Austin NelsonSo y’all know Wilco, right? Chicago-based outfit that rose from the ashes of Uncle Tupelo and survived numerous lineup changes and label drama to release some of the best pop/rock/roots records of the past almost two decades and establish themselves as one of America’s best bands. Yeah, that Wilco.

They’re following up 2009′s Wilco (The Album) with their eight studio album The Whole Love on September 27 – the first to be released on their own label dBpm Records. And, being the road warriors that they are, they’re a-gonna tour it with the first leg of North American dates starting up a good two weeks before the record is even out.

Toronto’s two dates – we’re a bona fide overnight destination for the band now – go early on in the tour, September 16 and 17 at Massey Hall with New wave pop legend (and songwriting royalty beneficiary thanks to the first single from The Whole Love) Nick Lowe supporting. Massey has been their Toronto home away from home starting back in 2004 and since then, the Old Lady Of Shuter Street has hosted many memorable shows (as well as a famous dressing down by Jeff Tweedy for being too courteous – 10MB video clip under the link there); no reason to think these ones will be any less so.

So considering both the fan and Friends of Massey Hall presales went yesterday morning and unsurprisingly sold out in minutes, this Friday’s public onsale at 10AM is almost your last chance to score tickets for the show. Note that I said almost. Courtesy of the band and LiveNation, I’ve got a pair of tickets to give away for the Saturday night show. To enter, I want you to leave a comment on this post with your favourite Wilco in Toronto memory, and that can include Wilco-related anecdotes involving any of but not limited to Uncle Tupelo, Golden Smog, The Autumn Defense, Jeff solo, whatever. And if you’re new to the band and don’t have one, something related to their music and not the shows is fine too. Make sure your email is in there, and don’t worry – it will remain hidden from nasty spambots. The contest will run until midnight, August 26 so if you want to try your hand at the public on-sale and enter if you miss out, do that. But if you score some ducats, don’t water down the odds for those less fortunate – unless you just want to share some reminiscences, then just note that you’re not entering the contest proper. And to get things rolling, mine remains their last-minute post-cancelled-Lollapalooza-tour club show at The Mod Club in August 2004 with their rotating-substitute-drummer set opening for Neil Young at the Air Canada Centre in December 2008 not far behind.

I’m sure there’s someone out there for whom their favourite Hogtown Wilco memory took place the evening of November 20, 1996 circa Being There when Jeff Tweedy and Jay Bennett performed a super-intimate acoustic set in the back room of C’est What. I wasn’t there, no sir, but someone with a cassette recorder was, and they tapped said recorder into the soundboard and made a fine-sounding recording of the show. I was given a copy of said show on cassette a few years ago but not having anything resembling a working cassette deck, it just sat there like a special prize hidden away behind technological lock and key. I actually borrowed my brother’s cassette deck with the intention of ripping it and sharing it with the world and last night while messing with cables and laptop audio settings that refused to cooperate, it occurred to me to see if maybe – just maybe – someone had already gone to the trouble. And they had. The full recording of the show is available over at Ohmpark and probably sounds a good deal better than I’d have been able to manage. Enjoy a couple samples below, head over there for the rest and share some stories below.

MP3: Jeff Tweedy & Jay Bennett – “I Got You (At The End Of The Century)” (live at C’est What – 11/20/96)
MP3: Jeff Tweedy & Jay Bennett – “Dreamer In My Dreams” (live at C’est What – 11/20/96)
MP3: Jeff Tweedy & Jay Bennett – “Pick Up The Change” (live at C’est What – 11/20/96)

The Toronto Star interviews Fleet Foxes, who are playing Massey Hall tonight.

Interpol have released the animated collaboration with David Lynch originally put together for Coachella as the latest video from Interpol. PhillyBurbs talks to guitarist Daniel Kessler.

Video: Interpol – “Lights”

A second track from Stephen Malkmus’ forthcoming Mirror Traffic is now available to download ahead of the record’s August 23 release. Malkmus and his Jicks play The Phoenix on September 21.

MP3: Stephen Malkmus & The Jicks – “Tigers”

The Line Of Best Fit has posted the first part of an interview with Death Cab For Cutie, playing the Molson Amphitheatre on July 29.

Chad VanGaalen has put together a cross-Canada tour in support of his latest record Diaper Island; it brings him to The Mod Club on October 28.

MP3: Chad VanGaalen – “Sara”

Rebekah Higg’s second full-length Odd Fellowship will finally see the light of day on August 23. Exclaim has album details and a bunch of eastern Canadian dates – nothing in Toronto yet, but there’s a week between London and Wakefield, I can’t imagine those won’t get filled out before long.

MP3: Rebekah Higgs – “Gosh, Darn, Damn”

Room 205 has a video session with Austra; just one song for now but these tend to get padded out over time – expect more to be added. The Times-Colonist and BrookylynVegan talk to Katie Stelmanis, who also shows/tells The Guardian how she wrote “Lose It”.

Beatroute, The Star-Phoenix and Uptown interview Handsome Furs, in town at The Horseshoe on August 1 and 2.

Frank YangYou might not have guessed it to listen to their records, as laid-back and fuzzy blanket-like as they were, but the American Analog Set were an amazing live act. Not through on-stage antics or pyrotechnics or the like, but by how unbelievably tight they were as a unit. The sound of Andrew Kenny’s soft voice and echoing guitar overtop the bed of vibraphone and Farfisa was the very definition of hypnotic and each of the two Toronto shows I saw prior to their disbanding in 2006 were magical. So given that Kenny’s new outfit The Wooden Birds shares many stylistic attributes with AmAnSet, it wasn’t unreasonable to hope that their first visit in support of their new record Two Matchsticks last night at The Drake would recreate some of that magic.

Support for the evening came from locals Heartbeat Hotel, whose psych-pop-laden Fetus Dreams I’d recommended picking up (for free) and who’d made a decent live impression back in December. They’d played out a fair bit since then, though, and some growth was to be expected. Even so, I didn’t expect that the echoey, slow burn that opened their set would be more the rule than the exception. The freewheeling sonic experimentation that marked Fetus Dreams seems to have been reined in, or the approach of flinging everything against the wall has served its purpose and they’ve now identified what stuck and what works; either way, Heartbeat Hotel circa Summer 2011 is a much more controlled, groove-oriented entity, yet still capable of getting noisy when needed. They’ve learned a lesson in musical economics that some bands take albums to master, if ever, and though it’d be nice if some of the energy of the LP could find its way back into their sound, based on the new material showcased – due for release in EP or album form this Fall – they’ll do well on the exam.

Even before The Wooden Birds played a note, it was pretty clear that this wasn’t going to be American Analog Set unplugged. For starters, Leslie Sisson was handling the acoustic guitar duties I’d assumed were Andrew Kenny’s on record, Kenny had no six-string of any kind, instead holding down the low end with a Thunderbird bass and whereas on the recordings electric guitar was used for texture or the occasional lead, the two electric setup implied that live, it would be decidedly otherwise. And indeed, it didn’t take very long to understand and appreciate that The Wooden Birds were no extension of anyone’s old band, but their own thing entirely; whereas AmAnSet shows were like exercises in hypnosis, this performance was wide-eyed and fully awake.

As the band showcased material from Two Matchsticks and its predecessor Magnolia, I couldn’t help think how someone for whom their first impression of the band was this show might find those decidedly mellower-sounding records. Because the live presentation of The Wooden Birds was definitely a much louder and more sprightly and widescreen-sounding affair. Tempos were stepped up appreciably, and rhythms given an almost country-western shuffle which would prove especially complimentary to the subtle twang of Sisson’s vocals. Those vocals were more than complimentary to Kenny’s voice – they sounded as lovely together as any two voices could – and for an hour or so, they led the band through a set of splendid pop. And for the AmAnSet fans in the audience – which I would assume to be most of them – they did Toronto the pleasure of honouring a request made the last time AmAnSet was in town, which is to say half a decade ago, and offered a reading of “Aaron & Maria” which they segued into a cover of Jackson Browne’s “Somebody’s Baby”. I went into this show hoping to relive a little AmAnSet magic but The Wooden Birds would have none of that; as stated they’ve got their own thing going on and that thing is simply lovely. If they’re coming through your town on their way back down to Austin, do go see them.

The Fort Worth Weekly and Sloucher have interviews with Andrew Kenny. There’s also a writeup and recording of much of the show over at Hater High.

Photos: The Wooden Birds, Heartbeat Hotel @ The Drake Underground – July 10, 2011
MP3: The Wooden Birds – “Two Matchsticks”
MP3: The Wooden Birds – “False Alarm”
MP3: Heartbeat Hotel – “Fins Of A Shark”
MP3: Heartbeat Hotel – “Walls Of Dry Clouds”
MP3: Heartbeat Hotel – “The Hello Barrel”
Video: The Wooden Birds – “Two Matchsticks”
Video: The Wooden Birds – “Hometown Fantasy”
Video: Heartbeat Hotel – “Windowsill #1″

Though just announced as support for The Vaccines show at The Phoenix on September 27, Young Buffalo will do a little advance work with a free show at The Horseshoe on July 26.

MP3: Young Buffalo – “Only We Can Keep You From Harm”
MP3: Young Buffalo – “Anthems For A 17-Year Old Girl”

On the NXNE schedule in June for like a nanosecond, Massachusetts’ Dom will be in town for real for a show at The Garrison on August 9, the same day their new Family Of Love EP is released.

MP3: Dom – “Living In America”

Marnie Stern and No Joy team up for a show at Wrongbar on September 23. The Riverfront Times has an interview with Ms Stern.

MP3: Marnie Stern – “Transparency Is The New Mystery”
MP3: No Joy – “Hawaii”

Suuns have slated a show at The Garrison for October 2 and there’s a new video session up over at For No One.

MP3: Suuns – “Up Past The Nursery”

Shonen Knife will be at The Horseshoe on October 20 to kick of a 30th anniversary tour and next week’s release of their new record Osaka Ramones, a Ramones tribute record. Tickets for the show are $14.50 in advance, full dates at Exclaim.

Video: Shonen Knife – “Ramones Forever” (live)

Spinner has the first sample of the first Ivy album in six years, All Hours due out September 20, and it seems that in the time away they’ve discovered their inner discotheque. They wear it well.

MP3: Ivy – “Distant Lights”

USA Today profiles The Head & The Heart.

Spin checks in with Stephen Malkmus about his new solo record Mirror Traffic, due out August 23. He and his Jicks play The Phoenix on September 21.

NBC San Diego, The Georgia Straight and San Diego City Beat chat with The Rosebuds, in town on August 9 at The Sound Academy opening up for Bon Iver.

Stereogum talks to the director of Handsome Furs’ racy new video. They’re at The Horseshoe on August 1 and 2.

Video: Handsome Furs – “What About Us”

Spin gets a guided tour of Fucked Up frontman Damian Abraham’s domicile. Their next date is August 9 at the Air Canada Centre with Foo Fighters.

Sax-toting Polaris shortlister Colin Stetson has an interview in The Globe & Mail and a session up at Daytrotter. He plays The Drake Underground on August 26.

Loud & Quiet talks to Timber Timbre.

Southern Souls has posted a video session with Jenn Grant.

The Wilderness Of Manitoba are featured in an interview and video session with The Alternate Side.

The documentary film which led to a rather nasty exchange between filmmaker Vincent Moon and Arcade Fire management – Miroir Noir: Neon Bible Archives – will be getting a screening at the TIFF Lightbox on Wednesday evening at 7:30PM as part of Images Festival. Probably safe to say neither filmmaker nor subjects will be in attendance.

Trailer: Miroir Noir: Neon Bible Archives

FacebookWhen the Polaris Prize long list was announced three weeks back, the general response was positive. After all, forty albums is pretty inclusive and many genres and regions were represented; pretty good cause for back-patting. But when you whittle it down to the final ten, things inevitably get contentious – so with the announcement of the 2011 short list yesterday, there were the inevitable complaints that so-and-so was robbed, such-and-such is underrepresented, etc etc. Six years in, it’s all pretty predictable if you think about it.

And as such, I personally wasn’t especially surprised with the results – after all, I did tie for first in an impromptu prediction pool amongst jurors and Polaris-spotters with eight out of ten right, and I would have gotten nine if I’d stuck with my initial instincts about the Maritime bloc. As for the two I got wrong, I’m disappointed but not wholly surprised that Sloan didn’t make the cut – continuing their career trajectory of being simultaneously adored yet taken for granted. I was, however, genuinely surprised that The Rural Alberta Advantage got passed over – though they barely missed my ballot, I thought that there’d have been enough goodwill banked from Hometowns being ineligible in the year it got wide release to carry over to Departing, but I guess not. They’ll have to settle for being generally adored. Tough life. But my picks didn’t necessarily reflect what I thought were the most deserving – note only two of my ballot entries appear on the short list – but based on pretty reliable patterns observed over the course of Polaris’ existence. We’re all just algorithms in a giant cosmic computer, maaaaaan.

As for the albums that made the cut?

Arcade Fire / The Suburbs
Well this one was a gimme; the question really is will the Suburbs-sized elephant in the jury room end up costing the band and give proof to the accusation that the Polaris punishes success? Not a lock, but if the winner comes back as anything else, people are going to want some explanations as to how and album pretty much universally feted would be deemed inadequate (relatively speaking) at home. By being heavily favoured, they are probably the biggest underdogs on the list. Oh, Canada.

Video: Arcade Fire – “The Suburbs”

Austra / Feel It Break
I figured this, Diamond Rings, Young Galaxy and Miracle Fortress would split the synth-pop vote – no way would more than one of them make the short list – and was certain that when the votes were counted, Austra would have come out on top. It strikes the right balance of weird and accessible and you can dance to it. It give it long, long odds to win but its presence here is an achievement.

MP3: Austra – “Lose It”

Braids / Native Speaker
I’ve tried, but I just can’t get into this record. But I can’t stand Animal Collective either, so I’m just not predisposed to appreciate what Braids do, and that’s fine. I’ll probably try again before all is said and done, but don’t expect any Damascene moments. I don’t think it will win, but I didn’t think that people would lose their minds for it as much as they have so I won’t say it couldn’t upset.

MP3: Braids – “Lemonade”

Destroyer / Kaputt
For an album as smooth and laid back as it appears to be, Kaputt has turned out to be remarkably polarizing, but that said it was also pretty much a lock – criticize what it is if you will, but there’s really no denying the degree of vision and craftsmanship that has gone into this record. I think if any record could win without instigating an Arcade Fire backlash debate, it’s this one. If I were on the grand jury, which I’m thankful I won’t be, I’d be championing this one.

MP3: Destroyer – “Chinatown”

Galaxie / Tigre et diesel
The question was which of this or Malajube would take the Francophone vote – I didn’t see both making it – and rather than let Malajube three-peat as shortlisters, they went with the fresh(ish) faces. And I’ll be honest, I hold a grudge against this band because they went by Galaxie 500 for far longer than is acceptable. That’s just wrong.

Video: Galaxie – “Piste 01″

Hey Rosetta! / Seeds
This is a band whom I get what they do, get how it inspires such adoration from so many, but doesn’t really do much for me. But their upwards trajectory is undeniable – they’ll be doing the theatre circuit very soon, just watch – and being past shortlisters and the most probable consensus pick amongst jurors from out east, I really should have known better than to take them off my list of predictions. Another record that I will revisit to see what I missed the first time around.

Video: Hey Rosetta! – “Young Glass”

Ron Sexsmith / Long Player Late Bloomer
No doubt there’s a whiff of lifetime achievement about Sexsmith’s inclusion, but his profile hasn’t been higher than it is now in years thanks to the documentary film and the Luminato tribute and thanks to his remarkably consistent songwriting, you couldn’t argue that this record is any less deserving than his others. And maybe people just want to see what it’d take to make the man smile.

Video: Ron Sexsmith – “Late Bloomer” (live)

Colin Stetson / New History Warfare Vol. 2 – Judges
Easily the most left-field shortlisted album in the prize’s history, I don’t get New History Warfare at all. But then I don’t get hardly anything about where it comes from and what it’s about, so that’s okay. I do know that Stetson has an incredible pair of lungs and the record is an astonishing physical feat, but on the topic of its musicality, I defer to those more qualified to pass judgement. And it’d be kind of awesome if it won if just for the coast-to-coast head scratching that would surely ensue.

MP3: Colin Stetson – “Fear of the Unknown and the Blazing Sun [ft. Laurie Anderson and Shara Worden]“

Timber Timbre / Creep On Creepin’ On
I know a lot of people who think Timber Timbre should have won in 2009, even though they didn’t even make the short list, so with a – in my judgement – better album in hand and a much stronger national profile, I’m not at all surprised it made the cut this time. I think it’s still a little genre/weird to garner the necessary broad grand jury support to really make a run, but Polaris tends to be predictably unpredictable so maybe they should have the inside track.

MP3: Timber Timbre – “Black Water”

The Weeknd / House Of Balloons
Another record that comes from a separate musical world from the one I usually inhabit, but one that got my attention from the first listen. A little hip-hop, a little r&b, a little indie rock and a lot sexy and moody – though not necessarily sexy moody – it’s definitely noteworthy and probably deserves its placement. And it’s got that whole mysterious identity and album-for-free (click above) thing going for it.

MP3: The Weeknd – “The Party & The After Party”

So my overall prediction for the night of September 19? I think the jury will for maybe the first time do the obvious thing let Arcade Fire take it. Failing that, Destroyer. And if not one of those two, then all bets are off.

Colin Stetson will get to see if a Polaris appearance translates into concert attendance when he plays The Drake on August 26, tickets $12 in advance. The Georgia Straight and Montreal Gazette have interviews.

Austra are releasing a new remix album entitled Sparkle on August 23 on vinyl, later this month digitally.

MP3: Austra – “Spellwork” (MNDR Nighttime remix)

NYC Taper has posted recordings of a recent visit to the Big Apple from Sloan. And oh, new video and interview with Andrew Scott at Thick Specs.

Video: Sloan – “Unkind”

PS I Love You have announced the release of an odds-and-sods compilation entitled, descriptively enough, Figure It Out: A Collection of Singles and EPs by PS I Love You and it’ll be out August 30. It will be followed by an extensive North American tour that includes a date at Toronto’s Great Hall on October 1. Full dates and track listing at aux.tv and yes, it’s that “Subdivisions”.

MP3: PS I Love You – “2012″

Le Blogotheque has posted a Les Soirees des poches video session with Plants & Animals.

Dan Mangan has announced a September 27 release date for his new album Oh Fortune and is giving away the title track from said record below. And if you need more, Herohill has posted videos of a living room show Mangan performed in Halifax a couple months ago.

MP3: Dan Mangan – “Oh Fortune”

Spinner has words with Chad VanGaalen.

Broken Social Scene drummer Justin Peroff gets political for a moment with aux.tv.

Fucked Up demonstrate to Pitchfork how to make a bong in 60 seconds and also fess up to the obvious parallels between David Comes To Life and Lady Gaga’s Born This Way.

aux.tv chats with Dan Boeckner of Handsome Furs, in town at The Horseshoe on August 1 and 2.

Interview has premiered the first song from Ohbijou’s forthcoming third album Metal Meets, due out September 27.

If you’re looking for something to do over the August long weekend, you may not need to look further than The Great Hall and Toronto Underground Cinema; that’s when those venues will host over three nights the inaugural Out Of The Box Festival, featuring a slew of the city/province’s up-and-coming acts including personal faves and bands to watch Olenka & The Autumn Lovers, Ruby Spirit, Heartbeat Hotel and Foxes In Fiction to name but a very few. Admission is $10 at the door, $15 for a weekend pass and the schedule will be forthcoming soon.

Hamilton dreampop veterans A Northern Chorus called it a day back in Summer 2008, but have regrouped for a couple of shows next month, one in Hamilton at The Casbah on August 12 and one at The Garrison in Toronto on August 13.

Video: A Northern Chorus – “Winterize”

And speaking of good things that come from The Hammer, Supercrawl has announced the first wave of their muscial lineup for September 10, and it includes the likes of Broken Social Scene, J Mascis and The Megaphonic Thrift, amongst many others. And oh yeah, it’s all free.

JagjaguwarYou’ll excuse the brevity of today’s post as I try to pretend I’m still on some kind of holiday schedule. Hope everyone in Canada had a lovely long weekend and everyone in America is still enjoying theirs; today is a sort of belated Canada Day-ish post. Note the “ish”.

Many were disappointed when Wolf Parade made good on their promise to call it a day – at least for the foreseeable future after a couple of final shows at the end of may, but if anything that means fans will have even more opportunity to hear their two principal songwriters’ distinctive voices. For starters, while Spencer Krug kept a ridiculous number of side project going concurrently with Wolf Parade over the years – Sunset Rubdown and Swan Lake chief amongst them – his “proper” solo project has him operating under the name of Moonface, and following an 12″ EP in Dreamland EP: Marimba and Shit Drums last year, he’s readying his debut album Organ Music Not Vibraphone Like I’d Hoped for an August 2 release. One album track and one non-album track are available to preview, and for those looking for a more up close and personal experience with the songs, Krug kicks off a month-long tour leading up the album’s release next Wednesday night, July 13, at The Horseshoe in Toronto.

MP3: Moonface – “Fast Peter”
MP3: Moonface – “The Way You Wish You Could Live in the Storm”

Meanwhile, Dan Boeckner’s Handsome Furs talk to The Vine and are profiled by Billboard in the capacity of taking the dubious honour of having the fastest album announcement to leak in recent history with their latest release, Sound Kapital. They’re at The Horseshoe on August 1 and 2 – if you were one of those who downloaded the leak, make good by buying a Handsome Furs t-shirt or tea cozy.

Herohill marked Canada Day in style by posting the Gordon Lightfoot tribute album Turning Back The Pages Of My Sweet Shattered Dreams, featuring reinterpretations of Lightfoot’s songs but the likes of Olenka Krakus, Slow Down Molasses and Shotgun Jimmie, amongst many others.

The latest instalment in Bruce Peninsula’s “Fire Sale” series is out, and it’s a video for new song “Leaves”. They play Summerworks at the Lower Ossington Theatre on August 11.

Video: Bruce Peninsula – “Leaves”

Miracle Fortress has released a couple of tunes from the mostly-abandoned Hoop Dreams sessions as a free digital single. Some of the songs made it onto Was I The Wave?, others are just laying around and Graham Van Pelt still wants them to be heard. They’re playing Summerworks at the Lower Ossington Theatre on August 12.

MP3: Miracle Fortress – “Gestures”
MP3: Miracle Fortress – “Possession”

Origin: Orphan might be a couple years old at this point but that doesn’t mean The Hidden Cameras can’t continue to mine it for singles or videos. Which they’ve done.

Video: The Hidden Cameras – “Do I Belong”

The Galway Advertiser chats with Katie Stelmanis of Austra.

JAM profiles The Dears.

And some show announcements – this one slipped a bit under the radar, but could be of interest – UK electro-producer SBTRKT brings his self-titled debut to Wrongbar this Friday, July 8 – tickets $12.50 in advance. He’s interviewed by Clash and was recently The Guardian‘s new artist of the day.

MP3: SBTRKT – “Wildfire”
Video: SBTRKT – “Wildfire”

The Pains Of Being Pure At Heart will be in town a day before their August 2 show at The Opera House and they’ll spend it playing an in-store at Sonic Boom on August 1 at 9PM; not sure if Sonic Boom will have moved to its new digs around the corner by this date or if this will be one of the final hurrahs for the best in-store space in the city, but either way it will be a good time. Admission free, canned good donations highly appreciated.

Video: The Pains Of Being Pure At Heart – “Heart In Your Heartache”

If you missed the update to Thursday’s post, Wilco has announced all kinds of things – like a September 27 release date for their new album The Whole Love, album art for said record and a first leg of North American touring that includes September 16 and 17 dates at Massey Hall in Toronto and will feature pop legend Nick Lowe as support. On-sale dates will be announced this week, so expect pre-sales to go next week. Details at Exclaim, and if you need a fix now, there’s three live shows available to stream at Wilco’s Roadcase.

Though they were both just here a couple weeks ago for NXNE, the first couple of Cali-garage rock – Dum Dum Girls and Crocodiles – are teaming up for a Fall tour that brings the double-bill to Lee’s Palace on October 16; the occasion being the September 27 release of the Dum Dum Girls’ second record Only In Dreams.

MP3: Dum Dum Girls – “He Gets Me High”
MP3: Crocodiles – “Sleep Forever”

Okay, that wasn’t as brief as I thought it’d be.

Jessica EatonThough they should be – and probably are – at work on their next album, a follow-up to last year’s The Besnard Lakes Are The Roaring Night, Montreal’s Besnard Lakes have put together a little something something that will not only slake their fans’ appetite for some new outer space-scale rock, but give them an excuse to get out of the studio and back on the road for a spell. On September 20, they’ll release You Lived In the City, a new 12″ EP that contains music the band prepared for the documentary film Welcome To Pine Point, which chronicles the short life of a town in the Northwest Territories.

As for the aforementioned tour, it will kick off in late September on the west coast and wind its way across the continent – largely in Canada but with some forays south of the border – before wrapping mid-October in Ottawa, though you have to think that there’ll be a hometown show to cap it off. Toronto gets our fix on October 13 at Lee’s Palace, tickets $20 in advance. And sweetening the deal, as though it needed sweetening, is the fact that Malajube will be opening up all dates – that’s two bands with four Polaris shortlist appearances between them – five if Malajube’s La caverne gets the nod in a couple weeks. Not bad.

MP3: The Besnard Lakes – “Albatross”
MP3: Malajube – “Synesthésie”
Trailer: Welcome To Pine Point

Scenes From The Subrubs, the Spike Jonze-directed short film assembled to give Arcade Fire a music video and an excuse to re-release The Suburbs, is currently available to stream in its entirety over at mubi.com. The deluxe edition of The Suburbs is out August 2.

Video: Scenes From The Suburbs

Filter talks to Graham Van Pelt of Miracle Fortress. They play The Lower Ossington Theatre on August 12 as part of Summerworks. And speaking of Summerworks, the festival has run a bit afoul of the current federal government and had their funding cut; donations to help make up the shortfall are welcome (and tax deductible).

The Alternate Side has a session and interview with The Dears.

Their August 1 show in support of new album Sound Kapital presumably long sold out, Handsome Furs have added a second date at The Horseshoe for August 2, tickets $15 in advance. Exclaim has an interview.

MP3: Handsome Furs – “Repatriated”

The Corkman chats with Owen Pallett, who has two dates at the Phoenix – August 2 and 4 – opening up for Beirut.

While there hasn’t been much to draw music fans to the Toronto Islands this Summer – no V Fest, no Olympic Island shows, just the Sarah Harmer, Serena Ryder and Skydiggers free show on July 16 – Wavelength has put together a good reason to hop on the ferry for the weekend of August 13 and 14. That’s when the annual ALL CAPS! all-ages festival goes down, this year featuring performances from Julie Doiron, The Wooden Sky, Monogrenade, Steamboat, Muskox, Rich Aucoin, Dog Bus, More or Les, Evening Hymns, Moon King, Jennifer Castle and DD/MM/YYYY. And this is in addition to art installations, BBQs, general fun and frivolity and – get this – overnight camping on the island. Tickets and specifics still to come.

MP3: Julie Doiron – “Consolation Prize”
MP3: The Wooden Sky – “Something Hiding For Us In The Night”
MP3: Monogrenade – “Ce Soir”
MP3: Evening Hymns – “Cedars”
MP3: Rich Aucoin – “10,342 Cuts For The US”
MP3: Jennifer Castle – “Neverride”
MP3: DD/MM/YYYY – “Infinity Skull Cube”

Hooded Fang are not resting on their Polaris long-list laurels for their debut album Album; they’ve got a new album entitled Tosta Mista coming out July 26 – check out a couple new songs below and see them when they play the Lower Ossington Theatre on August 6 for Summerworks.

MP3: Hooded Fang – “ESP”
MP3: Hooded Fang – “Den Of Love”

Sloan have taken their turn in the AV Club’s Undercover studio, covering Gary Numan’s “Cars”. There’s also an interview at BrooklynVegan.

Southern Souls has posted a video session with Chad VanGaalen. Post City also has an interview.

Woodpigeon have put out a video from last year’s Balladeer: To All The Guys I’ve Loved Before and, via their blog, made a new song built off a poem by Marie Cecilia Ryan available to download. And head over to YouTube to see a set of live videos recorded in a disused London schoolhouse.

MP3: Woodpigeon – “The Way To Happiness”
Video: Woodpigeon – “Featherstone”

The Guardian contemplates the appeal of soft rock with Dan Bejar of Destroyer.

There’s a little photography-tilted interview with me over at Live In Limbo.