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Posts Tagged ‘Dismemberment Plan’

Wednesday, December 4th, 2013

Echo Locate

Swearin’ are tourin’ and comin’ to town

Photo By Lance NelsonLance NelsonI won’t presume to have any insight into the relationship between Crutchfield sisters Katie and Allison, but it’s hard to imagine there isn’t at least a little competitiveness between the twins since they disbanded P.S. Eliot, the band they were in together, back in 2011 and re-emerged fronting Waxahatchee out of Philadelphia and Swearin’ in Brooklyn, respectively.

And while Katie pulled well ahead in the critical acclaim department earlier this year with the electrified folk sounds of Cerulean Salt, Allison is making a late-year run with Surfing Strange – a heady, hyper, and hooky slice of melodic punk-rock fuzz that recalls the likes of early Superchunk. Two excellent records that are similar enough to be “RIYL” for one another, but different enough to not have to choose sides.

In the battle of who’s coming to play Toronto first, though, Swearin’ wins. Though both acts spent most of the year on the road criss-crossing America and Europe – often together – a local date for Waxahatchee still hasn’t come together. Swearin’, however, have just announced a Winter tour that will bring them and their tunes to the cozy Parkdale basement we like to call The Shop Under Parts & Labour on March 14; ticket info still forthcoming.

Stereogum has an interview with Swearin’ while The San Francisco Examiner and Dots & Dashes profile Waxahatchee, who also play a Tiny Desk Concert for NPR.

And also worth noting is Great Thunder, a new project that brings Waxahatchee and Swearin’ together, but not in the sisterly way – instead, it pairs Katie Crutchfield with Swearin’ bassist Keith Spencer (who also plays in her band and is her boyfriend). They’ll release a double album in Groovy Kinda Love on December 10 and you can stream it below. As for the Crutchfield sisters together, they covered Grimes for Rookie back in May.

Stream: Swearin’ – “Watered Down”
Video: Swearin’ – “Gold In The Dust Sack”
Stream: Great Thunder / Groovy Kinda Love
Stream: Katie & Allison Crutchfield – “Oblivion”

A whole pile of other shows were announced yesterday, starting with Phosphorescent, who are taking advantage of the fact that their latest album Muchacho is popping up on – and topping – no shortage of year-end lists and have announced more Winter dates; they’ll be at The Mod Club on February 1, tickets $17.50. The Guardian also has an interview with Matthew Houck.

MP3: Phosphorescent – “Song For Zula”

It’s a trans-generational dose of Austin psychedelia as The Black Angels, who released Indigo Meadow back in April, team up with 13th Floor Elevator mastermind Roky Erickson, whose last album was the 2010 Okkervil River collab True Love Cast Out All Evil, for a Winter tour that stops in at The Phoenix on February 11. Tickets for that are $27.50.

MP3: The Black Angels – “Telephone”
Stream: Roky Erickson – “I Walked With A Zombie”

New Jersey electro-artist/producer Com Truise has announced the February 18 release of a new mini-album entitled Wave 1 – stream one of the songs below – and a Winter tour that comes to Wrongbar on February 12. Exclaim has full dates and release details.

Stream: Com Truise – “Declination”

Band Of Horses are setting out on an acoustic tour to coincide with the February 11 release of their unplugged Acoustic At The Ryman set, and will be at the Queen Elizabeth Theatre on February 21, tickets $37.50 and $44.50 in advance.

MP3: Band Of Horses – “No One’s Gonna Love You”

With their first new album in three years – Wig Out At Jagbags – ready for release on January 7, Stephen Malkmus & The Jicks are hitting the road with Philadelphia’s Disappears and will be at Lee’s Palace on February 22, tickets $26.50.

MP3: Disappears – “New Fast”
Lyric Video: Stephen Malkmus & The Jicks – “Lariat”

Xiu Xiu released their Nina Simone covers record Nina this week – stream it at USA Today – and have put together some Spring dates to support it. Look for them at The Garrison on March 9, tickets $10.

Video: Xiu Xiu – “You’d Be So Nice”
Stream: Xiu Xiu / Nina

Shearwater – who cover Xiu Xiu on their own new covers record Fellow Travelers – have announced their tourmates for their upcoming tour: On March 27 at The Horseshoe, they’ll be joined by Death Vessel, who are finally releasing a follow-up to 2008’s Nothing Is Precious Enough For Us in Island Intervals on February 25 – and Jesca Hoop, whose The House That Jack Built came out last year. Jonathan Meiburg of Shearwater penned piece about the covers album for The Talkhouse.

Video: Jesca Hoop – “Ode To Banksy”
Stream: Death Vessel – “Ilsa Drown”

The War On Drugs have come clean on their new album, entitled Lost In The Dream and out March 18. You can stream a new song below, read an interview with Adam Granduciel at The Line Of Best Fit, and make plans around their Spring tour dates which include April 14 at The Horseshoe and/or April 15 at Lee’s Palace; probably not both. The band’s own website and PR says 14th at The ‘Shoe, so let’s circle that one. Update: It’s the Horseshoe, April 14, tickets $16.50.

Stream: The War On Drugs – “Red Eyes”

NPR has a video session with Darkside, who’re at Lee’s Palace on January 15.

Details are still vague, but The Line of Best Fit reports that the new St. Vincent album will be out on February 25.

Pitchfork has details on a new record from Brooklyn’s The Men; the optimistically-titled Tomorrow’s Hits comes out March 4.

Rolling Stone gets insight into the new Drive-By Truckers record, entitled English Oceans and coming March 4.

With this Fall’s Emancipated Hearts expressly called a mini-album, it’s technically accurate to call Dean Wareham’s forthcoming self-titled, Jim James-produced full-length his solo debut. It’s out March 11 and Consequence Of Sound has specifics.

Stereogum points out that The Pains Of Being Pure At Heart have quietly rolled out a video for the title track of 2011’s Belong, serving as a pointed reminder that we’re well overdue for new material from them.

Video: The Pains Of Being Pure At Heart – “Belong”

Kurt Vile chats with Tone Deaf, Houston Press, and FasterLouder, and reacts to being named one of GQ‘s “Men Of The Year”.

The 405 and Metro Active have interviews with Sonic Youth’s Lee Ranaldo.

NPR has a Tiny Desk Concert and Daytrotter a “stand behind whatever piece of furniture you like” session with The Dismemberment Plan.

Drowned In Sound meets Local Natives.

The AV Club gets a little more information from The Walkmen about their “extreme hiatus”, which begins after their show in Philadelphia tonight.

Tuesday, November 12th, 2013

Chords I've Known

Tribute to Sparklehorse seeks tributes from fans

Photo By Frank YangFrank YangSparklehorse were never an especially commercially successful band during their lifetime, their heartbroken transistor radio cosmic country finding only a cult audience, but a lot of that cult audience were other artists. And so almost four years after Mark Linkous took his own life, the Box Of Stars organization, which seeks to raise awareness of mental health issues through music, has gathered together an impressive roster of those fans for Last Box Of Sparklers: A Tribute To Mark Linkous.

Amongst the contributors you’ll find Sparklehorse forebears, contemporaries, and followers including The Flaming Lips, Dinosaur Jr, Cowboy Junkies, Phantogram, and The Joy Formidable. Financing for the release is currently being sourced through Indiegogo and with nine days to go, they’re 40% of the way to their $50,000 goal. It would be a shame on so many levels if this project didn’t happen so if you were a fan of Sparklehorse – or are a fan of any of the contributing artists and would like to be introduced to the sad and beautiful world of Sparklehorse – see about contributing.

Pitchfork has more details on the project and a stream of Mercury Rev’s track.

Stream: Mercury Rev – “Sea Of Teeth”
Trailer: Last Box Of Sparkers: A Tribute To Mark Linkous

The National have made their contribution to the new The Hunger Games: Catching Fire soundtrack – due out November 19 – available to stream and guitarist Aaron Dessner gives NME some insight into their plans for their next album.

Stream: The National – “Lean”

Unofficial ambassador of Arizona to the world – never mind that Walter White fellow – Howe Gelb has made a date at The Drake Underground on December 7 to play songs from his new solo record The Coincidentalist, his first visit since bringing the ‘Sno Angel Like You gospel project to Lee’s Palace in December 2006. Tickets for that will be $17.50.

Stream: Howe Gelb – “Vortexas”

Pitchfork and Rolling Stone talk to Stephen Malkmus about his new album with The Jicks, entitled Wig Out at Jagbags and due in January 7; details at Matablog, lyric video for a new song below. Sing along!

Lyric Video: Stephen Malkmus & The Jicks – “Lariat”

The whole of Warpaint’s set at the Pitchfork Paris festival earlier this month is available to watch online; I would expect some tracks from their new album Warpaint, out January 21, are included in the set.

Video: Warpaint live at Pitchfork Paris 2014

Though just here last last month, San Francisco’s Weekend are coming back to town and bringing Philadelphia’s unbelievably loud Nothing – themselves just here in August – for a show at The Garrison on January 21; tickets are $10.50 in advance.

MP3: Weekend – “Coma Summer”
Video: Nothing – “Downward Years To Come”

Le Tigre alumnus JD Samson & MEN are touring behind their new record Labor and will be at The Garrison on January 26. Noisey has an interview with Samson.

Video: JD Samson & MEN – “Making Art”

Rolling Stone has premiered a stream of the new song by Hospitality, taken from their sophomore album Trouble, coming out January 27.

Stream: Hospitality – “I Miss Your Bones”

Austin’s White Denim have announced Winter dates behind their new, Jeff Tweedy-produced album Corsicana Lemonade; dates and a stream of the album can be had at Exclaim, and they include a March 3 date at The Horseshoe, tickets $15.50. The Irish Examiner has an interview with the band and NPR a video session.

Stream: White Denim / Corsicana Lemonade
Video: White Denim – “Pretty Green”

Billboard talks to Patterson Hood of Drive-By Truckers about their new album, recorded in a fortnight and set for release in March of the new year.

We Are Scientists have slated a Spring tour behind their new EP Business Casual – which includes a cover of Berlin’s love theme from Top Gun which itself has a video – and they’ll be at Lee’s Palace on April 22.

Video: We Are Scientists – “Take My Breath Away”

Innocent Words has an interview with Tanya Donelly.

Superchunk have made the latest edition of their Clambake live album series – a 1996 vintage show in Melbourne – available to stream for free.

Stream: Superchunk / Clambakes Volume 7: Shut the F*ck Up!…No, We Love You – Live at the Corner Hotel 1996

NYC Taper is sharing a record of Built To Spill’s visit to Irving Plaza in New York last week.

PopMatters, The Georgia Straight, and San Francisco Examiner talk to Cameron Mesirow of Glasser.

The Alternate Side has a session with The Dismemberment Plan.

eMusic, Paste, and Filter have interviews with Midlake, who also offer instructions on how to make an old-fashioned.

Noisey talks to Josh Tillman of Father John Misty.

Spin and The Fly talk to Wayne Coyne of The Flaming Lips.

The 405 interviews The Men.

Rolling Stone has a eulogy for Lou Reed by his wife Laurie Anderson, as well as video of his final interview.

Wednesday, October 23rd, 2013

We Looked Like Giants

Death Cab For Cutie celebrate Transatlanticism‘s 10th with naked baby photos

Photo By Peter EllenbyPeter Ellenby2013 marks the tenth anniversary of all kinds of things – the US invasion of Iraq, Lost In Translation, the passing of both Johnny and June Carter Cash – but also the debut of a television show called The O.C. which hand to god I have never watched but know of because it catapulted one of my then-favourite bands in Death Cab For Cutie from bubbling-under buzz band into bona fide (indie-scale) stars. Well their endorsement, plus the momentum of Ben Gibbard’s other project The Postal Service, and also the release of the band’s most beloved album in Transatlanticism. I personally preferred its predecessor The Photo Album, but a generation of indie kids came of age to this record and so its decade anniversary is almost certainly making a lot of people feel really old right now; my world and welcome to it.

In any case, it’s a milestone that merits commemoration and the band’s former and spiritual home of Barsuk Records is doing so with the re-release of the album on double vinyl, after several years out of print, and as a bonus have released the original demos for the record alongside it. The set of song sketches comes as a download with the LP or can be purchased on its own. Both versions of the record are available to stream right now at NPR before being officially released next week on October 29.

Entertainment Weekly and Consequence of Sound have pieces on why the album endures, and if you’re more about living in the now than the past, Billboard reports that they’re back in the studio working on their next record.

MP3: Death Cab For Cutie – “Title and Registration”
Stream: Death Cab For Cutie / Transatlanticism 10th Anniversary Edition

Another tenth anniversary of a much sadder note came to pass this week; the passing of Elliott Smith a decade ago this week. Tributes abound online, but Pitchfork has assembled an impressive oral history of the songwriter’s career.

Spin has an advance stream of Widowspeak’s new EP The Swamps, which sees official release on October 29. They’re in town at The Silver Dollar on November 2.

Stream: Widowspeak / The Swamps

Paste talks to The Head & The Heart, in town for a show at the Danforth Music Hall on October 31.

Matablog has posted a new track from the forthcoming and inevitable deluxe edition of Kurt Vile’s last album Wakin’ On A Pretty Haze: Deluxe Edition (Post Haze), out November 19.

MP3: Kurt Vile – “Feel My Pain”

Tone Deaf chats with James McNew of Yo La Tengo. The deluxe edition of their latest album Fade comes out November 19.

Sub Pop is really emphasizing the “Pop” with the release of a Low/Shearwater split 7″ for Black Friday Record Store Day on November 29; the a-side will feature Low’s already-released Rihanna cover, while the b-side unveils Shearwater’s take on Frank Ocean. Proceeds go to charity, vinyl is limited to 3500 copies, and both tracks will be made available digitally.

Stream: Low – “Stay”

Pixies have released another video from their recent EP-1, which they’re using to justify their show at Massey Hall on January 15.

Video: Pixies – “Andro Queen”

Electronic duo Darkside have released a new video from Psychic; they’re at Lee’s Palace on January 15.

Video: Darkside – “Metatron”

Brooklyn’s Hospitality have announced a January 27 release date for their second album Trouble; check out a trailer for it and check out their 2012 self-titled debut if you don’t know why they’re a good band.

Trailer: Hospitality / Trouble

The reunited Dismemberment Plan continue to be a topic of discussion with MTV Hive, Stereogum, Paste, and The 405, and NYC Taper has posted a recording of their recent Terminal 5 show in New York.

Dean Wareham has released a video from his solo mini-album Emancipated Hearts.

Video: Dean Wareham – “Love Is Colder Than Death”

Jim James has put out another video from his solo record Regions Of Light and Sound Of God.

Video: Jim James – “State of the Art (A.E.I.O.U.)”

DIY talks to Kevin Barnes of Of Montreal.

Will Sheff of Okkervil River talks to The Guardian.

The Big Takeover and examiner.com interview Charlie Hilton of Blouse.

To celebrate their 20,000th Twitter follower, Superchunk have posted an acoustic version of “Breaking Down”, which appears fully electrified on their latest I Hate Music.

Stream: Superchunk – “Breaking Down” (acoustic)

Aquarium Drunkard interviews the Kadane/Johnson/Bazan-powered beast that is Overseas.

Wednesday, October 16th, 2013

Golden Arrow

Don’t underestimate the power of the Darkside

Photo By Jed DeMossJed DeMossYou’ll probably hear a lot about how cool Psychic – the debut album from Darkside, project of electronic artist Nicolas Jaar and multi-instrumentalist Dave Harrington – before long, if you haven’t already. Probably about how it moves from baroque classicism to ambient electronica to modern blues to fractured R&B with cinematic pans and wipes, improbably cohesive and unquestionably immersive.

But the coolest thing, by my measure, is how the CD is completely flat black on both sides, even the playing side. You know, the one that’s typically all shiny so as to reflect the laser and which, if you get a fingerprint or heavens forfend a scratch on it, will adversely affect playback. Completely black. No idea how that works. Science, people! Also, yes compact discs are still a thing. And also, yes, I know records are also completely black on both sides. Smart guy.

Darkside have just announced a North American tour for the very start of next year that brings them to Lee’s Palace on January 15; tickets are $25.00 in advance. If you’re not sure of what the live Darkside experience will be like, check out this live video at Resident Advisor and this writeup of a recent London show at DIY. Maybe also grok interviews at Dummy, NPR, New York Times, and Black Book.

MP3: Darkside – “Paper Trails”
MP3: Darkside – “Golden Arrow”

With this week’s release of of Montreal’s latest album Lousy With Sylvianbriar, Rolling Stone and Clash have interviews with Kevin Barnes, Under The Radar gets a track-by-track walkthrough of the record and Aquarium Drunkard has a couple covers recorded in session available to download. Oh, and there’s a new video from the record.

Video: Of Montreal – “Fugitive Air”

With the release this week of their reunion album Uncanney Valley, The Dismemberment Plan is featured in pieces at Consequence Of Sound, Rolling Stone, NPR, Washington City Paper, The Line Of Best Fit, and Spin. They also released a new video from the record but it’s restricted to the US for the time being. If you live there, hit up MTVU. If not, suck it.

Video: The Dismemberment Plan – “Waiting”

MTV Hive interviews The Head & The Heart, whose new record Let’s Be Still dropped this week. They’re here at The Danforth Music Hall on October 31.

Janelle Monáe has released a new Miguel-featuring video for the Miguel-featuring song from The Electric Lady. She plays and almost-certainly non-Miguel-featuring show at The Kool Haus on October 19.

Video: Janelle Monáe – “PrimeTime”

Spin grabbed Widowspeak for a video session during Austin City Limits; they release their new EP The Swamps on October 29 and will be in town at The Silver Dollar on November 2.

Washington DC outfit Deleted Scenes – written about a couple years back – are coming back to town for a show at Sneaky Dee’s on November 7 in advance of a new album coming out in 2014. Exclaim has some specifics and there’s a new song available to stream.

Stream: Deleted Scenes – “Stutter”

Beatroute, Drowned In Sound, Stereogum, and DIY talk to Sleigh Bells. They play The Phoenix on November 13.

The 405 and Yahoo! Australia chat with Lissie; she’s at the Adelaide Music Hall on November 21.

The Quietus has premiered the next preview of Shearwater’s forthcoming covers compilation Fellow Travellers November 25, a song originally by labelmated and former tourmates The Baptist Generals.

MP3: Shearwater – “Fucked Up Life”

The Alternate Side welcomes Okkervil River for an interview and session, while NPR puts them behind their Tiny Desk and gets them to play. The Phoenix New Times and The Austin American-Statesman also have interviews.

The 405 talks to Doug Martsch of Built To Spill.

The Fly and Spin talk to Cameron Mesirow of Glasser.

Pitchfork solicits a list of albums that milestoned her life from Neko Case, while The Minneapolis Star-Tribune and Refinery 29 are happy with regular old interviews.

Paste has a history of the Elephant 6 collective.

Wednesday, October 9th, 2013

Let's Just Go To The Dogs Tonight

Review of The Dismemberment Plan’s Uncanney Valley

Photo By Shervin Lainez Shervin LainezI will admit, first impressions of Uncanney Valley – the first album from Washington, DC’s Dismemberment Plan since 2001’s Change – was disappointment. And it’s not that I came to it with excessive expectations. I counted myself a fan of the band at the end run of their existence, but mostly of their tremendously entertaining live performances with 2002’s Death & Dismemberment tour with a then-unknown Death Cab For Cutie and their 2003 farewell show being very fond memories. But in the years of their absence, I came to appreciate how singular their blend of post-pop-hardcore-math-punk-art-rock was, and how no one ever really stepped into their oddly-shaped void in indie rock, or even tried. So comeback album? Yes, please.

So why disappointment? I’m not sure. Valley seemed to lack the manic energy, unpredictable creativity, and general weirdness that made the other records unique. It sounded like the Plan, but not the Plan I remembered. But it also still didn’t sound like anything else out there, so it stayed in rotation and before long, its own merits – and not those of its predecessors – became what I focused on, and those merits were many. Yeah the tempos were a little slower and the energy probably measured at a few less joules, but top to bottom Valley was the work of a more mature and tuneful Dismemberment Plan.

Everything that makes the Plan the Plan – Travis Morrison’s mile-a-minute delivery and off-kilter lyrical imagery, Eric Axelson’s oddly funky basslines, Jason Caddell’s creatively jagged guitarwork, and Joe Easley’s heavily nimble drumming – are in place and show no signs of rust, though if I were in charge of the mix said drums would be higher in the mix. While the likes of “Mexico City Christmas” and “White Collar White Trash” tap into their darker sides, it’s the more chipper “Waiting” and “Let’s Just Go To The Dogs Tonight” that set the tone for the record. There’s a relaxedness to the proceedings that might seem contrary to the nervous energy that infused their earlier work, but they wear it well. I as much as anyone should be able to appreciate that you in your 40s is not, cannot be, and should not be you in your 20s and Uncanney Valley is the sound of a band that knows that and is fine with it. The Dismemberment Plan circa 2013 might not be the same Dismemberment Plan circa 2001, but there’s still no one like either of them.

NPR has posted an advance stream of the record, which is out officially next week on October 15. Wired, Filter, and What’s On Tap have interviews with the band, and for the bonus round, the Plan stops in at The AV Club to cover Heart’s “Barracuda”, done straight but great because you do not fuck with “Barracuda”.

Stream: The Dismemberment Plan / Uncanney Valley

Under The Radar and Yahoo! Canada talk to Kevin Barnes of Of Montreal about their new album lousy with sylvianbriar, out this week.

Elle has premiered the new video from Lissie’s just-released new album Back To Forever, which is still streaming at Rolling Stone; she’s at the Adelaide Music Hall on November 21.

Video: Lissie – “Sleepwalking”
Stream: Lissie / Back To Forever

Interview talks to Lee Ranaldo about his just-released new record Last Night On Earth; he and The Dust are at The Horseshoe on October 11.

With a week to go before the October 15 release of Emancipated Hearts, Dean Wareham has made the mini-album available to stream via Spin.

Stream: Dean Wareham / Emancipated Hearts

Refinery 29 talks to Cameron Mesirow of Glasser, whose new album Interiors came out this week. She plays The Drake Underground on October 13.

Pitchfork has an advance stream of Campfire Songs, the new acoustic EP from The Men, out October 15. They play The Horseshoe on October 20.

Stream: The Men / Campfire Songs

The Head & The Heart have given Rolling Stone the nod to stream their new album Let’s Be Still, before it comes out October 15. Mother Jones has an interview with the band, who’re at The Danforth Music Hall on October 31.

Stream: The Head & The Heart / Let’s Be Still

Also out next week and streaming at NPR is Static, the second album from Cults. It brings them to Lee’s Palace on November 25.

Stream: Cults / Static

Pitchfork checks in with Fiona Apple, whose tour with Blake Mills brings her to The Queen Elizabeth Theatre on October 17.

Consequence Of Sound has got a stream of a new Yo La Tengo song which will be released as a 7″ single on November 5 and also appear as one of the bonus tracks on Fade Deluxe when it comes out on November 19.

Stream: Yo La Tengo – “Super Kiwi”

Rolling Stone talks to Frank Black of Pixies about their plans to stay relevant ten years into their reunion. They’ve already had cast changes with the Roseanne-esque swapping of Kims on bass, are finally releasing new if underwhelming new material via a series of EPs complete with new video, and now another North American tour that kicks off in Toronto at Massey Hall on January 15, tickets ranging from $44.50 to $79.50, FIDLAR supporting.

MP3: Pixies – “Bagboy”
MP3: FIDLAR – “Got No Money”
Video: Pixies – “Andro Queen”

Those who like a little more Danger Mouse in their Shins will be happy to know a second Broken Bells album is on the way; they just released a trailer for After The Disco, which is due out in January.

Trailer: Broken Bells / After The Disco

After releasing her debut Neptune City on a major and the follow-up Mondo Amore on an indie, it just makes sense that for her third album Slow Phaser, Nicole Atkins would start her own label and release it via PledgeMusic. She’s soliciting donations now and with the two-month window, it stands to reason that the new album will be out sometime in early 2014.

NPR puts Superchunk behind a Tiny Desk and demands a concert.

NPR has a KCRW session with Jim James available to stream.