamonsters to The Horseshoe on March 25.

Spinner talks to Rosa Rex of Peggy Sue; DIY also had a year-end chat with the band.

Laura Marling has put together a poetry- and art-powered minisite for “The Beast”, which one assumes is the next single from A Creature I Don’t Know.

Clash and The Guardian have pieces on hotly-tipped singer-songwriter Beth Jeans Houghton, whose debut album backed by The Hooves Of Destiny – Yours Truly, Cellophane Nose – is out February 28. A video from said record came out last month.

Video: Beth Jeans Houghton & The Hooves Of Destiny – “Sweet Tooth Bird”

For Folk’s Sake and American Songwriter meet First Aid Kit, whose new record The Lion’s Roar – out January 24 – brings them to The Great Hall on April 4.

DIY and BBC profile Swedish duo Niki & The Dove, whose debut album is due out sometime this Spring.

The Line Of Best Fit – who agreed with me that I Break Horses’ debut Hearts was their favourite of 2011 – goes through the album track-by-track with Maria Linden. They’re opening up for M83 at The Sound Academy on May 6; DIY talks to Anthony Gonzalez of that outfit.

Q gets former label honcho Alan McGee to offer a buyer’s guide to the Creation Records catalog.

Frank Yang

That the Toronto stop of her North American tour on Wednesday night was originally booked into the Kool Haus – considerably smaller than the posh environs of Massey Hall where she last performed in 2009 – certainly seemed to imply that people were underestimating her draw, and that the show was moved to the many times larger Air Canada Centre after selling out instantly was representative of just how much bigger – and faster – her fanbase was growing. Granted, it was in theatre configuration, accommodating approximately 5200 patrons instead of the 16000 of the full arena, but if you don’t think she could have easily sold a few thousand more tickets then you’re just not paying attention.

I had the privilege of seeing Adele at an MTV Live taping back in March and so had a sense of how she was live – which is to say wonderfully warm and engaging, with no sense of the stage fright she’s supposedly afflicted with – but that was a short set in front of a maybe a couple hundred people. This would be considerably more on every level, and yet Adele Adkins somehow managed to make an arena show in front of thousands feel just as intimate as that studio performance.

Things opened with a touch of theatricality – with Adele starting “Hometown Glory” from behind a curtain before stepping onstage to rafter-shaking shrieks – but for most of the show, it was all about simple, direct and genuine connection between Adele and her fans, which for all of her prodigious artistic gifts may be her greatest strength. Chatty, conversational and more than a little crude between songs, punctuated by a huge and endearing cackle, Adele was able to make a massive room feel as intimate as a small club or even more like a private performance for some friends in the front room. It’s impossible to overstate the intensity of the personal rapport that seemed to exist between she and almost every one of the thousands in the audience – it’s hard to imagine any other artist of her stature taking stage time to talk about the experiences that informed her songs, her affection for her pet dachshund or gush about bands she’s currently listening to (incidentally, she gave big props to Toronto R&B outfit The Weeknd).

As entertaining as it would likely be to just sit and chat for an hour and a half with Adele, there was no forgetting that music was the order of the evening. Improvisation wasn’t on the menu, save for a few subtle shifts in arrangements, with the emphasis on her huge, expressive voice and playing the songs everyone wanted to hear the way they knew them, but with plenty of verve and as singalong-able as possible – something the house happily obliged, at times creating an almost choral effect. Backed by a seven-piece band, Adele delivered exactly the sort of set you’d expect, comprising most of 21 – often introduced as “new songs” as though they were something to be politely endured before she got to the old favourites instead of the material that brought both her and her fans here on this evening – and a decent amount of 19. The show built to a finale that was completely predictable – “Chasing Pavements” and “Make You Feel My Love” to close the main set and “Someone Like You” and “Rolling In The Deep” making up the encore – but also completely rousing. You don’t need to surprise when you’re this good. Adele is like the friend who goes onto great things, but never forgets where she came from – not “is like”, but “is” – and though musically she trades in broken hearts, there was nothing but love at the ACC on this night.

The Globe & Mail has a feature piece on Adele and also a review of the show. The Toronto Sun, National Post, Toronto Star and Exclaim also have writeups of the evening.

Photos: Adele @ The Air Canada Centre – May 18, 2011
Video: Adele – “Rolling In The Deep”
Video: Adele – “Make You Feel My Love”
Video: Adele – “Chasing Pavements”
Video: Adele – “Cold Shoulder”

Interview has a brief talk with Anna Calvi, who has a date at The El Mocambo on May 27.

PJ Harvey discusses the visual side of her art with Spinner.

Pitchfork has an extensive interview with Kate Bush, who released her first album in over five years this week with Director’s Cut. The record is streaming in whole over at NPR.

Stream: Kate Bush / Director’s Cut

New York Magazine and The Chicago Tribune talk to Will Sergeant of Echo & The Bunnymen while The Aquarian chats with Ian McCulloch.

Johnny Marr talks up his upcoming projects with Billboard.

The Guardian talks to Brett Anderson and Mat Osman about why the reunited Suede are so fashionable again – just in time for Brett Anderson (the solo artist) to announce the September 26 release of his next record, Black Rainbows. Details on the album at NME.

The second single from Patrick Wolf’s forthcoming Lupercalia now has a video and it indeed confirms that, on this record, Wolf is in his happy place. It’s out June 20.

Video: Patrick Wolf – “House”

Foals discuss possible directions of their next record with aux.tv.

The Guardian, Gigwise and Clash have feature pieces on Friendly Fires, whose new record Pala is out next week and are in town at The Phoenix on May 30.

NME gets some information on the next Muse record from rhythm section Dominic Howard and Chris Wolstenholme.

The Aquarian talks to Arctic Monkeys frontman Alex Turner. They’re at The Kool Haus on Saturday and their new album Suck It And See is out June 7.

Also on the bill are The Vaccines, who have a new video from their debut What Did You Expect From The Vaccines, due out May 31.

Video: The Vaccines – “All In White”

NPR have posted a WFUV radio session with Noah & The Whale, with whom North Country Times, Oregon Music News, The Telegraph and The Edinburgh Evening News have interviews.

James Blake has a new video from James Blake.

Video: James Blake – “Lindesfarne”

Artrocker has a piece from Clock Opera frontman Guy Connelly about writing their latest single “Belongings”, for which they’ve just released a video and are streaming both sides at Soundcloud. DIY also solicits an alphabetized list of… stuff from the band. These guys were one of the more exciting discoveries at SXSW and the lead-up to their debut album verifies that the excitement is justified.

Video: Clock Opera – “Belongings”

Ladytron are streaming the first single from new album Gravity The Seducer at Soundcloud, well in advance of its September 13 release date.

Art Brut are streaming their new record Brilliant! Tragic! over at Paste. They play The Mod Club on June 17 for NXNE.

Stream: Art Brut / Brilliant! Tragic!

And according to Under The Radar, the Friday night of NXNE – June 17 – will also bring Oxford’s Swervedriver back to town for the first time since, well, NXNE 2008. Venue still to be announced but this should be one of the highlights of the festival.

MP3: Swervedriver – “Duel” (live)

IFC has both an interview with Euros and Norman of Jonny and premiered a new video from the duo. They are at The Drake Underground on June 3 and 4.

Video: Jonny – “You Was Me”

They Shoot Music has a video session with Gruff Ryhs, and he’s also the subject of features at Nashville Scene, The Village Voice and Today Online. He has a date at The Horseshoe for June 11.

NPR has posted a World Cafe session with The Joy Formidable.

And with that, folks, things go into vacation mode over the next couple weeks. There’ll still be updates and whatnot, just maybe fewer, probably leaner and almost certainly at odd hours. And any last-minute suggestions of things to see and do in Barcelona are welcome.

Jon Bergman

One thing that they couldn’t plough through, however, was a volcano – namely Iceland’s Eyjafjallajokull. Said geological entity’s disquiet this past Spring forced the band to scotch a number of North American dates as they sat in a Heathrow departure lounge instead of pogoing around east coast stages, but they’re aiming to make some of those up and more. They just announced a Fall tour which kicks off in one of the cities who lost a show – Toronto – but instead of the spacious Phoenix, where they were slated to play in April, they’ll instead be at the decidedly clubbier Wrongbar on October 8. Considering the new joint is less than half the size of the old joint, expect the $20 tickets to be gone fast when they go on sale at 10AM on Friday.

MP3: Los Campesinos! – “There Are Listed Buildings”
MP3: Los Campesinos! – “The Sea Is A Good Place To Think Of The Future”

Paste reports that Noah & The Whale have targeted a March 2011 release for their third album.

Mojo talks to Johnny Marr about his soundtrack work.

Spinner talks to Glen Hansard of The Swell Season about their upcoming projects, which include a Frames reunion and tour for him and a solo record from Marketa Irglova.

Spin talks to Klara S&omul;derberg of First Aid Kit, who will be in town at the El Mocambo on October 15.

Boston post-punk legends Mission Of Burma have booked a date at The Garrison on October 22. So far it looks like a one-off and not part of a tour, but considering they didn’t come up here for last year’s The Sound The Speed The Light and are making it up to us. Either way, if my records are correct, they haven’t been here since Fall of 2006 and while the reunion has been ongoing for some time, do not take them for granted and if you haven’t seen them, do so. End PSA.

MP3: Mission Of Burma – “1, 2, 3 Partyy”
MP3: Mission Of Burma – “Max Ernst”

Exclaim reports that Matt & Kim have given their next record a name and release date. Expect to hear a lot of Sidewalks when they play the Phoenix on October 29, as it will be in stores the following Tuesday, November 2.

Daytrotter has a session with The Depreciation Guild; they’re at the El Mocambo on October 4.

NPR is streaming a studio session with Stars. They will be at Massey Hall on October 23.

Wikipedia

His relationship with Stephen Patrick Morrissey is a little less clear, however. Though they surely know each other, the litany of hilarious Morrissey-centric anecdotes that Bragg busts out during his live shows – a tale of Bragg and Morrissey riding roller coasters together at Canada’s Wonderland comes to mind – are so mythology-deflating that they must be fiction. Or at least the hordes of Moz fans out there would hope so.

Not up for debate, however, is Bragg’s admiration for the Smiths’ musical output. He covers them frequently live, either wholly, in quote or medley, has released interpretations of “Jeanne” and “Back To The Old House” as b-sides and also contributed this cover of one of the dirgier numbers from The Queen Is Dead to the 1996 10th anniversary tribute album The Smiths Is Dead.

Johnny Marr is presently busy as a member of both The Cribs and Modest Mouse. Morrissey just released his contract-fulfilling b-sides compilation Swords and is trying to make it through a UK tour without collapsing or being assaulted. Billy Bragg kicks off a Canadian tour this Saturday out east and makes southern Ontario stops next week at the Phoenix in Toronto on the 17th and The Studio at Hamilton Place in Hamilton on the 18th. Wonder what Morrissey story he’ll bust out?

Beatroute has an interview with Billy Bragg.

MP3: Billy Bragg – “Never Had No One Ever”
Video: The Smiths – “Never Had No One Ever” (live)

Frank Yang

The band were nearing the end of a North American tour when they rolled into the Cameron House in Toronto on Wednesday night, accompanied by fellow Brits Peggy Sue, who had the co-ed trio thing in common with their tourmates but not a lot else. Fronted by the wonderfully pseudonymed (presumably) Katy Klaw and Rosa Rex with Olly Olly Olly on drums, the outfit formerly known as Peggy Sue & The Pirates (perhaps the Pirates were taken by Pete) deal in a strain of folk that’s probably too off-kilter in instrumentation and arrangement for traditionalists yet not nearly weird enough for the 21st century hippie scene. And that’s not even mentioning the fact that both Klaw and Rex have the sorts of voices that you’d normally find in soul music, rich and emotive with the right amount of rasp – they’re not equipped to create conventional folk music, even if they were inclined to do so. Their Lover Gone EP intrigued but was really too brief to get a proper handle on what they were about and while their set went a ways towards filling in the blanks, it also expanded the canvas of what they were doing enough that their net inscrutability remains unchanged. I guess I’ll just have to hear more to figure them out. I’m okay with that.

Sky Larkin don’t require nearly as much contemplation to understand – the nature of their scrappy guitar pop will be familiar to anyone who’s ever heard Sleeper or Sleater-Kinney and satisfies on an immediate and visceral level. I’d gotten to take in their live show at SxSW so I knew that the energy of the record more than translated in the live setting with the extra bonus of the fact that the band were genuinely hilarious on stage in their between-song banter. The between-banter stuff was pretty good too, with the trio turning in an energetic if a bit short set of highlights from The Golden Spike as well as their new (and free) “SMARTS” single. As befit a band that tours as much as they, they were superbly tight with frontwoman Katie Harkin effortlessly tossing off sophisticated guitar riffs and drummer Nestor Matthews literally beating his drum kit to death. A destroyed cymbal got some licks in of its own, though, inflicting a nasty bloody gash on Matthews’ hand which he insisted on playing through, finishing off the set’s last two songs with equal – if not extra – vigor. That is dedication. Sky Larkin will bleed for you.

Photos: Sky Larkin, Peggy Sue @ The Cameron House – October 28, 2009
MP3: Sky Larkin – “Fossil, I”
MP3: Sky Larkin – “Molten”
MP3: Peggy Sue – “Lover Gone”
Video: Sky Larkin – “Antibodies”
Video: Sky Larkin – “Beeline”
Video: Sky Larkin – “Fossil, I”
Video: Sky Larkin – “Molten”
Video: Sky Larkin – “One Of Two”
Video: Peggy Sue – “Lover Gone”
MySpace: Sky Larkin
MySpace: Peggy Sue

Clash has a short interview The xx, whose exhaustion-induced show cancellations haven’t affected this Fall’s North American dates opening up for Friendly Fires… yet.

Frightened Rabbit have given their third album a name – The Winter Of Mixed Drinks – and a target release date of March 2010.

Video: Frightened Rabbit – “Swim Until You Can’t See Land”

ChartAttack talks to Dog Day, who will be at the Horseshoe on November 5.

Great Lake Swimmers have released a new video from Lost Channels. They play a War Child benefit at the Dakota Tavern on November 5 and a show at Trinity-St. Paul’s on February 6 of next year.

Video: Great Lake Swimmers – “Palmistry”

Vue has a cover feature on Dan Mangan.

FFWD reports on exactly what goes on at the mysterious Banff Centre, where both Woodpigeon and Basia Bulat are currently sequestered away being turned into unstoppable cybernetic killing machines honing their musical craft with an impressive team of mentors. CBC Radio 3 has also been checking in from the the Banff Centre and Woodpigeon has posted another song.

MP3: Woodpigeon – “For Norman Luxton”

Molina & Johnson (that’s Jason and Will) have released a second MP3 from Molina & Johnson, out November 3.

MP3: Molina & Johnson – “Almost Let You In”

Gigwise chats with Glenn Kotche of Wilco.

The Loyola Phoenix has an interview with Mountain Goats bassist Peter Hughes.

eye, The National Post, NPR, The Montreal Gazette, CNN and Spinner have conversations with The Swell Season, who have a date at Massey Hall on November 3.

The Raveonettes talk to The Georgia Straight.

Johnny Marr weights in on the subject of reunions with Spinner.

Frank Yang

Also filed under the incentive column was the rather poorly-disguised fact that one of the openers was going to be reigning Polaris Music Prize winners Fucked Up. They’d already announced they’d be playing a secret show that week and the listing of a band called “Polaris Pricks” that otherwise didn’t exist pretty much sealed the deal. Seeing them play the Polaris Prize gala was my first exposure to the Fucked Up live experience and while it was as entertaining and chaotic as their reputation promised, it was still only one song so I was looking forward to this one. Unfortunately, they seemed to be consciously on their best behaviour and shenanigans were kept to a minimum. Fortunately, they were still loud and fast and there were some even minimum shenanigans equals some shenanigans. Singer Damian Abraham clambored around on the Lee’s Palace railings and speaker cabs, shed his shirt (of course) and frolicked in the crowd in the way that rather large, shirtless men frolic. I’ve listened to The Chemistry Of Common Life a few more times since the Polaris win but still have trouble distinguishing one song from the next, but that’s alright – it was still entertaining to witness. I expect they’ll more than compensate for the lack of carnage on this night when they host their annual Fucked Up Fest at various venues around the city at the end of the month.

The Horrors were largely an unknown quantity to me prior to their current record, but I was aware that most of the critical praise heaped at Primary Colours came with a healthy amount of incredulity that such an album could have come from a band that was previously not taken very seriously, to say the least. But the past is the past and all that was really relevant was that the new record is good and they no longer dress ridiculously. I’d also been told that they liked to play in total darkness and really didn’t move at all – both thankfully incorrect, though the latter far moreso than the former. No, their show was actually pretty animated and intense, feeding and feeding off an enthusiastic audience I didn’t know they had. Sonically, they did a fine job of reproducing the haze of metal shavings abrasiveness of Geoff Barrow’s production job, giving the brooding some extra juice for the stage, and while it could be argued that they overplayed the rock theatrics a bit, particularly frontman Faris Badwan’s lurching and grimacing (though being as tall and gangly as he is, the lurching may have been perfectly natural), it suited the dramatics of the material and the overall tone of the show. The encore pulled the energy levels up higher and felt looser and more naturally unhinged – seeing as how it was made up of (presumably) all older material, it whipped their already frothy fans into an even greater frenzy. Obviously they’ve accepted the band’s newer shoegaze-inspired sound but still love them some goth-punk. Yeah I know I missed a great Wilco show for this, but I think I came out alright in the end as well.

The Horrors are releasing a non-album single entitled “Whole New Way” on 7″ on November 3 and have just released a video for it and The National Post has an Q&A with Faris Badwan. Hearty has an interview with Fucked Up bassist Sandy Miranda.

Photos: The Horrors, Fucked Up @ Lee’s Palace – October 14, 2009
MP3: The Horrors – “Sea Within A Sea”
MP3: Fucked Up – “No Epiphany”
Video: The Horrors – “Whole New Way”
Video: The Horrors – “Mirror’s Image”
Video: The Horrors – “Who Can Say”
Video: The Horrors – “Sea Within A Sea”
Video: The Horrors – “She Is The New Thing”
Video: The Horrors – “Gloves”
Video: The Horrors – “Count In Fives”
Video: The Horrors – “Sheena Is A Parasite”
Video: Fucked Up – “Crooked Head”
Video: Fucked Up – “Black Albino Bones”
MySpace: The Horrors
MySpace: Fucked Up

State and The Independent have interviews and Uncensored a video chat with The xx. NPR is also streaming a World Cafe session with the band, who make their Toronto debut at the Phoenix on December 2 alongside Friendly Fires.

Under The Radar has an interview and Dirty Laundry a video session with The Twilight Sad.

Drowned In Sound meets The Big Pink. You can do likewise at Lee’s Palace on November 29.

PitchforkTV is streaming for this week only the Bat For Lashes documentary short film Two Plus Two, which documented the making of her new record Two Suns. The deluxe edition of the record, which includes said doc on DVD and a second disc containing eight bonus tracks, will be out on November 3.

Video: Bat For Lashes: Two Plus Two

Florence & The Machine have released a new video. She’s at the Mod Club on November 2.

Video: Florence & The Machine – “You’ve Got The Love”

Lily Allen also has a new vid.

Video: Lily Allen – “Who’d Have Known”

Spinner’s Interface has a session with Little Boots, who also has a new video out.

Video: Little Boots – “Earthquake”

My Old Kentucky Blog and Pitchfork talk to The Clientele.

Mumford & Sons have unveiled video number two from album number one Sigh No More.

Video: Mumford & Sons – “Gentlemen Of The Road”

The Yorker has an interview with Noah & The Whale, whose in-store at Criminal Records on October 31 has been moved up – way up – to a noon hour start. And that evening’s show at the Horseshoe has been dubbed “Night Of The Living Dead”, with attendees invited to come dressed as their favourite dead celebrity. I look forward to spending the evening surrounded by bad Michael Jackson and Farrah Fawcett lookalikes.

Drowned In Sound has a the third part of Fanfarlo’s tour diaries, which Black Cab Session features a session recorded way back at SxSW in March and Clash solicits a list of “Top Ten Tracks to stalk around a Norwegian Forest”. Fall North American dates are still trickling in, but the fact that they’ll be in Minneapolis in mid-November and Boston in mid-December implies a long stay, hopefully with a Toronto date in there somewhere.

Scott Hutchison of Frightened Rabbit tells The Popcop that their breakout record The Midnight Organ Fight wasn’t the one he wanted to make and he likes the new one, due out in the new year, much better. Give the first single and video a listen and judge for yourself, if you can disregard the shabby audio quality.

Video: Frightened Rabbit – “Swim Until You Can’t See The Land”

Glasvegas talks to Spinner about their plans to track album number two in Los Angeles

Arctic Monkeys have released a new video from Humbug.

Video: Arctic Monkeys – “Cornerstone”

BBC reports the future of Bloc Party appears in doubt, with the band canceling dates on their current tour so drummer Matt Tong can get medical attention and a lack of interest in his part on returning when it’s all sorted. Sad news if it’s true, because Intimacy is not the note any band wants to go out on.

James Dean Bradfield of Manic Street Preachers talks to Under The Radar about their decision to use Richey Edwards’ lyrics for Journal For Plague Lovers.

Spinner talks to Bad Lieutenant principal Bernard Sumner. Their debut Never Cry Another Tear is out November 10.

Interview and The San Francisco Examiner have interviews with Echo & The Bunnymen’s Ian McCulloch. They’re at the Queen Elizabeth Theatre tomorrow night for an orchestrally-enhanced performance of Ocean Rain.

Pitchfork discusses bands that are not The Smiths with Johnny Marr.

Nic Shonfeld

Needless to say, the follow-up was anxiously awaited and though the release of a couple EPs and a collection of live tracks and rarities certainly helped make that wait bearable, that material also came largely from the timeframe of the debut. Which was fine, but didn’t really help answer the question of what sort of direction the band would take for album number two, because as much as I liked the debut, duplicating that recipe almost certainly wouldn’t work again, or at least yield greatly diminished returns and I believed them to be capable of so much more.

And while their set opening up for Mogwai back in May offered a tantalizing preview of the new material, only proper listens to Forget The Night Ahead prove that faith to be justified. With it, the band have largely managed to maintain the immensity of sound that defined Autumns, but have shed enough sonic and emotional weight to be more nimble, more dynamic. And in doing so, the Twilight Sad have opened up space for James Graham’s more sophisticated songwriting to come to the fore. Whereas the lyrics on Autumns were more on the impenetrably abstract side, Night is more evocative in imagery, almost cinematic, and less opaque while remaining sufficiently inscrutability. And glum and depressed as hell. That’s crucial.

Obviously Night doesn’t offer quite the same gut punch of discovery that Autumns – it can’t – but it may well be the superior record. That’s a subjective call, but it does prove that The Twilight Sad have more than one trick in their arsenal, or they’ve figured out how to get even more mileage out of that one. Either way, consider the sophomore slump evaded and The Twilight Sad a band to hopefully soundtrack many more nights of sitting in a dark corner, rocking gently back and forth.

The Twilight Sad are entering the second half of a North American tour that brings them to the El Mocambo on October 10. Exclaim piggybacked a short interview with Graham onto their review of the record and Clash solicited a song-by-song annotation from the band to go with their stream of the album.

MP3: The Twilight Sad – “Reflection Of The Television”
Video: The Twilight Sad – “I Became A Prostitute”
Stream: The Twilight Sad / Forget The Night Ahead
MySpace: The Twilight Sad

Also currently streaming is Richard Hawley’s new one Truelove’s Gutter. It’s excellent. In case you were wondering. There’s interviews at The Chester Chronicle and Shields Gazette and Clash asks him how he’d spend his last day on Earth.

Stream: Richard Hawley / Truelove’s Gutter

JAM and Metro talk to Arctic Monkeys. The band also stopped in for a session at MPR.

Check out the third single from former Pipette Rose Elinor Dougall’s forthcoming solo record Without Why, due out next year. I know that the point of pre-release singles is to build anticipation for the record, but in this case it’s working especially well – all three so far have been quite great.

MP3: Rose Elinor Dougall – “Fallen Over”

Music Snobbery and The Derby Telegraph interview Noah & The Whale, whose First Days Of Spring will be out in North America on October 6 and who play the Horseshoe on October 31. The album is also currently streaming at NPR.

Stream: Noah & The Whale / First Days Of Spring

Exclaim and Out interview Little Boots.

Alasdair MacLean discusses The Clientele’s new record Bonfires On The Heath with Spinner and Exclaim while multi-instrumentalist Mel Draisey talks to Rocksellout. The album is out October 6.

BBC gets a status update from The Futureheads on their next record.

The San Francisco Examiner, Pioneer Press and The Georgia Straight welcome Manic Street Preachers to North America for their first tour in a decade. Need I mention how stoked I am for this Sunday’s show at the Phoenix?

Remember when Blur who was saying that their reunion might yield more shows or an album? Not anymore. Alas. But hey, he has a new solo video. Which is almost as good. Almost.

Video: Graham Coxon – “Dead Bees”

BBC and Spinner talk to Ian Brown about his new record My Way. Exclaim also reports that he’s working with Johnny Marr on a television soundtrack.

Rolling Stone and Interview talk to Bad Lieutenant’s Bernard Sumner.

MySpace

And it’s Marling who plays a key role on Noah & The Whale’s second album First Days Of Spring, though she’s nowhere to be found on the actual recording. While it may seem like indie tabloid fodder, the fact that she and Noah frontman Charlie Fink were romantically involved and that the relationship ended last year is key to understanding this record – on the debut, Marling’s voice buoyed the record but on the follow-up, it’s her ghost that gives it weight. Spring is a break-up record through and through, and not one overly concerned with dressing things up in metaphor. Fink is not an overly gifted wordsmith, preferring plainly stated lyrics and delivering them with his equally unfancy croak of a voice and in this instance the directness with which Fink addresses Marling with his lyrics is almost uncomfortable, like eavesdropping on an intensely personal conversation. Yet you can’t not listen and in doing so, you can’t not feel his pain.

Musically, Spring shows the band making tremendous strides. The jaunty barroom folk-pop of Peaceful has been replaced with an expansive, cinematic sound that’s appropriately slow, sad and stately and given to orchestral swells or noisy skronks as the situation demands. It’s a risky approach for the band, basically abandoning the approach that brought them their success, but in strictly artistic measures it’s an unqualified success. Spring makes Noah & The Whale a much more interesting band and Fink has turned his shortcomings into strengths, crafting a record that resonates truly and honestly with anyone who has ever had their heart broken.

First Days Of Spring was released in the UK at the end of August and will be out in North America come October 6. It will come packaged with a DVD with a 45-minute short film tied in to the album but not, apparently, having anything to do with Fink and Marling’s relationship and, from the looks of the trailer, not awful. Nice production values, anyways. The band will be in North America for a short tour in October which will wrap on October 31 at the Horseshoe in Toronto.

MP3: Noah & The Whale – “The First Days Of Spring”
MP3: Noah & The Whale – “Blue Skies” (Twelves remix)
MP3: Noah & The Whale – “Blue Skies” (Yacht remix)
Video: Noah & The Whale – “Blue Skies”
Trailer: The First Days Of Spring
MySpace: Noah & The Whale

LAist has an interview with Fanfarlo frontman Simon Balthazar. Their debut Reservoir seems to have been released in every possible combination of independently, on a label, digitally, physically, as an import, what have you, but come October 13 it’ll be officially available domestically in North America. So if you missed one of the other million chances to get a copy of this wonderful record, you are now plumb out of excuses.

The St. Louis Tribune interviews Frightened Rabbit.

Stuff talks to Florence Welch of Florence & The Machine. I’ve been saying that her debut Lungs doesn’t get a domestic release until October 13 but that may just be for the US – as was pointed out to me, it’s already available domestically in Canada. Oh who are we kidding – if you cared, you’d have downloaded it by now.

Editors have released a video for the first single from their forthcoming album In This Light & On This Evening, out October 13. And no, they were not kidding when they said they were going synthy on this record.

Video: Editors – “Papillon”

A couple of streams of new albums out now/soon from British acts coming to town in the next little while. London outfit The Rifles are really going after – and hitting – that Jam/mod vibe on their new record The Great Escape, out today. They’re at the Horseshoe on September 28.

MP3: The Rifles – “The Great Escape”
MP3: The Rifles – “The General”
MP3: The Rifles – “Romeo & Julie” (live)
Video: The Rifles – “The Great Escape”
Video: The Rifles – “The General”
Stream: The Rifles / The Great Escape

The Big Pink’s debut A Brief History Of Love isn’t out till next week, but is also available to stream now. See them at Lee’s Palace on November 29.

Stream: The Big Pink / A Brief History Of Love

The Quietus talks to Johnny Marr and The Cribs about their new record Ignore The Ignorant as well as Marr’s time with The Smiths. Further, The Guardian gets Marr to interview his former label boss Geoff Travis of Rough Trade.

Further with the Smiths, Marr’s former bandmate Andy Rourke was in town this past week as DJ for some TIFF parties – eye got an interview with the former Smiths bassist while Toronto Life overheard a briefer, more amusing conversation during his actual DJ set. And of course, Morrissey has taken umbrage with some of the stuff Rourke said in the eye interview. Mike Joyce presently has no comment on any of the above.

Oh yeah, that Smiths reunion is right around the corner. I can smell it.

MySpace

And what better way to begin than with a second taste of what is one of my most-anticipated new records of the Autumn – Bonfires On The Heath from The Clientele. It was exciting enough that Stereogum premiered the new MP3 yesterday, but I was over the moon later in the day when a digital promo of the album – not out till October 6 – showed up in my inbox. I’m not gloating, honest.

“Harvest Time” is a slow, sepia swoon bidding farewell to the Summer with the band’s signature tremolo-ed arpeggios and is a fine counterpoint to the jauntier first-released MP3, “I Wonder Who We Are”. Together they’re a good representation of the loveliness that resides behind this also-lovely album cover. Expect further gushing as I immerse myself in the record with further listens, but know that if it’s true this record will be the band’s last, they go out on a true high note.

There will be touring to support, but don’t expect the band on these shores before mid-Winter. Or so I’ve been told.

MP3: The Clientele – “Harvest Time”
MP3: The Clientele – “I Wonder Who We Are”

The Daily Mail gets to know Florence Welch of Florence & The Machine. Her debut Lungs is out in North America on October 13.

Spinner and The Wrexham Chronicle talk to Noah & The Whale frontman about the heartache that inspired their second album First Days Of Spring, set for a North American release on October 6. For Folk’s Sake also reports that the band’s drummer and Fink’s brother Doug has left the band to attend medical school.

They Shoot Music filmed an acoustic session with Micachu in Berlin recently. They will be at the El Mocambo on September 29.

LiveDaily has a rather gorgeous black-and-white video session with Fanfarlo.

The Skinny talks to The Twilight Sad. Their second album Forget The Night Ahead is out September 22 and they play The El Mocambo on October 10.

PitchforkTV has been running a Cemetery Gates video session with Camera Obscura all week. See them in the slightly livelier environs of the Phoenix on November 26.

Out chats with Patrick Wolf.

Echo & The Bunnymen’s Ian McCulloch discusses the band’s new record The Fountain, out October 12, with Rolling Stone. They play the Queen Elizabeth Theatre on October 20 with an orchestral rendition of Ocean Rain and presumably a few more tunes – because that record isn’t all that long. And sad news – former Bunnyman keyboardist Jake Brockman was killed in a traffic accident.

Johnny Marr gives an extensive interview to The Daily Mail about his current projects, his love of guitars and the polite answer to the question of whether there’ll ever be a Smiths reunion. Marr is currently playing with The Cribs, whose new record Ignore The Ignorant, is only going to be available digitally in North America starting next Tuesday. If you want the CD, you’ll have to do the import thing.

Video: The Cribs – “Cheat On Me”

Filter solicits a list of her favourite things from Ladyhawke’s Pip Brown. They also point out that a deluxe edition of her self-titled debut has just been released, featuring five bonus tracks. She’s at the Opera House on September 17.

Entertainment Weekly has premiered a new track from The Raveonettes, whose new album In And Out Of Control is due out on October 6. They play The Phoenix on October 22.

MP3: The Raveonettes – “Last Dance”

Letter To Jane has an interview with Peter Moren of Peter Bjorn & John. They’re at the Phoenix on November 11.

Chartattack chats with the boys of Two Hours Traffic, whose new album Territory is out next Tuesday and who play Lee’s Palace on October 16.

Soundproof talks to Ohbijou’s James Bunton about the Friends In Bellwoods project and community.

Shout Out Out Out Out have scheduled two dates at Wrongbar on October 16 and 17.

MP3: Shout Out Out Out Out – “Bad Choices”

American Songwriter talks to the American songwriters who comprise the Monsters Of Folk while Black Book solicits some of their favourite traveling tunes. Their self-titled debut is out September 22 and they play Massey Hall on November 2.

Soundproof and American Songwriter profile St. Vincent’s Annie Clark.

The Daily Texan talks to Lauren Larson of Ume.

Venice Is Sinking are sharing an MP3 from their forthcoming Okay EP, out September 22 and accurately named as it features the track of that name from their AZAR album and two covers of San Francisco band Okay and rounded out by two more alternate versions of AZAR songs that are better than okay. They band have also raised sufficient funds via Kickstarter to finance their third album.

MP3: Venice Is Sinking – “Compass”
Stream: Venice Is Sinking / Okay

The Bird & The Bee have released a new DLR-saluting video from Ray Guns Are Not Just For The Future.

Video: The Bird & The Bee – “Diamond Dave”

Paste catches up with Flaming Lips frontman Wayne Coyne. Their new album Embryonic is out October 13.

R.E.M.’s forthcoming live record Live At The Olympia In Dublin, out October 27, will come with a bonus live DVD entitled This Is Not A Show and comprised of footage from those same shows. There’s a trailer and performance clip from the film now available to watch.

Video: R.E.M. – “Drive” (live in Dublin)
Trailer: This Is Not A Show

Magnet plays over/under with the Husker Du catalog. And speaking of the Du, The Guardian reports that Grant Hart will release his first solo album in a decade in Hot Wax, out October 6. Bob Mould kicks off his tour in support of last year’s Life And Times next month, starting here in Toronto with a date at the Mod Club on October 5. Support for the first few dates of that tour comes from Miles Anthony Benjamin Robinson, whose new album Summer Of Fear is out October 20.

Rolling Stone talks to Black Francis of Pixies about gearing up for their Doolittle tour.