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Wednesday, May 15th, 2013
Iron & Wine & Local & Natives & NXNE & TURF & shows & stuff
Craig KiefSpring is only barely here – the past few days’ weather notwithstanding – but the concert announcement machine is already making eyes at Autumn with the unveiling of a couple of pretty high profile tours coming through town when the leaves start to change and the days get shorter.
Sam Beam, the walking epitome of bearded folk music, released Ghost On Ghost – his fifth album as Iron & Wine – last month, but until now only had Spring dates in the northeast and Europe confirmed on the itinerary. Come Fall, however, he and his band will traverse much of the middle of North America – the USA and Canada both – before wrapping things up in Toronto at The Sound Academy on September 28, advance tickets $30 for general admission and $40 for VIP balcony.
The Pittsburgh Post-Gazette and New York Times have interviews with Sam Beam.
MP3: Iron & Wine – “Belated Promise Ring”
Video: Iron & Wine – “Joy”
Los Angeles’ Local Natives have already come through town once this year in support of their second album Hummingbird, but even a venue upgrade from The Opera House to The Phoenix wasn’t enough to meet demand. Hence, they’ve added a slew of dates that will take them around the planet and then some, stopping in Toronto at The Kool Haus on September 21, tickets $26.50. And if you’re thinking that you already saw them in March, know that they’ll have the quite excellent Wild Nothing along as support, touring behind last year’s Nocturne full-length and the just-released Empty Estate EP. There’s Local Natives feature pieces at The Huffington Post, Seattle Weekly, and Georgia Straight.
MP3: Local Natives – “You & I”
MP3: Wild Nothing – “Paradise”
Dialing things back to the Summer – and the festival circuit in particular – there were some updates of note over the last couple days. If you thought the otherwise comprehensive Arts & Crafts lineup for Field Trip had a conspicuous Dan Mangan-shaped hole in the lineup, you were right. And now it’s been filled by Dan Mangan himself; not just a similarly-bearded impersonator. That all goes down June 8 at Garrison Commons, and yes he’s still on the lineup for the Mumford-y “Gentlemen Of The Road Stopover” on August 23 out in Simcoe, Ontario.
MP3: Dan Mangan – “Road Regrets”
NXNE revealed a bunch more acts for this year’s festival, descending on Toronto’s clubs from June 12 to 16, including Dan Deacon (despite his coming back a few weeks later to support Animal Collective’s make-up show), Still Corners (confirming they’re still doing festival dates in addition to the June 12 date supporting CHVRCHES at The Hoxton), and a slew of Canadian acts including Wintersleep, No Joy, The Super Friendz, Gold & Youth, and more – check out the artists page for a full list of current confirmed acts. I’ve also collated some of the where and when information, but there’s no point in sharing that ever-changing information until the official schedule is posted, which won’t be long because hey – the festival is less than a month away.
MP3: Dan Deacon – “Lots”
MP3: Still Corners – “Fireflies”
MP3: Wintersleep – “Resuscitate”
The Toronto Urban Roots Fest is mostly making waves as a multi-day, outdoor festival the likes of which Toronto hasn’t seen in some time, but its club-level happenings are turning out to be just as impressive, particularly if you’ve no love of multi-day, outdoor festivals. Running concurrently with the main festival, the club series will see the likes of Frank Turner & The Sleeping Souls, Alejandro Escovedo & The Sensitive Boys, The Wooden Sky, Dawes, and The Felice Brothers amongst others playing The Horseshoe and Lee’s Palace from July 4 to 7, tickets ranging from $20 to $30 including surcharges, on sale May 23. Some who where and when information is available at the TURF website.
MP3: Frank Turner – “The Roads”
MP3: Dawes – “If I Wanted Someone”
MP3: The Wooden Sky – “Angelina”
Video: The Felice Brothers – “Ponzi”
Video: Alejandro Escovedo – “Sally Was A Cop” (live)
With their new record Planta set for a June 11 release and a new video from it just out, Brazil’s CSS have put together a North American tour that brings them to The Opera House on July 4, tickets $25.
MP3: CSS – “Hits Me Like A Rock”
Video: CSS – “Hangover”
There’s good news and bad news from the House Of Tomorrow: the good is that, with their new record Partygoing set to come out on June 4 (as well as the Memories of Love, Eternal Youth, and Partygoing. discography-collecting box set), Future Bible Heroes are undertaking a rare tour. The bad news is is that chief songwriter and personality Stephin Merritt will not be participating, though key members Claudia Gonson, Christopher Ewen, Shirley Simms, and Anthony Kaczynski will. So even without Merritt’s delicious dourness, a wonderful time should be had by all at Lee’s Palace on July 22. Tickets for that are $15.50.
Stream: Future Bible Heroes – “Living, Loving, Partygoing”
The Fly talks to Chicago’s Smith Westerns about their new record Soft Will, which will be out June 25. They’ve released the first video and rolled out a batch of tour dates via Pitchfork; the Toronto date comes July 29 at Lee’s Palace, tickets $17.
MP3: Smith Westerns – “Still New”
Video: Smith Westerns – “Varsity”
With a new album in Pura Vida Conspiracy due out July 23, everyone’s favourite – and probably only – Gypsy punks Gogol Bordello have announced a massive tour that comes to Toronto for not one but two nights – August 19 and 20 at The Danforth Music Hall. Rolling Stone has a conversation with frontman Eugene Hutz.
Stream: Gogol Bordello – “Malandrino”
Pinback are back for a date at Lee’s Palace on September 7 in support of last year’s Information Retrieved; tickets for that are $17.50 in advance.
MP3: Pinback – “Proceed To Memory”
FIDLAR – whose name stands for “Fuck It Dog Life’s A Risk”, if you were wondering – are teaming up with fellow Los Angelenos The Orwells for a Fall tour that hits The Hard Luck on October 18, tickets $13. FIDLAR released their self-titled debut earlier this year whereas The Orwells’ debut Remember When came out last year. DIY and The Clock have themselves FIDLAR features.
MP3: FIDLAR – “Cheap Beer”
MP3: The Orwells – “Other Voices”
Grantland and MusicOmh profile The National, whose new album Trouble Will Find Me is out on May 21 and who play Yonge-Dundas Square for NXNE on June 14.
It won’t be out in time for her July 13 date at The Kool Haus, but Spin has some info on Solange’s new album, which will be out this year on her own label under Sony.
Exitmusic have premiered a new video from last year’s debut Passage at NPR.
Video: Exitmusic – “White Noise”
Thursday, May 9th, 2013
Daughter and Wilsen at The Great Hall in Toronto
Frank YangThings move quickly these days; this I know and understand, and yet it still manages to astound me sometimes. The ascent of London’s Daughter, for example. It wasn’t much over a year ago that the trio was still largely unknown, only getting on my radar by old-fashioned word of mouth and becoming one of my favourite discoveries of SXSW 2012. When they came around to make their Toronto debut last October – still a ways off from releasing their debut album or making any real promotional push – they still managed to sell out The Drake, albeit with the help of a fairly buzzy supporting bill. Still, that was a pretty good tip off that by the time the band returned on Tuesday evening, just a week after the domestic release of If You Leave, the only surprise would be not that they had sold out the much larger Great Hall, but that they hadn’t moved the show to even bigger environs.
Benefitting from the packed house were Wilsen, a band of Americans fronted by Englishwoman Tamsin Wilson who were really as good of a RIYL pairing for Daughter as you could hope to find. Their dark, atmospheric folk music came from a similar place as the headliners, but distinguished themselves with a tonally lighter touch, not to mention Wilson’s whistling skills and guitarist Johnny Simon Jr’s penchant for playing his guitar with coffee cans, tobacco tins, whatever. Unexpected and quite effective was a stately cover of Grimes’ “Oblivion”, and by the close of their 40-minute set, many new fans were made and a more than a few copies of last year’s mini-album Sirens were sold.
I don’t think I’m the only one who, to some degree, conflates a band’s sound with their appearance. In Daughter’s case, it’s hard not to compare their sound to frontwoman Elena Tonra’s appearance: beautiful, elegant, and demure, yet with an unquestionable strength and steeliness just under the surface. They’re traits evident throughout If You Leave, which bolsters Tonra’s gorgeous vocals and emotionally raw songwriting with Igor Haefeli’s billowing guitarwork and Remi Aguilella’s subtly powerful percussion to become something expansive, yet intimate. It’s an aesthetic that fits very well with that of their European label 4AD, and that’s the context in which I tend to think of them. In North America, however, they’re on Glassnote and if you’ve no idea what difference that makes, well I didn’t give it a second thought either, until Tuesday night.
Glassnote may not have the history and personality of 4AD, but they do know how to reach the Mumford & Sons demographic. And when, midway through the set during “Landfill”, much of the room loudly sang along with “I want you so much/but I hate your guts”, did I realize that this was a Mumford audience – surprisingly young, definitely excitable, and preferring to experience the music as a boisterous community. Tonra’s songs might be delivered like a private and intensely personal conversation, but they were being shouted and cheered back. It wasn’t necessarily off-putting – okay a little – but it certainly recontextualized my experience of the songs; rather than enveloping me completely, they now needed to act as a sort of barrier to shut out the background noise.
Tonra herself may have seemed taken aback by the intensity of their reception – her “thank you”s were almost inaudible squeaks – but seemingly happily so. Opening with Leave closer “Shallows”, Daughter sounded as brilliant as ever, mixing material from the album with selections from the Wild Youth and His Young Heart EPs. The band was bolstered by a utility player on bass, guitar, and keys, but even with those extra hands, the show had no shortage of instrument swapping; their sound might be skeletal, but it’s arranged precisely and impeccably so.
Only during “Winter” were the band really knocked off their game, as The Great Hall’s lighting rig seemed to pick up a poltergeist, going from black to blinding and causing Tonra to crack up several times (Haefeli was visibly less amused), though to their credit they finished the song, even though ditching would have been totally understandable, and both stage lights and band pulled it back together to wrap up the set with a crashing, cathartic “Home”. A satisfying show, but one that left me wondering if I’d choose to see them again next time in an inevitably bigger room, or if staying home, alone, with the curtains drawn and the record turned up might not be more the Daughter experience I’d prefer.
Photos: Daughter, Wilsen @ The Great Hall – May 7, 2013
MP3: Daughter – “Love”
Video: Daughter – “Still”
Stream: Wilsen – “Dusk”
Stream: Wilsen – “Anahita”
Soundcheck WNYC is streaming a radio session with Little Boots, while Consequence Of Sound has an interview.
Sweden’s Club 8 are streaming another new song from their forthcoming album Above The City, out May 21.
Stream: Club 8 – “I’m Not Gonna Grow Old”
Cheers to Frightened Rabbit for keeping alive the tradition of releasing their singles as proper EPs with b-sides and bonus tracks and the like. Case in point – the next single from Pedestrian Verse will be Late March, Death March, and DIY has details on the EP for it that’ll be out on June 4.
The Guardian asks Romy from The xx about her experiences playing festivals; they play a sorta-fest at Downsview Park on June 6 with Grizzly Bear.
Stereogum has premiered a new track from Swedish electro act Kate Boy, who are making their Toronto debut at Wrongbar on June 9.
Stream: Kate Boy – “The Way We Are”
Interview has a feature on Palma Violets, who were just here last week but are back August 3 as part of the Grove Fest at Garrison Commons.
The Alternate Side has an interview and session with Phoenix, who are headlining the aforementioned Grove Fest on August 3.
NPR has a World Cafe session with Nick Cave & The Bad Seeds, who’ve premiered their new video from Push The Sky Away – recorded at their Los Angeles concert this past March – at Rolling Stone.
Video: Nick Cave & The Bad Seeds – “Mermaids”
David Bowie has released the video for the title track of his latest The Next Day, and proves not only that he can still cause plenty of controversy, but that he’s got much cooler friends than pretty much everyone else.
Video: David Bowie – “The Next Day”
Ólafur Arnalds has a new video from For Now I Am Winter, and NPR is streaming a live concert by Arnalds wherein he and an orchestra performed the whole of the new album live in New York earlier this Spring.
Video: Ólafur Arnalds – “Only The Winds”
Stereogum has premiered the new video from The Mary Onettes’ latest Hit The Waves.
Video: The Mary Onettes – “Don’t Forget (To Forget About Me)”
A Music Blog, Yea has an interview with Mystery Jets.
Tuesday, April 30th, 2013
Because there is a Neutral Milk Hotel reunion, I don’t even need to try today.
Will WestbrookGuys, in case it wasn’t obvious, running a music blog that tries to update daily is hard work. So when something comes down the wire like, oh, a Neutral Milk Hotel reunion, it’s not the sort of low-hanging fruit one passes up, even if everyone and their mother is reporting it. And so even though you’ve surely already heard, Jeff Mangum – having confirmed via his 2011 solo tour that people do indeed still care about his old band – has gotten Scott Spillane, Julian Koster, and Jeremy Barnes to reform the In The Aeroplane Over The Sea lineup and commit to tour dates this Fall.
Presently, those tour dates number only five – two predictably at the 40 Watt Club in the band’s hometown of Athens, Georgia, one reasonably in Asheville, North Carolina, and two more bizarrely in Tokyo and Taipei. More will surely follow – one doesn’t open the door to something of this magnitude to just immediately shut it – but certainly not before those Athens dates in late October. And might this be paving the way for some new recordings…? Hey, one internet-breaking announcement at a time, alright?
MP3: Neutral Milk Hotel – “Holland 1945″
MP3: Neutral Milk Hotel – “Song Against Sex”
PopMatters talks to Tobin Sprout of Guided By Voices about their fourth post-reunion full-length English Little League, out as of today.
She & Him have let NPR stream their new album, the cryptically-titled Volume 3, a week before it comes out on May 7. They kick off the Toronto Urban Roots Fest at Garrison Commons on July 4.
Stream: She & Him / Volume 3
Spinner has a feature interview with Charles Bradley, who leads his Extraordinaires into The Phoenix on May 11.
Consequence Of Sound has details on a new Wild Nothing EP entitled Empty Estate due out May 14, a video from which has been made and released into the wild.
Video: Wild Nothing – “A Dancing Shell”
Spinner talks to the Berninger family about the Mistaken For Strangers documentary about The National, which features and was directed by brothers Matt and Tom. The new National album Trouble Will Find Me is out May 21 and they play Yonge-Dundas Square for NXNE on June 14.
Though he’s mainly focusing on his new record The Low Highway, as in this interview with Spinner, Steve Earle talks to Billboard about revisiting his past with the release of a box set collecting Train A Comin’, I Feel Alright, and El Corazon – the albums that got me obsessed with Earle in the first place – as well as a live album in Live at the Polk Theater and a live DVD in To Hell and Back, circa 1995 and 1996 respectively. The five-disc Steve Earle: The Warner Bros. Years set will be out June 25 and you can stream one of the Polk Theatre tracks below.
Stream: Steve Earle – “The Devil’s Right Hand”
The Fly has a feature interview with Parquet Courts, coming to town for a gig at The Horseshoe on July 17.
Of Montreal took to Kevin Barnes’ Tumblr to announce the completion of their new album Lousy With Sylvainbriar, scheduled for release this Fall.
Janelle Monáe talks fashion with MTV Hive. Her new album The Electric Lady is due out sometime this year.
In conversation with Spin, TV On The Radio reveal they’re working on a new album and it won’t be for Interscope.
NPR has a video stream of The Flaming Lips performing Yoshimi live, in its entirety, back at SXSW in March.
Yours Truly has a video session with Caitlin Rose.
The Black Angels stop in at The Alternate Side for a video session and interview.
NPR chats with Sam Beam of Iron & Wine.
Tuesday, April 23rd, 2013
Bob Dylan, Wilco, My Morning Jacket, and Richard Thompson team up for shenanigans and misadventures
John ShearerThe era of the touring festival has by and large given way to massive destination and regional festivals – it seemingly being easier to bring a bunch of bands and tens of thousands of fans to one place than it is to bring a bunch of bands to hundreds of thousands of fans in a bunch of places – but sometimes a touring bill is so impressive that it warrants a fancy name of its own. And the bill of Bob Dylan, Wilco, My Morning Jacket, and Richard Thompson which will be hitting amphitheatres across North America this Summer is one of those bills; ergo “AmericanaramA”.
Even though he’s the headliner and by far the biggest act – though if there was justice in the world, Thompson wouldn’t be far behind – Dylan is also the biggest question mark on the lineup. As I mentioned last Summer when the Fall tour in support of his latest album Tempest, Dylan is not someone who suffers nostalgiasts lightly and based on the tweets I saw the night of that Air Canada Show about people walking out after just a few songs, his penchant for rendering his songs nigh unrecognizable live remains undiminished. So caveat emptor, but also know that each of Wilco, My Morning Jacket, and Richard Thompson are also absolute known quantities at the other end of the spectrum – they’re incapable of putting on a bad show, even if they’ll most likely be allotted much less than their usual marathon set times.
So whether that math is persuasive enough to convince you to shell out the $49.50, $69.50, or $89.50 for reserved seats or $35.50 for lawns to see them at The Molson Amphitheatre on July 15 is between you and your accountant. But don’t forget to factor in the cost of an “AmericanaramA” t-shirt. The presale goes
Saturday, April 27 Tuesday, April 30, at 10AM, with the regular onsale following on Friday, May 3, at 10AM.
MP3: Bob Dylan – “The Times They Are A-Changin’”
MP3: Wilco – “Whole Love”
MP3: My Morning Jacket – “Heartbreakin’ Man”
MP3: Richard Thompson – “The Sights & Sounds Of London Town”
Austin shoegaze aficionados Ringo Deathstarr have made a date at The Shop Under Parts & Labour for June 3 in support of their second album, last year’s Mauve. Tickets for the show are $7 in advance.
MP3: Ringo Deathstarr – “Imagine Hearts”
Aussie-fronted Swedish electro-pop up-and-comers Kate Boy have slated a short North American tour that includes a Toronto stop at Wrongbar on June 9. Tickets are $12.50 and if you need to catch up on some of the buzz behind them, there are these features at Pitchfork and Billboard.
MP3: Kate Boy – “Northern Lights”
Video: Kate Boy – “In Your Eyes”
Video: Kate Boy – “Northern Lights”
There was both curiosity and concern when London’s Still Corners canceled their North American tour in support of the forthcoming Strange Pleasures, out May 7, and the reasons for the itinerary change was made clear yesterday – instead of headlining their own Summer tour, they will supporting CHVRCHES on theirs. Exclaim has the new dates, which still include a Toronto date – June 12 at The Hoxton – but raises questions about their participation in NXNE. On one hand, even though that CHVRCHES date falls on the first night of the festival, there’s no sign that it will be associated with it at all – get your $16 ticket while you can – but on the other hand, they’ve got two off days before they need to be in Montreal so there’s technically no reason that their previously-announced June 14 NXNE showcase can’t still happen. Anyways.
MP3: Still Corners – “Berlin Lovers”
With a new album out in Change Becomes Us, British post-punk legends Wire will be at Lee’s Palace on July 10, tickets $25. There’s interviews with the band at Rolling Stone, PopMatters, and Rock Cellar.
MP3: Wire – “Dot Dash” (live)
Born Ruffians will be playing a presumably free show at Harbourfront Centre on July 13 as part of their Sound Clash festival thing.
MP3: Born Ruffians – “Sole Brother”
Guelph’s Hillside Festival announced their 2013 lineup this year, and if you were interested in seeing the likes of Fucked Up, Colin Stetson, Diamond Rings, Hayden, Jim Guthrie, Lee Ranaldo, METZ, The Sadies, Yamantaka//Sonic Titan, or World Party (!) with easy access to swimming, camping, and drum circles, then Guelph Lake the weekend of July 26 to 28 is probably where you want to be. If you hate hippies, you may want to reconsider.
Further cementing the possibility that he might just be homeless, Josh Tillman will bring Father John Misty back to town for his fifth show in 15 months, this time headlining the Danforth Music Hall on August 3 with Minneapolis’ Night Moves as support. Tickets will run from $15.50 to $19.50, depending on floors or balcony.
MP3: Father John Misty – “Nancy From Now On”
MP3: Night Moves – “Headlights”
With the new Guided By Voices album English Little League out next week, April 30, the five lead-up 7″ singles have been conveniently collected into a single Soundcloud playlist, and while The Quietus has collected all of the b-sides, as well.
Stream: Guided By Voices / English Little League sampler
Stream: Guided By Voices / English Little League b-sides
Deerhunter have put their new album Monomania up on NPR to stream before it comes out May 7.
Stream: Deerhunter / Monomania
MTV Hive talks to Robert Levon Been of Black Rebel Motorcycle Club about his relationship with his late father. BRMC are at The Kool Haus on May 9.
Exclaim, Creative Loafing, The Island Packet, and Charleston City Paper interview Charles Bradley, in town at The Phoenix on May 11.
Mudkiss checks in with Nicole Atkins, who continues work on her third album Slow Phaser, due out later this year.
Janelle Monáe has made the first track from her new album The Electric Lady available to stream, and Erykah Badu has helped her do it. The record is due out later this year.
Stream: Janelle Monáe (featuring Erykah Badu) – “Q.U.E.E.N.”
CBC Music and Exclaim have interviews with Steve Earle about his new album, The Low Highway.
Sam Beam of Iron & Wine discusses his new album Ghost On Ghost with Clash.
Elle profiles Kim Gordon of Sonic Youth, covering topics including her brush with breast cancer, the end of her marriage to Thurston Moore, and what’s next.
Chan Marshall of Cat Power discusses her personal style with MTV Style.
As much as I love Galaxie 500, they’ve never struck me as a band that required multiple books to be written about them. Of course, Dean Wareham’s Black Postcards obviously had its bias, so maybe Temperature’s Rising – Galaxie 500: an oral and visual history – released last week and featuring input from all three members – will be more balanced and accurate. And if not, it will at least be larger and offer more pictures.
Thursday, April 18th, 2013
Widowspeak and The Auras at The Garrison in Toronto
Frank YangObjectively speaking, there’s not a world of difference between Widowspeak’s 2011 self-titled debut or the follow-up Almanac, released in January of this year. You can file them both quite comfortably under “the soundtrack to dreams of dusty country roads”, not too far from lazy but not inaccurate reference points Mazzy Star and Cat Power, but something about Almanac grabs me the way that Widowspeak, as much as I dug it, didn’t. And it’s not something as simple as they’re getting more dynamic or rocking out harder, as refresher listens to their debut confirm there’s no shortage of volume spikes amidst the sleepiness. There’s just something more present, more assured, in Almanac‘s grooves – like lucid dreaming versus wake-walking. Whatever it is, I love it, and so their show at The Garrison on Monday night – their first non-festival headline date in Toronto – was a must-go on my calendar.
Local support came from The Auras, signed to Toronto’s Optical Sounds and labelmates with B-17, whom I’d just seen just a few days earlier; if there’s some sort of shadow conspiracy to get me more attuned with the city’s psych-pop scene… then it’s working. Mind you, The Auras didn’t impress the same way that B-17 did, but they’re not really built to. Comprised of fresh-faced youngsters rather than scene veterans, they were a bit of a mish-mash visually – a mass of paisley, headbands, shaggy hair, tassels, and with half the six-piece band in sunglasses, all bathed in their a bring-your-own light show. Sonically, they felt more like a a psychedelic jam session, rotating through four lead vocalists and possessing more of vague mandate to sound like a more shambolic, polite Black Angels than a firm mission statement. Understand that this is not a complaint, but actually more a point of envy. Having a group of like-minded players to jam, gig, and record with sounds like the best thing ever, actually.
I saw Widowspeak twice last year – in the same room at NXNE and a few months earlier at SXSW – but this time there was a new rhythm section in place and a fifth member in the fold on guitar and keys. The heart of the band, however – Molly Hamilton and Robert Earl Thomas – were still there, ever front and centre. Opening with Almanac leadoff “Perennials”, the template for the show was quickly established – Hamilton serenely cooing into the mic while Thomas got to play the role of guitar hero, although he would have been more effective at it had his guitar not been the quietest of the three on stage; a little more volume would have helped his leads achieve the prominence they deserved and might also have quieted the reasonably-sized if disproportionately chatty crowd audience.
As the show progressed, the chatter either diminished or the genuinely interested moved up to the front – in either case, they were drawn in by the performance, which maintained the same basic rhythm through the better part of an hour, offering a good mix of Almanac and Widowspeak material though sadly omitting two of my favourite new songs, “Devil Knows” and “Spirit Is Willing”. They did shift gears slightly towards the end with a cover of Chris Isaak’s “Wicked Game” – yeah, having Hamilton wrap her voice around it is a bit on the nose, but still gorgeous – and a keyboard-led “Thick As Thieves”, before closing with a relatively raucous “Ballad Of The Golden Hour” and “Harsh Realm”. An encore wasn’t a foregone conclusion, but Hamilton was enticed to come back out for a final number, a reading of “Limbs” done solo because the rest of the band didn’t know how to play it, and were also busy selling merch off to the side. A modest finale to a modest yet wholly enjoyable show.
Iamnosuperman and Good Times have interviews with Robert Earl Thomas and The Riverfront Times chats with Molly Hamilton while El Paso What’s Up talks to both.
Photos: Widowspeak, The Auras @ The Garrison – April 16, 2013
MP3: Widowspeak – “Ballad Of The Golden Hour”
MP3: Widowspeak – “Sore Eyes”
MP3: Widowspeak – “Gun Shy”
MP3: Widowspeak – “In The Pines”
MP3: Widowspeak – “Devil Knows”
MP3: Widowspeak – “Harsh Realm”
Video: Widowspeak – “Locusts”
Stream: The Auras / The Auras
Not necessarily enough show announcements this week to devote a post, but still a few things of note. Seattle’s Cave Singers will bring their new album Naomi – released last month – to town for a show at The Horseshoe on June 17, tickets $15. There’s a feature on the band at 85-26.
MP3: The Cave Singers – “Black Leaf”
MP3: The Cave Singers – “Swim Club”
California’s Rogue Wave are back with a new record in Nightingale Floors coming out on June 4, and are teaming up with Brooklyn’s Caveman, who just released their second self-titled album, for a Summer tour that hits The Mod Club on June 25, tickets $18.50/.
MP3: Caveman – “Easy Water”
Stream: Rogue Wave – “College”
Another bi-coastal bill will team Californian psych-pop outfit Woods, still working last Fall’s Bend Beyond, with New York ’90s indie rock revivalists Parquet Courts and their debut Light Up Gold for a date at The Horseshoe on July 17, tickets $15.50.
MP3: Woods – “Wind Was The Wine”
MP3: Parquet Courts – “Borrowed Time”
Los Angeles’ Julia Holter brings last year’s Ekstasis to The Drake on July 17, tickets $16.50.
MP3: Julia Holter – “In The Same Room”
Consequence Of Sound, Spinner, Vulture, and Spin talk to Thermals frontman Hutch Harris and PopMatters to drummer Westin Glass about their just-released new record Desperate Ground, and they also talk to The AV Club and Clash respectively about action movies. The Thermals are at The Horseshoe on May 21.
MTV Hive and Stereogum have features on The Yeah Yeah Yeahs, whose new record Mosquito arrived this week.
Interview and The Victoria Times-Colonist talk to Sam Beam about the new Iron & Wine album Ghost On Ghost.
PopMatters, eMusic, Forbes, and Spin have features on The Flaming Lips and their new album The Terror.
The National Post talks to Steve Earle about his latest The Low Highway.
Ra Ra Riot is streaming the single they’ll be releasing for Record Store Day this Saturday via T Magazine. The Alternate Side also has a session with the band, who are here on May 25 at The Sound Academy supporting The Shins, then back for the Field Trip fest at Garrison Commons on June 8.
Stream: Ra Ra Riot – “All I Fear”
Stereogum has a stream of The Hold Steady’s contribution to this week’s Game Of Thrones closing credits, while Wired examines the intersection of the kingdoms of Westeros and the world of indie rock. The Hold Steady are here as part of the Toronto Urban Roots Fest on July 6 at Garrison Commons.
Stream: The Hold Steady – “The Bear & The Maiden Fair”
NPR has a Tiny Desk Concert concert with Yo La Tengo, one of the names at the final day of the Toronto Urban Roots Fest at Garrison Commons on July 7.
Kurt Vile is also playing TURF Sunday; Noisey has an interview with him about being a rocker parent rocker.
Janelle Monáe dishes a bit to Billboard about her long-awaited second album The Electric Lady, due out later this year.
Stereogum have premiered the new video from Low’s The Invisible Way.
Video: Low – “Just Make It Stop”
Okkervil River’s Will Sheff has squeezed another video out of his Lovestreams side-project.
Video: Lovestreams – “There’s Video”
NPR welcomes Local Natives for a World Cafe session.