Quantcast

Posts Tagged ‘Gary Clark Jr’

Wednesday, June 26th, 2013

One For The Road

Arctic Monkeys announce new album of Arctic Monkey songs, tour of Arctic Monkey shows

Photo By Zackery MichaelZackery MichaelWhen Arctic Monkeys went off and unveiled the video for a new single last week, it was just a matter of time until the specifics around the follow-up to their 2011 album Suck It And See would come to light. And now they have. The Line Of Best Fit has details about the new record, which will be simply titled AM – whether it’s in reference to the band or the half of the day is anyone’s guess – and will be out in North America on September 10.

And to further get their legions of Monkeys fans on this side of the Atlantic excited, following the European festival season -which includes a headlining slot at Glastonbury this weekend – they’ll be commencing a North American tour which kicks off in Toronto on September 15 at The Kool Haus. Tickets for the all-ages gig are $33.50 and go on sale this Friday.

The London Evening Standard has some words from frontman Alex Turner about the new record.

Video: Arctic Monkeys – “Do I Wanna Know?”

Though original frontman Stuart Adamson passed away back in 2001, ’80s Scottish guitars-that-sound-like-bagpipes maestros Big Country have been reunited since 2010 with period-correct new frontman Mike Peters of The Alarm, and with the release of The Journey, their first new album in 14 years, are doing some North American tour dates – they’re in Toronto at Lee’s Palace on August 4, tickets $22.50.

Video: Big Country – “In A Big Country”

Despite being an avowed classic shoegazing fan – or maybe because I am – I don’t cotton to a lot of the current crop of purveyors of the style. Oakland’s Whirr, however, seem to do it right from the onomatopoeic monosyllabic handle through their sometimes hazy, sometimes pummelling, but always melodic sound. They’re heading out on tour in support of their latest album Pipe Dreams, and will be at the Silver Dollar on August 17, tickets just $8.50. I daresay you won’t find anything better to do that evening at that price.

Stream: Whirr – “Swoon”
Stream: Whirr / Pipe Dreams

Toronto-based Mumford & Sons fans who bought tickets to their Gentlemen Of The Road mini-fest in Simcoe, Ontario on August 23 and 24 expecting it would be their only local show might be a bit miffed to learn that the band have announced an August 26 show at The Molson Amphitheatre. Mind you, only The Vaccines and Bear’s Den are also joining them at this show, so if you were just as keen on seeing any of the other bands playing or just camping out in south-central Ontario, you’re still good. Or look at it as an opportunity to see them twice in a week. Or don’t, I dunno, I’ve lost interest. The band are doing some invite/presale thing to manage demand.

And for Vaccines fans, NME is streaming a new song from the band so have at it.

MP3: The Vaccines – “Norgaard”
Video: Mumford & Sons – “I Will Wait”
Stream: The Vaccines – “Melody Calling”

You won’t find a better legend-to-intimacy ratio than this – as he did back in 2010, Robyn Hitchcock will be camped out at the Drake Underground on the evenings of September 3 and 4, telling tales and playing songs from his latest album Love From London and probably a few more. Tickets for each show are $21.50.

Video: Robyn Hitchcock – “Be Still” (rehearsal video)

It’s not being billed as anything as reductive as a Constellation Records roadshow, but fans of the Montreal label would be ill-advised to be anywhere but The Great Hall on September 5; that’s when Esmerine, Colin Stetson, Sandro Perri and Craig Dunsmuir, who despite working together before as Glissandro 70 are billing themselves as Dudasa 80, and Jerusalem In My Heart. Tickets for that are $15.

MP3: Colin Stetson – “High Above A Grey Green Sea”
MP3: Esmerine – “A Dog River”
MP3: Jerusalem In My Heart – “Yudaghdegh Al-Ra3ey Aala Al-Ghanam”

I may have been wrong about Charleston roots-rock duo Shovels & Rope being added to the TURF lineup – they’re touring with Dawes, after all – but they are still coming to town. They’ll be at The Horseshoe on September 7 for their first-ever headlining show in support of O’ Be Joyful, tickets $16.50. Relix has a feature on the band.

Video: Shovels & Rope – “Birmingham”

New York synth-pop duo MS MR have to be pretty happy with their career trajectory, as represented by their touring history in Toronto – from supporting Jessie Ware at The Opera House in early April through a small club show of their own at Wrongbar in late May, and now a headlining date at The Phoenix on September 16, all behind their debut album Secondhand Rapture; tickets are $16.50, Danish singer opens. Full tour routing can be found at Exclaim and an interview with the duo at Glamour.

Video: MS MR – “Hurricane”

Portland instrumentalists Grails have set a date at The Drake Underground for September 18, tickets $12.50. Their last release was 2012’s vinyl-only Black Tar Prophecies Volume 5 split-12″ with Pharaoh Overlord.

MP3: Grails – “Almost Grew My Hair”

London-based Bastille, who topped the UK charts back in March with the release of their debut Bad Blood, will be looking to repeat some of that success stateside as they hit North America this Fall, including The Opera House in Toronto on September, tickets $16. Tone Deaf has an interview with frontman Dan Smith.

Video: Bastille – “Pompeii”

Australians Atlas Genius have already announced a return date for the Danforth Music Hall on October 4, tickets $22.50, even though their local debut at the Opera House just wrapped the other night. I guess their debut When It Was Now is doing pretty well. Support for that show will be Detroit duo Dale Earnhardt Jr. Jr.

MP3: Dale Earnhardt Jr. Jr. – “Skeletons”
Video: Atlas Genius – “Trojans”

Speaking of return engagements, British soulstress Jessie Ware has finally announced her follow-up to her local debut at The Opera House in April, and of course it’s at the much bigger and more reviled Sound Academy. She’s there November 6, tickets $25.

Video: Jessie Ware – “Wildest Moments”

Given that his star was already on the rise when I saw him at SXSW 2012, I’m surprised it’s taken Austin’s Gary Clark, Jr. this long to make it up here in support of his debut Blak And Blu, but when you’re as bona fide a singer-guitarist-songwriter as this guy – those “next Hendrix” compliments aren’t hot air – you’re in demand. In any case, he’s at The Danforth Music Hall on November 18, tickets $29.50.

Video: Gary Clark, Jr. – “Numb”

And from the upstart to the legend, Mavis Staples will be in town at Koerner Hall on February 7 behind her new album One True Vine, out this week and streamable in whole below, which sees the gospel singer tackle songs by Low, Funkadelic, Nick Lowe, and three Jeff Tweedy originals. Tickets for the show range from $40 to $95.

Video: Mavis Staples – “I Like The Things About Me”
Stream: Mavis Staples / One True Vine

And while my beat is mainly Toronto, I’d be remiss if I didn’t mention that Hamilton’s Supercrawl has announced its musical lineup for the weekend of September 13 and 14, and it will bring the likes of Yo La Tengo, Chelsea Light Moving, Fucked Up, Joel Plaskett, METZ, and many more to the streets of Steeltown. And oh, it’s free.

Friday, March 30th, 2012

SXSW 2012 Day Four A/V

Photo By Frank YangFrank YangThe final day in Austin for SXSW went a little something like this.

Gary Clark, Jr.
– Blues-rock axe-slinger who’s only got the 2010 Bright Lights to his name, but is already well on his way towards joining the ranks of Austin-bred guitar heroes. The Chicago Tribune has a feature interview.

Photos: Gary Clark, Jr @ The Mohawk Patio – March 17, 2012
Video: Gary Clark, Jr. – “Don’t Owe You A Thang”
Video: Gary Clark, Jr. – “Bright Lights”

The War On Drugs
– Spacey Americana-rockers hailing from Philadelphia, who enjoyed a breakout 2011 thanks to their second full-length album, Slave Ambient.

Photos: The War On Drugs @ The Mohawk Patio – March 17, 2012
MP3: The War On Drugs – “Come To The City”
MP3: The War On Drugs – “Baby Missiles”
MP3: The War On Drugs – “Taking The Farm”
MP3: The War On Drugs – “Comin’ Through”
MP3: The War On Drugs – “The History Of Plastic”
Video: The War On Drugs – “Come To The City”
Video: The War On Drugs – “Baby Missiles”
Video: The War On Drugs – “Needle In Your Eye #16”

Blitzen Trapper
– Jam-friendly roots-rockers whose 2011 release American Goldwing was their sixth record of genre-melting Americana. The West Australian and The Daily Texan have feature pieces.

Photos: Blitzen Trapper @ The Mohawk Patio – March 17, 2012
MP3: Blitzen Trapper – “Love The Way You Walk Away”
MP3: Blitzen Trapper – “American Goldwing”
MP3: Blitzen Trapper – “Dragon’s Song”
MP3: Blitzen Trapper – “Heaven & Earth”
MP3: Blitzen Trapper – “Black River Killer”
MP3: Blitzen Trapper – “Gold For Bread”
MP3: Blitzen Trapper – “Furr”
Video: Blitzen Trapper – “Love The Way You Walk Away”
Video: Blitzen Trapper – “Black River Killer”
Video: Blitzen Trapper – “Furr”
Video: Blitzen Trapper – “Wild Mountain Nation”
Video: Blitzen Trapper – “Woof And Warp”
Video: Blitzen Trapper – “Devil’s A Go Go”

Bob Mould
– Legendary leader of Husker Du and Sugar who has taken to performing the whole of the latter’s debut Copper Blue live in concert, as he did this day. He’ll release a new solo record this Fall on Merge. Filter has an introduction to the greatness of Copper Blue.

Photos: Bob Mould @ The Mohawk Patio – March 17, 2012
Video: Sugar – “Helpless”
Video: Sugar – “Changes”
Video: Sugar – “If I Can’t Change Your Mind”

The Roots
– Groundbreaking hip-hop/soul virtuosos, collaborators with everyone, house band for Late Night With Jimmy Fallon and maybe one of the best live acts going. Their last record was 2011’s Undun.

Photos: The Roots @ The Mohawk Patio – March 17, 2012
Video: The Roots – “Tip The Scale”
Video: The Roots – “Make My”
Video: The Roots – “Stomp”
Video: The Roots – “Sleep”
Video: The Roots – “The Fire”
Video: The Roots – “Dear God 2.0”
Video: The Roots – “How I Got Over”
Video: The Roots – “Rising Up”
Video: The Roots – “Birthday Girl”
Video: The Roots – “Get Busy”
Video: The Roots – “75 Bars (Black’s Reconstruction)”
Video: The Roots – “Don’t Feel Right”
Video: The Roots – “I Don’t Care”
Video: The Roots – “Star”
Video: The Roots – “Don’t Say Nuthin'”
Video: The Roots – “The Seed (2.0)”
Video: The Roots – “Break You Off”
Video: The Roots – “The Next Movement”
Video: The Roots – “You Got Me”
Video: The Roots – “What They Do”
Video: The Roots – “Concerto Of The Desperado”
Video: The Roots – “Clones”
Video: The Roots – “Silent Treatment”
Video: The Roots – “Proceed”
Video: The Roots – “Distortion To Static”
Video: The Roots – “Pass The Popcorn”

Monday, March 26th, 2012

SXSW 2012 Day Four

The Roots, Bob Mould, Blitzen Trapper and more at SXSW

Photo By Frank YangFrank YangIf you were to ask me what I thought MOG did – and for the life of me I can’t imagine why you would – the best I could offer is that they excel at getting my exhausted ass out of bed early on the Saturday of SXSW to go line up at The Mohawk so I can stand around for hours on end. They did it last year with a bill of Smith Westerns, Wild Flag, Okkervil River and TV On The Radio (I didn’t stick around for Big Boi but most everyone else did) and this year, the promised headlining double-bill of Bob Mould playing Copper Blue and The Roots was too much to resist.

The lineup was great but that also meant the line up would be long, meaning that despite getting what was by my standards an early jump on the day, I didn’t get into The Mohawk until lead-off hitter Gary Clark, Jr. was already a little ways into his set. I wasn’t specifically familiar with Clark, but you didn’t need to read his Wikipedia page to know what he was about – the man was a modern/classic guitar hero in the Hendrix vein, blending blues, rock, soul and psychedelia into a lean, impressive package. Impressive not just for his chops, which were formidable, but because the man could also write a song, sing with feeling and inject his music with a genuine sense of urgency and excitement without being showy – no mean feat for a guitar slinger. I’ve always thought the best thing about Hendrix was not his guitar playing, but his ability to write a song; Clark gets that.

On average, my appreciation for The War On Drugs lasts for about 30 minutes; that’s why their in-store at Soundscapes last August was the perfect set for me to enjoy their spacey guitar jams and not get bored. Their set here was about 45 minutes and almost on cue, at about the half-hour mark the hypnotic effect of their really loud chill-out started to wear off. Until that point, it was quite a nice soundtrack for a sunny afternoon of standing around but still feeling like you’re going somewhere. But after that… well, email started getting checked.

Even so, they were an inspired one-two punch with Portland’s Blitzen Trapper, whose music shares a sense of quintessential American-ness, but theirs is a more wide-eyed and rambling take on it. It’s as though The War On Drugs take the highway while Blitzen Trapper opt to roam the woods. It’d been a while since I’d seen them live – way back when their buds in Fleet Foxes were just of opener status – but their recipe of big, Band-esque jams and extended guitar solos hasn’t changed too much. I have to say that while their albums tend to ramble a bit more than I’d like and haven’t managed to really get any staying power in my ears, they remain a good time live.

All of that was preamble, however, to what for me was the day’s main draw – Bob Mould playing Copper Blue. I’ve no doubt that most in attendance didn’t appreciate the significance of either the record or the fact that they were about to see it played live – even twenty years on from its release, not nearly enough recognize its rightful status as one of the best American rock albums of the ’90s – but those of us who did were, as the kids say, stoked. It was rightly billed as Bob and not a reunited Sugar, but Dave Barbe and Malcolm Travis had more than capable substitutes in Jason Narducy and Jon Wurster. Being a bit pinched for time, they wasted no time in getting set up and tearing into “The Act We Act” and if anyone ever wanted a picture of me losing my shit, that’d have been a good place to get it. Not that anyone would have expected it to, but age hasn’t slowed down or quieted Mould at all, with the recital running non-stop and even faster than the original recordings. Mould seemed to be having a good time of it, offering a few smiles when he wasn’t bellowing into the mic or unleashing hell via his old Stratocaster. A few glances around confirmed that most people weren’t really getting it, but for every handful of quizzical or bored faces, there was one in a state of ecstasy so that was good enough. It was a bit of a shame that they had to skip “Slick” due to time – hardly my favourite song but still part of the album – but having “Helpless”, “Changes” and “Hoover Dam” blasted in my face was as good as I’d hoped.

But you know what? As great as that was, it wasn’t the highlight. Even if Bob had brought out Greg Norton and Grant Hart to play all of Candy Apple Grey, it’d have probably taken a back seat to The Roots. I have to say that I’ve never seen The Roots live, or listened to a Roots record, or even watched the Jimmy Fallon show. I don’t even follow Questlove on Twitter. You would be hard-pressed to find someone less familiar with The Roots than me, but even with all that their 90-minute show was one of the best things I’d seen in forever, and I’d just seen Bruce Springsteen less than 48 hours prior. Of course, in a sense that makes it easier – I can’t comment on what they played (though the cover quotes of Guns’N’Roses, George Thorogood and Led Zeppelin were obviously identifiable) but can describe the whole experience as an explosion of music where we were invited to dance in the fallout. It was a hip-hop show, a rock show, a soul revue all at once and a exhibition of amazing musicianship and showmanship throughout. Perhaps the most amazing thing was that as incredible as it was to be witnessing all this from up close, the band looked like they were the ones having the best time – you cannot fake the kind of joy that they were radiating. The performance went pretty much non-stop for about an hour fifteen before the rest of the band took a breather and Questlove and F. Knuckles invited DJ Jazzy Jeff – yeah, that Jazzy Jeff – onstage for a 3-man drum-off, before everyone returned for the big finish. The Roots. Holy shit. If the festival ended right there, I’d have been just fine with it

But of course it didn’t; one more night to go.

Stephin Merritt of The Magnetic Fields talks to Kelly Hogan for The Chicago Reader (Hogan covers The Magnetic Fields amongst others on her new record I Like to Keep Myself in Pain, out June 5, details at Exclaim) and to LA Weekly. The Magnetic Fields are at The Sound Academy on March 30.

M. Ward’s new one A Wasteland Companion is up and doing the stream thing at NPR ahead of its release next week, April 3.

Stream: M. Ward / A Wasteland Companion

Paste is all about Margot & The Nuclear So And So’s, post a video session to go with their feature piece. The band are at The Garrison on April 5.

East Village Boys sends Michael Stipe to interview Perfume Genius’ Mike Hadreas while The Los Angeles Times, Dallas Voice, and San Diego City Beat don’t need to celebrity proxies. Perfume Genius is at The Drake on April 8.

DIY has details on The Flaming Lips’ contribution to this year’s Record Store Day exclusives – The Flaming Lips & Heady Fwends celebrity collaboration album. Look for it (and probably not find it as it’s sold right out) on April 21.

Also coming out for Record Store Day are the first three Uncle Tupelo albums for the first time on vinyl since they were originally pressed back in the early ’90s (I assume – maybe they went straight to CD?). Until now, you could get Anodyne and the Anthology on wax, but not No Depression, Still Feel Gone or March 16-20, 1992 and also the literally-titled The Seven Inch Singles box set of four 7″ singles.. So this is good. Details at Exclaim.

Lower Dens are streaming a new track from their forthcoming Nootropics, out May 1.

Stream: Lower Dens – “Propogation”

S. Carey has posted a song from his new EP Hoyas to download. It’s out May 8.

MP3: S. Carey – “Two Angles”

Deer Tick are coming to town for a show at Lee’s Palace on June 11 in support of last year’s Divine Providence.

MP3: Deer Tick – “Miss K”

Drowned In Sound talks to James Mercer of The Shins and gets to know those who are now his bandmates. The Shins are at The Molson Amphitheatre on August 4.

Blurt interviews Andrew Bird.

Pitchfork is streaming a new tune from Sharon Van Etten, the b-side to her “Leonard” single. The Georgia Straight and San Francisco Bay Guardian also have conversations with her.

Stream: Sharon Van Etten – “Life Of His Own”

Daytrotter has posted a session with Wye Oak.

Blurt profiles Of Montreal.