Posts Tagged ‘He’s My Brother She’s My Sister’

Wednesday, January 23rd, 2013

War On Holiday

The Black Angels lead this week’s salvo of concert announcements

Photo via theblackangels.comtheblackangels.comAnother week, another batch of show announcements to cobble into a blog post, another band with “black” in their name hitting the road.

This time, it’s Austin psych-rock veterans The Black Angels, who’ve announced a trans-continental tour this April in support of their fourth full-length album, Indigo Meadow, out April 2. A preview track has been made available to stream, and while it doesn’t stray far from formula – you don’t make it as far in the drugged-out, trippy drone-rock game by changing it up too much – it’s still got some jump and some teeth to it, to say nothing of being sadly topical of late.

The Toronto show goes April 23 at the Danforth Music Hall, tickets $23.50 for floors and $33.50 for mezzanine. The Allah-Las and Elephant Stone support.

MP3: The Black Angels – “Telephone”
Stream: The Black Angels – “Don’t Play With Guns”

U.S. Girls – which is actually just one girl, Meghan Remy, and a distinctive cut-and-paste sonic aesthetic – will be at The Shop Under Parts & Labour on March 13 in support of last year’s Gem.

Video: U.S. Girls – “Work From Home”

I don’t know either act that well, but enough to know that the pairing of mournful Minneapolis electro-R&B act How To Dress Well and Los Angeles singer-songwriter Sky Ferreira is a bit of an unusual one. Regardless, they’re hitting the road together this Spring – the former in support of last year’s Total Loss and the latter for the Everything Is Embarrassing EP, out March 25 in advance of her full-length debut I’m Not Alright; Pitchfork has the full dates, which includes a March 27 date at Wrongbar.

MP3: How To Dress Well – “Us In The Sense Of Forever”
Video: Sky Ferreira – “Sad Dream”

The Joy Formidable have taken the occasion of yesterday’s release of Wolf’s Law to confirm a North American tour that brings them back to Toronto for, like, the millionth time, for a show at The Phoenix on April 12, tickets $18.50, support from Team Spirit and Ribs. There’s interviews with frontwoman Ritzy Bryan at Spin and DIY.

MP3: The Joy Formidable – “Wolf’s Law”

American experimental folk outfit of no fixed address Akron/Family have announced a new album in Sub Verses, and while the record isn’t out until April 30 they’ll be on the road in support well before then. Look for them at Lee’s Palace on April 19, tickets $15, and listen to one of the new songs below.

MP3: Akron/Family – “Silly Bears”
Stream: Akron/Family – “No-Room”

Clinic are bringing their latest album Free Reign and their surgical masks for a show at The Garrison on April 23. Under The Radar also reports that they’ll have a companion/remix album entitled Free Reign II available digitally starting March 5.

MP3: Clinic – “The Second Line”

Los Angeles-based family act He’s My Brother She’s My Sister are here for a show at the Horseshoe on April 28 in support of their 2012 debut, Nobody Dances In This Town.

Video: He’s My Brother She’s My Sister – “Touch The Lightning”

English electronic artist Gold Panda will be at The Horseshoe on May 8, tickets $15. He released his new Trust EP digitally earlier this year and will put out the vinyl 12″ on March 4. You can stream it all courtesy of Pitchfork.

Stream: Gold Panda / Trust

Thursday, July 26th, 2012

Someone Great

Review of LCD Soundsystem’s Shut Up And Play The Hits

Photo via FacebookFacebookHaving only gotten around to discovering the genius of LCD Soundsystem with their third and final album This Is Happening, I feel immensely fortunate to have caught them live twice on their farewell tour – their final Toronto show in May 2010 and then in Chicago headlining that year’s Pitchfork Festival – probably more than someone as late to the part as I deserved.

But watching Shut Up And Play The Hits, the concert documentary covering their final ever concert at Madison Square Garden in New York in April 2011, I felt no small amount of regret that I didn’t move heaven and earth to be there. Not that I would have gotten a ticket, and not that I had even seriously considered it, but the film does such a great job of making it seem like it was much more than just a concert, but the a genuinely historic (at least from a musical perspective) passing of a band who so embodied their city for the decade that they were active. Even constrained to limited camera angles from the amount of gear and players on stage, the live footage captures both how great a live band they were – remarkable considering they were originally intended to be strictly a studio-bound concern – and just how much their fans loved them.

While I enjoyed the non-concert footage – particularly the Klosterman interview which I think became this Guardian feature – the scenes meant to show James Murphy’s first day of the rest of his life didn’t quite achieve the suspension of disbelief necessary. I mean, it’s possible that he acquiesced to having a camera crew waiting in his apartment while he slept and certainly does a good job of ignoring them while he goes about his band post-mortem business, but I don’t know. It’s too well-captured to not have been at least somewhat staged. And if I’m wrong and it really was all real life, fly on the wall stuff, my hat’s off to directors Dylan Southern and Will Lovelace for getting it so right. Ultimately a trivial complaint and I’m always up for more loving shots of New York City streets, but it did bother me.

The film is currently making the screening rounds – kind of a final farewell tour – and if you missed its last two times through Toronto (Hot Docs back in the Spring and last week where I saw it), note that it’ll be back for a third encore with screenings at The Bloor on August 3 and 4. The DVD edition, which also includes the entirety of the four-hour farewell show, is out October 9 and available to pre-order now – I long ago decided I’d stop buying music DVDs since I rarely/never watch them, but I think I’ll be making an exception for this one. And there’s a little bit of bonus/fan footage available to watch at The Creator’s Project.

Trailer: Shut Up And Play The Hits

If you were at that Shut Up screening last week, you would have seen a trailer for Searching For Sugar Man, the documentary that tracked down lost ’60s folk singer Rodriguez. The film begins a two-week run at The Bloor on August 10 and Rodriguez himself will be in town for a concert at The Mod Club on October 25, tickets $20. There’s feature pieces on the man and the film at The New York Times, Rolling Stone, and Wall Street Journal.

MP3: Rodriguez – “Sugar Man”
Trailer: Searching For Sugar Man

Time makes a good case for why the just-released reissues of Sugar’s Copper Blue/Beaster and File Under: Easy Listening are so essential.

eMusic talks to Eternal Summers about their new album Correct Behavior. They’re at The Garrison August 7.

Interview talks to Cat Power about her new album Sun, due out September 4.

Trespassers William nave announced a September 4 street date for their final release Cast; a double-disc set with collects an album’s worth of rarities and b-sides and a full-length version of their 2009 EP The Natural Order Of Things.

NME talks to J Mascis about I Bet On Sky, the new Dinosaur Jr album due out September 18. They play Lee’s Palace September 24, 25, and 26 in support.

Rolling Stone talks Undersea with The Antlers, in town September 25 at The Great Hall.

The Mountain Goats have released the first MP3 from their new record Transcendental Youth, out October 2.

MP3: The Mountain Goats – “Cry For Judas”

October 2 also marks the release of the new Mark Eitzel solo record Don’t Be A Stranger. Details on the release – his third since the last American Music Club album The Golden Age was released but the first since that band was officially retired (again) – are available at Exclaim.

Paste checks in with Ben Gibbard, who’s putting out his first solo record Former Lives on October 16. This ode to recently-traded Seattle Mariners outfield Ichiro Suzuki probably isn’t on it.

Stream: Ben Gibbard – “Ichiro’s Theme”

Terribly if accurately named Los Angeles outfit He’s My Brother She’s My Sister are in town for a show at Parts & Labour on October 19.

Video: He’s My Brother She’s My Sister – “Touch The Lightning”

NPR has a World Cafe session with Andrew Bird, who’s just released a new video from Break It Yourself.

Video: Andrew Bird – “Give It Away”

Yours Truly has a video session with Of Montreal.

The Village Voice talks to Dean Wareham about Galaxie 500 and the odds of a Luna reunion. Update: NYC Taper has a recording of last week’s Dean & Britta performance in New York where they were joined on guitar by Sean Eden. 3/4 of the way there!