Anton CorbijnIt only took about six minutes via Twitter to announce the forty albums long-listed for the sixth edition of the Polaris Music Prize, we’ll have the next three weeks to argue over their relative merits and come July 6, when the ten record-strong short list is announced, another couple months to hash those out before the September 19 gala in Toronto when a yet-to-be-determined grand jury declares their pick for the best Canadian album of the past year. And there’s more at stake this year than in the past, literally-speaking – the grand prize purse has been increased from $20000 to $30000 and for the first time, the other short listed artists will go home with more than a poster and an understanding of how Shad feels; they’ll all take home $2000 prizes.

I’ve no doubt that much of the aforementioned debate will center around a certain record from a certain Montreal outfit that’s cleaned up at major awards worldwide. It almost seems like a foregone conclusion that they’ll do the same here, but if there’s one thing that past Polaris winners have shown, it’s that the jury likes the underdog and the more successful you are, the less likely you are to add this particular statuette to your mantle. If there was a statuette, that is. Having served my grand juror duty back in 2008, I’m happy that I won’t have to be part of the decision-making process on this one, but I would love to be a fly on the wall of the creepy jury room in the Masonic Temple that Monday evening in September, you bet your sweet bippy.

As for my part in this process, it’s just about done – four of my five picks made the long list, which means that I have to revisit my ballot and pick a longlisted record to replace the one that failed to garner quite enough journo love country-wide. And without going back over past ballot posts to see if this is redundant or not, I’ll quickly outline my personal criteria for my picks. Beyond the obvious, “do I like it a lot?”, I ask myself if the record is or feels “important”, whether for music, Canadian music or just the artist’s own narrative. If that sounds nebulous, that’s because it is. I know some people agonize over these sorts of lists, but honestly I find them pretty simple – I don’t pick the records I think are worthy, they tell me if they are. And so, without further ado, here was my Polaris long list ballot for 2011 with some explanations.

1. Arcade Fire / The Suburbs
Even though this wasn’t even amongst my favourite albums of 2010, taking into the Polaris mandate of rewarding the album with the greatest artistic merit I accepted that this had to be at the top of my list. It’s an album with thematic and musical ambitions that you simply don’t see much of or often enough. And while its reach does exceed its grasp at a few points, said grasp is still higher than most would even consider aspiring to, and the end result strikes a universal chord you can’t deny.
Video: Arcade Fire – “We Used To Wait”

2. Destroyer / Kaputt
Destroyer has always made excellent records, so that the most un-Destroyer record yet would also be maybe the best one is something not many saw coming. But by going lounge and trading (some) guitars for smooth synths and saxes, Dan Bejar has created an immersive sonic world that’s sleek, sad and sexy.
MP3: Destroyer – “Chinatown”

3. Miracle Fortress / Was I The Wave?
By the time I heard this record in early March, the Polaris-judging part of my brain was just about full and most of my ballot complete – or so I thought. Graham Van Pelt’s retro-futuristic sophomore effort refused release my attention though, holding it like some irresistibly shiny object dancing hypnotically in front of my eyes/ears. Which it essentially is.
MP3: Miracle Fortress – “Raw Spectacle”

4. Olenka & The Autumn Lovers / And Now We Sing
About as small and local a release as you’re likely to find discussed in Polaris circles, I didn’t really expect this one to make the long list, but certainly not because it’s not as good or better than the albums that did. Time has proven that my last-minute, gut-instinct inclusion of Sing on my 2010 year-end list was justified; it’s a special record, more people simply need to hear it.
MP3: Olenka & The Autumn Lovers – “Odessa”

5. Sloan / The Double Cross
If the Polaris was awarded to the the best first three songs on a record, then everyone else could just go home – Sloan would take it in a cake walk. The pop veterans celebrated their twentieth anniversary by making their strongest record in a decade and reminding anyone who’s taken them for granted – which is to say everyone – just how good they could be.
MP3: Sloan – “The Answer Was You”

I have a little while to rejig my ballot to replace the Olenka record with something else off the long list. I have a few options I’m weighing. Maybe I’ll fill you in when a decision is made. Maybe.

Spin has got a 30-minute Arcade Fire video feature from MuchMusic’s The Wedge, wherein the band are interviewed by Damian Abraham, frontman for 2009 Polaris champs Fucked Up. Fucked Up are also featured in Blare, Spin, NOW and Spinner. Their two NXNE appearances now done, their next local show will be on August 9 at the Air Canada Centre opening up for Foo Fighters.

While on the topic of former Polaris recipients, since they’ll be in town to hand over the title of “reigning Polaris Music Prize winner” on the 19th of September, Karkwa have scheduled a Canadian tour that includes show at Lee’s Palace for September 17, tickets $12.

MP3: Karkwa – “Dors Dans Mon Sang”

Though they’ve got two NXNE showcases this week – tonight at The Garrison, tomorrow at The Great Hall, long-listers Braids have scheduled another as part of a Fall tour – they’ll be at The Horseshoe on October 14. Spinner has an interview.

MP3: Braids – “Lemonade”

The Quietus and Sydney Morning Herald interview Dan Bejar of Destroyer.

NOW talks NXNE with PS I Love You, whose debut Meet Me At The Muster Station made the long list cut.

All three acts playing the free show at Yonge-Dundas Square tonight made the 2011 long list; The National Post talks to Stars, Spinner and The National Post chat with Land Of Talk’s Liz Powell and The Grid profiles John O’Reagan of Diamond Rings. The Diamond Rings remix rainbow project has also just released a reimagining of a NOW Handsome Furs tune. Stars have a new video.

MP3: Diamond Rings – “What About Us” (Diamond Rings remix)
Video: Stars – “We Don’t Want Your Body”

The Grid has an interview with the aforementioned NOW Handsome Furs, who are at The Garrison on Saturday night and The Horseshoe on August 1.

All three acts who played The Music Gallery last night also got some NXNE media attention; NOW profiled Snowblink, Blare got Evening Hymns’ Jonas Bonetta to give Tom Petty’s Wildflowers some love and The National Post and Post-City talked to Forest City Lovers’ Kat Burns.

Spinner talks to No Joy.

Spinner and NOW have interviews with Chad VanGaalen, who is playing The Great Hall on Saturday night.

Friday nights at Yonge-Dundas Square have been declared as “Indie Friday” and will host a weekly series of free shows to earn the title; particularly notable are shows from The Sadies on July 22 and the double-bill of Zeus and Jason Collett on September 9. All shows are free free free.

MP3: The Sadies – “Another Year Again”
MP3: Jason Collett – “Bitter Beauty”
MP3: Zeus – “Marching Through Your Head”

On July 28, The Tranzac will host the pretty terrific double-bill of Gentleman Reg and Rae Spoon; tickets for the show just $10.

MP3: Gentleman Reg – “We’re In A Thunderstorm”
MP3: Rae Spoon – “Death By Elektro”

And just in time for Summer/Polaris/NXNE/whatever June 17 means to you, The Line Of Best Fit have released their seventeenth (!!!) Oh! Canada downloadable mix.

jenngrant.comJust to be clear – Haligonian songstress Jenn Grant’s upcoming Toronto show would have been pretty much a must-see regardless. Her latest album Honeymoon Punch is just about the record I’ve been hoping she’d make since she arrived with her debut Orchestra For The Moon in 2007. It sheds some of the overly tasteful production choices that held it and 2009′s Echoes back and gets both breezy and scrappy, pushing the electric guitars up, and introducing synths and nimble rhythms to accompany Grant’s splendid voice and accentuate its playful qualities.

In short, it’s a treat and the opportunity to hear these songs live would have made for a great evening unto itself, but Grant’s gone off and stacked the bill meaning that if you’re anywhere but the Horseshoe Tavern from doors to last call on February 19, it can only be because you are crazy. Opening up the evening will be Calgary’s Rae Spoon, whose 2010 hybrid electro-folk effort Love Is A Hunter surprised and impressed and then you’ll have London’s Olenka & The Autumn Lovers, whose second full-length And Now We Sing may have been an 11th hour add to my year-end list but has more than proven that it belongs in the weeks since. Folks, this will be a superb show and there’s not much else to say besides that tickets are $15 in advance and you should get one.

The Chronicle Herald and Chart have interviews with Jenn Grant while Here chats with Rae Spoon.

MP3: Olenka & The Autumn Lovers – “Odessa”
MP3: Rae Spoon – “Death By Elektro”
Video: Jenn Grant – “Getcha Good”

Earlier that day – 5:30PM to be exact – you can see another Canadian buzz band in Braids as they play an in-store at Sonic Boom in advance of their show at the El Mocambo later that evening in support of Baths. They do pretty much nothing for me but their just-released debut Native Speaker is garnering all kinds of praise so I’m betting people will be interested in seeing them for free (well, for the price of a canned good donation). There’s interviews with the band at Culture Bully and Midnight Poutine, and they just released a new video.

MP3: Braids – “Plath Heart”
Video: Braids – “Plath Heart”

It’s a combination of words that I just can’t reconcile – “The Lowest Of The Low” and “Massey Hall” – and yet those two very things will come together when the Low, whose 2007 dissolution clearly hasn’t taken, play the fanciest stage the city has to offer. Tickets are $29.50 and $49.50 plus fees. The Low. Massey Hall. Crazy-pants.

MP3: The Lowest Of The Low – “Bleed A Little While Tonight”
MP3: The Lowest Of The Low – “Subversives”

Basia Bulat performs a Tiny Desk Concert for NPR.

QRO talks to Greg Alsop of Tokyo Police Club. They play Edgefest 2011 at Downsview Park on July 9.

The Sadies have released a new video from Darker Circles, made with a little help from The Hilarious House of Frightenstein.

Video: The Sadies – “Another Day Again”

Also with a new video are Born Ruffians, who’ve just announced a cross-Canada tour that at present doesn’t include a Toronto date. But there’ll be one. They live here for goodness’ sake. They have to come back eventually.

Video: Born Ruffians – “The Ballad Of Moose Bruce”

Gentleman Reg checks in with NOW from the road and discusses how writing is going for his next album.

NPR, The AV Club, Exclaim, American Songwriter and The Vancouver Sun all have interviews with Dan Bejar of Destroyer about his new record Kaputt. He plays Lee’s Palace on March 31.

The Line Of Best Fit has got another “Oh! Canada” compilation of Can-con goodies available to download. That’s fourteen, if you’re counting.

Frank YangThough I’d seen Forest City Lovers a few times in the past year while their new record Carriage was being written, I can’t say as though I remember (m)any of the new songs being aired out live before being committed to tape; perhaps all the more reason that I was bowled over by just how good the new album is when I finally got to hear the finished product a couple months ago.

And that was also part of the motivation to head down to the Great Hall on Thursday night for their homecoming record release show, capping a tour that took them to the west coast of Canada and back. Better judgement suggested that staying in and resting up in the middle of a very busy week would be the smarter course of action, but I wanted to hear these new songs live and there would be time for sleep later. And the hall. It’s great.

For support, they enlisted a couple of noteworthy locals – one already so and the other well on her way. The latter was Carmen Elle, whom I’d seen back in 2006 and even then, at age 17, she was already a remarkable singer, guitarist and performer. Checking in three and a half years later, she’s even better. This time instead of a full band, it was her and a drummer and the economical arrangements allowed her smoky vocals and impressive guitar chops to come to the fore. The material struck the right balance between simple and sophisticated with plenty of great melodies and just enough rock action. She mentioned that they were debating band names so looking for Carmen Elle records might not yield the desired results – I’m not even sure there are any yet – but any project with her associated with it, like her other band Donlands & Mortimer, is worth taking note of.

Pop-smith Gentleman Reg has been doing his thing for well on a decade now, but has gone through periods of both ubiquity and extended absence. The release of last year’s Jet Black and its companion Heavy Head EP marked a period of the former over the past year, with numerous shows including a month-long Drake Underground residency, but partway through their set Reg Vermue mentioned that this might be their last show for a while, implying that a break was in order. And if so, they bowed out on a high note – I’ve seen Reg play in a variety of configurations and with different people, and this lineup really seemed to compliment him and his songs best, particularly the female harmonies offered by drummer Dana Snell and keyboardist Kelly McMichael. McMichael, in particular, shone on their unexpected cover of Sheryl Crow’s “If It Makes You Happy”, taking the chorus while Reg handled the verses.

In the past, Forest City Lovers have always given their songs an extra kick in a live setting, building on their albums’ understated charms with the contributions of new and extra players. With Carriage, they’ve brought that ethos into the studio resulting in their liveliest and most varied record yet but on stage, they sounded a bit tentative on the new material as though they still weren’t fully comfortable with playing them live. This isn’t to say they didn’t play them well, not at all, but the extra gear that I was used to them finding wasn’t quite there for the Carriage material. And it wasn’t an off night for them either, as the older material did find that next level and net, they put on a pretty great show in what I think was their largest room to date, the core lineup bolstered by keys and a second violin. Carriage should be their breakthrough record and I’m certain that next time I catch them live, it’ll all sound equally grand.

View has a feature profile on Forest City Lovers.

Photos: Forest City Lovers, Gentleman Reg, Carmen Elle @ The Great Hall – August 12, 2010
MP3: Forest City Lovers – “Light You Up”
MP3: Forest City Lovers – “If I Were A Tree”
MP3: Gentleman Reg – “We’re In A Thunderstorm”
MP3: Gentleman Reg – “Plan On Including Me”
Video: Forest City Lovers – “If I Were A Tree”
Video: Forest City Lovers – “Pirates”
Video: Forest City Lovers – “Song For Morrie”
Video: Forest City Lovers – “Please, Don’t Go”
Video: Gentleman Reg – “How We Exit”
Video: Gentleman Reg – “Rewind”
Video: Gentleman Reg – “We’re In A Thunderstorm”
Video: Gentleman Reg – “Over My Head”
Video: Gentleman Reg – “Boyfriend Song”
MySpace: Forest City Lovers
MySpace: Gentleman Reg

PopMatters converses with Sarah Harmer. She plays Massey Hall on November 20.

Spinner talks to Dog Day about going from a quartet to a duo.

Chart, Metro, The Vancouver Sun and Spinner have interviews with Kathryn Calder about her new solo record Are You My Mother?.

NPR is streaming a World Cafe session with The New Pornographers.

Check out the first video from Isobel Campbell & Mark Lanegan’s new record Hawk, out next week. They play Lee’s Palace on October 20.

Video: Isobel Campbell & Mark Lanegan – “You Won’t Let Me Down Again”

Spinner wonders if Johnny Flynn will be the next British folk star. If it means his second album Been Listening gets a release in North America, I vote yes.

Exclaim reports that Elvis Costello will release a new record entitled National Ransom on October 5.

NME is sharing a track from Rose Elinor Dougall’s forthcoming debut album Without Why, due out August 30.

MP3: Rose Elinor Dougall – “Come Away With Me”

Drowned In Sound and Spinner talk to Kele; he plays the Mod Club on September 3.

Pitchfork has details on The Concretes’ new album WYWH, due out November 8.

MP3: The Concretes – “Good Evening”

And since I get the sense that you guys like winning stuff, check out this contest to win a trip to the Polaris Music Prize gala on September 20 at the Masonic Temple in Toronto. You know, I see nothing in the rules and regulations that stipulates that Polaris jurors can’t enter. Of course, I couldn’t use the flight since I live down the street from the hall, but maybe I could trade that for a pedicab. Or a piggyback ride.

Mick RockFor those of us who’ve become accustomed to the all-encompassing scale, splendour and chaos of that grandaddy of all club-level music festivals – that’s SxSW, in case you were wondering – It can be kind of fun to pick on the Toronto versions CMW/CMF and NXNE for, essentially, not being South-by. It’s not a fair comparison by any means, but it’s inevitable. We’ve had to check those darts and break out some laurels in recent years, however, as both fests have made significant improvements in terms of organization, public relations and most importantly, bookings. NxNE, in particular, has been wise in making use of the public space at Yonge-Dundas Square to get right in the faces of Toronto for the middle of June and make it feel like much more of a major city event, instead of one of many things going on in the Big Smoke at a given time. They started out with modestly interesting day shows but as of a couple years ago, began booking some of the biggest names of the fest there for shows that were completely open to the public. That is how you build good will.

And with the initial announcement of artists coming to town from June 17 to 20, they’ve really kind of outdone themselves. The big coup is clearly Iggy & The Stooges, who will play for free at Yonge-Dundas Square on the evening of June 19, and the punk legends set the tone for many of the other names announced yesterday, many of whom come from the big, loud and sloppy side of the tracks. Obviously the actual schedule is still a ways away, but some digging has revealed at least some of the when and where of some of the acts playing the festival – just to give you a taste of some of the tough choices that the Toronto club-hopper will have to make (besides the obvious one of Iggy vs Pavement/Broken Social Scene). These are not complete and are subject to change, but do come from legitimate sources.

Thursday, June 17 2010
X, Mudhoney @ Yonge-Dundas Square (free)
Warpaint, Free Energy, Elliott Brood @ The Horseshoe
The Besnard Lakes, Young Galaxy @ The Mod Club
HEALTH, Gold Panda, Indian Jewelry @ Sneaky Dee’s

Friday, June 18 2010
Sloan @ Yonge-Dundas Square (free)
Man… Or Astro-Man?, Mudhoney @ The Horseshoe
AA Bondy, Simone Felice, Avi Buffalo @ The Great Hall
Japandroids, Wavves @ Lee’s Palace
Inlets @ TBA

Saturday, June 19 2010
Iggy & The Stooges, Wavves @ Yonge-Dundas Square (free)
Quintron & Miss Pussycat, JEFF The Brotherhood @ The Garrison
Cold Cave, Avi Buffalo @ Lee’s Palace

Sunday, June 20 2010
De La Soul, Kid Sister, Phenomenal Handclap Band @ Yonge-Dundas Square (free)

And playing free shows at Yonge-Dundas at some point during the week will be The Raveonettes and Surfer Blood, while confirmed but still without a date or venue are Les Savvy Fav, Thee Oh Sees, The Soft Pack and The Strange Boys, amongst many, many others. And these are just the “bigger” names – by June, surely there’ll be a whole new batch of buzz bands to complain about being booked into undersized venues. Such is the joy of NXNE. But at least it will be warm.

Elsewhere and/or elsewhen. Rae Spoon has just released the thereisafire EP as a preview of his new record Love is A Hunter, due out in August. The EP is available to download for free and he will be at the Holy Oak in Toronto on Friday night, April 16, for a show.

MP3: Rae Spoon – “Come On Forest Fire” (CPI Remix)
MP3: Rae Spoon – “There Is A Light”
ZIP: Rae Spoon / thereisafire

Her time as a Decemberist at an end, at least for now, Shara Worden is returning to work as My Brightest Diamond and will be at the El Mocambo on May 4, presumably to showcase material from the follow-up to 2008′s A Thousand Shark’s Teeth. Tickets for that show are $10.50 in advance.

MP3: My Brightest Diamond – “Inside A Boy”
MP3: My Brightest Diamond – “The Diamond”

Local heroes-in-waiting Zeus have set a date at the Mod Club for May 27. Tickets for that will be $12 in advance.

MP3: Zeus – “Marching Through Your Head”

Blitzen Trapper have added a Toronto date to the end of their North American tour in support of their new record Destroyer Of The Void, due out June 8. Look for them on August 3 at the Opera House, accompanied by Avi Buffalo who – with their two NxNE shows – are going to be hanging around Toronto a lot this Summer.

MP3: Blitzen Trapper – “Heaven & Earth”
MP3: Avi Buffalo – “Remember Last Time”
MP3: Avi Buffalo – “What’s In It For?”

Dan Snaith of Caribou talks to Chart about new album Swim, out April 20. Caribou play the Phoenix on May 3.

MySpace Transmissions has a watchable/listenable/downloadable session with Broken Bells. They are at the Queen Elizabeth Theatre on June 2.

A second MP3 from The National’s High Violet is now available. The record is out May 11. They play Massey Hall on June 8 and 9.

MP3: The National – “Afraid Of Everyone”

Filter gets to know She & Him; they have a sold-out show at The Phoenix on June 9.

BBC6 talks to Ryan Monroe of Band Of Horses about their new record Infinite Arms, from which they’re previewing another new track on their website. The record is in stores on May 18 and they play the Toronto Island Concert on June 19.

Mother Jones and Spinner talk to Wayne Coyne of The Flaming Lips, who’ve just released a new video. Yeah, it’s weird.

Video: The Flaming Lips – “Powerless”

Josh Ritter previews his new record So Runs The World Away via Daytrotter session. The record is out May 4.

Le Blogotheque is hosting a Take-Away Show with Megafaun.

aux.tv Q&As Liz Powell from Land Of Talk, who also stopped in at Explore Music to perform a Big Star cover.

Video: Land Of Talk – “Thirteen” (live at Exploremusic)

Woodpigeon have a video for the title track of their new Spirehouse EP, which also appeared on Die Stadt Muzikanten. You can download the song for free in exchange for your email at Bandcamp.

Video: Woodpigeon – “Spirehouse”

OMG Blog has premiered a new video from Gentleman Reg for his cover of Stevie Nicks’ “Wild Heart” from his Heavy Head EP.

Video: Gentleman Reg – “Wild Heart”

Forest City Lovers have christened album number three as Carriage. Look for it around July.

Chris GergleyOne of my very favourite developments in the Toronto music scene over the past few years has been the rise of the in-store performance – whereas not so long ago there were maybe just a handful a year, they’re now occurring all the time at most of the independent record stores in the city and featuring bigger and bigger acts. Not only is it giving fans the opportunity to see artists in an intimate setting, it’s also often the only chance for underagers to see them live. And while I’ve often bemoaned the lack of a day show culture during either of the two major music festivals during the year, in-stores have done a good job of adding that extra layer of excitement to the official proceedings, with most stores hosting at least a few events during the weeks of festivities.

And Criminal Records is doing a good job of keeping that trend going through this year’s Canadian Musicfest. In addition to the triple-bill of Aidan Knight, Dan Mangan and Hollerado on Saturday March 13, announced last week, they’ve landed The Besnard Lakes to perform on March 10 at 6:30PM, their first show post-release of their new record The Besnard Lakes Are The Roaring Night the day before. Their official festival showcase goes the following night, March 11, at the Horseshoe at midnight. Jace Lasek of the band talks to The Fly, Chart and Exclaim about the new record, which is epic. But with the Besnards, epic kind of goes without saying.

MP3: The Besnard Lakes – “Albatross”

Further, their Friday night lineup will kick off at 5PM and feature locals faves The Balconies and Calgary’s Ghostkeeper. The Balconies’ official Canadian Musicfest show is at 9:20PM the Horseshoe on Saturday night while Ghostkeeper can be found on the 11th at Bread & Circus at 11PM and the 12th at The Garrison at 8PM.

MP3: The Balconies – “Serious Bedtime”
MP3: Ghostkeeper – “By Morning”

And a reminder that Kurt Vile is playing at Criminal tonight at 6:30PM. eye, hour.ca and NOW have interviews.

Not presently hosting anything during CMF but also not being left out is Sonic Boom, who’ve got some different but exciting fare lineup next week. On March 3, time TBA, they’ll have Malian legends Tinariwen in the house and the next evening at 6:30PM, Tuvan throat singers Huun Huur Tu will perform. Admission is free with the donation of a canned good. Tinariwen will be at the Phoenix on March 4 and Huun Huur Tu will be at the Mod Club on March 5. The Province has a feature piece on Tinariwen.

Video: Tinariwen – “Lulla”

Soundscapes’ upcoming in-store schedule has only one entry, but it’s a good one – Zeus on March 6 at 6PM. They’re the co-cover boys of this month’s Exclaim, alongside sometime bandleader and tourmate Jason Collett, while Metro has a piece on Zeus alone. Both are at Lee’s Palace on March 10.

Filter has some initial impressions of Born Ruffians’ new album Say It, due June 1 on Paper Bag in Canada and Warp elsewhere – check out the first MP3 below. They’ve got a show at the Phoenix on March 14.

MP3: Born Ruffians – “Sole Brother”

CBC, Vue, FFWD and The Gateway profile Basia Bulat.

PopMatters has not one but two interviews with The Hidden Cameras.

Singing Lamb chats with Gentleman Reg.

The Music Slut asks 8 questions of Fucked Up’s Damian Abraham. They play the Opera House tonight.

California girl Best Coast, recently named by Paste as one of the “Best Of What’s Next”, is hitting the road and has a date at The Garrison on April 13. We All Want Someone To Shout For has an interview with Beth Cosentino.

Los Angeles post-rockers Red Sparrowes are at The Garrison on April 17 presenting their new album The Fear Is Excruciating, But Therein Lies The Answer, which is out April 6.

MP3: Red Sparrowes – “Giving Birth To Imagined Saviors”

Dead Meadow have a date at Lee’s Palace on April 22. Their new record/soundtrack/film Three Kings is out March 23.

MP3: Dead Meadow – “I’m Gone”
MP3: Dead Meadow – “What Needs Must Be”

With the Sex Pistols reunion perhaps providing diminishing returns, John Lydon has kicked Public Image LTD back into gear. A North American tour has been announced and brings them to the Kool Haus in Toronto on May 7.

Video: Public Image Ltd – “(This Is Not A) Love Song”

Massive Attack are bringing their latest Heligoland across the pond for a North American tour which will kick off with two nights in Toronto at the Sound Academy, May 7 and 9. On the 8th, they will be going to Dave & Busters to play skee-ball.

Video: Massive Attack – “Paradise Circus”
Video: Massive Attack – “Splitting The Atom”

Thee Silver Mount Zion will take their new record Kollaps Tradixionales out on tour with a stop at Lee’s Palace on May 29, tickets $15.

MP3: Thee Silver Mount Zion – “I Built Myself A Metal Bird” (Live VIdeo Version)

Tom Petty & The Heartbreakers will play the Air Canada Centre on August 25 with Crosby Stills & Nash. I’ve never seen Tom Petty live. I should do something about that. Their new album Mojo is due out this Spring.