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So this week’s selection is both a tribute to the man and his work and also a nod to another pop music legend coming by for a visit this week, though I don’t think anyone is worried that Elvis Costello will be retiring anytime soon even if his current Spectacular Spinning Songbook tour has a whiff of victory lap-ness about it. Crowd-pleasing was rather the last thing on his mind back in 1993 when he released The Juliet Letters, a collaboration with English string ensemble The Brodsky Quartet. In addition to the original material on the record based on fictional letters written to one Juliet Capulet, Costello took advantage of the players at his disposal to reinterpret some favourite songs including the Pet Sounds classic, this live version of which didn’t appear on the original album but was included in the 2005 reissue.

Costello will be at The Sony Centre in Toronto this Thursday, June 23, and being backed by The Imposters it’s unlikely any Juliet Letters material will be found on the song-selecting wheel of fortune. As stated, we probably won’t see Wilson in these parts again unless those persistent rumours about a Beach Boys 50th anniversary tour come to fruition, and I wouldn’t hold my breath on that one.

MP3: Elvis Costello & The Brodsky Quartet – “God Only Knows”
Video: The Beach Boys – “God Only Knows”

Frank Yang

Not that playing Lee’s is any small potatoes – some great careers never got to rooms much bigger – but one can’t help but ask why the former have skyrocketed to fame while the latter hasn’t. It could be because Mumford and co may work with the musical implements of folk and bluegrass, but their songs are unabashedly emotive, arena-sized anthems and I’ve heard more than a few people express surprise that they’re British rather than American. Flynn, on the other hand, ploughs a more traditional folk furrow in his music, more given to character-driven narratives and steeped in Englishness in both form and content. Not that these distinctions likely mattered to the hundreds of predominately female fans gathered at Lee’s on Sunday night – I’ll wager that most were at Mumford the night before and just as excited to be here.

Support for the evening came from Toronto’s own Evening Hymns, operating as just a two-piece. Their debut Spirit Guides had fallen out of rotation somewhat since finding its way onto my year-end list for 2009, but this show did a tremendous job of reminding me why I was so won over by it in the first place. At past shows, I’d noted that expansive sounds captured on the record worked better live the more hands they had on deck. So it was quite the pleasant surprise that the stripped-down configuration of principal Jonas Bonetta on guitar and keys, Sylvie Smith on bass and divine backing vocals and some looping pedals were able to turn some choice selections from Spirit Guides, a promising new composition and a cover into maybe the most affecting Evening Hymns show I’ve seen yet. Particularly ingenious was the way Bonetta pulled off “Mountain Song” solo, building rhythms and guitar parts via looper and then turning to the keyboard – loaded with all manner of patches and samples – to pile on the sounds that it would have otherwise taken a small orchestra to pull off. Judging from the tremendously appreciative audience during their set and the number of people wandering around with Spirit Guides LPs afterwards, I’d say Evening Hymns made more than a few new fans that night in addition to reaffirming old ones.

If by most standards Evening Hymns’ setup was minimalist, Johnny Flynn made their stage setup look like Pink Floyd’s. Appearing with just a resonator guitar and without his band The Sussex Wit, he proved himself to be one of the rare performers who can hold an audience’s attention for a full set with just their voice, guitar and songs. And banter. Between songs, Flynn was understated and charming, offering stories from tours past and present, and during the songs he was even better. Playing necessarily stripped-down versions of songs from his debut A Larum and the just-released follow-up Been Listening, he found enough range in what was at his disposal to do justice to the material and excusing the absence of the horns and drums which buoy the recordings. It didn’t come without cost, as singles “Kentucky Pill” and “Barnacled Warship” were conspicuously absent from the show – presumably too difficult to pull off alone – but “The Water” still sounded great even without Laura Marling’s harmonies and had he been playing with a band, you probably wouldn’t have had fun moments like when his voice cracked in the middle of “Shore To Shore”, necessitating a mid-song pause and apology before continuing. It was the sort of episode that underlined the intimacy of the show, but that said it’ll be nice if the next time Flynn returns, it’s with band in tow. And maybe at a room on the same scale as his peers, like the Sound Academy (kidding – no one wants to see anyone at The Sound Academy).

The AV Club talks to Johnny Flynn.

Photos: Johnny Flynn, Evening Hymns @ Lee’s Palace – November 14, 2010
MP3: Johnny Flynn – “Kentucky Pill”
MP3: Johnny Flynn – “Drum”
MP3: Evening Hymns – “Dead Deer”
MP3: Evening Hymns – “Broken Rifle”
MP3: Evening Hymns – “Cedars”
Video: Johnny Flynn with Laura Marling – “The Water”
Video: Johnny Flynn – “Barnacled Warship”
Video: Johnny Flynn – “Kentucky Pill”
Video: Johnny Flynn – “Tickle Me Pink”
Video: Johnny Flynn – “Leftovers”
Video: Johnny Flynn – “Brown Trout Blues”
Myspace: Johnny Flynn
Myspace: Evening Hymns

I think some kind of universal concert announcement embargo expired yesterday because show news was coming fast and furious, making 2011 something to look forward to. In chronological order:

It will be a very different Concretes at The Horseshoe on January 17 than the band that was there last in May 2006. The date is part of a North American tour in support of their disco-powered new record WYWH, which frontwoman Lisa Milberg talks to Spinner about. Tickets for the show are $15 in advance, Class Actress supports.

MP3: The Concretes – “All Day”
MP3: The Concretes – “Good Evening”

That previously mentioned Decemberists date has been confirmed as part of an extensive tour in support of their new record The King Is Dead, due January 18. And yes, come February 1, the faithful will have to trek down to the Sound Academy to see them. See kids, this is what happens when you like bands – they get big and popular. You’ve no one to blame but yourselves. But as an extra incentive, Wye Oak are opening, and they’re lovely.

MP3: The Decemberists – “Down By The Water”
MP3: Wye Oak – “Take It In”

Jim Bryson will be at Lee’s Palace on February 4 with The Weakerthans backing him up as they do on his new record The Falcon Lake Incident. Tickets for the show are $17.50 in advance.

MP3: Jim Bryson & The Weakerthans – “Wild Folk”

The reigning prom king and queen of California stoner garage pop – Wavves and Best Coast – have made good on their promise to tour together next Winter. Look for them at The Phoenix on February 6; Snacks the cat will DJ between sets.

MP3: Wavves – “Cool Jumper”
MP3: Best Coast – “Something In The Way”

Wire are back. Both on record, with their new record Red Barked Tree due out January 11, and live, with a North American tour that kicks off April 1 at Lee’s Palace. Tickets $22.50.

MP3: Wire – “Dot Dash” (live at CBGB)
MP3: Wire – “3 Girl Rumba” (live at the Roxy)

Lykke Li has released a video for the new single she’s been giving away, and has also slated a Spring tour that includes a May 22 date at The Phoenix, which is interestingly 1/3 the size of the room she played last time she visited.

Video: Lykke Li – “Get Some”

Brian Wilson will bring his as-advertised album Brian Wilson Reimagines Gershwin to Massey Hall next Summer, on June 18; tickets will range from $55 to $85.

Amazon.com

“Dialed down” are not words you’d use in conjunction with Wolf’s latest album The Bachelor, but the grandiosity why his fans love him. He’s at the Mod Club in Toronto this Wednesday night, June 17, to support. PopMatters has a feature piece and Clash the second part of their interview with Wolf. Brian Wilson released a new solo record in That Lucky Old Sun in late 2008 and more recently, Summer Love Songs was the umpteenth Beach Boys compilation to hit the market, seeking to set itself apart by offering new stereo mixes of a half-dozen songs as well as a previously unreleased Dennis Wilson composition.

MP3: Patrick Wolf – “I Just Wasn’t Made For These Times”
Video: Brian Wilson – “I Just Wasn’t Made For These Times”