Ladytron and The Faint at The Phoenix in Toronto

Frank Yang — Wed, 08 Apr 2009 12:11:48 +0000

Frank YangI’m all for the egalitarian spirit of alternating closing slots when it comes to co-headline tours, but even as someone who’s a fan of Ladytron and who hadn’t heard a note from The Faint before Monday’s show at the Phoenix, I’d have to say that the evening would have been better served if the Nebraskans had been last up.

Which isn’t a slight on the Liverpool outfit in the least – as their appearance at Harbourfront last July proved, they can put on a terrific show even without being especially animated but following a set as hyper-kinetic and anarchic as The Faint’s? That’s tough. As mentioned, they were an unknown quantity but made a hell of an impression, and quickly – their laser-guided light show and frontman Todd Fink’s manic antics made for a level of spectacle and showmanship that I’m not really used to seeing, and soundtracked by the band’s deep and thundering synth-dug grooves, it wasn’t a little gleefully apocalyptic. And helping that impression along were the audience – all I can say is that if you’re going to be standing in the all-ages portion of a Faint show, you’d best be prepared. Starting from a sway and quickly building to a near-riot, it became very clear that the front half of the Phoenix was no place for the faint of heart or aged of back. I can’t say that I’ll remember a single song The Faint played during that hour on Monday night, but I’ll certainly remember the effect it had on their fans. That shit was crazy.

And crazy is not what Ladytron are about – sleek, stylish and Euro-cool synth-pop is – so it seemed a bit unfair that they’d have to follow that up even if, by most measures, they’re the bigger band. The kids had some time to cool off as the roadies filled the stage with keyboards and it almost seemed as if they’d be sedate for the second half of the show. Almost. I’d gone into the show last year only knowing Ladytron’s latest record, Velocifero, and was inspired to pick up their equally if not more excellent previous release Witching Hour shortly thereafter and this would be about all the background I’d need to be familiar with their set. Like last time, frontwomen Helen Marnie and Mira Aroyo remained mainly stationary behind their banks of keyboards, alternately stepping out to handle vocals, and bathed in dim, red backlighting. Except for the occasional flash of blinding stage light or strobe, these were the visuals for the evening – about as far removed from The Faint’s setup as you could get.

But all this proved was that it wasn’t the stage show that got the kids amped up. It didn’t take long before they got rowdy again, each fat square wave out of the PA seemingly resonating with the reptilian parts of their brains. Though I’d managed to mostly hold my ground during The Faint, self-preservation instincts sent me to the sidelines for most of Ladytron’s set, not that that proved effective – about midway through the show, someone came hurtling across the room and slammed into myself, a barrier fence and a very large, heavy and presumably expensive cabinet of PA/stage equipment, knocking all of the above over. Amazingly, nothing was hurt or broken (either myself or the gear) and the show went on.

But even without the incidents of sorta violence, there was a darker vibe to this show than the one on the waterfront last Summer. The mix in the house wasn’t as balanced, frequently overloud and muddy, and it didn’t seem to be much better onstage if the occasional looks on the band’s faces and even a few missed cues were any indication. Throw in the hepped up audience in an enclosed space and my own personal exhaustion and it all just felt kind of tense. And as much as I enjoy Ladytron’s stuff and mostly enjoyed the show, as soon as the final note of “Destroy Everything You Touch” in the encore rang out, I was out of there.

If you were one of the people disappointed that Telepathe dropped off the Ladytron/Faint bill at the last minute, well, you’ve obviously never heard/seen them live. But if you actually like them and want to see them, they’ll be here on June 4 for their own show at the El Mocambo in support of their new record Dance Mother, out next week. Full tour dates at altsounds.

MP3: Telepathe – “So Fine” (Lauren Flax remix)
Video: Telepathe – “So Fine”

Southern rock-punks Cage The Elephant, who were a very pleasant surprise at NxNE 2007, have a date at the El Mocambo on April 26, tickets $8. Their self-titled debut did quite well when it was released in Europe last year, and is getting a domestic release on April 21.

Video: Cage The Elephant – “Ain’t No Rest For The Wicked”

Chart reports that Canada Day this year will be celebrated at Harbourfront by Constantines and Chad Van Gaalen. As with every year, this show will be a) free and b) awesome.

Coming just a day too late to be considered timely (by me), the self-titled debut album from La Roux has been given a release date of June 29.

The Music Slut asks eight questions of White Lies.

Maximo Park’s Paul Smith gives Drowned In Sound a track-by-track tour of their new album Quicken The Heart, out May 12.

Singing Lamb interviews Cut Off Your Hands.

Stereogum interviews Thurston Moore of Sonic Youth. Their new album The Eternal is out June 9.

Pitchfork tracks the musical development of Thermals frontman Hutch Harris and also premieres their new video. They’re at the Horseshoe on May 3.

Video: The Thermals – “Now We Can See”

MTV and Spinner talk to Bat For Lashes’ Natasha Khan. Her new record Two Suns came out yesterday and is streaming this week at Spinner. She’s at the Mod Club on April 25.

Stream: Bat For Lashes / Two Suns

Clash and Manchester Confidential interview Doves. Kingdom Of Rust is out now, streaming below, and they’re at the Kool Haus on June 1.

Stream: Doves / Kingdom of Rust

Paste plays catch up with Bob Mould. Life And Times came out yesterday – stream it below.

Stream: Bob Mould / Life and Times

Also out now and streaming for your consideration is The Hold Steady’s new live document A Positive Rage.

Stream: The Hold Steady / A Positive Rage

Ladytron hit the road, release new remix EP

Frank Yang — Sat, 07 Feb 2009 22:08:49 +0000

NettwerkA quick Saturday post to round up a bunch of concert announcements from the end of this week.

Liverpool’s Ladytron are continuing to celebrate the excellence of last year’s Velocifero by laying out a North American tour that kicks off in April and comes to the Phoenix on the 6th of that month. It’s a co-headlining jaunt with The Faint, who themselves are continuing to work their 2008 release Fasciination. Their free show at Harbourfront last July was a highlight of the Summer and I’m very much looking forward to knowing even more of their repertoire this time around, as I’ve had a half-year to devour their previous record, Witching Hour.

Ladytron are also bringing something new(ish) to the table with a new digital EP for forthcoming single “Tomorrow”, which will also feature a number of remixes including the one below. It’ll be available March 3. The band are also working with Christina Aguilera on her new record. Yes, really.

MP3: Ladytron – “Tomorrow” (Vector Lovers Lucky Remix)
Video: Ladytron – “Runaway”
Video: Ladytron – “Ghosts”

Los Campesinos! will bring the second of their two 2008 releases, We Are Beautiful, We Are Doomed to the Opera House on April 1, tickets $15. Their current US tour has yielded features on the band at 77 Square, The Tech, Wicked Local and The Houston Chronicle.

MP3: Los Campesinos! – “We Are Beautiful, We Are Doomed”
MP3: Los Campesinos! – “Miserabilia”

The band Los Campesinos are currently touring with, Titus Andronicus, are also coming to town this Spring but it’ll be on April 12 at the Horseshoe as support to Lucero. Ben Nichols, singer for Lucero, just released a solo mini-album in The Last Pale Light in the West. Nichols talked to Nashville Scene about the band’s plans for 2009.

MP3: Lucero – “The Mountain”
MP3: Titus Andronicus – “Titus Andronicus”
Video: Titus Andronicus – “Titus Andronicus”

Kings Of Leon have a date at the Air Canada Centre on April 21.

Coldplay have put together another North American tour but the Toronto date, set for July 29, is currently list as venue TBA. Of course, the fact that this is being advertised as an amphitheatre tour makes it likely that the venue will be the Molson Amphitheatre, but maybe they’re just trying to make themselves elusive for Joe Satriani’s lawyers.

.: chromewaves.net v7.5 » Faint

Ladytron and The Faint at The Phoenix in Toronto

Ladytron hit the road, release new remix EP