Laura RotondoIt’s too bad that Washington, DC four-piece Deleted Scenes didn’t time their upcoming visit to Toronto better so as to coincide with the Toronto International Film Festival, which wraps up this weekend. And not just for the topicality of their band name, but for the inherently cinematic scope of their sound.

Usually when “cinematic” is dropped as a descriptor, it implies for good or bad that the band aspires to a “big” sound that’s akin to a glitzy Hollywood Summer blockbuster; in the case of Deleted Scenes’ just-released second album Young People’s Church Of The Air, their ambitions are more modest and can perhaps predictably be likened to a contemporary independent film, reliant on a DIY aesthetic, quirky characters and a script that simultaneous seeks to bare its soul and remain obscured.

In musical terms, Deleted Scenes operate underneath sonics that are deliberately fuzzy and occasionally opaque, with Dan Scheuerman’s vocals – an instrument which other bands might seek to showcase front and centre – often pushed back in the mix so as to seem like he’s hollering from the back of the room while all manner of instrumentation cavort in the foreground. It’s an interesting balance and one that can either force the listener to pay closer attention than they normally might or tune out entirely; initial listens tended towards the latter, but persistence paid off with a record that was playfully psychedelic, yet possessed of a clear-eyed deliberateness where it counted. Rewarding stuff.

Deleted Scenes are currently on tour across North America in support of the new record and will be at Rancho Relaxo on September 22.

MP3: Deleted Scenes – “Bedbedbedbedbed”
Stream: Deleted Scenes – “The Demon & The Hurricane”
Stream: Deleted Scenes – “The Days Of Adderall”
Video: Deleted Scenes – “Bedbedbedbedbed”

NOW and Aquarium Drunkard have pieces of Olivia Tremor Control as the band rolls into Lee’s Palace tonight.

The Toronto Star, Exclaim and Montreal Gazette chat with Jeff Tweedy of Wilco as the band’s tour in advance of the September 27 release of The Whole Love stops in at Massey Hall tonight and tomorrow.

The Jayhawks’ first new record in forever, Mockingbird Time, is up for stream at Rolling Stone and the best thing you can say about it is it sounds like the classic Jayhawks lineup that made it – and that’s a good thing.

Stream: The Jayhawks / Mockingbird Time

Magnet – who are returning as a print publication in October and will thus be re-earning their italicized title – NOW and The Fly talk to Stephen Malkmus, who leads The Jicks into The Phoenix on September 23. The Portland Tribune talks to Jicks bassist Joanna Bolme.

MusicOmh has words with Merrell Garbus of tUnE-yArDs. She/they are at Lee’s Palace on September 24.

The Von Pip Musical Express talks to Dee Dee of Dum Dum Girls in advance of Only In Dreams, out September 27. They play Lee’s Palace on October 16.

Pitchfork and Prefix have feature interviews with Christopher Owens of Girls, who’re at The Mod Club on September 27.

Aquarium Drunkard has an interview with Matthew Sweet while Rolling Stone is streaming his new album Modern Art in advance of its September 27 release date.

MP3: Matthew Sweet – “She Walks The Night”
Stream: Matthew Sweet / Modern Art

Nerve talks mating with Mates Of State while The Hartford Courant opts to play it safe and talk about the music. Mates Of State are at The Phoenix on September 28.

Pitchfork interviews Kevin Barnes of Of Montreal, who reveals the band will release a cassette box set of all the band’s albums on October 25 and a new album entitled Paralytic Stalks early next year.

NPR and The AV Club have posted interviews with St. Vincent, while Anika In London has posted the full transcript of her chat with Annie Clark which became the Line Of Best Fit feature interview from earlier this week.

Rolling Stone talks to Wayne Coyne to get the lowdown on the “six hour song” that Wayne Coyne says the band are recording.

Nick Thornton Jones/Warren Du PreezBelieve it or not, Patrick Wolf is really just like the rest of us – he gets lonely, insecure and frustrated with life and at the end of the day, just wants to be loved. It just so happens that he’s also a 6’4″ musical prodigy with a penchant for melodrama, a sartorial sense that ranges from the unusual to the outrageous and whose inner monologue of self-affirmation sounds an awful lot like Tilda Swinton.

His new album The Bachelor – out in the UK and digitally in North America now and getting a physical release here on August 11 – is dizzying sonic mash-up of facet of Wolf’s works, from the gothic electronica of Lycanthropy through Wind In The Wires‘ ghostly folk to The Magic Position‘s giddy techniclour pop, all wrapped around the very basic theme of Wolf wondering if he’ll ever find love. In the hands of some, the collision of all these sounds might be a cacophonous mess, especially when you add in the electro-industrial textures of Alec Empire, but with Wolf it somehow sounds perfectly natural to veer from Celtic folk to 8-bit synth-pop, all of it swathed in strings and Wolf’s dramatic, emotive baritone – the enormity of his creative vision unable to be confined by any single genre. The man thinks in widescreen – no, IMAX – and the breadth of The Bachelor is simply intended to capture it in all its grandiose, over the top glory.

Wolf’s larger than life aesthetic isn’t for everyone, certainly, but for those who allow themselves to be swept up in Wolf’s epic creations, The Bachelor seems a watershed record for the young auteur. There’s never been any question that Wolf has had a very clear idea of what he’s wanted to say and how he wants to say it, but with The Bachelor, there’s the sense that the listener is now hearing what Wolf himself hears – it sounds like the sum of all his previous works, blended into one concise, chaotic statement. Though initially disappointed that the double-album Battle was split into two albums and the second part, the triumphant The Conqueror, pushed back to 2010, I suspect that’s now for the best. The Bachelor is so rich and dense that if the companion record is nearly as good – and I really hope it is – it’d really be too much to absorb. I think I’ve managed to avoid this sort of hyperbole for the year so far, so I’ll give myself a cookie now – The Bachelor will almost certainly be one of my favourite albums of the year. Just watch.

Wolf is currently on tour in North America as part of the Nylon Summer Music Tour alongside The Living Things, The Plastiscines and Jaguar Love and will be at the Mod Club in Toronto on June 17. And, courtesy of REMG, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Patrick Wolf” in the subject line and your full name in the body. The contest will close at midnight, June 14.

There’s features on Wolf at The Skinny, The Quietus, Clash and Decider, videos of a couple of exclusive acoustic performances at Out and a behind-the-scenes feature on the making of the glow-in-the-dark video for “Hard Times” has emerged.

MP3: Patrick Wolf – “Who Will?” (Buffet Libre mix)
Video: Patrick Wolf – “Hard Times”
Video: Patrick Wolf – “Vulture”
MySpace: Patrick Wolf

God Help The Girl has released one more MP3 from the forthcoming album – out June 23 – that should be extra-familiar to Belle & Sebastian fans. It also offers a pretty good reference point for how God Help The Girl differs from Belle & Sebastian, and how it’s alike.

MP3: God Help The Girl – “Funny Little Frog”

Under The Radar interviews former Pipette Rose Elinor Dougall, who is putting the finishing touches on her solo debut, due out later this year.

MP3: Rose Elinor Dougall – “May Holiday”

The Horrors talk to The Independent about being outsiders.

Sonic Youth Week is underway at PitchforkTV – first up is an A>D>D session with the band featuring a couple tracks from The Eternal, out tomorrow. They’re at Massey Hall on June 30.

Minnesota Public Radio has been on a roll with the studio sessions – last week they welcomed Jenny Lewis and also St Vincent, the latter of whom is at the Horseshoe on August 8 and was interviewed by The Chicago Tribune.

Pitchfork has details on a forthcoming Jayhawks anthology Music From The North Country, due out July 7. It’ll be available in standard and deluxe editions, the latter of which includes a disc of rarities and a DVD of the band’s videos.

The Georgia Straight and The Santa Barbara Independent talk to with Jens Lekman.

Two-thirds of the new A Camp covers EP, out tomorrow, is available to hear right now. Stream their Grace Jones cover at Spin and their Pink Floyd cover at Spinner. There’s interviews with the band at 2 Advocate, The Denver Post and The Montreal Mirror.

If you couldn’t be at The Radio Dept’s show in New York last month – and judging from the number of curses sent my way, there were a few of you – here’s the next best thing. Not one, but two live recordings of their set at the Bell House in Brooklyn, one from Bradley’s Almanac and another by a fan but made available at the band’s website.

Via Audio and Ha Ha Tonka will be at the Horseshoe on June 23 for a free show as part of Nu Music Nite.

MP3: Via Audio – “Developing Active People”
MP3: Via Audio – “Presents”
MP3: Ha Ha Tonka – “St. Nick On The Fourth In A Fervor”

Deleted Scenes will be at Sneaky Dee’s on July 5 as part of Wavelength.

MP3: Deleted Scenes – “Turn To Sand”
MP3: Deleted Scenes – “Fake IDs”

Ra Ra Riot have a date at Lee’s Palace on September 11, tickets $13.50.

MP3: Ra Ra Riot – “Dying Is Fine”
MP3: Ra Ra Riot – “Each Year” (EP version)

The mighty Bob Mould will bring his Life & Times to the Mod Club on October 5, tickets $22.50.

MP3: Bob Mould – “City Lights (Days Go By)”