FilterTokyo Police Club are not a band you’d expect to announce an ambitious covers project. Not to say that they haven’t reinterpreted someone else’s song before – I’ve not heard it but I’m sure it’s happened – but they haven’t really made doing so “their thing”, so to speak. Well not until now. Last month, they announced their intention to record and release ten covers over ten days, one from each of the last ten years, and document the process via Polaroids and Polaroid.com.

Random on so many levels, and yet now that it’s done and the results a matter of public record, I have to say that I’m quite enjoying the results. The song selections are relatively obvious but not cliched (okay, the Kelly Clarkson maybe) or ironic (okay, the Miley Cyrus) and cover a decent range of genres, and TPC’s sound isn’t so unique that they can’t tackle most pop songs without rendering them unrecognizable. They strike a pretty good balance between remaining faithful to the original and still sounding like Tokyo Police Club – in fact, I’ll go a bit further and say that this set presents a much rangier and versatile TPC than their own albums have.

But if it wasn’t obvious, I’m a soft touch for cover versions so cheers to Tokyo Police Club for making up, taking up and beating the challenge. For their next little project, I suggest they pay tribute to a fellow 905 musical icon and try to rhyme the world in 80 days.

They’ve made all the tracks available to download, but if you don’t want to commit you can also stream it all at Soundcloud. And if you want to follow the actual internet release tour – each song was premiered at a specific website – and read some of the accompanying commentary, head over to any and all of Entertainment Weekly, Alternative Press, Mashable, Spinner, The AV Club (double-shot here) and Filter (another double shot). “Party In The USA” didn’t seem to get a proper premiere, but whatevs.

MP3: Tokyo Police Club – “Southside” (Moby cover)
MP3: Tokyo Police Club – “Sweetness” (Jimmy Eat World cover)
MP3: Tokyo Police Club – “Under Control” (The Strokes cover)
MP3: Tokyo Police Club – “Since U Been Gone” Kelly Clarkson cover)
MP3: Tokyo Police Club – “Little Sister” (Queens Of The Stone Age cover)
MP3: Tokyo Police Club – “Long Distance Call” (Phoenix cover)
MP3: Tokyo Police Club – “All My Friends” (LCD Soundsystem)
MP3: Tokyo Police Club – “Kim And Jessie” (M83 cover)
MP3: Tokyo Police Club – “Strictly Game” (Harlem Shakes cover)
MP3: Tokyo Police Club – “Party In The USA” (Miley Cyrus cover)
Stream: Tokyo Police Club / 10 Days, 10 Covers, 10 Years

Keeping in the Canuck covers theme, check out this video of Evening Hymns trying on a little Tom Petty for size. Their new album of original material Spectral Dusk is due out this Fall – I expect formal details to be announced soon. ‘Cause it’s already Fall.

Video: Evening Hymns – “Learning To Fly”

Southern Souls has branched out from just videos to include editorial content, like this interview with Neil Haverty of Bruce Peninsula. The topic at hand being, of course, their second album Open Flames, which is due out October 4. They play a release show at Lee’s Palace on October 27.

Though their second album Tosta Mista has been out since late July, Hooded Fang are only now getting around to organizing an official release party. It’ll be a Wavelength Presents joint and happen September 24 at the Academy of Lions Crossfit Gym – how rock’n'roll is that – on Dundas West near Dovercourt, tickets $10 in advance.

MP3: Hooded Fang – “ESP”
MP3: Hooded Fang – “Den Of Love”

The Stool Pigeon and Beatroute talk to the Lightman twins of Tasseomancy. They have a release show for Ulalame at The Great Hall on October 20 and open up for Austra at The Phoenix on December 1.

Miracle Fortress has assembled some “what I did on my Summer vacation”-style films for the first video from Was I The Wave?.

Video: Miracle Fortress – “Miscalculations”

The Line Of Best Fit is streaming Memoryhouse’s revisited debut EP The Years, out next week. Now that their local dates opening up for Peter Bjorn & John are done, I expect confirmation that they’re doing the same for The Radio Dept at The Mod Club on November 17. If not, then perhaps a hometown release show of their own is in the works? The Milford Daily Times has an interview with Evan Abeele of the band.

Stream: Memoryhouse / The Years

Toronto country-rock stalwarts Cuff The Duke have commandeered The Horseshoe for the weekend of November 25 and 26 to celebrate the release of their new record Morning Comes, out October 4.

MP3: Cuff The Duke – “Standing On The Edge”
Video: Cuff The Duke – “Standing On The Edge” (Paper Bag sessions)

Beatroute interviews The Besnard Lakes, who will be at Lee’s Palace on October 13.

If you were wondering, “hey – why does Los Angeles get a special intimate preview of Metals and not, oh, Feist’s hometown?” then relax… or get more agitated. Exclaim reports that the Glenn Gould Studio at the CBC’s headquarters will host a very special concert on October 8 – just four days after the album’s release – wherein the singer will be joined by such guests as Jeff Tweedy, Ed Droste, Bry Webb, Joel Gibb and Doug Paisley. Tickets for the show are only available via a CBC Radio 2 contest but is open to all residents of Canada and will include airfare and accommodations if you hail from outside the Toronto area. If you are local, well maybe they’ll splurge for a cab. One-way.

Soren Solkaer StarbirdActually that’s not entirely true – it was indeed slow yesterday morning when I decided to lead with the Vampire Weekend tour info despite my general indifference and/or distaste for the band, but since then a number of notable concert announcements have shown up in the ol’ inbox and RSS feed. But since the release of their second album Contra next week is, arguably, the first big album release of 2010 – and I already had the picture cropped and uploaded – I’ll run with it.

And so here’s the 411 – the North American tour kicks off March 14 in Edmonton (!) and takes a leisurely route eastwards, eventually stopping in Toronto at the Sound Academy on March 30. That’s right, Vampire Weekend are playing a 3000-capacity venue, and they’re charging $27.50 a head to see them do so. Tickets go on sale this Friday.

Considerably less costly is the opportunity to hear their new record a week before release. It’s currently streaming on their MySpace and additionally, PitchforkTV has a “Juan’s Basement” live video session to watch. Also worth noting is that folks who buy Contra at their local indie store rather than, say, Wal-Mart, will receive the Vampire Weekend Meets Toy Selectah bonus CD for their conscientious consumerism. Details on the what and where here. Spinner talks to bassist Chris Baio about the new record.

MP3: Vampire Weekend – “Horchata”
Video: Vampire Weekend – “Cousins”
Stream: Vampire Weekend / Contra

Certainly the most intriguing announcement of the day yesterday was that Charlotte Gainsbourg would be coming to town. Gainsbourg has many claims to fame – daughter of Serge, actress (The Science Of Sleep, Antichrist), singer – and it’s as the last of these that she will be at the Phoenix on January 29. Her third album IRM, out January 26, was produced by Beck, who also duets on the first single, and it’s his band that will be backing Gainsbourg on this tour. Tickets for the Toronto show are $21.50.

Video: Charlotte Gainsbourg – “Heaven Can Wait”

Fans of the now-defunct Be Your Own Pet may be interested to know that a couple of spin-off acts (who are not Jemina Pearl) are hitting the road this Winter. JEFF The Brotherhood, featuring former BYOP guitar and drums Jake and Jamin Orrall, are out and about including a January 29 date at Sneaky Dee’s in support of their record Heavy Days while Turbo Fruits, which is led by the BYOP guitarist and drummer at the time of their dissolution, are hitting the road in support of Echo Kid with Surfer Blood and will be at Sneaky Dee’s on March 6.

MP3: Turbo Fruits – “Pocket Full Of Thistles”
MP3: Surfer Blood – “Swim”
Video: JEFF The Brotherhood – “The Tropics”
Video: JEFF The Brotherhood – “Bone Jam”

Fucked Up have a date at the Opera House on February 26 with Kurt Vile as support, as part of a North(eastern) America tour. Fucked Up’s new singles comp Couple Tracks is out January 26.

MP3: Fucked Up – “Neat Parts”
MP3: Fucked Up – “No Epiphany”
MP3: Kurt Vile – “Overnite Religion”
MP3: Kurt Vile – “Hunchback”

Cuff The Duke have a date at Lee’s Palace on March 20.

Video: Cuff The Duke – “Promises”

Nada Surf have yet to reveal full details of their forthcoming covers album but they have put a demo version of their redo of Depeche Mode’s “Enjoy The Silence” on their MySpace and announced some live dates, including a March 29 date at Lee’s Palace – tickets $16.50. Update: Some details revealed – if i had a hi-fi will initially be available only at shows starting March 25. Regular retail info still to come.

MP3: Nada Surf – “See These Bones”

Philadelphia dream-pop outfit A Sunny Day In Glasgow will make their Toronto debut on April 2 at the Garrison; tickets $10. I didn’t take to their 2007 debut Scribble Mural Comic Journal nearly as much as I thought I would/should, but am willing to give last year’s follow-up Ashes Grammar a shot, especially with a live date in the offing. Anyone care to comment on the live Sunny Day In Glasgow experience? I would imagine that reproducing the cut-and-paste sonics of the records verbatim isn’t on the agenda. There’s interviews with the band circa their US tour last month at The Village Voice, Express Night Out and Washington City Paper.

MP3: A Sunny Day In Glasgow – “Ashes Grammar/Ashes Math”
MP3: A Sunny Day In Glasgow – “Best Summer Ever”
MP3: A Sunny Day In Glasgow – “Watery (Drowning is Just Another Word for Being Buried Alive Under Water)”

Toronto’s Japandroids and Sweden’s Love Is All will make the Horseshoe loud and sweaty on April 3. Tickets $12.

MP3: Japandroids – “Young Hearts Spark Fire”
MP3: Love Is All – “Wishing Well”

With next Tuesday’s Mod Club show well and truly sold out, Owen Pallett has scheduled another hometown date for April 8 at the Queen Elizabeth Theatre – tickets $25. XTRA and Reuters have interviews with Pallett, whose Heartland is out next week.

And though there’s no Toronto date to announce right now, Pitchfork’s list of Joanna Newsom tour dates has a very conspicuous three-day gap between Grand Rapids and Montreal. It does not take three days to drive from Grand Rapids to Montreal.

Ryan PflugerAfter much teasing and delay, details have finally come forth about Final Fantasy’s long-awaited third album and follow-up to 2006′s He Poos Clouds. Though the title – Heartland – has been known since at least late 2006 (that’s the first time I mentioned it at least), the actual record has been much longer in coming. And the delays are understandable – in the interim, Owen Pallett has become the go-to string arranger in certain circles, working on records from Beirut, Pet Shop Boys and Mountain Goats to name a very few as well as putting out two EPs of his own last year.

But the new album is finally done and will arrive on January 12 complete with a typically high-minded and utterly bizarre concept behind it. Pallett’s full explanation can be found in the press release, but key phrases that should give you some idea of what to expect are “a farmer named Lewis and the fictional world of Spectrum”, “compositionally modeled upon the principles of electronic music” and, “inversion of a Tomita record”. What any of that means is unclear to me, but at least one can be reasonably assured that whatever it is, it will come wrapped in strange and delicious orch-pop wrappers. Unless, of course, it doesn’t.

Pitchfork has a look at the album art for Heartland and as we await a first sample of Heartland‘s aural delights, enjoy a couple of tracks from last year’s EPs.

MP3: Final Fantasy – “The Butcher”
MP3: Final Fantasy – “Ultimatum”

And if you want to talk strange synchronicity, consider Final Fantasy and Woodpigeon. Woodpigeon will also release their next album Die Stadt Muzikanten on January 12, both records will be orchestra-enhanced (Die Stadt also featuring a 30-piece choir), both just performed at the Rifflandia festival in Victoria, BC and while Pallett fell ill with what was originally feared to be swine flu (but wasn’t), Woodpigeon’s Mark Hamilton actually has come down with what appears to be the dreaded H1N1 virus. He’s been treated and is hopefully on the road to recovery, though it’s unclear if he’ll be well enough to make it to Pop Montreal this weekend. Fingers crossed. Either way he should be recovered enough by mid-month when Woodpigeon is set to participate in this Fall’s Banff Centre residency, where they’ll work on honing their craft with the likes of Steve Albini. Woodpigeon and Steve Albini – there’s a combination I’d like to hear. Update: And to be clear, the exact phrasing above was “appears to be” – tests are still not conclusive as to what grounded the ‘Pigeon and called for Jane Vain to cover for their Pop Montreal showcase, but the important thing is that Hamilton is on the mend and will be back in the (broad) general vicinity for a show at Cafe Deckuf in Ottawa on October 16 presented by I Heart Music. And he will not be contagious.

Also moving into the Banff Centre for that fortnight is Basia Bulat, also with a much-anticipated new record out in January. Heart Of My Own is out on the 26th of the month, and JAM has a chat with Bulat about the new record. Also check out a video of Basia performing “Gold Rush” in a DUMBO session.

MP3: Basia Bulat – “Gold Rush”
Video: Basia Bulat – “Gold Rush” (live at DUMBO Sessions)

As I’m following little threads and segues, It occurs to me that in addition to seeing the release of a follow-up to the inaugural Polaris Prize-winning record (He Poos Clouds, if you weren’t paying attention), both Woodpigeon and Basia’s last records were the top picks on my Polaris ballots this year as well Ohbijou’s new one Beacons, and its predecessor Swift Feet For Troubling Times topped my 2007 Polaris ballot… AND the new record was much-informed by their session at the Banff Centre last year. I daresay this post is at risk from collapsing in on itself in a quantum singularity of circular references, so I’ll finish this thread by saying that as much as I’d like to say that next year’s ballot will be full of fresh faces and new discoveries, all of the new Ohbijou, Woodpigeon and Basia records make strong arguments for repeat appearances. Wait, does that mean I’ve heard those last two records? Oh, uh, hey – look over there!

The National Post talks to Cuff The Duke’s Wayne Petti about the heaviness that informs their new record Way Down Here. There’s also features at The Georgia Straight, FFWD and Edmonton Journal. They play two nights at the Horseshoe on October 16 and 17.

MinnPost.com has an interview with Glenn Kotche of Wilco, who will be at Massey Hall for two nights on October 14 and 15.

Joe Pernice discusses his new book and album with Exclaim.

In addition to their October 31 show at the Horseshoe, Noah & The Whale will be doing an in-store at Criminal Records earlier that night, precise time to be announced. Perfect for everyone with Hallowe’en plans as well as those who need a double-dose of weepy break-up tunes. And the band will probably have replaced if not recovered all the gear that was stolen the other night – tough break, that. Some seriously nice equipment in that trailer.

Never ones to be slaves to convention, Wheat have decided that rather than release another video from White Ink Black Ink, they’re releasing a video game. It’s Windows-only, unfortunately, so I can’t tell you if it’s any good or if up-up-down-down-left-right-left-right-B-A-start gets you any free lives, but if you’re on a PC and take it for a spin, let me know how it is. I’m curious.

Volcano Choir has released a first video from their debut album Unmap.

Video: Volcano Choir – “Island, IS”

Love Shack, Baby and The Diamondback have interviews with The Antlers.

Frank YangIt’s been almost a year since Caribou’s Dan Snaith walked off the stage, giant cheque in hand, having been crowned the 2008 Polaris Music Prize winner for his stunning record Andorra. But since then, things have been largely silent in camp Caribou since then, as Snaith was presumably hard at work on the follow-up record.

Then in May, word of a live show for the Fall. Not a tour, but the sort of special event that happens when Wayne Coyne of The Flaming Lips calls up and asks you to come out of hiding and play a show at an old country club in the Catskills, aka ATPNY. And as befits such an occasion, rather than just call up his usual co-conspirators and play a typical Caribou show, Snaith went through his rolodex, gathered together folks from Four Tet, Junior Boys and Enon, amongst many others, and essentially assembled a super-sized Caribou, an uber-Caribou – The Caribou Vibration Ensemble.

So while the ATP performance this past weekend in Monticello, New York was the big event, Thursday night’s show at the Opera House in Toronto was much more than just a dress rehearsal. The opening act for the evening however, Koushik, may have been. Though Koushik is billed as a downbeat electronic/pop/hip-hop artist, on this night he/they were essentially 3/4 of the Caribou Vibration Ensemble – of which Koushik Ghosh was part of – in jamming mode. Not jamming in the sense of everyone on stage trading solos, but more establishing a solid, unshowy groove and building simple melodies over top. They played pretty much straight through, trading instruments and letting things go where they would, then wrapping it after about 30 minutes – right about where hypnotic began to give way to tedious. Wise.

After about a half-hour intermission, Caribou took the stage, less a band than an orchestra with distinct sections (brass over here, massive percussion setup in the middle, strings in back, keys and electronics over here) and at a full fifteen members, dwarfed the nine-piece configuration of the openers. Now at this point, I have to offer context – or lack of. I’d only gotten into Caribou during the Polaris process last year, so I’d never seen them live and further had never really listened to any of the albums previous to Andorra, so frames of reference for the performance and reinvention of the songs is limited at best. But in this instance, I think that’s alright because doing things the way they were was entirely beside the point of the evening.

Across approximately 90 minutes and ranging through the two Caribou records and one Manitoba album, the Ensemble took Snaith’s already widescreen compositions and enhanced by an impressive light show, blew them up into IMAX-scale. Describable at various points thought the set – and sometimes within a song – as electronica, jazz, tribal, psychedelic or noise but never losing sight of the pop roots, the Caribou Vibration Ensemble was a sight to behold and a sound to be heard. The high points would have been the vocal numbers – a choral “Melody Day” and Jeremy Greenspan-sung “She’s The One” – had they been properly audible. Note to sound guy – when six people gather around the mics at the front of the stage, that might be a hint that you should turn them on in the PA. As it was, from up front they were still audible enough to impress but those should have been the show-stoppers.

Those complaints aside, it was still a wholly impressive and memorable evening and I can only imagine how terrific their set was at ATP – surely standouts of an absurdly stacked lineup. And now Snaith returns to crafting the third Caribou record and the rest of us return to waiting patiently, though he’s already on record as saying it will be a departure from the classic pop of Andorra. Holding up this experience as a benchmark for future Caribou live performances is also probably unreasonable, but that’s fine – it works quite well as one of those unique experiences that I feel lucky to have been able to witness. eye and Exclaim have reviews of the show while NOW was on hand to catch some video.

Photos: The Caribou Vibration Ensemble, Koushik @ The Opera House – September 10, 2009
MP3: Caribou – “Melody Day”
MP3: Caribou – “Barnowl”
Video: Caribou – “She’s The One”
Video: Caribou – “Melody Day”
Video: Caribou – “Irene”
Video: Caribou – “Hummingbird”
MySpace: Caribou
MySpace: Koushik

And to anyone who enjoyed – as I did – watching Caribou’s touring drummer Brad Weber beat the tar out of his kit for both the Caribou and Koushik sets, note that he has his own band in Pick A Piper and they will be at the Horseshoe this coming Friday, September 18, as part of the 100th show celebrations for local promoters No Shame. Also playing are Green Go, Ruby Coast and The Skeletones Four. This is something you should attend.

Land Of Talk have released a new MP3 from their forthcoming Fun & Laughter EP, out October 13. It dost scorch.

MP3: Land Of Talk – “May You Never”

The Hidden Cameras have finally added the hometown finale to their massive Fall tour in support of new album Origin:Orphan, out September 22, by scheduling what’s sure to be an over-the-top show at the Opera House on December 5.

Video: The Hidden Cameras – “In The NA”

And if you don’t want to wait till Winter for a little Hidden Cameras fix, consider heading out to James St in Hamilton come October 9 for Supercrawl, a combination street fair, art show and music festival that will be headlined by the aforementioned Hidden Cameras and also feature performances from Ohbijou and many more. And it’s an excuse to go to Hamilton. Who doesn’t want to go to Hamilton?

A whole mess of new videos meeting Can-con requirements hit the web last week. Great Lake Swimmers released a new one from Lost Channels. There’s features on the band at The Courier-Journal and Nashville Scene.

Video: Great Lake Swimmers – “Still”

ChartAttack talks to Amy Millan about her new solo record Masters Of The Burial, out next week, as well as what’s going on with her bands Stars and Broken Social Scene. She plays the Mod Club on October 14 and has a new video from her new album.

Video: Amy Millan – “Bury This”

Also with a new vid are Cuff The Duke, who’ve got a two-night stand at the Horseshoe on October 16 and 17. There’s interviews with the band at Metro and The Corrie Tandem.

Video: Cuff The Duke – “Promises”

Oh No Forest Fires went wandering in a Newfoundland forest and refrained from setting any fires, instead they shot a live video. They’re part of a stacked bill at Lee’s Palace next Friday night, September 25, with The Balconies, Fox Jaws and Whale Tooth.

Video: Oh No Forest Fires – “New Cove Road Back Home” (Live in a Forest)

ChartAttack spends some time with Two Hours Traffic. They’ve got a gig at Lee’s Palace on October 16.

Threadless has a video interview with t-shirt models The Rural Alberta Advantage, and they’re also asking for help to name a new song.

The Line Of Best Fit declared last week Bella Union week, in honour of the UK label who brings the likes of Ohbijou and The Acorn to adoring British masses, and in an apparent show of solidarity with the label’s website, which went AWOL, TLOBF too went offline. But they’re back now and I can point you at a few of the features they offered including a guide to west Scotland from My Latest Novel, an interview between label boss Simon Raymonde and Midlake (new album forthcoming entitled The Courage of Others) and Ohbijou have put together a “get to know Canada” crossword puzzle. Of course, Line Of Best Fit readers are already well-acquainted with the Great White North thanks to their series of Oh! Canada posts and mixes, the fourth volume of which is now available to download.

saddle-creek.comLand Of Talk was supposed to spend this year promoting the hell out of their excellent 2008 full-length debut Some Are Lakes but following a short bit of local touring around the end of January, including an excellent long-awaited show at the Horseshoe, the band had to go on an extended break while frontwoman Liz Powell underwent and recovered from vocal cord surgery.

They returned to live duty with some shows over the course of the Summer, but have now put together a proper if shortish tour for the Fall, taking them from south to north along the Pacific coast, though east coast dates are also promised. And while the current live itinerary will only benefit westerners, they’re also releasing a new EP on October 27 that people can enjoy irrespective of their personal geography. Fun And Laughter will contain four new songs and three videos from Some Are Lakes. The clip for the title track emerged a few months ago, the one for “The Man Who Breaks Things” has just hit the interwebs and the last one for “Troubled” will probably surface closer to the actual release date.

The news of new music from Land Of Talk is certainly welcome, but not as much as the fact that they’re back, presumably in good health and raring to go. Good to have you back.

Video: Land Of Talk – “The Man Who Breaks Things (Dark Shuffle)”
Video: Land Of Talk – “Some Are Lakes”

The Wooden Sky, whose acquaintance you may have made last month, will be playing an in-store at Sonic Boom on Monday night, August 24, at 7PM, to mark the release of their new album If I Don’t Come Home You’ll Know I’m Gone, which will be officially out the next day. Of course you’ll be able to buy it early at this show, but don’t tell anyone.

MP3: The Wooden Sky – “Something Hiding For Us In The Night”

Cuff The Duke are also celebrating the release of their new album Way Down Here with an in-store at Criminal Records on September 8, the date of release. They’re also doing two nights at the Horseshoe on October 16 and 17. Exclaim talks to the band about their Fall plans.

The Bravery are at the Opera House on October 6, previewing their new as-yet-untitled album due out November 10.

Boston’s Hallelujah The Hills have made a date at Sneaky Dee’s for October 17 to support their new album Colonial Drones, out September 22.

MP3: Hallelujah The Hills – “Blank Passports”

White Denim will make an appearance at the Horseshoe on November 9 as part of an extensive tour in support of their new album Fits, out October 20. Grab a track at RCRDLBL.

MP3: White Denim – “You” (live at KVRX)

Camera Obscura’s last show here in June was super-sold out on account of being at Lee’s Palace, several degrees smaller than their usual accommodations when the Scots visit. Well those shut out of that performance will be pleased to know that the band is staging a Fall tour that will bring them back to the more appropriately-sized Phoenix on November 26 with Papercuts as support. Camera Obscura recorded a session for NPR which is available to stream.

MP3: Camera Obscura – “French Navy”
MP3: Papercuts – “You Can Have What You Want”

And shocker – The Charlatans won’t be crossing our path after all. They’ve canceled their Fall North American tour on account of drummer Jon Brookes requiring shoulder surgery. This, of course, includes their September 23 date at the Mod Club – the second time in the past year and a bit they made and then broken a date in Toronto.

MP3: The Charlatans – “You Cross My Path”

Luxury Wafers is sharing the audio and video fruits of a session with The Rural Alberta Advantage. They’re playing day one of V Fest at the Molson Amphitheatre on August 29.

Also on day one of V next week will be Franz Ferdinand, whose 2005 mini-doc Tour de Franz is the movie of the week at PitchforkTV.

Video: Franz Ferdinand: Tour de Franz

And appearing on day two of said festival are Mew, who are streaming their new album No More Stories on their MySpace leading up to the album’s release next Tuesday. SF Station has an interview with singer Jonas Bjerre.

Stream: Mew / No More Stories

Spinner talks to Victoria Bergsman of Taken By Trees, whose new album East Of Eden is out September 8.

NPR is streaming a radio session with A Camp.

The Galway Advertiser talks to Okkervil River’s Will Sheff on the Irish influences on his writing and songwriting inspiration in general.

Joe Pernice talks to The Portland Mercury and Oregon Live. He’s at the Dakota Tavern on September 24.

Nick Cave is coming to town, but not for a concert – Exclaim reports that Cave will be in town on September 16 for a live interview and signing at the Indigo at the Eaton Centre to promote his new novel The Death Of Bunny Munro, which will be released on September 4.

And if you can’t get enough rocker/lit convergence, be sure to check out Word On The Street in Queen’s Park on September 27, where in addition to the infinite kiosks of booksellers and publishers, there will be a music stage where the songwriters of Bruce Peninsula, Ghost Bees and Sandro Perri will be discussing their creative process.