Frank YangThough his punk credentials are beyond reproach thans to his tenure in Propagandhi, John K. Samson has always cut a bit of a curious figure in front of The Weakerthans. While his bandmates are more than willing and able to play the part of rockers in turning out muscular guitar riffs and solos, Samson by comparison has always been a bit slight of stature, reedy of voice, sheepish of grin; the thoughtful and verbose folksinger who somehow ended up fronting a rock band. I don’t know if the contrast between he and his mates has especially struck anyone else, but it’s always been one of those things I’ve noticed – particularly live – and been one of the key facets to The Weakerthans’ collective charms.

So the idea of Samson taking a solo sidebar, as he does for the first time on the just-released Provincial, is an interesting one. His songwriting style – photographically-detailed and emotionally evocative vignettes of everyday life in distinctly Canadian settings – is a well-established and well-loved one by this point, but what it would sound like without the extra sonic heft that the rest of The Weakerthans could be counted on to bring to the table? Not too different, as it turns out. Although it still has a lot of range amidst its dozen compositions and “Longitudinal Centre” comes wrapped in some nasty fuzztone, Provincial doesn’t get as punchy as a proper Weakerthans record might. It lays back some and moves at a more casual pace that feels different, but also entirely natural; it might be heretical to say, but Samson solo seems to suit Samson better than Samson as bandleader does. This is in no way a wish for the end of The Weakerthans, but if Samson wants to be himself for a little while longer, it’s alright with me.

It was Samson himself and alone who was marking the release day for Provincial with an acoustic in-store performance at Soundscapes last night, following up a reading from his also just-released Lyrics and Poems: 1997-2012 at Type the night before. It wasn’t a long set, as the clock ticked, but Samson still managed to showcase half his new record and reaffirm himself as a special kind of performer whose show you can go into knowing exactly what you’re going to get, get exactly that, and still somehow find yourself marvelling at how it was still somehow better than you expected. I’d listened to “Heart Of The Continent” and “The Last And” through the album quite a lot in the past month or so, and yet hearing it straight from his mouth still revealed unknown details. The album might be called Provincial but there’s no question that Samson is a national treasure.

There’s features on Samson and Provincial at Uptown, The Winnipeg Free Press, and Spinner while Exclaim and CBC talk to him about his lyrics book. Mechanical Forest Sound is sharing a recording of one of the songs from the in-store. Samson returns with a full band for a show at the Great Hall on March 22.

Photos: John K. Samson @ Soundscapes – January 24, 2012
Stream: John K. Samson – “Letter In Icelandic From The Ninette San”
Stream: John K Samson – “When I Write My Master’s Thesis”

Ohbijou are helping The Drake Hotel mark its eighth anniversary by playing a special, intimate show at The Underground on February 8 – tickets for the super-intimate show are $20 in advance.

MP3: Ohbijou – “Anser”

The Elwins will celebrate the February 21 self-release of their debut full-length And We Thank You with a release show on February 24 at The Burroghes Building at Queen and Bathurst (no, not the new CB2 – beside it), with support from The Meligrove Band and The Bicycles. Tickets $8 in advance.

MP3: The Elwins – “Stuck In The Middle”
MP3: The Meligrove Band – “Halflight”

And down the street the same night, Hooded Fang will be at The Great Hall; if you think that’s a bit of an ambitiously-sized room for them to try and fill, note that they’re bringing a lot of friends and only charging $10 in advance.

MP3: Hooded Fang – “ESP”
MP3: Hooded Fang – “Den Of Love”

Treble Charger aren’t the only band from my college years getting back together for Canadian Musicfest; The Inbreds are digging their bass and drums out of the attic for a reunion show at Lee’s Palace on March 24.

Video: The Inbreds – “Any Sense Of Time”

Montreal’s Plants & Animals will follow up the February 28 release of The End Of That with an immense Spring tour; the April 21 show at Lee’s Palace will be the end of that. Tickets are $15 in advance and oh, there’s a cover they did of a Wolf Parade tune that’s making the rounds, have a boo.

MP3: Plants & Animals – “Lightshow”
Video: Plants & Animals – “I’ll Believe In Anything”

Clearly, it was all the saxophone on Kaputt that did it; Destroyer is coming back to town for a show at The Opera House on June 23 as part of The Toronto Jazz Festival – tickets are $22.50 in advance.

MP3: Destroyer – “Chinatown”

Exclaim has some details on a show at The Horseshoe on February 4 as part of Junofest 2012. I’m not really sure what it is but it involves people who play in bands like Sloan, Fucked Up and Broken Social Scene doing stuff together. I dunno, read the piece and you tell me.

Kathleen Edwards continues to rack up the press clippings with Voyageur – there’s pieces on her at Paste, aux.tv, The Grid, NPR, eMusic, and The Globe & Mail. With this kind of momentum, her February 11 show at The Phoenix will be sold out right soon.

The Balconies have released a video for the title track of their Kill Count EP, which will get a physical release on February 28.

Video: The Balconies – “Kill Count”

Islands are streaming another new track from A Sleep & A Forgetting. It’s out February 14 and they’re at The Music Gallery on February 28.

Stream: Islands – “Hallways”

The Boston Globe has a feature piece on The Darcys, whose cover album of Steely Dan’s Aja is, like their self-titled debut, available to download for free from their website – or stream if you don’t want to commit – and to buy on LP. Consequence Of Sound has also premiered an alternate version of “Josie” for your listening pleasure. They’re at The Phoenix on March 1 opening for Bombay Bicycle Club and are also part of Edgefest at Downsview Park on July 12.

MP3: The Darcys – “Josie”
MP3: The Darcys – “Josie (Vol 2)”
Stream: The Darcys / Aja

CBC Radio 3 talks writing method with Dan Mangan. He’s at The Royal York on March 24 as part of the CMW Indie Awards.

Paste has premiered the first video from Great Lake Swimmers’ new album New Wild Everywhere. It’s out April 3 and they’re at The Music Hall June 2.

Video: Great Lake Swimmers – “Easy Come Easy Go”

The Line Of Best Fit has a feature interview with Bruce Peninsula, and also premiere a new video from Open Flames and are offering a mixtape of all the artists who’ve been part of the band.

Video: Bruce Peninsula – “In Your Light”

Xtra and Calgary Herald talk to Mark Hamilton of Woodpigeon on the occasion of the release of their new EP For Paolo.

Mike Haliechuk of Fucked Up talks to Eater about eating.

The Guardian talks to Leonard Cohen and Drowned In Sound reports on a tete-a-tete between he and Jarvis Cocker about his new record Old Ideas, out next Tuesday and streaming in whole now at NPR.

Stream: Leonard Cohen / Old Ideas

Neil Young in the news – MTV reports that he still hates digital music but likes Mumford & Sons, while Rolling Stone reveals that he’s been working on a new album with Crazy Horse.

If you enjoyed last year’s video session collaboration between Southern Souls and Paper Bag Records, you’ll be pleased to know that the recordings have been collected into a compilation entitled Paper Bag Sessions and it’s available to download and keep for free.

And because that’s what the CBC is for, CBC Radio 3 has compiled a list of all the notable Canadian releases due out in the first half of 2012.

Justin BroadbentIn an age where many young bands seek to get on the expressway to your skull immediately after their first rehearsal – assuming they rehearse instead of just uploading jams to Soundcloud – you have to appreciate a band like The Wooden Sky. They’ve taken the time to hone their songcraft and live show since forming as Friday Morning’s Regret in 2003, and with their 2009 sophomore full-length If I Don’t Come Home You’ll Know I’m Gone and its attendant endless touring regimen, have positioned themselves as one of the country’s finest young roots-rock bands.

And after tantalizing with this Fall’s City Of Light EP, they’ll be looking to take that on-the-cusp status over the top on February 28 when their third album, an 18-track nearly-double opus 13-track regular-sized record Every Child a Daughter, Every Moon a Sun, is released. Details on the release are available over at Exclaim, as is the itinerary for their accompanying Canada-heavy North American tour. That jaunt includes a hometown show at The Opera House on April 20, tickets $15.50 in advance.

There’s no official preview track of the new album yet but this one from City Of Light, if it’s not on it, should at least point at where they’re going.

MP3: The Wooden Sky – “Angelina”

Rich Aucoin will bring his debut album We’re All Dying To Live and accompanying over-the-top live spectacle to the Drake Underground on January 13.

MP3: Rich Aucoin – “It”
Video: Rich Aucoin – “It”

Fresh off their three-night stand headlining the Phoenix, Tokyo Police Club are back in a support role having been added as openers for Foster The People at The Meadows at Downsview Park on June 19.

MP3: Tokyo Police Club – “Party In The USA”

Chart talks to Wes Marskell of The Darcys. They and The Balconies, with whom Plaid has an interview, are a couple of the acts playing this year’s edition of Edgefest, happening July 14 at Downsview Park.

So yeah, new Arcade Fire video(s) for “Sprawl 2 (Mountains Beyond Mountains)”, in conventional and interactive forms. Dance!

Video: Arcade Fire – “Sprawl 2 (Mountains Beyond Mountains)” (conventional)
Video: Arcade Fire – “Sprawl 2 (Mountains Beyond Mountains)” (interactive)

aux.tv talks to Bry Webb about life post-Constantines.

Exclaim has good news and bad news for Karkwa fans: the good is that the band are readying a double-live album – where I’d argue they’re at their best – to be recorded tomorrow night in Montreal and released next year, the bad is that it’ll be their last release for a while as they’re going on a hiatus after that. Which is reasonable – their Polaris win in 2010 made the touring cycle for Les chemins des verre (just certified gold, by the way) many times longer than they probably expected when they released it. Nice problem to have.

The Alternate Side has posted a session and interview with The Handsome Furs.

Exclaim has premiered the first track from John K Samson’s solo album Provincial, due out January 24.

Stream: John K Samson – “When I Write My Master’s Thesis”

CBC Radio 3 has posted a track-by-track live performance from Coeur de Pirate of her new album Blonde.

DIY has n interview and video session with Dan Mangan. Exclaim has also posted a couple of live session videos with the Dan.

Kathryn Calder talks the touring life with CBC Radio 3 and also to The Riverfront Times.

Diamond Rings talks about brushes with fame in the form of Beastie Boys and Katy Perry with Spinner.

Woodpigeon ends an extended – for them, at least – hiatus with the release of the For Paolo digital EP due out on January 16, presumably in advance of a full-length later next year.

The Line Of Best Fit has released their holiday edition of the Oh! Canada mix series. Download it and blast it from your car over the next two weeks.

Aaron MillerThere’s no shortage of variants on the sentiment that good things come to those who wait, but in the case of Toronto’s Darcys, keeping the faith would have been trying for the most steadfast optimists. The specifics of their long, four-year gap between their debut Endless Water and their self-titled follow-up – out today – are still best documented in this Toronto Star feature from back in March, which is also approximately when I got a finished copy of the record to preview. To reiterate: this album was finished and ready for the world in March, and probably even a while before that. And it’s only coming out today.

But to invoke another platitude, was The Darcys worth the wait? Has the band who has been carrying the mantle of potentially being the city’s next big thing for so long that other big things have already come and gone finally delivered on that promise? I give that a very qualified, “yes”. It definitely confirms them as an inordinately talented and ambitious outfit with a gift for dramatic, prog-pop songcraft. With lush keyboards, nimble, complex rhythms, intricately-arranged guitars set to chime and squall, and rough yet soaring vocals from frontman Jason Couse, their sound is evocative of turn of the century Radiohead and Elbow; certainly heady reference points and ones that set them apart from many of their peers.

So why the reservations? Because for as long in coming as this record has been, in the end it still tantalizes more than it satisfies. The Darcys excels at building and teasing out tension but for all the moments of release, be it instrumental or vocal, it doesn’t quite manage to offer that one grand moment that pulls it all together and transcends. It’s essentially what I noted when I saw them in Halifax a year ago, in thinking they were one big chorus away from stardom. That’s a lot to ask of a band, especially on what is for all intents and purposes a debut album, but great artistic ambitions come with great expectations.

That said, it’s important to again note that these songs and this record have been hanging around for a long time and might very well not reflect where The Darcys actually are, circa late 2011. I remain confident that any expectations around the band will still be realized, and possibly sooner than we might expect; to make up for the delay in getting The Darcys out, the band already have two more albums in the can and will be putting them out in the new year. If you consider The Darcys as the first instalment in a trilogy, then it becomes a much more exciting entity as it sets the stage for the sequels. And for all the extra pressure that may put on the band, one suspects that after spending so long waiting for their moment, they’ll relish the opportunity to rise to the challenge.

The Darcys is being made available for free digitally and for sale as an LP; head over to the Arts & Crafts website to download it in exchange for an email address or stream it in whole at Spinner. Additionally, the band has recorded a live video for each song from the album and I’m pleased to be able to premiere the one for the album’s lead-off track, “100 Mile House”. The others will be going up today at a variety of sites around the internet – I’ll update this post with links as I collect them, starting with Exclaim (“Glasnost”), aux.tv (“I Will Be Light”), Baeble Music (“The Mountains Make Way”), Chart (“When I Am New Again”), Spinner (“Shaking Down The Old Bones”), The Line Of Best Fit (“Don’t Bleed Me”), Absolute Punk (“Edmonton To Purgatory”), Wood & Wires (“Des Animeaux”) and CBC Radio 3 (“The Mountains Make Way”). That’s all!

The Darcys play a hometown record release show at The Horseshoe on November 18.

MP3: The Darcys – “Shaking Down The Old Bones”
MP3: The Darcys – “House Built Around Your Voice”
Stream: The Darcys / The Darcys

The Halifax Chronicle Herald, The Coast, and Aux.tv have feature interviews with Fucked Up.

The Big Takeover has an interview with Evan Abeele of Memoryhouse.

The Line Of Best Fit is streaming another new track from Kathleen Edwards’ forthcoming Voyageur, out January 17.

Stream: Kathleen Edwards – “Sidecar”

Diamond Rings has made a b-side from a tour-only 7″ for “You & Me” available to stream, a cover of Teenage Fanclub’s “Mellow Doubt”. Rather an unlikely song from an unlikely band, but I like it.

Stream: Diamond Rings – “Mellow Doubt”

Speaking of tour-only goodies, those hitting up one of Chad VanGaalen’s upcoming shows will be able to pick up one or all of eight cassette-only releases of material from the VanGaalen vaults. You can stream a sampler of the Cassette Tape Series over at Flemish Eye. VanGaalen plays The Mod Club on October 28 and there’s features at The Georgia Straight, Here and hour.

BlogTO catches up with The Balconies, who have just released their new Kill Count EP, though it’s only available at shows. Which means you’ll have to be at The Horseshoe on October 29 if you want to get a copy.

While a touch disappointed that the release of Spectral Dusk, the new record from Evening Hymns has been pushed back from this year until Spring 2012, that’s more than offset by finally being given a taste of the finished product – a new song is streaming over at Facebook.

Stream: Evening Hymns – “Asleep In The Pews”

Spin reports that Leonard Cohen will release a new studio album next year, entitled Old Ideas.

It’s not really common for books to have soundtracks, but when the book is Have Not Been The Same, the recently-reissued definitive tome on Canadian rock in the ’90s, then it’s almost a necessity. And so it is that come next month, we will have Too Cool To Live; Too Smart To Die, a tribute album featuring current Canadian acts covering songs of the book’s era, including Forest City Lovers tackling Sloan, Great Lake Swimmers saluting Grapes Of Wrath, Bruce Peninsula’s Neil Haverty reinterpreting Rheostatics and much more. A full tracklisting of who does what can be found at Radio Free Canuckistan, blog of one of the book’s authors, and the comp itself will be out digitally on November 15 and be available exclusively via Zunior with all proceeds going to support the Centre for Addiction & Mental Health in Toronto.

The Line Of Best Fit has released a special Halifax Pop Explosion edition of their Oh! Canada compilations available to download.

Frank YangOne perennial highlight – okay, for two years – of my SXSW adventures was throwing day parties where we could invite Japanese Action Comic Punk outfit Peelander-Z to wreak havoc. So it was nice to see that not only were the Peelanders in town for NXNE, but they had an all-ages afternoon show scheduled at Sneaky Dee’s on the Saturday.

I guess Toronto’s still getting used to the idea of having shows when it’s still daylight out, because the gig was only attended by a few dozen – including some kids in cute homemade Peelander t-shirts – but I suspect that even faced with an audience of one, Peelander-Z would give it their all (and make said individual very uncomfortable). The show was a little different from when they were here in September, with Peelander Pink a little more involved in the proceedings and a dance number at the end, but the chewy centre was classic Peelander with human bowling, band swapping and squid costume jump rope/limbo line amongst other shenanigans. Tonnes of fun, but I couldn’t help wondering how insane it would have been if they’d been put on at Yonge-Dundas Square, with its throngs of unsuspecting bystanders and eminently climbable stage. Maybe next time.

Spinner has a surprisingly coherent interview with Peelander Yellow.

Photos: Peelander-Z @ Sneaky Dee’s – June 18, 2011
MP3: Peelander-Z – “Tacos Tacos Tacos”
MP3: Peelander-Z – “E-I-E-I-O”
MP3: Peelander-Z – “S.T.E.A.K.”
MP3: Peelander-Z – “Rocket Gold Star”
MP3: Peelander-Z – “Champion”
MP3: Peelander-Z – “Panda Punk”
Video: Peelander-Z – “E-I-E-I-O”
Video: Peelander-Z – “Ninja High Schooool”
Video: Peelander-Z – “S.T.E.A.K.”
Video: Peelander-Z – “Mad Tiger”

Bridging the day and night programming at Yonge-Dundas Square was uber-buzz band of the hour, New York’s Cults. I’d seen them last Summer when their hype was still more of the underground variety and been somewhat underwhelmed, appreciating the style of what they were doing and some of their songs but overall felt that they were still too green to be touring the continent. Fast forward a year and their self-titled debut is garnering decent reviews and me? Still not overly impressed. Their onstage presence is better, but Madeline Follin still looks uncomfortable as a frontwoman, though maybe she was just unaccustomed to such a large stage in daylight. In any case the songs were more fully-realized and the audience was certainly responsive though anyone looking for electricity would be left wanting. Don’t get me wrong – they’re fine and all, but I find the raves they’re getting disproportionate to what they’re actually doing. And once again, I would like to point out that sadly departed Saturday Looks Good To Me did the Motown/retro-pop revival thing SO much better and more interestingly not that long ago. Every Night, people. Every. Night.

NOW, New York Magazine and NPR have feature pieces on Cults.

Photos: Cults @ Yonge-Dundas Square – June 18, 2011
MP3: Cults – “Go Outside”
MP3: Cults – “Most Wanted”
Video: Cults – “Abducted”
Video: Cults – “Oh My God”

I encouraged everyone to make Louise Burns’ Saturday gig a must-see on their schedule, and considering that between that post and the show her debut Mellow Drama was also long-listed for the Polaris, I assumed that it’d be standing-room only in Supermarket’s back room and while a decently-sized crowd showed up, sitting or even lying down was also an option. This is what you get for being scheduled against DEVO, I guess. Still, Burns and her band The Moonshiners – five players including backing vocalist – impressed those who were there with a solid set that proved that despite the innate twang of her voice, pigeonholing Burns as a retro/rootsy-type artist is really insufficient – in fact the combination of Burns’ deftly melodic basslines and the dual chiming Telecasters had me drawing Smiths comparisons; I’ll wager anything that she’s got a healthy collection of ’80s Anglo-indie at home. I’ll also wager that Burns’ star will continue to rise over the coming months – excess elbow room at her shows will not be a problem.

Photos: Louise Burns @ Supermarket – June 18, 2011
MP3: Louise Burns – “What Do You Wanna Do?”
MP3: Louise Burns – “Drop Names Not Bombs”
Video: Louise Burns – “What Do You Wanna Do?”

The final night of NXNE had no shortage of high-profile shows sure to draw big crowds and fill up early. Which is why I opted to avoid all of them and camp out in the cozy underground shelter of The Dakota Tavern to wind out the festival. Traffic woes – even on a bike – meant it took longer to get from A to B than it should have, but I still made it in time to catch most of the Smoke Fairies’ set. The London-based duo play English folk with American blues undertones built around haunting haunting harmonies and intertwined guitar lines; though quite young, they made a convincingly old sound. In between songs from their new record Through Low Light And Trees, they offered stories about being stoned on Nyquil, disturbing Ben Mulroney and visitng island petting zoos. Entertaining? Rather.

Photos: Smoke Fairies @ The Dakota Tavern – June 18, 2011
MP3: Smoke Fairies – “Strange Moon Rising”
Video: Smoke Fairies – “Living With Ghosts”
Video: Smoke Fairies – “Hotel Room”
Video: Smoke Fairies – “Strange Moon Rising”
Video: Smoke Fairies – “Frozen Heart”

I didn’t know much about the next act, Portland’s Horse Feathers, save for that they were on Kill Rock Stars and presumably decent. That would prove to be the understatement of the festival. The quartet, led by singer-songwriter Justin Ringle put on a jaw-droppingly beautful showcase of dramatically orchestrated country/folk music, the dexterity of which was remarkable for the delicacy of the arrangements. There was no way that something so intricate should have carried so much weight, and yet it did. A pity it wasn’t quite breathtaking enough to shut up some of the talkers who insisted on jabbering throughout the set, but even they couldn’t ruin the performance. Easily one of the discoveries of the festival and you can bet I now own a copy of last year’s Thistled Spring.

Photos: Horse Feathers @ The Dakota Tavern – June 18, 2011
MP3: Horse Feathers – “Thistled Spring”
MP3: Horse Feathers – “Curs In The Weeds”
MP3: Horse Feathers – “Belly Of June”
MP3: Horse Feathers – “Drain You”
Video: Horse Feathers – “Belly Of June”
Video: Horse Feathers – “Curs In The Weeds”

North Dakota’s Secret Cities were the main band that I had wanted to come to The Dakota to see, but by this point I’d rather forgotten that. Their set, showcasing their new record Strange Hearts, did a good job of reminding me of that fact. The recorded versions of their songs happily exist in a fuzzy, mid-fi state, reminiscent of the heyday of the Elephant 6, but live things have a more necessary clarity and considerably more volume, thanks to clattering double drums, layered vocals, and hooks a-plenty. A melange of almost every pop styling imaginable, they ably offset proggier inclinations with a genial goofiness and general all-around charm.

Photos: Secret Cities @ The Dakota Tavern – June 18, 2011
MP3: Secret Cities – “The Park”
MP3: Secret Cities – “Boyfriends”
MP3: Secret Cities – “Luv Crime”
MP3: Secret Cities – “On Holiday”
MP3: Secret Cities – “Bright Teeth”
MP3: Secret Cities – “PG Pt 1″
MP3: Secret Cities – “Pink City”
Video: Secret Cities – “Always Friends”
Video: Secret Cities – “Pink City”

And closing the festival out were locals New Country Rehab who, as their name might imply, were a pretty much down-home country band who didn’t need a festival as an excuse to play a honky-tonk like The Dakota. Opening with a cover of Springsteen’s “State Trooper”, they took an obvious respect for traditional country, infused with some fresh energy to say nothing of ridiculous musicianship and stopped just short of entering alt.country/country-rock territory. Just enough to get the people dancing, which they most surely did. I stuck around long enough to enjoy their take on Creedence’s “Effigy” and then called it a day/night/festival. THAT’S IT.

Spinner has an interview with the band.

Photos: New Country Rehab @ The Dakota Tavern – June 18, 2011
MP3: New Country Rehab – “Angel Of Death”

As I wrap up this year’s NXNE coverage, a few pre-festival interviews that I missed earlier, all courtesy of Torontoist – this one with The Balconies, this one with Olenka & The Autumn Lovers and this one with Snowblink.

Details on the first official Memoryhouse release from SubPop have been revealed, and it’s not going to be their debut album. Instead, their debut EP The Years has been rerecorded, remixed and remastered and had a couple extra tracks added on; it will be given wide release on September 13, presumably pushing their proper debut album back until 2012.

MP3: Memoryhouse – “Modern, Normal”

Ohbijou have announced details of their third album, entitled Metal Meets and due out on September 27. Exclaim has details and a teaser video.

NPR welcomes The Rural Alberta Advantage to their studios for a World Cafe session while Metro offers up an interview.

Chart talks to Jay Ferguson of Sloan.

There doesn’t look like there’ll be any Olympic Island concerts this year, but a just-announced free show from Sarah Harmer, Serena Ryder and Skydiggers on July 16 on Centre Island is nothing to shake a stick at. It’s part of Parks Day, presented by Parks Canada, and is – as mentioned – free. Your tax dollars at work!

Video: Sarah Harmer – “Captive”
Video: Serena Ryder – “Little Bit Of Red”
Video: Skydiggers – “I Will Give You Everything”

The Boot talks to Neil Young about his just-released archival release A Treasure.

Frank YangThere’s not a lot of cross-Canada tours that skip over Toronto, but the Exclaim/Scion-sponsored country-wide trek headlined by Shad, and for this leg also featuring fellow Polaris shortlist alumni Miracle Fortress, looked to be doing just that with Thursday night’s show at Wrongbar presented as a private show, attended by contest winners and attendees of Exclaim’s 19th anniversary party which went before the show. But it’s not as though either artist had been strangers hereabouts lately – both performed in March as part of Canadian Musicfest, and both had more upcoming local dates over the next couple of months; if you wanted to see either of them, you will still have your chances. If you wanted some of the tasty hors d’oeuvres and free beer that was being handed out to party guests… well, sorry – can’t help you there.

But if you were curious about how the show itself went, that I can comment on. I’ve already talked about how much I like Miracle Fortress’ second album, the gorgeous blend of new wave and classic pop that is Was I The Wave?, and so was pretty excited to see/hear it live armed with an intimate knowledge of its contents rather than just the one-week head start I had in March. And while this performance was pretty similar in structure and presentation to that previous show – Graham Van Pelt on guitars, keys, and general sonic sorcery and Greg Napier on drums, a few laser-lighting and strobe effects and a lot of darkness – there were a few fresh observations.

In particular, the realization that as much as Van Pelt is often characterized as preferring to studio to the stage and only touring because it’s necessary, the live Miracle Fortress experience is as intricately arranged and choreographed in its way as the record – whereas the touring incarnation of Miracle Fortress changed a fair bit over the course of promoting 2007′s Five Roses, it’s pretty clear that Van Pelt knew exactly how he wanted Was I The Wave? to be presented live. The way that the duo are able to recreate all the nuances and textures of Was I The Wave? while incorporating a few more visceral live flourishes to keep it from feeling to pre-programmed was quite impressive, as was the fact that even with all the multi-tasking he needs to manage, Van Pelt’s vocals were pitch-perfect. In short, Miracle Fortress sounded fantastic.

And while Shad is always fantastic live as a performer, you couldn’t say that his hour-long headlining set sounded fantastic. Somehow Miracle Fortress’ elaborate setup was easier to amplify than Shad’s mic, turntable and bassist because he had to fight his way through feedback, poor levels and generally muddy sound. Luckily, though, he was in a fighting mood and despite all of that, he put on the most aggressive show I’ve seen from him yet. I don’t mean that in any sort of confrontational sense – that’s not Shad’s game – but just in the amount of energy and enthusiasm he put into it. If you’ve seen him before, you know that his baseline is pretty energetic; this was better.

For his set, he drew heavily on last year’s breakout TSOL and took advantage of the city to invite some guests out; Lisa Lobsinger of Reverie Sound Revue and Broken Social Scene to reprise her parts on “Rose Garden” and Grand Analog’s Odario Williams to take lead on their track “Electric City”, on which Shad guested. But from my perspective, the most memorable guest was the hopefully drunken girl who barged her way to the front for the last few songs of the set and proceeded to writhe and gyrate all over the stage monitors like she was auditioning for a Warrant video. I’m really not sure what she was trying to accomplish – though if it was to be laughed at by the rest of the audience, the club staff and security she succeeded – but as many points as Shad scored for the rest of his set, he gets bonus for not getting distracted. Wish I could say the same but I was doing my best to not get elbowed in the head by her dance moves. Memorable, if nothing else.

BlogTO was also on hand for wasabi mashed potatoes and a review of the show. Ca Va Cool , hour.ca, The Vancouver Sun and See interview Graham Van Pelt; Was I The Wave? gets a US release tomorrow. Shad will be playing at showcase to be announced as part of NXNE and also a free Canada Day show at Metro Square as part of the Toronto Jazz Festival. Miracle Fortress will be at The Phoenix on June 9 as support for Junior Boys. Update: Shad will perform at The New Social on June 18.

Photos: Shad, Miracle Fortress @ Wrongbar – May 12, 2011
MP3: Shad – “Rose Garden”
MP3: Shad – “Yaa I Get It”
MP3: Shad – “I’ll Never Understand”
MP3: Miracle Fortress – “Raw Spectacle”
MP3: Miracle Fortress – “Have You Seen In Your Dreams”
Video: Shad – “Keep Shining”
Video: Shad – “We Myself & I”
Video: Shad – “Rose Garden”
Video: Shad – “Yaa I Get It”
Video: Shad – “The Old Prince Still Lives At Home”
Video: Shad – “I Don’t Really Like To”
Video: Shad – “Brother (Watching)”
Video: Miracle Fortress – “Maybe Lately”
Video: Miracle Fortress – “Have You Seen In Your Dreams”

DIY, Spinner and BlogTO talk to Katie Stelmanis of Austra, whose record Feel It Break is out tomorrow and who plays Lee’s Palace on May 19.

Spinner talks to Suuns, who are playing the Horseshoe on June 17 as part of NXNE.

Ottawa XPress profiles The Balconies, whose NXNE showcase goes at 1AM the evening of June 18 at Sneaky Dee’s.

Yours Truly has a stunningly-shot video performance from Basia Bulat playing a new song.

Modern Superstitions quietly rolled out a sharp new video a couple months ago. Worth a watch, as is the band themselves.

Video: Modern Superstitions – “Mercy Line”

Spinner talks to Will Whitwham of The Wilderness Of Manitoba about taking their folk-pop around the world.

Southern Souls has both audio and video from The Darcys’ show at Steam Whistle Brewing a couple weeks ago.

Five words that I never thought I’d see together – Fucked Up and Air Canada Centre (unless it was in the context of how the Leafs do on the ice). And yet Toronto’s premiere hardcore outfit will indeed be going arena-sized on August 9 when they open up for Foo Fighters. And on top of it all, Montreal pop-punkers from the ’90s The Doughboys are back together and will also be on the bill. Fun fact – my band in high school covered The Doughboys’ “Shine” because I liked playing the riff. Yes, I basically made a hash of it every time; I fail to see what that has to do with anything. Fucked Up’s David Comes To Life is out June 7 and the band have released a mini-doc video talking about the new record.

MP3: Fucked Up – “Queen Of Hearts”
Video: Foo Fighters – “Rope”
Video: Doughboys – “Shine”

Handsome Furs have made the first MP3 from their forthcoming Sound Kapital available to download without and bloodletting or having to sign up for any mailing lists. The record is out June 28.

MP3: Handsome Furs – “What About Us”

Efforts to catch Sloan’s in-store at Sonic Boom on Saturday were largely foiled thanks to the TTC, who got me there about 40 minutes later than expected. As a result, I couldn’t see anything and there won’t be much writeup beyond saying that The Double Cross continues to impress me with how top-to-bottom great it is, they’re still not nor will they likely ever be an airtight live band but that’s part of their charm and I’m going to have to hit their June 22 show at The Mod Club now. In the meantime, check out this Q&A with Patrick Pentland as the band prepare to commandeer the Magnet website for a week, this guided tour of Sloan’s rehearsal space at Metro, this review/reminiscence of the record/band from Dave Ullrich of Inbreds at Thick Specs and two more installments in their video tributes – a choral “Everything You’ve Done Wrong” and celebrities choosing their favourite Sloan albums.